Eric Red Movies

When a woman serving time for the murder of her husband is granted early release on the condition that she remains under house arrest for the remainder of her sentence, her past strikes back with a supernatural vengeance in this thriller from director Eric Red (Undertow and Bad Moon). Marnie Watson (Famke Jansen) was suffering under the brutal hand of her husband Mike (Michael Pare) - a violent New York City cop - when she struck back in self-defense. In the aftermath of that tragedy, Mike was dead and Marnie convicted of manslaughter. Now released from prison and outfitted with an electronic ankle bracelet the will alert authorities to her location at all times, Marnie is given strict orders to remain in her house until her sentence is served in full. As Marnie begins to serve her time, her late husband's partner observes from a patrol car parked across the street - eager for the moment she violates her probation and he can lock her up for good. But there's something else in the house with Marnie, and now the woman who thought her nightmare was finally over is about to discover that it's only just begun. Marnie's husband is just as evil in death as he was in life, and he's determined to strike back at the woman who killed him with savage ferocity. ~ Jason Buchanan, All Movie Guide

A lonely stretch of highway leads to a date with terror in this thriller. Jim Halsey (Zachary Knighton) and Grace Andrews (Sophia Bush) are a young couple in the midst of a long-distance road trip when, during a rainstorm, they take pity on a hitchhiker, John Ryder) (Sean Bean), and give him a lift. Jim and Grace soon come to regret their benevolence when Ryder reveals himself as a violent madman determined to see them dead. Luck is with Jim and Grace, and they're able to throw off Ryder and get back on the road, but as it happens their troubles are just beginning. Ryder has already killed a handful of people and is planting evidence that suggests Jim and Grace are the murderers; now the couple is on the run from the law as they search for Ryder in a bid to clears their names. The Hitcher is a remake of the 1986 cult horror classic of the same name; the new version was produced by Michael Bay, Andrew Form, and Brad Fuller, who previously produced remakes of The Texas Chainsaw Massacre and The Amityville Horror. ~ Mark Deming, All Movie Guide

While on assignment in the jungles of Nepal, photojournalist Ted Harrison (Michael Pare) and his girlfriend are savagely attacked by a hideous beast which tears the woman to shreds and leaves Ted badly mauled. He later returns to the States to live near his sister Janet (Mariel Hemingway), nephew Brett (Mason Gamble) and their German shepherd Thor, hoping the presence of family will dispel the horrific memories... until the inevitable effects of a werewolf curse begin to surface. As his humanity begins slipping away, only the family dog begins to suspect something is wrong -- but poor Thor ends up being the chief suspect in a string of recent mutilation murders. Writer/director Eric Red's script (based on the novel Thor by Wayne Smith) plays with the standard werewolf conventions -- territory already barren after being strip-mined by a plethora of Howling sequels -- but tends to retreat into cliché too often to kick it more than a notch or two above the average direct-to-video fodder. Cinematographer Jan Kiesser's widescreen compositions lend a threatening edge to the woodland locations but are sadly lost to cable and home-video formatting. ~ Cavett Binion, All Movie Guide

Crash landing on a barren penal-colony planet with an unwelcomed visitor in tow, Ripley (Sigourney Weaver) contends with a group of hardened convicts while using nothing but her wits to battle a terrifying new breed of alien. The sole survivor of her crashed escape pod, Ripley is rescued from the craft by the remaining inhabitants of Fiorina 161, a group of rapists and murders who chose to repent for their sins in deep space after the penal colony was officially decommissioned. When remaining warden Andrews (Brian Glover) announces Ripley's presence to the inmates, their spiritual leader, Dillon (Charles S. Dutton), begins to fear that her presence will stir up trouble. As a result, Ripley is placed in the care of prison doctor Clemens (Charles Dance), and restricted to the infirmary until a rescue ship arrives. But Ripley isn't the only new visitor on Fiorina 161; an alien stowaway survived the crash as well, and it has planted its seed in a feral dog. Before long, a new breed of alien has burst from the dog's chest, a stealthy hunter that moves on all fours and can navigate the darkened prison corridors virtually undetected. When the inmates start to disappear, the remaining survivors must fight for their lives without weapons to defend themselves. The only person who knows the alien well enough to beat it is Ripley, and while her plan to corner and kill the creature just might work, a horrifying discovery reveals that her fight is far from over. ~ Jason Buchanan, All Movie Guide

Megan Turner (Jamie Lee Curtis) is a rookie cop who witnesses a robbery in progress on her first night on the job. With her more experienced partner using the men's room, Megan decides to take action on her own. She creeps into the supermarket where a man (Tom Sizemore in a small role) is holding the clerk at gunpoint. Megan gets close enough to shoot the gunman, and calls out for him to drop his weapon. He spins the gun toward her, and she unloads her service revolver into his chest. His gun goes flying, and a bystander, Eugene Hunt (Ron Silver), surreptitiously picks it up and takes it home. Megan's superiors, unable to confirm that the man she shot was armed, suspend her. Eugene, a wealthy commodities broker, becomes obsessed with Megan. He sets up an "accidental" meeting between them and begins dating her, romancing her with fancy restaurants and helicopter rides over Manhattan. He also carves her name into the bullets he uses to gun down strangers in the street. A tough homicide detective, Nick Mann (Clancy Brown of The Shawshank Redemption), gets Megan's gun and badge back so she can help him track down the psycho killer. Eventually, Megan realizes that Eugene is the killer, but he uses his money and influence to elude the law, and he starts coming after Megan's friends and family. Megan's determination to bring Eugene to justice quickly becomes a very personal obsession. This intense cop drama, Blue Steel, was director Kathryn Bigelow's major studio follow-up to her well-received indie vampire flick, Near Dark. Bigelow co-wrote both films with Eric Red (The Hitcher). ~ Josh Ralske, All Movie Guide

In Kathryn Bigelow's tale of vampires in the American Southwest, the creatures of the night aren't elegant, cloaked aristocrats. They're a gun-toting gang that dresses and acts like a motorcycle gang. Caleb (Adrian Pasdar), a restless young man from a small farm town, meets an alluring drifter named Mae (Jenny Wright). She reveals herself to be a vampire, who "turns" Caleb into one of her kind rather than kill him. But the rest of her "family" is slow to accept the newcomer. The ancient leader, Jesse (Lance Henriksen), and his psychotic henchman Severen (Bill Paxton) lay down the law; Caleb has to carry his own weight or die. However, he can't bring himself to kill. He manages to win the gang's approval when he rescues them from certain death in a daytime gunfight during a spectacular motel shoot-out in which every bullet hole lets in a deadly ray of sunlight. When the vampires threaten Caleb's real family, he's forced to choose between life and death. The film avoids the complex vampire mythology of such films as Interview with the Vampire. Instead, it emphasizes the intense, seductive bond that forms between Caleb and the violent but tightly knit gang. Bigelow would later utilize this powerful dramatic device in her 1991 film Point Break. ~ Jonathan E. Laxamana, All Movie Guide