Sarah Radclyffe Movies

This Irish comedy focuses on a woman named Ellie, who despite her family reputation as the wild free spirit, is left in charge of her sister Kate's retirement home when Kate is called home to care for their ailing mother. Ellie already has an aversion to responsibility, and she's definitely not prepared for the downright rude "hardcore" residents at Woodlands rest home. Strangely enough, however, Ellie and the people in her care begin to learn from each other, and her unexpected journey doesn't seem like such a terrible burden after all. ~ Cammila Albertson, All Movie Guide

Andie MacDowell, Olivia Williams, and Stephen Rae star in this bittersweet tale of two grieving women connected by an accidental phone call. Connecticut mother Marilyn Vine (MacDowell) has always lived a charmed life, so when her adolescent son Dale suddenly dies while celebrating his fifteenth birthday the tragedy of her loss is almost too powerful to bear. 3000 miles away in Dublin, Ireland, Ria Lynch (Olivia Williams) finds her marriage to longtime husband Danny (Iain Glen) coming to an unexpected in when Danny reveals that he is divorcing her to set up home with his pregnant mistress Bernadette (Heike Makatsch). When fate delivers the telephone call that connects these two women, both at a crucial turning point in their lives, Marilyn and Ria both agree to a two-month house exchange that could provide them with the space and down time to move beyond the pain that threatens to consume them. As both women grow increasingly accustomed to their new environments, the kindness of strangers and opportunity for reflection provides them both with the courage to face their changed lives with a newfound sense of hope. ~ Jason Buchanan, All Movie Guide

A boy who dreams of becoming a British soccer star discovers his dreams might not be as far-fetched as they seem in this comedy-drama. Jimmy Grimble (Lewis McKenzie) is a 15-year-old misfit living in Manchester, where nothing seems to go his way. Jimmy is constantly threatened by the school bully, "Gorgeous" Gordon (Bobby Power); he's also not sure what to make of Johnny (Ben Miller), a lost-in-the-ozone biker who is dating Donna (Gina McKee), Jimmy's mom; and he has a crush on one of his classmates, Sara (Samia Ghadie), who seems to like him, but his powers of speech invariably fail him when he tries to talk with her. Like most Mancunians, Jimmy loves football, but instead of rooting for world champions Manchester United, he's a fervent supporter of the Manchester City team. Jimmy also loves to play football, but while Eric (Robert Carlyle), the coach of his school's team, thinks he has potential, "Gorgeous" is already a skilled player, and when Gordon's father informs the school he'll make a large and much-needed donation if their team makes it to the Manchester Schools Cup games, it looks like Jimmy will be riding the bench for a while. But when an old woman gives Jimmy a pair of shoes that once belonged to one of Manchester City's greatest players, his skills on the field begin to change. There's Only One Jimmy Grimble also features Ray Winstone, Jane Lapotaire, and John Henshaw. ~ Mark Deming, All Movie Guide

The Lost Son brings together talented British director Chris Menges with a well-known face of French cinema, Daniel Auteuil, who plays a detective in self-exile in London who deals mostly with cases of adultery. At the same time, he is trying to come to terms with the ghosts of his past. While trying to locate the brother-in-law of an old friend who once saved his life, he finds himself in the middle of a network of pedophiles. The director tries to avoid voyeurism or over-simplification in dealing with such a sensitive issue. The tone is not judgmental. One memorable image sums up the thrust of the film: a silent boy urinating on the corpse of one of his torturers. ~ Gönül Dönmez-Colin, All Movie Guide

Lynne Ramsay's debut feature Ratcatcher is a gritty but often lyrical portrait of a boy growing up on the wrong side of the Scottish tracks. James (William Eadie) is a 12-year-old coming of age in a rough working-class section of Glasgow. Something of a misfit, James has only two close friends, Margaret Anne (Leanne Mullen), an older girl whose need to be loved often leads her into ill-advised sexual episodes with the neighborhood boys, and Kenny (John Miller), a half-bright kid who loves animals but isn't sure what went wrong when he tried to send his pet mouse into space. One day, James gets into a fight with another boy near a canal that runs through town. James accidentally knocks the boy into the water and he drowns; James is too scared to tell anyone, but the incident weighs heavily on him, adding further tension to an already strained relationship with his alcoholic father. Lynne Ramsay's previous short films won awards at the Cannes Film Festival, which led to Ratcatcher's being screened in the "Un Certain Regard" series at Cannes in 1999. ~ Mark Deming, All Movie Guide

Sean Mathias directed this screen adaptation of Martin Sherman's award-winning play about the persecution of homosexuals by Nazis during World War II. In Germany, the Nazi party's program of genocide against any and all perceived "enemies" is coming into full swing when the party begins a violent purge of homosexuals in its membership. Max (Clive Owen), a bisexual playboy, is attending an orgy thrown by drag queen "Greta" (Mick Jagger) and featuring a number of party members when the festivities are raided by the police; Max and his lover Rudy (Brian Webber) escape, but they are later arrested and sentenced to a concentration camp. En route to the camp, Max betrays Rudy and arranges to be given a yellow identification star, marking him as a Jew, instead of a pink triangle, which would signify him as gay; while the Jews are destined to be executed, gay prisoners receive even more brutal treatment from the guards. While incarcerated, Max meets Horst (Lothaire Bluteau), an inmate who proudly wears the pink triangle. Max and Horst fall in love with each other, and Horst's bravery leads Max to accept his sexual identity. Bent was released in two versions; the original cut was rated NC-17 for a sequence featuring strong sexual content, while a trimmed version was granted an R. ~ Mark Deming, All Movie Guide

Sex, religion, and morality are the key ingredients in this Australian comedy set in the 1930s. Rev. Anthony Campion (Hugh Grant) is a liberal, forward-thinking Anglican priest who is sent on an unusual assignment. Norman Lindsay (Sam Neill) is a popular and highly controversial artist whose paintings often feature voluptuous nude women; his latest major exhibition is to feature a work called The Crucified Venus, which depicts a naked female impaled on a cross. Outraged, the Anglican Bishop of Sydney wants Campion to visit Lindsay and persuade him to remove the work from his show. Rev. Campion and his wife, Estella (Tara Fitzgerald), travel to Lindsay's Blue Mountain estate, where the artist is hard at work with a bevy of lovely nude models in tow, including Sheela (Elle MacPherson), Giddy (Portia de Rossi), and Pru (Kate Fischer). The Reverend is quietly appalled by the open sensuality of Lindsay's household, and Estella is mortified; they're even more upset when Lindsay calmly but firmly refuses to remove The Crucified Venus from his show. However, the longer the Campions stay with Lindsay in hopes of changing his mind, the more they find themselves drawn into the sensuous pleasures of his world. Sirens was based on an actual incident and Norman Lindsay was a real artist of the period (his life was depicted in the film Age of Consent, in which he was played by James Mason). But audiences were probably less interested in art and cultural history than in the opportunity to see supermodel Elle MacPherson appear undraped; she also gives a fine and charming comic performance, as do Hugh Grant and Tara Fitzgerald. ~ Mark Deming, All Movie Guide

In this finely observed low-key drama, Alan Brandon lives by himself. Compared to his employee Bernard, he's practically upper-crust, but in reality he is just a small property holder. He has had his eye on Bernard's abused wife and teen-aged older daughter for some time and has yearnings for some kind of romantic contact with them. For a variety of reasons, Alan lets Bernard go and hires his wife Maud instead as his housekeeper. Meanwhile, Maud's older daughter has been carrying on a lackluster affair with Raif, an apparently parentless lad who lives in the town postmistress' house. When she discovers that she is pregnant, the last thing that she thinks of is marrying the boy, who could very well be the illegitimate son of a local priest. In typically British fashion, nobody admits to his or her real feelings, and fantasies abound. ~ Clarke Fountain, All Movie Guide

With a cruel, keen edge, this taut social drama slices deeply into Thatcher's England to expose a grim underbelly of racism, cynicism and despair. Reuben James is a black paratrooper who has spent the last nine years serving in the British army and who finally gets discharged to return to his home in South London. There he discovers that the residents have been ravaged by the poverty of the decade and many have turned to crime to survive, while others do their best in the midst of crushing hopelessness to find order and meaning. He too fights the same battles as he struggles to find work. He is disillusioned to discover that to racist employers, his sterling service record is almost worthless. The poor veteran suffers a final blow when he learns that because he was born on the common-wealth island of St. Lucia, and because the laws have suddenly changed, he is no longer considered a British citizen. Now he must quickly make a decision about the rest of his life. Meanwhile, back in the neighborhood, tempers fray, frustration mounts and violence ensues. ~ Sandra Brennan, All Movie Guide

A young girl has ambitions that lead her away from her small Irish village. ~ Tana Hobart, All Movie Guide

In this alternately comic and grave reflection on the effects of Thatcherism on polyethnic England, middle-class liberals Rosie (Frances Barber) and Sammy (Ayub Khan Din) engage in an openly adulterous marriage while living in a lower-class neighborhood in London. When they're not hiding their troubled marriage behind a series of "enlightened" affairs, the couple associates with a social circle that ranges from leftist to radical and includes enigmatic street philosopher Victoria (Roland Gift). Sammy's long-lost father, Rafi (Shashi Kapoor), a South Asian politician, arrives for a visit just as rioting erupts in response to the killing of an innocent black woman by British police. Rafi decries not only the social upheaval that has transformed the country where he spent his halcyon university years, but also the lack of propriety on display in his son's marriage. Admitting that he's on the run for allegedly corrupt and violent political activities, the well-mannered yet manipulative Rafi uses his wealth to try to reign in what he sees as Sammy and Rosie's sexual and political excesses. Meanwhile, he tries to court Alice (Claire Bloom), the proper British lady he deserted decades earlier. The messy whirl of desire, resentment, and dogma that alternately throws these characters together and rips them apart ultimately reflects the confused and confusing society in which Sammy and Rosie live; soon even the unassailable Rafi must question his beliefs about life after empire. Sammy and Rosie Get Laid marked the second collaboration between director Stephen Frears and writer Hanif Kureishi; star Ayub Khan Din would go on to write another Anglo-Asian culture-clash comedy, 1998's East Is East. ~ Brian J. Dillard, All Movie Guide