Nicole Calfan Movies

Inspired by director Vittorio De Sica's 1952 neorealist classic Umberto D., Francis Huster's sentimental drama stars Jean-Paul Belmondo as an aged retiree who is forced out onto the street with his dog after his relationship with a wealthy widow falls apart. A cinematic comeback for Belmondo, who previously retired from acting after suffering a major stroke, un homme et son chien tells the story of Charles, an older man who was invited by his lover to stay in the maid's room in her sprawling home. When the woman decides to marry again, however, Charles and his faithful four-legged companion are promptly shown the door. With no place to call home and no means of earning a living, Charles wanders the streets of Paris with his dog as their pair drift towards an uncertain fate. ~ Jason Buchanan, Rovi

The Sephardic Jewish characters who headlined the riotous 1997 comedy Would I Lie To You? - all employees in the garment business - return for this laugh-filled 2001 sequel. At the center of the farce are Dov (Gad Elmaleh), Patrick (Gilbert Melki), Serge (Jose Garcia), Yvan (Bruno Solo) and Eddie (Richard Anconina), friends for life and colleagues in the said industry, who spend their days wheeling and dealing and establishing connections but run the socioeconomic gamut from filthy rich to lower working class. A series of misunderstandings commences when blue-collar Serge - employed as a motorcycle messenger and living with his parents - takes the wealthy Patrick's blue Rolls Royce convertible out on an errand and runs headfirst into Chochana (Elisa Tovati), a Jewish girl with whom he feels instantly smitten. She naturally assumes, given the car, that he's wealthy - and he of course does nothing to discourage this. In time, Serge manages to prolong the economic ruse to such a degree that he ends up engaged to the high-maintenance Chocana, and on a headfirst collision course with her furniture kingpin father (Enrico Macias). Meanwhile, the garment industry as a whole in Le Sentier (the chief Parisian neighborhood in which the men do business) suffers from a massive economic downturn, thanks in no small part to escalating labor costs and the flourishing of Internet start-ups; in desperation, Yvan and Eddie turn to EuroDiscount, a massive chain of European department stores, with a feeble attempt to sell their merchandise to that outfit. They fail to count, however, on the ugly reaction of the cunning manager, Vierhouten (Daniel Prevost), which threatens to send them spiraling toward bankruptcy. ~ Nathan Southern, Rovi

An author (Pierre Etaix), an actress (Nicole Calfan) and a stage manager (Jean Carmet) star in this plotless story about the preparation of a new play. Scenes of the audience are inserted to move along this story within a story. ~ Dan Pavlides, Rovi

Fabled Japanese filmmaker Nagisa Oshima was the guiding hand behind the fast-paced French comedy Max, Mon Amour. The "Max" with whom the elegant Charlotte Rampling falls in love is a circus chimpanzee (played by a short-statured man in a monkey suit). Charlotte's British-ambassador husband Anthony Higgins has long suspected that his wife was cheating on him, but he certainly isn't prepared for her simian paramour. Amazingly, the film never descends into goofiness: Oshima uses his unorthodox plotline to poke holes in the self-protective pretensions of the Bourgeoisie. ~ Hal Erickson, Rovi

In a sterile housing development, newly arrived Dr. Ferret (Victor Lanoux) becomes aware that nearly everyone in his community has purchased attack dogs from Morel (Gerard Depardieu), to protect themselves from what they perceive to be a disastrous crime wave. The presence of these growling menaces becomes increasingly nightmarish to the sensitive doctor. When the dogs are implicated in a number of attacks on minority citizens and the poor, a riot breaks out which truly threatens the lives of those involved. ~ Clarke Fountain, Rovi

Based on a novel by Roger Borniche, this crime drama retells the story of the renowned gangster "Pierrot le Fou," whose band of robbers sought out banks and factories in the period just after the Second World War, when the French police forces were in disarray. In the movie, Alain Delon plays Robert, the gangleader, who plans for his gang to perform a large number of major robberies in one day. After that, he and his gang will retire comfortably for a time with the loot. Performed with split-second timing, the robberies go well almost to the end. ~ Clarke Fountain, Rovi

Yet another in the stable of spy movies which depict espionage as a dirty business. Here, we have Dirk Bogarde heading the "Western Intelligence Liaison" his specific task is to keep the head of a radical third-world organization from returning to his country. ~ Tana Hobart, Rovi

Richard Lester's adaptation of The Three Musketeers was only the latest of many when released in 1974, but it arrived with a spirit all its own, one influenced as much by Lester's '60s work as the Alexandre Dumas classic. Even so, it followed the plot of Dumas' novel fairly closely, its liberties in interpretation taken elsewhere. Coming off the success of Cabaret, Michael York plays D'Artagnan, the provincial, would-be swashbuckler who travels to Paris to make his name. There he encounters the eponymous heroes: cynical Athos (Oliver Reed), dashing Aramis (Richard Chamberlain), and arrogant Porthos (Frank Finlay). The trio introduces him to the world of court intrigue as they work to protect the Queen (Geraldine Chaplin) from the schemes of the villainous Richelieu (Charlton Heston) and his followers, Rochefort (Christopher Lee) and Milady (Faye Dunaway). Lester shot the film in conjunction with its sequel, The Four Musketeers. Originally intended as a single film, the split prompted a lawsuit from the cast demanding payment for both films. ~ Keith Phipps, Rovi

Italians have Sicily, famous for having a criminal underground as a shadow government, and the French have Corsica which is much the same. In this film, Fanto (Michel Constantin) is a gang leader who feels compelled to enact his revenge on those who have betrayed him. This in turn leads to a gang war and the death of many of his friends. He feels remorse for having caused these deaths. ~ Clarke Fountain, Rovi

Based on a Eugene Saccomano novel entitled The Bandits of Marseilles, this movie was followed by a sequel entitled Borsalino and Co. This movie captures the mood of 1930 Marseilles beautifully with the use of ambience and music. Alain Delon and Jean-Paul Belmondo portray two gangsters who kill their way to the top. ~ Tana Hobart, Rovi

A young man nervously waits in a church on his wedding day. His daydream splashes time forward 10 years as he finds himself married and working for his father-in-law. He has a brief but profound affair with a new secretary before returning to his wife. His nocturnal dreams have his bed taking off like an automobile cruising to exotic locales with beautiful women. He passes other men in beds on their way to destinations they will only reach in their dreams. His wife expresses a desire for a vacation and her bed turns into a train in this film that relies heavily on symbolism. ~ Dan Pavlides, Rovi