Christine Pascal Movies

This French farce chronicles one special day in the lives of a married pair of Parisian architects, Fabienne and Bruno, as they anxiously await the results of an important architectual contest they have entered. Unable to handle the stress of waiting, both turn to sexual liason's to ease their tension. Bruno ends up enacting a dark sexual fantasy with a stranger while Fabienne eventually succumbs to the advances of Bruno's friend Simon, a fortyish Lebanese businessman and part-time drug dealer. The comedy takes on overtones of psycho-drama when the contest winner announced and the couple discovers the truth of each other's actions. A cache of drugs, discovered in an apartment only adds to their troubles. ~ Sandra Brennan, Rovi

Espionage, personal integrity, and political commitment are the main themes running through this French thriller that chronicles a young man's journey from idealism to disillusionment and maturity. The story is set in the 1980's in Tel Aviv and follows the exploits and moral conflicts of Attal, a Jew who left his family in France on his eighteenth birthday to pursue a career as an agent in Israels' Institute for Intelligence, the Mossad. At first, his missions do not bother his conscience; he performs them for the good of Israel. But, as time passes, Attal must face more moral dilemmas as the work becomes more subversive and dishonest. He must ultimately decide whether to follow the his personal ideals, or be part of a system which promote immoral acts in the name of idealism. ~ Sandra Brennan, Rovi

In this affecting melodrama, a plucky ten-year old, who is the one delight her divorced parents enjoy together, is diagnosed with an inoperable brain tumor. This news doesn't upset her particularly, and she maintains an even keel in the face of her parents' hysteria. On learning of this diagnosis, her father takes her away for a rambling drive through France, Italy and Switzerland. Her actress mother, meanwhile, must cope with the news while attempting to carry on with the production she is in. ~ Clarke Fountain, Rovi

Louise (Elizabeth Bourgine) is a young woman working at a publishing house who develops an unusual affection for submitted manuscript. She breaks up with Serge (Philippe Leotard), the printer who loves her. Louise tells the heartbroken Serge she has fallen in love with the author whom she has never met or even seen. She travels to New York to hunt down the elusive author and ends up in a remote farmhouse in Vermont, where she is greeted by Norma (Anna Massey), the mother of the elusive author. The two women wait for his return in this psychological drama that later becomes a thriller. ~ Dan Pavlides, Rovi

Nicole (Zabou) is a female attorney who is frustrated with the male-dominated world of provincial law. She embezzles money from a law firm and travels to Paris where she disguises herself as a man in hopes it will make a difference in her life and career. Nicole has two lesbian affairs and becomes a pimp for one of the women. She also has an affair with a man who indicates that he doesn't want a serious relationship. Nicole's loneliness leads her to the affairs as she continues the downward spiral into schizophrenia in this depressing psychological drama. ~ Dan Pavlides, Rovi

Directed by French filmmaker Jean-Loup Hubert, Grand Chemin stars the director's young son Antoine Hubert. The lad plays a sickly eight-year-old who is shipped off to visit his country relatives while his mother has her baby. The boy's subsequent adventures run the gamut from delightful to terrifying, with a little "coming of age" (via a few glimpses of nudity) thrown in. Veteran French character actor Richard Bohringer, best known for his star turn in The Cook, The Thief, His Wife and Her Lover, plays a pivotal role. Grand Chemin was released in the U.S. as Grand Highway. ~ Hal Erickson, Rovi

A French music lover befriends a once-great American jazz artist and attempts to save him from self-destruction in this moody drama. Saxophonist Dexter Gordon portrays Dale Turner, a fictional musician inspired by a number of famed jazz figures, including Bud Powell and Lester Young. Largely forgotten in his home country, Turner has moved to Paris in search of a more appreciative audience. He finds it in the form of Francis Borler (Francois Cluzet), a bebop aficionado who befriends the expatriate player. Borler soon becomes familiar with Turner's darker side, including his struggles with alcoholism, drug addiction, and depression. Fearing for the musician's life, the fan becomes his caretaker, an arrangement that leads to a brief improvement in Turner's health and fortunes but places great emotional strain upon them both. Director Bertrand Tavernier pays great attention to the visual and aural details of the jazz world, with outstanding musical supervision provided by Herbie Hancock. 'Round Midnight's greatest asset, however, is Gordon's Academy Award-nominated performance, informed by his own life experiences. His naturally fascinating presence combines with the film's obvious love of the music and its milieu to provide what many have hailed as one of the more authentic and affectionate presentations of the jazz world on the silver screen. ~ Judd Blaise, Rovi

In this sexually explicit drama, geared for adult audiences, a young woman becomes a dancer in a private sex club to forget about the recent death of her child. While working there, she begins to fall in love with her stage partner. Together they attempt to leave the club, but since they can find no other work, they return. ~ Sandra Brennan, Rovi

In this Pedro Almodóvar film, a singer at a low-end nightclub hides out at a convent after her lover dies of a bad dose of drugs, and she meets a group of off-the-wall nuns while in hiding. The nuns range from one who writes sensationalist pulp fiction under a pseudonym to another who takes drugs, and another hooked on masochism. But their private lives and perverse foibles may be in jeopardy when a new mother superior arrives to take charge of the convent. ~ Eleanor Mannikka, Rovi

French filmmaker Diane Kurys directs the period drama Coup de Foudre (distributed in the U.S. as Entre Nous), adapted from a book she co-wrote with Olivier Cohen. The semi-autobiographical story is based on the life of the director's mother. Lena (Isabelle Huppert) is a Jewish refugee from Belgium living in occupied France during WWII. In order to avoid being sent to a German concentration camp, she agrees to marry the discharged military officer Michel (Guy Marchand). He tries to provide a decent life for her by running an auto repair business. They have two children together, but Lena is unhappy and stifled by her domestic life. Michel doesn't offer her the sensitivity and affection that she requires. Meanwhile, in Paris, the extroverted artist Madeleine (Miou-Miou) mourns the accidental death of her husband. After the liberation of France, she marries actor Costa (Jean-Pierre Bacri) and has children of her own. In 1952, Lena and Madeleine meet by chance in Lyons. The two women develop an emotional relationship that borders on romantic involvement. Their bond is only strengthened by a mutual dissatisfaction with their husbands, children, and home life in general. Entre Nous was nominated for the Best Foreign Film Oscar in 1983. ~ Andrea LeVasseur, Rovi

An outrageous comedy that throws viewers into a culture shock. A suggestive satire about women who ignore society's rules. ~ Rovi

Paco (Alfredo Lando) is a middle-aged glass blower who has a lucrative after-hours business as a male stud in this unusual comedy drama. His wife Maria (Christine Pascal) is the supposedly barren woman who approves of her husband's sideline. Paco meets Pocapena (Patrick Dewaere) in a local bar and tells him that Paco is his hero. The young man offers his services for nothing, and Paco takes him up on his proposition. Paco soon has his first sexual failure, which quickly ruins his reputation and leads to the young man assuming the role as the coveted stud. Maria soon becomes pregnant, leading to more confusion in Paco's crumbling life. ~ Dan Pavlides, Rovi