Corinne Calvet Movies

This is an unusual entry in the knights-in-armor genre. Set in medieval England, the film follows the exploits of a young swordsman, Talon (Lee Horsley). Working as a mercenary knight, Talon possesses a unique three-bladed sword which fires its two extra blades when he touches a button. By chance, Talon learns that he is a prince who has forgotten his royal heritage. Using his sword and his wiles, he attempts to regain control of his kingdom, which has been taken over by a sadistic tyrannical knight and an evil sorcerer. In doing so, he can save a princess who has been taken hostage by the usurpers. Comedy is interspersed with gory and licentious drama throughout the film, which was directed and written by Albert Pyun. ~ Michael Betzold, Rovi

As a once-famous fashion designer prepares to make her big comeback, a mysterious killer begins stalking the beautiful models who gather for the gala celebration in his made-for-television thriller starring Eleanor Parker, Clive Revill, and Jessica Walter. ~ Jason Buchanan, Rovi

In this thriller, an enigmatic phantom lives in the dank tunnels running beneath the ramshackle back lot of a former movie lot. When prospective buyers endeavor to purchase the property, the furious phantom goes on the rampage. ~ Sandra Brennan, Rovi

Jim Walker Rory Calhoun is a hero who fights Indians and crooks who plan a series of stagecoach robberies in this routine western. He defends the honor of a woman (Corinne Calvet) wrongly accused of having a bad reputation. Johnny Mack Brown plays the local Sheriff Ben Hall, with Lon Chaney, Jr. as the friendly stagecoach driver Charlie Russell. Watch for DeForest Kelley in a pre-Star Trek role as a crazed gunman. ~ Dan Pavlides, Rovi

W. Lee Wilder, the lesser-known brother of Billy Wilder, directed this unexceptional story based on the actual history of French serial killer Henri Landru. The killer (played by George Sanders) has been changed here from an ordinary, inconsequential man to a suave antique dealer with a passion for Odette (Corinne Calvet), a nightclub singer whose only interest in him is monetary. The plot places Odette's need for money at the basis of Landru's maniacal killing spree but as the duped, female victims are dispatched one after another, the horror of it all never quite coalesces into gripping suspense. ~ Eleanor Mannikka, Rovi

One of the most entertaining of the Western movies to come out of the 1950s, this is a Stewart vehicle in which he must take on the ruthlessness of the frontier. Set in the Yukon, Stewart and his friends are driving cattle to market from Wyoming to Canada, where the boom towns pay top dollar for beef. When they arrive in Skagway, the corrupt sheriff of the town (John McIntire) steals the cattle and Stewart et al are forced to fight for their herd. Together with the female saloon keeper of another town (Ruth Roman), they find themselves up against an evil they were not prepared for. When Stewart's friend (portrayed by Walter Brennan) is killed, he is forced to go up against the evil sheriff. Good versus evil in incredible Yukon settings makes this an above average Western. ~ Tana Hobart, Rovi

Michel Auclair is the leading character (he certainly isn't the hero!) in the French Bonnes a Tuer (Ripe for Killing). A two-bit hustler from a poor family, Auclair manages to break into society by seducing and abandoning a series of female domestics. Once he's made it to the big time, he lines his pockets by promising to keep spicy tidbits out of the scandal magazines. After several romantic liaisons, Auclair perversely invites his former wife, his present one, his future one and his mistress to a party, intending to murder one of the ladies and then get away with it. He doesn't. Almost Wellesian in its use of multiple flashbacks, Bonnes a Tuer is far more slick and elaborate than its seamy subject matter deserves. ~ Hal Erickson, Rovi

Gabriele Ferzetti essays the amorous title character in Le Avventure di Giacomo Casanova. While incarcerated in a Spanish jail, the famed 18th-century lover remembers some of his more formidable conquests. Though many women have thrown themselves at Casanova's feet, the true love of his life was a Venetian lovely (Corinne Calvert) who steadfastly resisted his charms. Virtually plotless, the film is essentially an unending parade of feminine pulchritude, attractively garbed in revealing period costumes. ~ Hal Erickson, Rovi

In this suspense drama, a group of strangers becomes acquainted as they wait for a plane to arrive at an airport in Tangier. Among those awaiting the flight are Susan (Joan Fontaine), an American who is dating the pilot; Gil Walker (Jack Palance), an expatriate who received the Congressional Medal of Honor during the war; and Nicole (Corinne Calvet), a lovely but mysterious French woman who seems to be attracted to Walker. When the plane they've been waiting for crashes, no pilot or passengers can be found -- and that $3 million on board, being smuggled into Tangier to buy fighter planes for Soviet forces on the black market, have also gone missing. Susan immediately organizes a search party to find the pilot; Walker eagerly joins in, though Susan soon discovers he has his own reasons for being concerned about the fate of the plane and its cargo. Flight To Tangier was shot and initially released in 3-D, as well as Technicolor. ~ Mark Deming, Rovi

James Cagney signed on to play Captain Flagg in 20th Century Fox's 1952 remake of the 1926 classic What Price Glory after being told that the old property was being converted into a musical. By the time Cagney learned that Fox had no intention of adding songs and dances to the venerable Maxwell Anderson/Laurence Stallings stage piece, it was too late to pull out, so he decided to grin (sometimes) and bear it. Under the direction of John Ford, the potent anti-war message of the original play is blunted, while the drunken rowdiness of Capt. Flagg and his friendly enemy Sergeant Quirt (Dan Dailey) was played for all it was worth and then some. Much of the brawling is over the affections of vivacious barmaid Charmaine, played by Corinne Calvet. Contrasting the rough-hewn hijinks of Flagg, Quirt and their fellow Marines on the fields and in the villages of World War I-era France is the doomed romance between private Robert Wagner and French lass Marisa Pavan. (Why does Wagner get to sing, while Cagney and Dailey do not?) Barry Norton, who played Wagner's role in the original What Price Glory? appears in the remake as a priest. Norton is unbilled, as are such familiar faces as Harry Morgan, Paul Fix, Henry Kulky, and John Ford "regulars" Dan Borzage and Bill Henry. Falling well short of classic status, the Technicolor remake of What Price Glory? is kept alive by the marvelous roughneck rapport between James Cagney and Dan Dailey. ~ Hal Erickson, Rovi

On the Riviera is a remake of 1941's Weekend in Havana, which in turn was a remake of 1934's Folies Bergere. The plot remains the same in all three incarnations: for business purposes, a nightclub entertainer is coerced into posing as his look-alike, a powerful financier/aviator. This time it's Danny Kaye who essays the dual role of American cabaret comedian Jack Martin and French financial wizard Henri Duran. While impersonating Duran, Martin is forced to make amorous advances towards Duran's neglected wife (Gene Tierney), proving himself the better lover in the process. Meanwhile, Martin must mollify his genuine sweetheart (and nightclub partner) Collette (Corinne Calvet) without revealing his ruse. A little too top-heavy in the plot department, On the Riviera must be regarded as a second-echelon Danny Kaye vehicle, though Sylvia Fine's specialty numbers -- especially the eerily autobiographical "Popo the Puppet" -- are well up to standard. One of the uncredited specialty dancers is future Broadway star Gwen Verdon. ~ Hal Erickson, Rovi

Using elements of two earlier films, The Fleet's In and Lady Be Careful, Paramount came up with the Dean Martin and Jerry Lewis vehicle Sailor Beware. As usual, Jerry Lewis is the helpless goof and Dean Martin the suave ladies' man; this time Lewis is a navy recruit while Martin is his submarine-officer buddy. The film skips from one comic setpiece to another (the best is a parody of radio audience participation shows) until it reaches the slapstick climax: A boxing match pitting Lewis against the navy champion. After a few very funny moments in which Lewis pretends to be a punch drunk pug, the match commences, much to the dismay of Lewis and the delight of his fervent fan following. Martin makes good use of his screen time by romancing an "ice princess" movie star (Corinne Calvert), who of course melts once Dino turns on the charm. Betty Hutton, star of Sailor Beware's precursor The Fleet's In, pops up at the beginning and end of the Martin/Lewis epic as "Hetty Button." And watch for an unbilled James Dean as one of the team's shipmates. ~ Hal Erickson, Rovi

In 1949, Paramount put together a film version of the radio series My Friend Irma. It was assumed that the main attraction would be scatter-brained Irma, delightfully played by Marie Wilson. Instead, the picture was stolen by a couple of young upstarts named Dean Martin and Jerry Lewis. Accordingly, My Friend Irma Goes West concentrates almost exclusively on Martin and Lewis, with poor Marie Wilson virtually consigned to a supporting role in her own picture. The story begins when Irma and her friends head westward on the incorrect assumption that Steve Laird (Dean Martin) has landed a movie contract. During the train trip to California, Steve's goonish pal Seymour (Jerry Lewis) is entrusted with a pet monkey, owned by movie star Yvonne Yvonne (Corinne Calvet). There's a contretemps with gangsters and a kidnapping before a happy ending can be realized. Some critics found Jerry Lewis' moronic mugging to be tasteless; others were too busy laughing to be upset. Having proven their mettle with the two My Friend Irma flicks, Martin and Lewis were awarded with their own vehicle, At War With the Army. ~ Hal Erickson, Rovi