Walter Salles, Jr. Movies

Motorcycle Diaries director Walter Salles Jr. helms this story of a band of brothers intent on getting out of the Brazilian ghetto in a Media Rights Capital production. Co-directing is Daniela Thomas, from a script she wrote with George Moura (Moro No Brasil) and Salles. ~ Jeremy Wheeler, All Movie Guide

Part of the anthology Paris, Je T'Aime, this short comes from directors Walter Salles and Daniela Thomas. Starring Catalina Sandino Moreno, Loin du 16ème concerns a South American immigrant nanny who, on a daily basis, must leave her infant in day care, trek off to a neighborhood far away, and care for her employer's baby. Alexander Payne and Tom Tykwer are among the other directors who contributed films to Paris, Je T'Aime. ~ Matthew Tobey, All Movie Guide

Twenty acclaimed filmmakers from around the world look at love in the City of Lights in this omnibus feature. Paris, Je T'Aime features 18 short stories, each set in a different part of Paris and each featuring a different cast and director (two segments were produced by two filmmakers in collaboration). In "Faubourg Saint-Denis," Tom Tykwer directs Natalie Portman as an American actress who is the object of affection for a blind student (Melchior Belson). Christopher Doyle's "Porte de Choisy" follows a salesman (Barbet Schroeder) as he tries to pitch beauty aids in Chinatown. Nick Nolte and Ludivine Sagnier are father and daughter in "Parc Monceau" from Alfonso Cuarón. Animator Sylvain Chomet turns his eye to a pair of living, breathing mimes in "Tour Eiffel." An interracial romance in France is offered by Gurinder Chadha in "Quais de Seine." In "Le Marais" from Gus Van Sant, a man (Gaspard Ulliel) finds himself falling for a handsome gent (Elias McConnell) who works in a print shop. Isabel Coixet tells the tale of a man (Sergio Castellitto) who is making his final choice between his wife (Miranda Richardson) and his lover (Leonor Watling) in "Bastille." Juliette Binoche plays a grieving mother in Nobuhiro Suwa's "Place des Victoires," in which she's greeted by a spectral cowboy (Willem Dafoe). Richard LaGravanese's "Pigalle" finds a long-married man (Bob Hoskins) turning to a prostitute for advice on pleasing his wife (Fanny Ardant). Gérard Depardieu and Frédéric Auburtin direct Gena Rowlands and Ben Gazzara as longtime marrieds meeting for one final pre-divorce encounter in "Quartier Latin." Steve Buscemi learns a lesson about local etiquette in the Paris Metro in "Tuileries" from Joel and Ethan Coen. In "Loin du 16ème" by Walter Salles, a housekeeper (Catalina Sandino Moreno) longs for her own child as she tends to the infant of her wealthy employer. Elijah Wood stars in "Quartier de la Madeleine," a vampire tale from Vincenzo Natali. Wes Craven presents another fantasy in "Père-Lachaise," in which an engaged young man (Rufus Sewell) receives romantic advice from the spirit of Oscar Wilde (Alex Payne). A postal worker from Colorado (Margo Martindale) shares her thoughts on her visit to Paris in mangled French in Alexander Payne's witty "14th Arrondissement." Other segments include "Place des Fêtes" from Oliver Schmitz, Bruno Podalydès' "Montmartre," and "Quartier des Enfants Rouges" by Olivier Assayas, which stars Maggie Gyllenhaal. Paris, Je T'Aime received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Directed by Walter Salles Jr., this remake of Hideo Nakata's supernatural psychological drama Honogurai Mizuno Soko Kara revolves around the plight of a single mother (Jennifer Connelly) whose messy divorce and subsequent battle for the custody of her five-year-old daughter is taking a heavy toll on her emotional well-being. Ultimately, the mother and daughter are able to relocate to an apartment, which, despite its excessively dilapidated interior, seems to be an adequate location for beginning a new life. Before long, however, what appears to be the spirit of a young girl begins to haunt them. No stranger to mental illness, the wary young woman brushes the visions aside as part of the inherent stress of making the transition from housewife to working, single mom. As time goes by and the apparent haunting does not subside, the apartment's new residents are forced to examine the history of its former tenants. Dark Water also features performances from John C. Reilly, Tim Roth, and Dougray Scott. ~ Tracie Cooper, All Movie Guide

A simple cruise turns into a jealous battle for the affections of a sultry prostitute as the co-owners of a small cargo boat make their way down the Brazilian coastline in director Sergio Machado's stylish and sultry erotic drama. Deco (Lazaro Ramos) and Naldinho (Wagner Moura) are best friends who make their living by renting out their modest cargo boat. Approached by 20-year-old prostitute Karinna (Alice Braga) for a ride down the coast, the trio sets out into the waters with both Deco and Naldinho employing her professional services throughout the course of the journey. After a fateful knife fight at a Cachoeira cockfight leaves Naldinho struggling for his life, Deco finds himself slowly falling for Karinna as his badly wounded friend battles back from the brink of death. Though Karinna's relationship with Deco becomes increasingly intimate during Naldinho's convalescence, it doesn't take long for the kindly prostitute to realize that Deco isn't the only one with intentions of claiming her as his own. ~ Jason Buchanan, All Movie Guide

Fernando Meirelles' City of God is a sweeping tale of how crime affects the poor population of Rio de Janeiro. Though the narrative skips around in time, the main focus is on Cabeleira who formed a gang called the Tender Trio. He and his best friend, Bené (Phelipe Haagensen), become crime lords over the course of a decade. When Bené is killed before he can retire, Lil' Zé attempts to take out his arch enemy, Sandro Cenoura (Matheus Nachtergaele). But Sandro and a young gangster named Mane form an alliance and begin a gang war with Lil' Zé. Amateur photographer Buscape (Alexandre Rodrigues) takes pictures of the brutal crime war, making their story famous. City of God was screened at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide

A young man is forced to choose between family tradition and his own dreams and desires in this drama from Brazilian filmmaker Walter Salles. In 1910 in a remote farming community, two families, the Breveses and the Ferreiras, both of whom earn their living growing sugar cane, have been squabbling over the ownership of a piece of land for years. The disagreement turned violent some time back, and after the first shot was fired and blood was spilled, the other family insisted upon killing the gunman as a matter of honor. The second shooter was then killed for the same reason, and ever since the two clans have been trading off murders in the name of familial honor and justice. The Breveses, who are a much smaller family, have been suffering a great deal more than their rivals thanks to this feud; a steady drop in sugar prices has also left the family with little but their pride. When Inácio, the first-born son of the Breves family, is shot down, his father (José Dumont) orders his next-oldest son, Tonho (Rodrigo Santoro), to kill one of the Ferreira boys after the traditional month-long waiting period. Tonho finds himself questioning the wisdom of this bloody rivalry, and he ponders his fate while spending time with his younger brother (Ravi Ramos Lacerda), whom his parents never bothered to name. As Tonho ponders his fate, a small traveling circus comes to town; Tonho and his brother are soon caught in the spell of Clara (Flavia Marco Antonio), a beautiful circus performer who befriends the young boy and nicknames him Pacu, while Tonho finds himself falling in love with her, and longing to travel the country at her side. Abril Despedacado won the Little Golden Lion award at the 2001 Venice Film Festival. ~ Mark Deming, All Movie Guide

Former documentary filmmaker Walter Salles (Foreign Land) directed this Brazilian-French road movie tracing the travels and travails of a young boy and an aging woman across the Brazilian landscape. In Rio de Janeiro's central railroad station, callous Dora (leading Brazilian stage/screen actress Fernanda Montenegro) works at a stand where she writes letters for a parade of poor and illiterate. Some of these remain undelivered because she chooses not to mail all of the letters. One of her customers is a woman whose nine-year-old son, Josue (Vinicius de Oliveira), hopes to see the father he has never met, but after the mother dictates two letters to the father, she's killed when hit by a bus. Since Josue is left homeless, Dora reluctantly takes him home to her small apartment overlooking the railroad tracks, where she sometimes spends time with her neighbor Irene (Marilia Pera). Dora places Josue with people who claim to find adoptive parents. When Irene informs her they actually sell children who are then killed for their organs, Dora rescues Josue, and the two board a bus. After a failed attempt to abandon Josue at a roadside stop, Dora and Josue hitch a ride from a religious truck driver. Failing to locate his father, they arrive penniless at a huge rural religious convocation, where Josue suggests Dora bring her letter-writing skills back into play. The notion works, and Dora profits by writing letters to saints for the more devout among the assembled multitudes. Continuing on, they arrive at a sprawling-mass housing development -- and hopefully, a solution to the problem of a family for Josue. Young actor de Oliveira was a shoeshine boy who beat out more than 1,500 other children who auditioned or were interviewed for the Josue role. Made with grants from the Sundance Institute, NHK, and the French Ministry of Culture, this film was shown at 1998 film festivals (Sundance, Berlin). ~ Bhob Stewart, All Movie Guide

This beautifully photographed black and white Brazilian mystery chronicles the union between Paco, an aspiring actor living in Sao Paulo, and Brazil-born Alex, who works as a waitress in Lisbon, Portugal. Much of the tale is set in 1990 when Brazilian president Fernando Collor de Mello threw his country into an economic tailspin by suddenly confiscating the savings accounts of the entire population. At this time, Paco is living with his elderly mother in a poor Sao Paulo neighborhood. Tired of living in squalor, the mother dreams of returning to her native Spain. When she learns that her savings have been seized, the shocked old woman drops dead. Now without his mother, Paco feels little desire to stay in Brazil and so meets with the sleazy Igor, an antique dealer, and agrees to smuggle a violin stuffed with raw diamonds to Lisbon. Paco is to take the fiddle to a certain hotel where he will be paid by the contact. Unfortunately, he arrives, but the contact doesn't. This incident leads him down a twisted road filled with murder, danger and intrigue that eventually ends in the arms of Alex. In many films, this would be the end of the story, but not for Alex and Paco, for they cannot relax and enjoy their relationship unless they can somehow escape the murderous thugs Igor sent to kill them. ~ Sandra Brennan, All Movie Guide