Barry Morse Movies

In this two-part cable miniseries based on a novel by Frederick Forsyth (hence the proprietary title), a post-Communist Russia is mired in chaos and confusion. Emerging from the crowd to lead his fellow Russians out of the darkness and into the light is the fabulously popular presidential candidate Igor Komarov (Patrick Bergin). What virtually no one suspects is that Komarov is a ruthlessly dedicated "old liner," who intends to return his homeland to a repressive military dictatorship, using brutal former KGB officer Anotoly Grishin (Annika Peterson) as his "hatchet woman." The only person savvy to what Komarov is up to is former CIA operative Jason Monk (Patrick Swayze), who takes it upon himself to save the new Russia from a horrendous fate -- and, incidentally, to settle a personal score with the beautiful but deadly Grishin. Produced for the Hallmark channel, Frederick Forsyth's Icon debuted on May 30, 2005. ~ Hal Erickson, All Movie Guide

A quaint small town that hasn't paid taxes since World War II draws the attention of an ambitious tax inspector in this comedy starring Billy Zane and Patrick Bergin. Putterton possesses all the charm of your typical small town without any of the irritations of modern city living: The crime rate is low, the cost of living is minimal, and everyone knows their neighbors by name. Everyone in Putterton is proud that their little corner of the world has retained its old world ambiance, but when beautiful tax inspector Caroline Deville comes to town the atmosphere quickly turns tense. No one in Putterton has paid a penny in taxes since 1945, and despite his best efforts there's nothing that George Putter (Zane) can do to bury this dirty little secret. Just as Deville begins auditing at will and the town teeters on the verge of bankruptcy, however, help arrives in the form of Consumer City President Vernon Fry (Bergion). Consumer City is a giant discount chain with stores all across the country, and Fry is willing to rescue Putterton from financial ruin if the residents will just allow him to open a store in their quiet little burg. The only problem with this solution is that the presence of a garish Consumer City store in town would most certainly detract from the old fashioned atmosphere that that has come to define Putterton. While George and Caroline may have their fair share of differences, the one thing they can both agree on is that Putterton shouldn't bow to Fry and his corporate Goliath. Perhaps if they could just find a way to work together, these two unlikely allies can ensure that Putterton doesn't become yet another indistinctive stretch of strip malls and fast food joints. ~ Jason Buchanan, All Movie Guide

Glory! Glory! is a "roman a clef" of the Evangelism industry, with all the names fictionalized but with all characters easily recognizable to anyone who's ever watched a religious UHF channel. Barry Morse portrays a radio preacher whose operation is controlled by his honest but colorless son Richard Thomas. When Morse is promoted into a media superstar by savvy huckster James Whitmore, the son is left behind. All this changes when Thomas wanders into a bar and witnesses the performance of rock singer Ellen Greene. Greene's song Sister Ruth may be just what Thomas needs to rise to the top of his calling. Originally telecast in two parts over the HBO Pay-Cable service, Glory! Glory! closes out Part One with Ms. Greene becoming a powerful evangelist in her own right...a status quo subject to change when certain truths are made public. ~ Hal Erickson, All Movie Guide

In his TV-movie debut, Jerry Lewis plays Dr. Abrams, an Ohio optometrist, whose beloved 6-year-old daughter (Jaclyn Bernstein) falls victim to a rare form of epilepsy. The traditional means to keep the girl's seizures under control fail to work, putting a strain on the Abram's (Lewis and Patty Duke Astin) marriage. The couple then learns of a little-known drug called sodium valporate, which has had salutary effects upon epileptics in Britain. Unfortunately, the drug has not been approved for use in the United States; thus, by utilizing the drug to save their child from agony, the Abrams are in effect breaking the law. The cause celebre that follows forms the nucleus of Scott Nisor and Tom Nesi's fact-based screenplay. Essaying a rare dramatic role, Jerry Lewis is excellent: in fact, he's much more credible than Barry Morse as the doctor who develops the miracle drug. Fight for Live was first telecast March 23, 1987. ~ Hal Erickson, All Movie Guide

Tipping the scales on the Monty Python-esque side of broad comedy, this outrageous and classically British farce is a series of episodes involving the U.S., a small Caribbean nation, the British government, and the military. The American president is a former clown who dies after asking someone to punch him in the stomach to prove how strong he is. The vice-president (Loretta Swit) takes over and heads for trouble right away. A British island has been invaded by a Caribbean dictatorship and the gay British admiral sent to command naval operations takes a warm-hearted, 1940s-style leave of his "spouse." A Princess working as a nurse overdoes it when asked to shave a sailor for an operation. The British Prime Minister decides that if the unemployment situation could be easily solves if the employed would only jump off a cliff. And so it goes on and on, with some of the skits delving into more violent and sacrilegious themes. ~ Eleanor Mannikka, All Movie Guide

In this horror film an influential family, whose wealth comes from Nazi gold, in San Francisco must preserve an ancient evil rite that enables them to keep a supernatural power under their control. ~ Sandra Brennan, All Movie Guide

Another of the many Sidney Sheldon novels given the TV-miniseries treatment in the 1970s and '80s, Master of the Game yielded a three-part, nine-hour extravaganza, with enough corporate and romantic intrigue to fill an entire television season. Covering nearly 100 years, the story (which remained astonishingly faithful to the book) begins in the late 19th century, when ruthless young Scottish entrepreneur Jamie McGregor (Ian Charleson) emigrates to South Africa, in hopes of accumulating enough wealth and power to get even with his longtime enemy, Dutch merchant Van der Merwe (Donald Pleasence). Thanks to an extremely prolific diamond mine, the money comes quickly -- as does vengeance, when McGregor deflowers Van der Merwe's convent-educated daughter, Margaret (Cherie Lunghi). The result of this indiscretion is a daughter named Kate (Dyan Cannon), who turns out to be the "Master" of the title. Upon attaining adulthood, Kate assumes control of her father's vast financial empire, ruling her inherited international conglomerate, and her husband, David Blackwell (David Birney), with an iron fist. The story continues into the next several generations, with Kate's lily-livered son, Tony (Harry Hamlin), giving birth to twin daughters, Eve and Alexandra (both played by Liane Langland). One is good, the other evil; the evil twin threatens threaten to destroy everything that Kate has so painstakingly built up. Eventually, they both become the victims of a sneering, malevolent gigolo (Fernando Allende) with a penchant for beating young women senseless. Told in flashback, the narrative comes to a head during Kate's 90th birthday celebration, an event tainted by the efforts of a mysterious killer to wipe the domineering matriarch and her family from the face of the earth. Largely filmed on location, Master of the Game was telecast by CBS from February 19 to 22, 1984. ~ Hal Erickson, All Movie Guide

Louis Gossett Jr. was nominated for an Emmy for his portrayal of Egyptian leader Anwar Sadat in this two-part made-for-TV biopic. With 4 hours at its disposal, Sadat is able to trace its protagonist from his formative years fighting against the British occupiers of his country. The second part of the film is devoted in great part to Sadat's peacemaking efforts, culminating with his tradition-breaking truce with Israel's Menachem Begin (Barry Morse) in 1978. Lionel Chetwynd's script tends to deal in sweeping generalizations and stock characters at times, but the performances of Gossett, Morse and John Rhys-Davies as Gamel Abdel Nassar fully flesh out the film's occasional superficialities. Syndicated as an Operation Prime Time special on October 31, 1983, Sadat was an unqualified hit--everywhere but Egypt, where the film was banned because of its actual and alleged distortions. ~ Hal Erickson, All Movie Guide

In the third episode of the seven-part, eighteen-hour miniseries The Winds of War, President Roosevelt has dispatched Naval Commander "Pug" Henry (Robert Mitchum) to Germany, there to try to reason with the power-mad Adolf Hitler (Gunter Meisner), whose army has just invaded Poland. Henry also confers with Hitler's ally Benito Mussolini (Enzo Castellari), who proves to be as stubborn as Hitler is obsessed. Also figuring in Henry's foredoomed negotiations is anti-semitic German banker Wolf Stoller (Barry Morse), the proverbial "smiler with the knife", at whose sumptuous dinner party Henry's wife Rhoda (Polly Bergen) almost forsakes her common sense. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, All Movie Guide

Imagine Monty Python's Flying Circus crossed with Dr. Strangelove, and you'll have a pretty good idea of what went on in the uproarious "black" British sitcom Whoops! Apocalypse. Three of the world's superpowers collide head-on in their efforts to replace the recently deposed Shah of Iran: U.S. President (and former silent movie star) Johnny Cyclops (Barry Morse), half-loony British Prime Minister Kevin Pork (Peter Jones), and senile Soviet premier Dubienkin (Richard Griffiths). The fly in the ointment is flamboyant international terrorist Lacrobat (John Cleese), who is determined to get his mitts on the all-powerful Quark bomb. If it is possible to invoke laughter from the prospect of wholesale nuclear annihilation, then this series succeeded beyond all expectations. Originally telecast in six half-hour episodes from March 14 to April 18, 1982, Whoops! Apocalypse was later pared down and released as a single "feature film" on home video, and was ultimately adapted as a genuine theatrical feature film in 1986. ~ Hal Erickson, All Movie Guide

More the story of the man who established it than the College of Notre Dame in Saskatchewan, this is the depiction of Father Athol Murray, a hard-drinking, chain-smoking man who believed that education and athletics were the way to success for young men in college. He was opinionated, but he managed to take a dump and make it into a well-respected college. Uninspiring rendition of a tale told better in other movies. ~ Tana Hobart, All Movie Guide

Everyone who tuned into The Martian Chronicles during its three-day run in January of 1980 sincerely hoped that it would be the ne plus ultra of televised sci-fi/fantasy. That it fell short of this goal was not the fault of the actors but of the script, which reduced Ray Bradbury's complex original work into typical TV-movie banality. Further hurting the project were the special effects, which fluctuate between the heights of the original Star Trek and the depth of Lost in Space. All there parts of The Martian Chronicles have been amalgamated into one overlong feature film on videocassette.
~ Hal Erickson, All Movie Guide

This is a remake of a 1936 sci-fi, future dystopia tale by H.G. Wells, but the drama, as interpreted by director George McCowan and scripter Martin Lager is not altered to accommodate today's more demanding audiences. As a result, the story, characters, and dialogue are a little weak. After a nuclear holocaust has forced people on earth to set up house on the moon (covered by an insulating, glass-like bubble), their continuing existence depends on some medication to fight off the effects of radiation (!). The trouble is that this medicine is now controlled by the villainous Omus (Jack Palance) who lives on the planet where the miracle drug is made. He is in the process of blackmailing the earth people into accepting him as a dictator when a group of them sneak out in a rocket to defeat him and save the day, whatever the day is on the moon. ~ Eleanor Mannikka, All Movie Guide