Amy Robinson Movies

A writer runs an obstacle course of neuroses as he prepares to debut an important new work in this comedy drama. Nicky Rogan (Michael Keaton) is a successful playwright who, after a series of hit comedies, is about to debut a deeply personal drama, and is more than a little nervous about how it will be received. Rogan has learned that notoriously tough critic Steven Schwimmer (Robert Downey Jr.) will be reviewing the opening night performance; a bad notice from Schwimmer sent Nicky's good friend and fellow writer Elliott (Griffin Dunne) into an emotional tailspin from which he's yet to recover. Rogan also has reason to believe that Peter Redmond (Harris Yulin), the play's leading man, may have a serious health problem that could sideline the show. Rogan is being dogged by personal anxieties as well -- his wife, Lillian (Catherine O'Hara), is leaving him, he's having an affair with Joanne (Bebe Neuwirth), who is bankrolling the show, his father (Tom Aldredge) is in failing health, and the life-long Boston Red Sox fan is panicking as his heroes are being trounced by the New York Mets in game six of the World Series. Game Six was the first original screenplay from noted novelist and playwright Don DeLillo; the film premiered at the 2005 Sundance Film Festival. ~ Mark Deming, All Movie Guide

A collection of everyday New Yorkers struggle to carry on with their increasingly stressful lives a year after the city was forever changed by the 9/11 terrorist attacks in Brooklyn-native Danny Leiner's ensemble-cast slice of life. Dr. Trabulous (Tony Shalhoub) is a gifted psychologist with a special knack for truly understanding his patients. When an ordinary businessman (Jim Gaffigan) who has witnessed a terrible office tragedy seeks to gain the insight of the seasoned professional, Dr. Trabulous helps to release a hidden rage that has slowly been eating away at the man's troubled soul. Meanwhile, in the culinary world, Great New Wonderful pastry shop proprietor Emme Keeler (Maggie Gyllenhaal) is about to discover that unseating the woman known as the Queen of Cake (Edie Falco) doesn't come without some heavy consequences. Elsewhere in the city, troubled couple Allison (Judy Greer) and David Burbage (Tom McCarthy) fight to save their marriage and break through to their curiously overconfident ten-year-old boy. Avi (Naseeruddin Shah) and Satish (Sharat Saxena) are immigrants and best friends who work together as security guards and wander the city making observations about contemporary America until their opposing perspectives are challenged by an unexpected development in their lives that neither saw coming. And despite the comfort she takes in her daily routine, Julie Berman (Olympia Dukakis) discovers that her passion for life has long since died, until a visit with a childhood friend helps her to realize just what she's been missing all these lonely years. ~ Jason Buchanan, All Movie Guide

When a one man sideshow rolls into Granger, TX claiming to showcase "the fattest boy in the world," the lives of two small-town teens are changed forever in this touching coming-of-age tale based on the National Book Award-winning novel by Kimberly Willis Holt. Zachary Beaver (Sasha Joseph Neulinger) is a morbidly obese teen who travels from town to town with his best friend and business partner Paulie Rankin, earning money off of his unusual appearance. When curiosity gets the best of Granger kids Toby (Jonathan Lipnicki) and Cal (Cody Linley) and they decide to check out the show, the unlikely bond that forms between Zachary, Toby, and Cal marks the beginning of an unforgettable summer of fun, growth, and friendship. ~ Jason Buchanan, All Movie Guide

An man gets an unexpected lesson in love and life from a much younger woman in this romantic drama. Will Keane (Richard Gere) is a wealthy 50-year-old restaurant tycoon who has a knack for wooing beautiful women, but is unable to commit to a lasting relationship. On day Will meets a beautiful woman in her early-20s named Charlotte Fielding (Winona Ryder); he turns on the charm in an effort to impress her, and soon the two are having an affair. But what Will thought would be a brief, casual fling proves to have far deeper repercussions when he learns that Charlotte is suffering from a serious illness and does not have long to live. Autumn in New York was directed by actress-turned-filmmaker Joan Chen and co-stars Anthony LaPaglia, Elaine Stritch, and Jillian Hennessy. ~ Mark Deming, All Movie Guide

Based on the novel by Michael Shaara, For Love of the Game brought Kevin Costner back to the world of baseball after his successes with Bull Durham (1988) and Field of Dreams (1989). Billy Chapel (Kevin Costner) is a star pitcher with the Detroit Tigers, standing on the mound at Yankee Stadium and throwing what is shaping up to be a perfect game with the help of his best friend and catcher, Gus Osinski (John C. Reilly). However, Billy is having a hard time keeping his mind on the game; he's come to a crossroads in both his personal and professional lives, and he isn't sure what to do or where to go. He's learned that the Tigers are about to be sold, and the new owners intend to trade him at the end of the season, and that his girlfriend Jane (Kelly Preston) is planning to leave him. For Love of the Game represents a change of pace for director Sam Raimi, best-known for the Evil Dead trilogy and the acclaimed suspense drama A Simple Plan (1998) (although Raimi, a baseball fan born in Michigan, doubtless enjoyed making a film featuring the Detroit Tigers). ~ Mark Deming, All Movie Guide

Swedish director Lasse Hallstrom made his American movie debut with this romantic comedy, starring Holly Hunter as Renata Bella, an aimless Bostonian thirtysomething who attends a seminar for aspiring condo salespersons. Here she meets hotshot salesman Sam Sharpe (Richard Dreyfuss), who immediately falls in love with her. After the marriage, Sam's well-meaning but obnoxious insistence on insinuating himself into every aspect of Renata's life rubs the rest of her family the wrong way. Though the script occasionally veers into both cliché and sentimentality, Once Around ends up a thoroughly charming experience, thanks to Hallstrom's knowing direction and the marvelous chemistry between Hunter and Dreyfuss. ~ Hal Erickson, All Movie Guide

In this family drama from director Sidney Lumet, Judd Hirsch and Christine Lahti play Arthur and Annie Pope, a pair of '60s radicals who have eluded the FBI for 16 years after bombing a napalm laboratory as a Vietnam War protest. This lifestyle involves continually moving their base of operations and establishing new identities, which is especially hard on their children, 18-year-old Danny (River Phoenix) and 10-year-old Harry (Jonas Abry), who can never amass a group of friends or an academic record. This last problem comes to the fore when they arrive in a New Jersey town where the high school music teacher (Ed Crowley) takes an interest in Danny's piano playing, encouraging him to apply early admission to Juilliard. Danny yearns to follow this dream, but knows that separating from his parents would be a permanent break -- the aging hippies rarely even see their own parents, and can never inform anyone where they've moved. Arthur can't stand the idea of breaking up the family unit, which has provided the support that's allowed him to tolerate life on the move, but Annie sees her own sacrificed dreams in her son's prodigious musical talents, and begins pressuring Arthur to grant the boy his independence. Complicating factors, Danny has fallen in love with the daughter of his music teacher (Martha Plimpton), but can't allow himself to get too close to her, because he may have to leave again at any moment. ~ Derek Armstrong, All Movie Guide

In the early 1960s, two very different New Jersey high schoolers share their first love in this bittersweet romantic drama, an early feature by writer/director John Sayles. Jill Rosen (Rosanna Arquette) is a sweet, overachieving Jewish girl heading for college to become an actor; "Sheik" Capodilupo (Vincent Spano) is a mysterious, confident Italian guy who pushes his way into Jill's already busy life. Sheik successfully woos Jill, and the story follows their ups and downs as teenage romantics. While that introduction is lighter fare than most Sayles material, the film trails off into some unexpected plot developments, providing an original take on the "different sides of the track" genre. Sayles directs the high school scenes with a combination of reminiscence and reality, balancing the excitement of cars and the prom with the heartache, anxiety, and classwork that goes along with it. The movie is injected with a mostly 1960s soundtrack, yet the videocassette lists that "some music has been changed" for home video -- the note apparently refers to four Bruce Springsteen cuts. Matthew Modine and Tracy Pollan appear in small parts, and Robert Downey Jr. also has a tiny role. This was the fiercely independent Sayles' first film to be made with a major studio (Paramount), and he claims it will be his last, as he lost final editing control. ~ Norm Schrager, All Movie Guide

"You don't make up for your sins in church; you do it in the streets; you do it at home. The rest is bulls--t, and you know it." Returning to the autobiographical milieu of his 1968 debut Who's That Knocking at My Door? for his third feature, Martin Scorsese examined the daily struggles of a wannabe hood to keep his morals straight on the streets of Little Italy. Driven equally by his wish to become a respectable gangster like his uncle (Cesare Danova) and his desire to live his life like St. Francis, Charlie (Harvey Keitel) takes on his energetically unhinged friend Johnny Boy (Robert De Niro) as his own personal penance, intervening to get Johnny Boy to pay off a debt to the local loan shark Michael (Richard Romanus). Despite his promises to his epileptic girlfriend Teresa (Amy Robinson) that they will move out of Little Italy once he strengthens his position in his uncle's world, Charlie's involvement with Johnny Boy further ensnares him in the neighborhood. When Johnny Boy decides to mouth off to Michael rather than pay him, Charlie, Johnny Boy, and Teresa try to flee Michael's murderous anger (and an assassin played by Scorsese), forcing Charlie to realize that the rules of the streets do not mesh with absolution. Whereas fellow "film school generation" director Francis Ford Coppola transformed the Hollywood gangster movie into metaphorical epics about the Mafia and capitalism in The Godfather (1972) and The Godfather Part II (1974), Scorsese revised the genre in the opposite direction, focusing on the gritty minutiae of daily life and drawing from personal memory. Combining documentary-style realism (even though most of the film was shot in L.A.); kinetic editing and camera movement; and expressionistic lighting, angles, and film speed, Scorsese presents an intimate picture of the trivial incidents and latent violence of Charlie's and Johnny Boy's world, naturalistically unfolding their experiences rather than simply explaining what motivates them. They lead a claustrophobic, petty existence that Scorsese and screenwriter Mardik Martin witnessed growing up in Little Italy, complete with a soundtrack of hit songs like "Be My Baby" and "Jumping Jack Flash" that had poured out of neighborhood radios. Mean Streets opened at the New York Film Festival to excellent notices and played strongly in New York but failed to duplicate that level of business elsewhere. Even so, Mean Streets established Scorsese and De Niro as formidable young talents and marked the beginning of a long-running and fertile collaboration that continued in such films as Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1983), and Goodfellas (1990). Scorsese's exceptional grasp of the texture of day-to-day life, the rhythm and cadences of street talk, and cinema's visual and aural possibilities makes Mean Streets one of the pivotal films of the 1970s, as well as of Scorsese's career, and an influence on such future filmmakers as Spike Lee and Quentin Tarantino, among many others. ~ Lucia Bozzola, All Movie Guide