Peter Camlin Movies

Saunders (Vic Morrow) and Hanley (Rick Jason) anxiously await the arrival of a French underground leader named Dupre, who is accompany them on a vital mission. Little do they realize that, when Dupre finally shows up, it isn't Dupre at all but instead an escaped convict named Boulanger (Gilbert Roland). Having disguised himself as the French patriot, Boulanger hopes to use the Americans to help him escape France unscathed--even if it means spilling American blood to do so. ~ Hal Erickson, All Movie Guide

While Darrin is busy at the office, Samantha joins her mother Endora on a quickie shopping excursion -- to Paris. There, the two ladies meet Darrin's vacationing boss, Larry Tate, who later places a call to Darrin. Upon learning what Sam has been up to, Darrin begins to question the wisdom of wedding a witch. A pre-superstardom Raquel Welch appears as a stewardess. Written by Bernard Slade, "Witch or Wife" originally aired on November 12, 1964. ~ Hal Erickson, All Movie Guide

The scene is Paris, where lonely Henri Lamont (Fabrizio Mioni) loves the beautiful Therese (Lisa Montell) from afar. Henri would give anything to speak to Therese, but is overcome by shyness. Then, one day, our hero glances out his window and sees a romantic couple strolling by--a couple who turns out to be Therese and himself. (Note: some earlier sources claim that Theresa was played by Letizia Moverese, who later billed herself as Leticia Roman, indicating a last-minute cast change). ~ Hal Erickson, All Movie Guide

This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film's "visual consultant"), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, "S'wonderful", "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory. ~ Hal Erickson, All Movie Guide

This episode is based on a famous urban legend, previously filmed as the 1949 theatrical feature. Patricia Hitchcock (daughter of the boss) stars as Diana Winthrop, who attends the 1899 Paris World's Exposition in the company of her mother (Mary Forbes). Having left their hotel room to fetch some medicine for her ailing mother, Diana returns a few hours later, only to be told that she has not been registered. Further investigation reveals that no one can remember ever seeing Diana or her mother -- and there is serious doubt that her mother ever existed! The key to the mystery is a patch of wallpaper...and the solution involves an elaborate ruse to save the Exposition from being closed down before it has a chance to open. ~ Hal Erickson, All Movie Guide

Ronald Reagan plays a George Petty-type magazine illustrator who creates a "perfect girl" from a composite of the features of several models. While relaxing at the beach, Reagan meets a lovely young schoolteacher (Virginia Mayo) who is the living image of his imaginary girl. Sensing a terrific promotional angle, Reagan ingratiates himself with the girl and attempts to secure her services for a series of cheesecake poses. The film leads to a courtroom conclusion wherein Mayo must strut around in a bathing suit to win her case. Girl from Jones Beach is worth the admission price alone just to hear Ronald Reagan pose as a Czechoslovakian immigrant--complete with accent. ~ Hal Erickson, All Movie Guide

Faced with the challenge of writing a screenplay based on the life of fabulously wealthy, fabulously successful composer Cole Porter, one Hollywood wag came up with a potential story angle: "How does the S.O.B. make his second million dollars?" By the time the Porter biopic Night and Day was released, the three-person scriptwriting team still hadn't come up with a compelling storyline, though the film had the decided advantages of star Cary Grant and all that great Porter music. Roughly covering the years 1912 to 1946, the story begins during Porter's undergraduate days at Yale University, where he participated in amateur theatricals under the tutelage of waspish professor Monty Woolley (who plays himself). Though Porter's inherited wealth could have kept him out of WWI, he insists upon signing up as an ambulance driver. While serving in France, he meets nurse Linda Lee (Alexis Smith), who will later become his wife. Focusing his attentions on Broadway and the London stage in the postwar years, Porter pens an unbroken string of hit songs, including "Just One of Those Things," "You're the Top," "I Get a Kick Out of You," "Begin the Beguine," and the title number. The composition of this last-named song is one of the film's giddy highlights, as Porter, inspired by the "drip drip drip" of an outsized rainstorm, runs to the piano and cries "I think I've got it!" The film's dramatic conflict arises when Porter is crippled for life in a polo accident. Refusing to have his legs amputated, he makes an inspiring comeback, even prompting a WWI amputee to remark upon his courage! Corny and unreliable as biography, Night and Day is redeemed by the guest appearances of musical luminaries Mary Martin (doing a spirited if disappointingly demure version of her striptease number "My Heart Belongs to Daddy") and Ginny Simms, the latter cast as an ersatz Ethel Merman named Carole Hill. Jane Wyman, seen as Porter's pre-nuptial sweetheart Gracie Harris, also gets to sing and dance, and quite well indeed. Beset with production problems, not least of which was the ongoing animosity between star Grant and director Michael Curtiz, Night and Day managed to finish filming on schedule, and proved to be an audience favorite -- except for those "in the know" Broadwayites who were bemused over the fact that Cole Porter's well-known homosexuality was necessarily weaned from the screenplay. ~ Hal Erickson, All Movie Guide

Producer Walter Wanger's House Across the Bay serves as an excellent showcase for Wanger's then-wife Joan Bennett. She is cast as nightclub singer Brenda Bentley, the wife of high-rolling gambler Steve Lawrett (George Raft). When Steve is railroaded into Alcatraz by duplicitous attorney Slant Kolma (Lloyd Nolan), Brenda promises to remain faithful to her husband during his incarceration, even going so far as to purchase an apartment "across the bay" from the island prison so that she can be near him. But while Steve is serving his time, he discovers that Brenda has succumbed to the charms (and innate decency) of handsome Tim Nolan (Walter Pidgeon). Enraged, Steve vows to kill Nolan, staging a daring escape attempt to realize his goal. But will Steve be able to get off "the rock" in one piece, succeeding where so many others have failed? ~ Hal Erickson, All Movie Guide