Milton Rosmer Movies

The life of the founder of modern Methodism is dramatized in John Wesley. Originally intended for church assembly showings, the film stars Leonard Sachs in the title role. The screenplay charts the Methodist Movement from its inception in 18th century England to the present day. Produced by the Radio and Film Commission of the Methodist church, the film was financed by the contributions of some 500 churches. Unfortunately, the budget didn't allow for a professional cast, thus many potentially worthwhile scenes are laid low by amateurish acting. On the other hand, the film is quite slick and accomplished on a technical level, thanks to the first-rate cinematography of Hone Glendenning and the assured direction of Norman Walker. ~ Hal Erickson, Rovi

A gambler receives the legendarily troublesome magical monkey's paw and is told that he can have three wishes. Not knowing that the paw's wishes are often granted at a terrible cost, he hastily wishes to have enough money to pay his large gambling debts. Sure enough, he gets his wish. Unfortunately, it is at the expense of his son's life. ~ Sandra Brennan, Rovi

The problem of "enemy" war brides was eloquently addressed in the British drama Frieda. In her English-language film debut, Mai Zetterling plays the title character, the German wife of RAF officer Robert (David Farrar). Though an avowed anti-Nazi, Frieda faces acrimony and prejudice when introduced to Robert's friends and family. The problem is exacerbated by the arrival of her brother Ricky (Albert Levien), ostensibly a conscript in the Polish army but actually an unregenerate disciple of Hitler. A satisfactory ending is reached only when everyone-Ricky included-learns to stop hating and to bury the past. Based on a play by Ronald Miller, Frieda was released in the US by Universal, shorn of but one minute of its original running time. ~ Hal Erickson, Rovi

When a young man from an economically depressed area of England (played by Michael Redgrave) decides that his calling is to help the beleaguered workers in his area, he takes as his symbol a sword passed down to him by an ancestor who picked it up at the Battle of Peterloo in 1819, where it had been used against workers. Beginning as an idealistic defender of the oppressed workers, he rises to power in the Parliament, where he discovers that power corrupts and he becomes the very type of politician he had originally set out to displace. Sometimes slow-moving, this is an interesting look into the reasons why the Labor and the Conservative factions are at loggerheads with each other in Great Britain. Very loosely based on labor leader Ramsay MacDonald's climb to power, the story was adapted by Howard Spring and is a combination of both fact and fiction. ~ Tana Hobart, Rovi

Emeric Pressburger was one of the scenarists on the big-budget British seafaring saga Atlantic Ferry. The film is a romanticized recounting of the first-ever steamship crossing of the Atlantic in 1837. Michael Redgrave and Griffith Jones star as the MacIver brothers (the film is based on a story by one of the MacIver progeny). The siblings battle both the Atlantic and (whenever a woman is involved) each other, but they achieve their goal, making shipping lanes safe for steam power. Inasmuch as the film was made at the outbreak of World War 2, the filmmakers contrive to rabbet a bit of anti-German propaganda into the proceedings. "Has considerable gusto" was the New York Post's pithy critique of this morale-boosting film. The huge cast includes such British-movie stalwarts as Valerie Hobson, Bessie Love, Frederick Leister and Felix Aylmer. Atlantic Ferry was distributed in the US by Warner Bros. under the title Sons of the Sea. ~ Hal Erickson, Rovi

A delightful film that begs to be rediscovered, Return to Yesterday was adapted from Goodness, How Sad, a play by Robert Morley. Clive Brook is ideally cast as Robert Maine, a famous movie star who longs for the simpler days before he became the idol of millions-and before he was trapped into a loveless marriage with his present wife. Maine takes a sentimental journey to the provincial repertory theatre where he got his first break, only to discover that the little troupe is teetering on the edge of bankruptcy. Without revealing his true identity, he joins the actors and helps to get them over their financial hump. He also happens to fall in love with ingenue Carol Sande (Anna Lee, the wife of director Robert Stevenson), but realizes eventually that she will be better off without him. Dame May Whitty heads the hand-picked supporting cast as Mrs. Truscott, the troupe's garrulous character woman, who is wise enough not to say anything when she overhears Maine letting Carol down gently by replaying a scene from one of his earlier stage triumphs. Long ignored by movie historians, Return to Yesterday was given an honored spot in William K. Everson's affectionate volume Love in the Film (1979). ~ Hal Erickson, Rovi

Goodbye, Mr. Chips, based on James Hilton's novel, is a melodrama about a shy British teacher named Mr. Chipping (Robert Donat) who devotes his life to teaching "his boys" after the death of his lovely, energetic American wife Katherine (Greer Garson). Told via flashbacks, the film features an aged Mr. Chipping looking back nostalgically at his long career, taking note of the people who've touched his life over the years. Donat was the recipient of a Best Actor Oscar for his portrayal of the title character, and the film features the debut performance of a young Garson. ~ Matthew Tobey, Rovi

The British adventure film The Challenge is based on a real-life turn-of-the-century competition. The race is on between a team of British mountain climbers and a government-sponsored Italian team to conquer a hazardous alpine peak. Edward Whimper (Robert Douglas) heads the English expedition, while Jean-Antoine Carrel (Luis Trenker) is in charge of the Italians. Actual footage of the Alps is seamlessly blended with studio mockups. Emeric Pressburger, on the verge of his felicitous teaming with Michael Powell, wrote the original story for The Challenge. ~ Hal Erickson, Rovi

The British Emil was yet another adaptation of Erich Kastner's frequently-filmed children's novel Emil and the Detectives. John Williams (no relation to the British character actor of the same name) stars as 11-year-old Emil, who while en route to London to visit his aunt is robbed of his money-six pounds--by a shifty thief (George Hayes). Turning to a group of self-styled "junior detectives" for help, Emil manages to track down both the thief and his money, but not before experiencing a series of hair-raising adventures. Bobby Rietti costars as "The Professor", the leader of the juvenile sleuths. When Emil and the Detectives was filmed again by Disney in 1965, the story returned to its original Berlin setting. ~ Hal Erickson, Rovi

This is the film that foisted famous British actor (or, according to many, over-actor) Tod Slaughter on the world. Slaughter plays the evil Squire Corder (a part he had played on stage for years), who gets a young girl pregnant, murders her, and then frames her boyfriend, a gypsy, for the crime. ~ Brian Gusse, All Movie Guide

The film opens on a theatrical stage where the principal players are introduced in a manner that suggests the audience already knows the story about to be played out. It begins inside the Red Barn in Polstead, Suffolk, where local girl Maria Marten (Sophie Stewart) dances with local, middle-aged squire and magistrate William Corder (Tod Slaughter) during a merry barn dance. Stealing a moment from the festivities, Carlos, a gypsy (Eric Portman) declares his love for Maria, but she rebuffs him and does not disclaim her interest in Corder. Corder is angered when a gypsy palm reader gives him a bad fortune and all of the gypsies are ejected from the party. Maria catches up with Corder later and shares a drink with him at his home; meanwhile, her father (D.J. Williams) notes Maria's absence and suspects her out with the gypsy. Corder, in the meantime, has become intimate with Maria and sends her home, promising marriage. A chance encounter with Carlos is interrupted by Maria's father, who pleads with Corder to have the gypsy barred from the locality. Corder then travels to London and loses big with a disastrous tumble of the dice; Corder schemes to recoup his losses through wooing a local widow of means, plans that do not include Maria.

Over time, Maria's delicate condition becomes apparent and her father casts her out of the family home. Maria approaches Corder for help, but becoming aware of her dire situation threatens to tell her father the truth. Corder renews his pledge to marry Maria and tells her to meet him at the Red Barn in couple of hours. Once there, Corder shoots Maria with a pistol and buries her body under the floor, but misplaces a damning piece of evidence at the scene. Disarmed by the pleas of Maria's grieving mother (Clare Greet, a favorite actress of Alfred Hitchcock's), Maria's father resumes the search for her. Carlos appears at Corder's and begins to pressure him about Maria's whereabouts; they are interrupted and Corder sets a trap for the gypsy which he barely escapes. Carlos, Corder, Mr. Marten and a number of police constables all end up at the Red Barn; at first it looks bad for Carlos, but when Corder's own dog begins sniffing around in the barn, Corder finds himself facing a spell of misfortune that will make his poor luck at the dice table seem insignificant by comparison.
~ David Lewis, Rovi

Three talented screenwriters collaborated in adapting Evadne Price and Joan Roy Byford's play The Haunted Light to the screen as Phantom Light. This British chiller-diller-thriller begins with the mysterious murder of a lighthouse keeper. After his death, the region is plagued by shipwrecks, each heralded by a "phantom light" beaming from the lighthouse. Female detective Binnie Hale teams with new keeper Gordon Harker and navy officer Ian Hunter to solve the mystery. Directed with a sure and steady hand by Michael Powell, The Phantom Light is infinitely superior to the quota-quickie melodramas then flooding the British film market. ~ Hal Erickson, Rovi

In this drama a rich banker loses his fortune in the stock market. His secretary's lover finds out that the banker has been using fake bonds to make a deal. The opportunistic young lout then begins threatening to blackmail the financier. In a panic, the banker tosses the extortionist overboard. When he learns that his secretary loved the creep, the boat captain launches a search party and the man is all wet, but saved. The repentant banker then kills himself. ~ Sandra Brennan, Rovi