Donald Calthrop Movies

George Bernard Shaw's satiric comedy about wealth and poverty is brought to the screen with wonderful performances by Rex Harrison and Wendy Hiller. Hiller plays Major Barbara Undershaft, a major in the Salvation Army who is also a socialist and stridently attacks capitalists -- in particular her father Andrew (Robert Morley), the head of a munitions plant. In love with Barbara is the young Greek scholar Adolphus Cusins (Rex Harrison), whose attentions go unreturned since Barbara spends all her time on her crusade against wealth. To show up his daughter, Andrew donates 50,000 pounds to the Salvation Army which, to Barbara's horror, the Army's general (Sybil Thorndike) happily accepts. Barbara, in protest, quits her post and it is left to Adolphus to take her on a tour of her father's munitions plant and prove to her the benefits of capitalism. ~ Paul Brenner, Rovi

The Band Waggon was the BBC radio series that catapulted diminutive comic Arthur Askey to stardom as "Big-Hearted Arthur". This filmization adds a modern touch by taking place during a television broadcast (the BBC was beaming out a regular schedule of TV programs until the War broke out). Askey and his stooge Richard Murdoch take over an ancient castle to convert it to a video center. Jack Hylton's band is to be the main attraction-and in 1940, Hylton was a far bigger name than Askey, so guess who got top billing on most marquees. The castle is alleged to be haunted, but the nocturnal disturbances are actually the handiwork of Nazi spies. From here on, it's every man for himself. ~ Hal Erickson, Rovi

Love From a Stranger was adapted from a play by Frank Vosper--which, in turn, was based on a story by Agatha Christie (though you'd never know it from the print ads for this film, which reproduced Ms. Christie's name in microscopic typeset). Ann Harding plays a lovely but somewhat naive young woman who goes on a European vacation after winning a lottery. Swept off her feet by charming Basil Rathbone, Harding finds herself married before she is fully able to grasp the situation. Slowly but surely, Rathbone's loving veneer crumbles; when he casually asks Harding to sign a document turning her entire fortune over to him, she deduces that her days are numbered. Desperately trying to keep one step ahead of the homicidal Rathbone (without his catching on), Harding foils all of his clever schemes to put her out of the way. The flustered Rathbone finally tips his hand, but by now the tables are turned. Filmed in England, Love From a Stranger would be remade in Hollywood in 1947, with Sylvia Sidney and John Hodiak in the leading roles. ~ Hal Erickson, Rovi

Based upon The Chase of the Golden Plate by Jacques Futrelle, The Man Behind the Mask was the last film Michael Powell made before The Edge of the World established him as a major director. As the film begins, loving couple Nick Barclay (Hugh Williams) and June Slade $Jane Baxter) are attending a fancy masked ball, from which they plan to elope. Nick, however, is assaulted, and his assailant takes his place at the party. Thus disguised, he steals away with both June and a famous artifact, the Shield of Kahm, that belongs to her father, Lord Slade. Nick, whose story of being assaulted is not given full credence, begins a search for June, enlisting the aid of a Dr. Walpole and his secretary along the way. They rescue June and the Shield from an inn, although they do not capture the thief. June and Nick proceed with their plans to marry; but with the burglar still loose and upset that his plans were foiled, neither they nor the Shield are safe. ~ Craig Butler, Rovi

Attractive scientist Dr. Clare Wyatt (Anna Lee) fondly declines the proposal of journalist Dick Haslewood (John Loder), who loves her, and she goes to work for the reclusive Dr. Laurience (Boris Karloff), whom the scientific world regards as a crackpot. At Laurience's remote estate, she's greeted at the door by bitter, wheelchair-bound Clayton (Donald Calthrop), one of the doctor's more hopeless cases. Dick hangs around the neighborhood, sending stories to his newspaper, which is owned by his tycoon father, Lord Haslewood (Frank Cellier). Laurience demonstrates the reality of his discredited theory to an astonished Claire. Using an array of electrical equipment, he switches the minds of a good-natured and a cranky chimpanzee, then suggests to Claire that this could be done with people, making immortality possible. Lord Haslewood turns up unexpectedly, and offers the skeptical scientist the full use of the prestigious Haslewood Institute in exchange for the right to run stories on Laurience's progress, and to own the resulting patents. But problems arise when Haslewood sets up a conference of prominent scientists to hear Laurience explain the intent of his research. They all scoff loudly, and walk out. Lord Haslewood is furious, feeling he's been humiliated; he tells the shocked Laurience that he, not the scientist, owns everything, and orders him out of the Institute. Laurience suffers a mental breakdown, and invites Haslewood to his lab, where he straps him into the chair of his apparatus, then switches the minds of Haslewood and the crippled Clayton. When Haslewood realizes he's now in Clayton's body, he bursts into laughter and drops dead, puzzling the other two. Clayton is delighted to be in a body that's not only capable of walking, but is that of a financially powerful man. When Laurience offers Claire "eternal youth, eternal loveliness," she is shocked, and he realizes she's in love with Dick, so he makes plans for Dick to come to the Institute.

Meanwhile, Clayton learns why Haslewood laughed: Clayton is trapped in the body of a dying man: Haslewood had a weak heart. With his own scheme in mind, Laurience murders Clayton. He switches his mind with Dick's, giving the perfect alibi for murder -- and Laurience, in Dick's body, will have Claire. After the transfer, Laurience, in Dick's body, places Dick, in Laurience's body, in a chamber with poison gas. But when Claire arrives, she immediately realizes what has happened. Dick, in Laurience's body, awakes and falls out a window, gravely injured. On the street below, Sue encounters scientist Dr. Gratton (Cecil Parker), and convinces him to help her switch back the minds of Dick and Laurience before Laurience's body dies. Afterward, Laurience, in his own body, admits he was wrong, and begs Claire to destroy his equipment, then he dies.

A few years after this film, Karloff would make a series of movies for Columbia Pictures with plots very similar to this, but British film is far livelier than those; it's to the point, intelligent and entertaining. This was partly due to the clever script by L. Du Garde Peach, Sidney Gilliat and John L. Balderston. Gilliat later wrote several films for Alfred Hitchcock, and Balderston had co-written Dracula, among other notable films. Director Robert Stevenson was busy making a name for himself as a kind of back-up Hitchcock, though Hitchcock was not likely to have tackled The Man Who Changed His Mind, King Solomon's Mines or Non-Stop New York. Later, Stevenson came to the United States and gradually evolved away from thrillers to more romantic films, such as the 1944 Jane Eyre. His career was then spotty until he signed with Walt Disney, where he helmed many of the more prestigious films, including Mary Poppins, a far cry from the brisk horror of The Man Who Changed His Mind. Also known as The Man Who Lived Again, the U.S. title of this film is Brainsnatcher, and the U.S. reissue title is Dr. Maniac. ~ Bill Warren, Rovi

Starring Seymour Hicks as the title character, Scrooge is a faithful adaptation of the classic Charles Dickens' novel A Christmas Carol about a heartless miser who discovers the true meaning of Christmas when three ghosts visit him on Christmas Eve. Hicks co-wrote the screenplay to this film, which is a thoroughly entertaining and effective retelling of a familiar story ~ Stephen Thomas Erlewine, Rovi

Claude Rains is a phony psychic who makes a good living fleecing the suckers with his wild prognostications. But after Rains is plagued by severe headaches, he discovers that he truly does have "visions". Suddenly his predictions begin to come true, and Rains is elevated to a position of prominence in European social and political circles. Despite the protestations of his loving wife (Fay Wray), Rains becomes intoxicated by his own power, which leads to disaster. Also known as The Evil Mind, The Clairvoyant is an elaborate British-made cautionary fable, with an excellent performance by Claude Rains and a remarkably good one from Fay Wray. ~ Hal Erickson, Rovi

Hollywood movie-making is satirized in this comedy. The trouble begins when an American filmmaker decides to us a British army barracks and soldiers to add a realistic touch to his newest Foreign Legion film. The trouble is, the director is neither very good, nor well informed about military life, something that the brigadier general that helps the filmmaker is quick to point out. But this does not stop the director from trying to get the whole British army into the act. The real kicker is that the American film crew does not have permission to use the soldiers or the facilities. ~ Sandra Brennan, Rovi

This story of espionage in World War I is based on a true story. Marthe McKenna (Madeleine Carroll) is a nurse from Belgium who uses her beauty and charm to serve her native land during the war. McKenna is able to ferret out secret information from German officers and pass it along to Allied intelligence officers with the help of fellow spy Stephan (Herbert Marshall). When the evil Commandant Oberaertz (Conrad Veidt) discovers what McKenna has been doing, she's sentenced to be executed, and Stephan must step in to save her. I Was a Spy was the first American sound feature for German actor Conrad Veidt, who electrified audiences with his performance in the silent classic Das Kabinett des Doktor Caligari; Veidt left his homeland when the Nazis began their rise to power, though ironically he was to play a number of Nazi villains during his stay in Hollywood. ~ Mark Deming, Rovi

The corpse of a hated man is discovered in this mystery. The police inspector and investigating doctor found their work hindered by three people who confess to killing him. The trouble is, none of them did. ~ Sandra Brennan, Rovi

Definitely no relation to the horror-film series of the same name, the British Friday the 13th is a variation of the "Bridge on the San Luis Rey" theme, set in motion by a London bus accident. Two passengers are killed and two injured in the crash, but the screenplay (co-written by Hitchcock-contributor Sidney Gilliat) keeps the audience in suspense as to the identities of the victims. In a series of flashbacks, the viewer is introduced to the passengers and the various trials and tribulations they were dealing with before the accident. The characters include a chorus girl en route to a date with a man she doesn't love; a henpecked husband whose wife was cheating on him; a blackmailer who'd been bleeding an unfortunate young man dry; a wise-guy crook who was about to be caught by a nasty detective; and so on. Extraordinarily well cast for a mid-1930s British film, Friday the 13th affords excellent acting opportunities for the likes of Jessie Mathews, Ursula Jeans, Frank Lawton, Ralph Richardson, Max Miller, O.B. Clarence and Emlyn Williams, among many many others. While American critics were impressed by the film, British reviewers were less kind, commenting that the constant switch from one character to another only results in confusion (PS: It doesn't). ~ Hal Erickson, Rovi

This musical tells the love story of a manicurist and a night waiter who discover that they are sharing the same apartment. ~ Rovi

F. P. 1 refers to "Floating Platform 1," a huge landing platform and refueling station being built in the middle of the Atlantic by a group of forward-looking industrialists and engineers. But some people -- especially the shipping companies -- see F. P. 1 as a mortal threat to their financial well-being, and will stop at nothing, including sabotage and murder, to destroy it. Caught in the middle of these machinations -- and a romantic triangle that must be sorted out -- are Major Ellisen (Conrad Veidt), a suave aviator/adventurer; Claire Lennartz (Jill Esmond), a co-owner of the company building F. P. 1; and Captain Droste (Leslie Fenton), the designer and commander of the installation. Their personal conflicts are closely interwoven with the suspense, as industrial espionage rears its head along with attempts to wreck F. P. 1, endangering everyone aboard. F. P. 1 was filmed simultaneously with German and French casts as well -- all directed by Karl Hartl, with Hans Albers as the lead in the German version, and Charles Boyer in the French version -- on the same sets, and released in those countries as F.P.1 antwortet nicht (1932) and I.F.1 ne répond plus (1933). ~ Bruce Eder, Rovi