Joyce Carey Movies

The New Avengers begins its two-season run with "old" avenger John Steed (Patrick Macnee), as fastidious and gentlemanly as ever, teamed with two new, young, and attractive partners: Purdey (Joanna Lumley), a sexy, cool-headed martial arts expert (sound familiar?), and Mike Gambit (Gareth Hunt), a rough-hewn ex-mercenary. Their first assignment sends the trio to the remote island of St. Dorca, where another secret agent has already met his doom at the end of some poisoned fishing hooks. The new avengers must pick up where their dead comrade left off and seek out a kidnapped scientist. Their search takes them to a sinister monastery, populated by a very Teutonic-looking band of monks which is preparing to thaw out "Germany's Greatest Treasure," cryogenically frozen since 1945. Biggest surprise: guest star Peter Cushing is not the villain of the piece! ~ Hal Erickson, All Movie Guide

The British TV sitcom Father Dear Father originally ran from 1968 through 1973. Veteran farceur Patrick Cargill starred as a divorced father with two nubile daughters. Complications ensued when the girls moved into the flat just below Cargill's. You may recognize this property as the basis for the 1980s Ted Knight series Too Close For Comfort. This feature-film version of Father Dear Father merely rehashes plot devices from the series; neither of the property's original writers, Brian Cooke and John Mortimer (of Rumpole of the Bailey fame) seem to have been involved in the movie adaptation. ~ Hal Erickson, All Movie Guide

Mother regales his two elderly aunts with the thrilling story of "The Great Great Britain Crime." It seems that a group of international criminals planned, Ocean's Eleven-style, to steal all Britain's great treasures simultaneously, using a phony missile attack on London as their cover. Only the two aunties are at all surprised when the villains are thwarted by Steed and Tara. Utilizing generous library footage from the unaired Avengers episode "The Great Great Britain Crime," "Homicide and Old Lace" first aired in America on March 17, 1969, and in England nine days later. The original episode, and its new "wraparound" segments, were written by series stalwart Malcolm Hulke. ~ Hal Erickson, All Movie Guide

They All Died Laughing plays for satire what any other film might have played for suspense. Leo McKern plays a college professor, of the addlepated rather than absentminded variety. McKern has come to the conclusion that certain people are leeching off society, and the world would be well rid of them. He heads for his laboratory to create the means of "purging" these useless people. He comes up with a poison that prompts his victims to laugh hysterically before joining the Choir Invisible. A little more heavy-handed than the British "dark farces" of the 1950s, They All Died Laughing was originally released in England as A Jolly Bad Fellow. ~ Hal Erickson, All Movie Guide

In this thriller, an orphan with ESP is engaged to help solve the abduction of a wealthy Englishwoman by her aunt. The rich woman's brother and the local cabbie believe in the girl's mysterious talent. They are terrified that she will lead the authorities to the woman's corpse. The brother stops the girl, then pays off the cabbie for the murder. Unfortunately, the police witness the pay-off. A high-speed chase ensues and the avaricious brother crashes his car. He then confesses. ~ Sandra Brennan, All Movie Guide

There is nothing like suspecting your husband of murder to add suspense to a marriage, at least that is the case in this standard whodunit with a compelling plot. George Radcliffe (Gary Cooper) testifies in court against a man suspected of murdering George's business partner, absconding with a lot of cash in the process. Several years later, when his wife, Martha (Deborah Kerr), is confronted by a blackmailer (Eric Portman) who says her husband murdered his partner, she gets suspicious. George did come into a lot of money just at that time. And to make matters worse, life starts to turn very menacing for the confused and frightened Martha. This was Gary Cooper's last feature film. He succumbed to cancer a few months before The Naked Edge was released. ~ Eleanor Mannikka, All Movie Guide

Released in the US in 1963, the British Let's Get Married was actually filmed three years earlier. Anthony Newley plays a medical student who buckles under pressure. Hoping to get accustomed to dealing with people, he takes a job as a delivery boy. While thus employed, he meets and marries model Anne Aubrey, who's been impregnated by her previous beau. When Aubrey goes into early labor, Newley's first impulse is to panic. Will this prove to be his emotional coming of age-or his Waterloo? Based on a novel by Ken Taylor, this lightweight effort allows both Newley and Aubrey to sing a few sprightly tunes. ~ Hal Erickson, All Movie Guide

After spending most of the 1950s in Europe, writer/director Robert Siodmak filmed his only picture in England: The Rough and the Smooth (US title: Portrait of a Sinner). Based on a novel by Robin Maugham, the story concerns a young archaeologist (Tony Britton), engaged to marry the daughter (Natasha Parry) of a wealthy publisher (Donald Wolfit). At the last moment, the archaeologist leaves his bride-to-be for a nymphomaniac (Nadja Tiller) with a masochistic streak. He must wrest her away from an abusive relationship with a no-good lout (William Bendix). Even Robert Siodmak was embarrassed by the lunatic excesses of Rough and the Smooth, dismissing the film with "I've seen worse, but not much worse." ~ Hal Erickson, All Movie Guide

The Horse's Mouth is an acting and a writing tour de force for Alec Guinness, who authored the screenplay in addition to starring in the film. Gulley Jimson (Alec Guinness) is an aging artist with a reputation as a genius, though he lives an impoverished life. Jimson has reached the point in his life where he no longer feels any need to moderate his irascible persona -- he has a taste for alcohol and a tendency toward boisterous spirits where the ladies are concerned -- in search of canvasses to paint and commissions that will allow him to live comfortably, and Guinness lives the role to the hilt. Released from jail for some indiscretion, he immediately begins harassing his wealthiest patron, Hickson (Ernest Thesiger), for money. When that fails, he insinuates himself into the home of a would-be patron, Sir William and Lady Beeder (Robert Coote, Veronica Turleigh), and manages to destroy their home and that of their downstairs neighbor with a huge block of stone and some help from a sculptor friend (Michael Gough). Courted by a potential buyer, he is desperate to retrieve one of his early works from his former wife, but even that prospect is closed off to him. Finally, with help from his young admirer, Nosey (Mike Morgan), his friend, Coker (Kay Walsh), and some art students eager to work with the legendary Gulley Jimson, he begins painting his largest canvas of all. The painting is completed and promptly destroyed. Jimson finally takes off in his wreck of a houseboat for the open sea, eyeing the huge hulls of the passing ships as potential canvasses to paint. As he disappears up the river, Coker looks on in panic and Nosey calls after him, declaring his admiration for Jimson and who he is and what his work means -- knowing for certain that he can't be heard. ~ Bruce Eder, All Movie Guide

In this light-hearted crime drama, a rivalrous pair of reporters team up to solve the murder of a prominent artist's wife. ~ Sandra Brennan, All Movie Guide

The philosophies and practices of London policewomen provide the basis of this exciting and interesting docu-drama that centers on three such women. The film is also known as Street Corner. ~ Sandra Brennan, All Movie Guide

This deliberately paced British film about a black rural priest and a white landowner whose paths cross in 1940s South Africa remains one of the most powerful cinematic statements on racism. Based on Alan Paton's landmark novel, Cry the Beloved Country is, in hindsight, naïve in its belief that apartheid would be easier to overcome than history proved it to be, but its intentions are certainly in the right place and it never trivializes the importance of the issue. To the credit of both Paton and director-producer Zoltan Korda, the film maintains a dignity and relevancy that is not always true of other "message" movies from the 1940s and '50s. Partly, this is because the characters, both black and white, are much more fully developed than a Hollywood production would have allowed them to be. Another factor is that the filmmakers do not resort to heavy-handedness, and instead allow the story to speak for itself. Knowing that the film was actually shot on location in South Africa during the height of apartheid only compounds the impact of this film. Canada Lee, as the priest Kumalo, and Charles Carson, as the farmer Jarvis, give stunning, multi-layered performances as two men who must go through a wrenching emotional experience. The solid supporting cast includes Joyce Carey as Jarvis' wife and a twenty-something Sidney Poitier as a Johannesburg priest. More than forty years later, after apartheid's fall, Cry the Beloved Country was remade with James Earl Jones and Richard Harris. ~ Bob Mastrangelo, All Movie Guide