Edward Saxon Movies

When slacker thirtysomething couple Burt (John Krasinski) and Verona (Maya Rudolph) discover that his parents are moving overseas, the duo -- who expect their first child in a few months -- set off on a cross-country tour to figure out where they should lay down some roots in Sam Mendes' poignant comedy Away We Go. They visit a number of different cities, and meet with a different friend or family member's family at each stop. Their hosts include a set of emotionally detached parents (Allison Janney and Jim Gaffigan), a pair of overprotective new-age parents (Maggie Gyllenhaal and Josh Hamilton), and old college pals (Chris Messina and Melanie Lynskey), who have adopted a number of kids. Novelist Dave Eggers wrote the script with Vendela Vida. ~ Perry Seibert, All Movie Guide

The creative team behind Being John Malkovich -- director Spike Jonze and screenwriter Charlie Kaufman -- return with this equally offbeat comedy, in which Kaufman himself becomes the leading character. Charlie Kaufman (Nicolas Cage) is a gifted but profoundly neurotic screenwriter who, after the success of Being John Malkovich, has been hired to write a script adapted from the nonfiction book The Orchid Thief by Susan Orlean. But while Charlie is obsessive about his work, he's also intensely paranoid, given to deep depression, socially inept, and terrified of talking to women, qualities which are making it difficult to get on with his work or hold on to his tenuous relationship with girlfriend Amelia (Cara Seymour). Meanwhile, Charlie's identical twin brother, Donald Kaufman (also played by Cage), has shown up to move in with his brother. Emotionally, Donald is Charlie's polar opposite -- a loudmouthed, over-confident, superficial party animal who has an easy way with the ladies. Donald has decided to follow his brother's footsteps and take up screenwriting as well, but embracing the dictates of screenwriting tutor Robert McKee (Brian Cox), he's cranking out a cliché-ridden serial-killer thriller when not busy making time with new girlfriend Caroline (Maggie Gyllenhaal). As Donald blazes through his screenplay, Charlie slowly picks away at his story, in which author Susan Orlean (Meryl Streep) chronicles John Laroche (Chris Cooper), a scruffy but devoted plant enthusiast who tries to save rare species of orchids by stealing them from their natural home in the swamps of Florida. As John and Susan become better acquainted, they find themselves attracted to one another; similarly, Charlie finds himself increasingly fascinated with Susan, and finds himself falling in love with her, even though he's only seen her photo on the dust jacket of her book. Charlie arranges to meet Susan, but is too nervous to confront her face to face, so he sends Donald (who has just scored a seven-figure deal for his script) in his place, while he attends a screenwriting seminar held by McKee. Adaptation also features Tilda Swinton, Judy Greer, and Stephen Tobolowsky. ~ Mark Deming, All Movie Guide

In this downbeat drama, a reformed criminal finds himself led back to a life of crime. Fresh out of prison, former safecracker Victor Kelly (Christopher Walken) wants to support his daughter Miriam (Vera Farmiga) and Aunt Dierdre (Anne Pitoniak) with his new career in auto repair. But Victor's deep in debt, and he's in no position to say no when he and his Irish gangster cousin Michael (Peter McDonald) hook up with two security guards (Jose Zuniga and (Donal Logue) looking for someone who can open a safe. The Opportunists was written and directed by Myles Connell in his feature debut; the supporting cast includes pop singer Cyndi Lauper as Victor's girlfriend. ~ Mark Deming, All Movie Guide

Peter Fonda received a richly deserved Oscar nomination for his superb performance as Ulysses "Ulee" Jackson, a Florida beekeeper forced to put his splintered family back together. Ulee is a Vietnam veteran whose wife died several years ago, a blow he's still learning to live with. His son Jimmy (Tom Wood) is in prison, and his daughter-in-law Helen (Christine Dunford) ran away, leaving Ulee to raise their two daughters by himself. Ulee is a quiet man who has a hard time displaying warmth and does not always deal well with the rebellious children put in his care. But he possesses an intense inner strength and a firm sense of loyalty and responsibility. One day Ulee gets a call from Jimmy; he's received word that Helen has fallen in with a pair of drug dealers and is in sad shape. While he doesn't much care for the idea, Ulee heads out to rescue her, only to discover the men who have her were Jimmy's partners in the robbery that put him behind bars; they threaten Ulee by saying if they're not given the $100,000 Jimmy has stashed away, they'll come after his daughters. Meanwhile, Ulee is forced to deal with Helen's painful withdrawal from drugs; he gets some help from Connie (Patricia Richardson), a divorced nurse who has recently moved into the neighborhood and seems to understand Ulee's lonely stoicism. Written and directed with subtle intelligence by Victor Nuñez, Ulee's Gold is a moving story about the trials and responsibilities of family ties, with Peter Fonda leading a fine cast that delivers uniformly impressive work. ~ Mark Deming, All Movie Guide

Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film, though tinier in scope than his previous rock-film effort, Stop Making Sense(1984), featuring Talking Heads. Setting up a stage in a New York storefront, Hitchcock plays with his back to the glass, while an audience looks on inside and passersby view the action through the window; it's not much different from what happens at a live Hitchcock show, aside from the window. In his clear voice, Hitchcock preambles his songs with explanations so long they are like mini-films themselves; he even rambles about his practice of rambling! Delivered with Hitchcock's unnerving deadpan wit and complex guitarwork, after over an hour of pure music and plenty of close-ups, it's unclear what Demme was after -- to convert the world into Hitchcock fans, or to reveal a man behind the madcap moods and masks he dons throughout his performances? ~ Denise Sullivan, All Movie Guide

Tom Hanks made his directorial debut in this bright comedy set in the mid-1960's about a rock group and their brief fling with fame. Guy Patterson (Tom Everett Scott) works as a salesman at his father's appliance store and plays the drums in his spare time, fancying himself a jazz musician. One day, a buddy of Guy's tells him a local rock band, The One-Ders (it's pronounced "wonders"), are in need of a drummer -- they have Battle of the Bands coming up and their usual timekeeper has broken his arm. Guy agrees to sit in, but when it's time to play their best original, a love ballad called "That Thing You Do," Guy lays in a sharp, driving beat that turns the tune into an uptempo pop-rocker. Lead singer Jimmy (Johnathon Schaech) isn't happy at first, but guitarist Lenny (Steve Zahn) and the nameless Bass Player (Ethan Embry) think the song sounds better that way -- and they notice the girls like it just fine. Soon people are actually requesting the song at their shows, and the One-Ders scrape together some money to press a single of "That Thing You Do" to sell between sets. A DJ puts the song on the radio, and opportunity knocks in the form of Mr. White (Tom Hanks), who works for the very major Play-Tone Records label. Play-Tone buys the rights to "That Thing You Do" and puts the band on the road as their song makes it way to the top of the national charts. But what can The Wonders (as Play-Tone have re-named them) do for an encore? And what should Guy do about his infatuation with Jimmy's girlfriend, Faye (Liv Tyler)? Real-life 60's obsessed rocker Chris Isaak has a small part as a recording engineer, and fans of real 60's garage bands will appreciate the wealth of small, accurately observed details (for example, halfway through the film, when a few "That Thing You Do" royalty checks have presumably kicked in, the band's inexpensive Danelectro guitars disappear and the Wonders are suddenly playing on brand new Fender gear -- the height of rock style in 1965). ~ Mark Deming, All Movie Guide

Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, All Movie Guide

Episcopal priest Robert Castle is the subject of this documentary, whose title refers to his relation to the film's director, Jonathan Demme. Best-known for his Oscar-winning work on Silence of the Lambs (released the same year as this film), Demme is no stranger to nonfiction filmmaking, with one of the great rock concert films Stop Making Sense on his filmography. He had lost touch with his cousin for many years, so making this film was an excuse to get reacquainted. Castle was born in 1929 in Jersey City, where he was assigned to his first parish, St. John's, in 1960. As the racial makeup of his parish slowly changed from mostly white to mostly black, Castle became a lightning rod for the burgeoning civil rights movement, taking to the streets during one of the long hot summers of the mid-'60s to calm his parishioners and prevent a full-scale riot. The church hierarchy was not in tune with his activism, so he dropped out of the priesthood in the '70s and moved to Vermont to raise his family. He had trouble finding work because of his alleged connections to radical groups such as the Black Panthers, so he returned to the church, to serve as pastor of St. Mary's in Harlem. Demme shows his cousin speaking out at a neighborhood rally, leading protests to have a giant pothole at 125th Street and Broadway filled and a stoplight installed at another intersection near a school, and joining the family for a reunion at his former farm in Vermont. Castle comes off as a genuinely idealistic and committed man in this informal yet loving portrait. ~ Tom Wiener, All Movie Guide

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter's slow-motion interrogation of Clarice and of her memories that emerge from it. ~ Mark Deming, All Movie Guide

Michelle Pfeiffer is Married to the Mob in this comedy. The wife of Mafia hitman Alec Baldwin, Pfeiffer regularly chastizes her husband for his underhanded line of work. Baldwin refuses to entertain any thoughts of quitting the mob-and besides, he's got a good thing going with Nancy Travis, the promiscuous girl friend of gang boss Dean Stockwell. When Stockwell catches on to Travis' peccadilloes, he murders both his mistress and the unlucky Baldwin. At Baldwin's funeral, Stockwell is overwhelmed by Pfeiffer's beauty, and immediately begins plying her with expensive gifts. But Pfeiffer is through with this sort of thing, and with her young son in tow, she leaves town, hoping to start life anew. Upon making the acquaintance of bumbling, seemingly sincere Matthew Modine, Pfeiffer is convinced that Modine is just another mob flunkey. But it's even worse: Modine is an FBI agent, ordered to get to Stockwell by using Pfeiffer as bait. Reluctantly (he's grown quite fond of her himself), Modine blackmails Pfeiffer into setting up a rendezvous with Stockwell. ~ Hal Erickson, All Movie Guide

A wildly inventive and entertaining comic nightmare from former Roger Corman prodigy Jonathan Demme (The Silence of the Lambs), this screwball odyssey is a ride to remember. Jeff Daniels plays clean-cut New York bond trader Charlie Driggs, who accepts a ride home from a strange but attractive lower-class woman named Lulu (Melanie Griffith). The sexy Louise Brooks lookalike doesn't take him home, but shanghais him for a bizarre roadtrip to Virginia that includes kinky bondage sex, destruction of property, and robbery. Things get stranger when Lulu tells Charlie that her real name is Audrey and takes him home to meet her mother, asking him to pose as her husband. The charade continues until her high-school reunion, where the roadtrip (and the entire film) takes a sharp U-turn into psycho-thriller territory. Audrey's dangerously psychotic ex-con husband, Ray Sinclair (Ray Liotta), shows up. What had been a liberating fling for Charlie turns into a bloody and vicious battle for survival. ~ Robert Firsching, All Movie Guide