Chuck Russell Movies

In this Chuck Russell-helmed sci-fi actioner, Max Thieriot plays a rebellious teen framed for murder in an upper-class boarding school that specializes in breeding world leaders. Dave Kalstein adapts his own book for the Intrepid Pictures production. ~ Jeremy Wheeler, All Movie Guide

 

The Rock has his first starring role in this prequel to The Mummy films, which was developed while The Mummy Returns was still in production. The film takes place in ancient times, when a mighty swordsman, Memnon (Steven Brand, making his film debut) ruled over nearly all the known world. Memnon, a brutal tyrant, defeats his enemies in battle with the help of a beautiful sorceress, Cassandra (Kelly Hu), who can predict the future. The last of the "free tribes" form a fragile alliance to fight Memnon, and hire a trio of Akkadian assassins, led by Mathayus (pro wrestler The Rock, who made his big-screen debut as this character in The Mummy Returns), to kill the sorceress and thus remove Memnon's advantage. Balthazar (Michael Clarke Duncan of The Green Mile), the powerful leader of the Nubians, objects to hiring mercenaries, but the plan goes forward. The assassins are betrayed by Takmet (Peter Facinelli), the son of one of the tribal leaders, and Mathayus finds himself unable to kill Cassandra. Thanks to the unlikely machinations of Cassandra, and the aid of a horse thief, Arpid (Grant Heslov of True Lies), Mathayus escapes to the desert. He eventually abducts Cassandra, who explains that Memnon was holding her against her will. Mathayus thwarts Memnon's efforts to re-capture Cassandra, then uses his newfound sense of justice to convince the surviving tribal leaders to join forces again to defeat Memnon. The Scorpion King was directed by Chuck Russell. Jonathan Hales (Star Wars: Episode II - Attack of the Clones) was credited with the story, and WWF owner Vince McMahon has an executive producer credit. The film, which was shot in the U.S. (very unusual for a big action film), reportedly underwent extensive re-shoots when the first cut came in with a running time of 70 minutes. ~ Josh Ralske, Rovi

Top-notch action sequences and exciting stunt work highlight this fast-moving thriller. John Kruger (Arnold Schwarzenegger) is a top agent in the U.S. Marshalls' Witness Protection Program; it's his job to "erase" the pasts of Federal witnesses under his watch and deal with anyone who tries to hurt them. Kruger's latest assignment is to protect Lee Cullen (Vanessa Williams), who while working for a major weapons manufacturing firm discovered evidence that the company was selling new, high-tech weapons to intentional terrorists groups with the cooperation of a faction of enemy agents within the United States government. However, when Kruger discovers that the Witness Protection Program has a rat in the house -- and that rat is his boss, U.S. Marshall Robert Deguerin (James Caan) -- Kruger has to guard his own life while trying to protect Lee's. The supporting cast is highlighted by James Coburn, Robert Pastorelli, and James Cromwell. ~ Mark Deming, Rovi

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, Rovi

Self-made wealthy guy Thornton Melon (Rodney Dangerfield) decides he needs a better education -- and also to spend some time away from his cheating new wife. Thornton joins his son, Jason (Keith Gordon) at college. Dad hopes to gain his son's respect (isn't that always Dangerfield's motivation?), while his son tries to fit in with his snobbish and brutish fellow students. English professor Diane Turner (Sally Kellerman) forms a strong bond with Thornton, encouraging both father and son to stick out their first year despite all odds. The finale involves some slapstick at the swimming pool diving board, and the obligatory commencement address delivered by Dangerfield, who proves that he can crack jokes without tugging at his tie. ~ Hal Erickson, Rovi

Great special effects do not always make for a great film, but Dreamscape comes awfully close. Dr. Paul Novotny (Max Von Sydow) and Dr. Jane Devries (Kate Capshaw) run a clinic for the study of dreams. Hoping to alleviate the pain of those plagued with recurring nightmares, Novotny hires a team of psychics to "inhabit" the subconsciouses of the patients. Alex Gardner (Dennis Quaid), a small-time hustler who uses his ESP gifts for financial gains, is hired to work at the clinic. He helps to disperse the fears of a young nightmare-plagued boy, then reverts to type by "raping" the thoughts of the lovely Dr. Devries. Things come to a head when one of the patients, the American president (Eddie Albert), decides to purge himself of his apocalyptic dreams by making a lasting peace with the Soviets. Bob Blair (Christopher Plummer), the political reactionary who finances the clinic, decides to assassinate the president by acting upon Dr. Novotny's pet theory: if a person dies in his or her dream, he/she will die in real life. The finale pits Gardner against psychic assassin Tommy Ray Glatman (David Patrick Kelly). ~ Hal Erickson, Rovi

The Seduction a z-grade erotic thriller, tells the story of a TV newswoman spied upon and stalked by an obsessed fan. Jamie (Morgan Fairchild) is a beautiful, successful career woman. Derek (Andew Stevens) is an obsessed psychopath who watches her and attempts to become part of her life. When Jamie discovers his true intentions, she must fight for her life. The Seduction, is standard exploitation movie fare, with a fair amount of sex, violence and nudity. None of the characters are particularly believable, and the performances by both Fairchild and Stevens are sub-par. ~ Linda Rasmussen, Rovi

Chaos reigns in the Catskills in this low-budget teen comedy. Kavell (Michael Lembeck) and Bergman (Philip Casnoff) are college students who spend their summers working in the dining hall at Camp Oskemo, an upstate New York summer camp where they're the senior waiters. Serving food to bratty children doesn't interest them nearly as much as trying to make time with the female counselors at the camp, among them pretty but chaste Vicki (Lisa Shure) and attractive but significantly less virginal Evie (Fran Drescher). Kavell and Bergman also wage an annual war against the junior waiters with the help of deranged server Grossman (Dennis Quaid), but their real nemesis is Wallman (David Huddleston), the owner of the camp who makes no secret of his dislike for the waiters. Over the course of one eventful summer, Kavell, Bergman and their fellow food slingers dose the entire camp with amphetamines, taint the Kosher meals with pork, screen pornographic movies during Parent's Weekend, run a tank through the campgrounds and destroy the waiter's housing and most of what surrounds it. Hilarity, or something like it, ensues. While seemingly influenced by Meatballs, Gorp was actually shot at roughly the same time as Bill Murray's summer camp vehicle, though it was released nine months later. Director Joe Ruben later went on to better things, including True Believer, Sleeping With The Enemy and The Forgotten. ~ Mark Deming, Rovi

This smarmy exploitation film from director Jeff Werner posits a busload of cheerleaders kidnapped for a two million dollar ransom by some ex-jocks who take them to a remote cabin. This is another one of those movies where none of the characters behave like real people. Forced to strip by their captors, the cheerleaders (from three rival high-schools) let their competitive spirit get the best of them and are soon giggling and preening naked in a gunpoint beauty-pageant. One of the captors is a "sensitive guy" (Robert Houston of The Hills Have Eyes), which he proves by masturbating in the doorway while a female kidnapper molests one cheerleader in a bathtub. Kristine DeBell stars as a captive who falls for ringleader Jason Williams before the ludicrous finale involving a complicated hotel ransom-drop and a cheerleader swinging a chainsaw. This is an extremely tacky film, even for its subgenre, but it probably started off much worse. Some racial epithets have obviously been removed by re-dubbing, and what appears to have been a fairly graphic rape scene has been excised. What remains is neither innocuous enough to be funny or sick enough to be a cult film. The only things that make this picture worth seeing are the cast and the frequent topless scenes. Serious drive-in devotees will recognize Shell Kepler of the teen-angst classic Homework, as well as stars DeBell and Williams, who also appeared in the X-rated Alice in Wonderland for this film's producer, onetime porn director Bill Osco (Mona, the Virgin Nymph).. ~ Robert Firsching, Rovi