David Calder Movies

The Fast and the Furious director Rob Cohen continues the tale set into motion by director Stephen Sommers with this globe-trotting adventure that finds explorer Rick O'Connell and son attempting to thwart a resurrected emperor's (Jet Li) plan to enslave the entire human race. It's been 2,000 years since China's merciless Emperor Han and his formidable army were entombed in terra cotta clay by a double-dealing sorceress (Michelle Yeoh), but now, after centuries in suspended animation, an ancient curse is about to be broken. Thanks to his childhood adventures alongside father Rick (Brendan Fraser) and mother Evelyn (Maria Bello), dashing young archeologist Alex O'Connell (Luke Ford) is more than familiar with the power of the supernatural. After he is tricked into awakening the dreaded emperor from his eternal slumber, however, the frightened young adventurer is forced to seek out the wisdom of his parents -- both of whom have had their fair share of experience battling the legions of the undead. Should the fierce monarch prove capable of awakening his powerful terra cotta army, his diabolical plan for world domination will finally be set into motion. Of course, the one factor that this emperor mummy failed to consider while solidifying his power-mad plans was the O'Connells, and before this battle is over, the monstrous monarch will be forced to contend with the one family that isn't frightened by a few rickety reanimated corpses. ~ Jason Buchanan, All Movie Guide

An obsessive French perfumer with a highly developed olfactory sense and an all-consuming drive to capture the essence of love eventually resorts to murder in his unrepentant quest to find the key ingredient for his recipe in director Tom Tykwer's adaptation of author Patrick Suskind's best-selling 1985 novel. Born in a fetid fish market and raised in a dilapidated orphanage, Jean-Baptiste Grenouille (Ben Whishaw) toiled his childhood away in a rank tannery run by the thuggish Grimal (Sam Douglas). Subsequently obsessed by smell, Grenouille's keen olfactory sense becomes so finely tuned that it eventually overpowers such human qualities as love and compassion. Though he has indeed discovered the unmistakable scent of a woman, Grenouille finds it impossible to connect with the fairer sex on any sort of meaningful level. Roaming the streets of Paris late one night, Grenouille catches the scent of a young girl selling plums and impulsively strangles her, later sniffing her nude corpse in a twisted attempt to preserve the distinctive scent in his memory. After persuading legendary perfumer Giuseppe Baldini (Dustin Hoffman) to take him on as an apprentice, Grenouille travels to the town of Grasse in Southern France in order to learn the art of enfleurage at a firm run by the highly respected Mme. Arnulfi (Corinna Harfouch). It is there that Grenouille becomes dangerously drawn to the vestal aroma of the young and beautiful Laura (Rachel Hurd-Wood), the daughter of widower merchant Antione Richis (Alan Rickman). Soon driven to madness by such a pure scent, the spellbound Grenouille continues to claim the lives of the numerous young girls in a tragic attempt to bottle the impossibly elusive smell of virginal womanhood. ~ Jason Buchanan, All Movie Guide

British actor Robert Carlyle stars as the 20th century's most infamous dictator in this two-part TV biopic. The film covers the life of Adolf Hitler from his childhood to his emergence as absolute ruler of Germany in 1934. Most of the ground covered should be familiar to history buffs: Hitler's failed efforts to become a great artist, his frustration at watching his adopted country fall apart at the seams during World War I, his resolve to put Germany back on its feet by exploiting the nation's horrendous postwar economic woes and its ingrained anti-Semitism, his 1923 arrest, the publication of Hitler's virulent screed Mein Kampf, the growing popularity of National Socialism, and the fatal error made by senile German chancellor Von Hindbenburg (Peter O'Toole) to "neutralize" Hitler by giving him a relatively unimportant political post in 1933. Also covered is Hitler's abortive romance with his half-niece Geli Raubal (Jena Malone) and his longer relationship with the estimable Eva Braun (Zoe Telford). Given the difficulties faced by actor Carlyle and the screenwriters to successfully convey pure, unadulterated evil, much of what we learn about Hitler is conveyed by the observations and reactions of other characters, notably crusading but ineffectual anti-Nazi journalist Fritz Gerlich (Matthew Modine), and especially German publisher Ernst Hanfstaengl (Liev Schreiber) and his wife, Helene (Julianna Margulies). Originally a staunch supporter of Hitler, Hanfstaengl eventually comes to realize the danger the man poses to the world ("He's not human. He simply studies others to become human."); in contrast, Helene, who at the outset is vaguely opposed to National Socialism, is ultimately seduced and swept up by the movement. Not surprisingly, this film stirred up a great deal of controversy even before it aired; some Jewish leaders and prominent Holocaust survivors worried that Hitler might come off as being sympathetic (a concern that may have dictated altering the film's title, which was to have been Hitler: The Early Years); and one of the film's producers was summarily dismissed after issuing a public statement which seemed to compare Germany's blind, unthinking allegiance to Hitler to America's rallying behind George W. Bush during the Iraq crisis. Hitler: The Rise of Evil originally aired May 18 and 20, 2003, on CBS. ~ Hal Erickson, All Movie Guide

Noted for shooting such films as Exotica, Affliction and X-Men, cinematographer Paul Sarossy makes his directorial debut with this existential crime thriller about a killer struggling to reclaim his soul. Jon is a quiet, nice, and seemingly conventional character who no one would suspect is a hired killer. When he makes such a confession to his mates one drunken evening at the local pub, no one believes him. But a hired killed he is, working for a mysterious figured named The Tattooed Man, whose proclivity for philosophy is match only by his lust for cruelty. When Jon runs into his old high school chum Andy, who is happily married to Jon's first love Cathy, he begins to awaken from his emotional and spiritual torpor. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

This 2000 production recounts a famous tale from Greek mythology: the quest for the Golden Fleece. The film begins when the evil Pelias (Dennis Hopper) usurps the throne of his half-brother, Aeson, king of the Greek city of Iolcus, after murdering Aeson and marrying his wife, Polymele (Diana Kent). Aeson's child, Jason (Mickey Churchill), escapes but returns years later as a young man (Jason London) to see his mother, Polymele, and claim his royal patrimony. Pelias then threatens to kill Polymele unless Jason brings him the Golden Fleece. Made of the skull, horns, and gilded wool of a winged ram, the fleece affords protection and prosperity to the kingdom that possesses it. It hangs from a tree on sacred ground in the Black Sea port of Colchis, where an unsleeping dragon protects it. After Jason agrees to undertake a perilous ocean voyage to retrieve it, he assembles a crew that includes the mighty Hercules (Brian Thompson) and the musician Orpheus (Adrian Lester). On the long ocean voyage aboard his ship, the Argo, Jason overcomes many perils -- passing through clashing rocks and fighting deadly Harpies -- while the gods Zeus and Hera observe from the heavens and occasionally meddle in Jason's exploits. At Colchis, the King Aertes (Frank Langella) forbids Jason to carry off the fleece, for it has long protected and sustained his realm. But he relents upon learning that the gods favor the youth. However, Jason must first prove himself by yoking a fire-breathing bull. With the help of the king's daughter, Medea (Jolene Blalock), a sorceress smitten with love for him, Jason succeeds, survives further tests, kills the dragon, and returns with the fleece -- and Medea. But in Iolcus, Pelias gains control of the fleece, then sends 200 soldiers to kill Jason and his crew. Thus, Jason faces still another trial. His fate and the fates of Media, Pelias, and all of Iolcus depend on how he responds. ~ Mike Cummings, All Movie Guide

James Bond, the world's greatest secret agent, is sent once more into the breach in the name of Queen, Country, and a dry martini. In the 19th Bond adventure, 007 (Pierce Brosnan) must resolve a potentially deadly power struggle between two unstable nations, with control of the world's oil supply as the ultimate prize. Bond is assigned as bodyguard to Elektra King (Sophie Marceau), the daughter of a petroleum magnate who was brutally murdered, and is trying to foil the fiendish plot of Renard (Robert Carlyle), a villain who was shot in the head with an unusual result: he cannot feel physical pain, an apparent failing that proves to be a considerable asset. Denise Richards appears as Dr. Christmas Jones, an expert on nuclear weapons, alongside Desmond Llewelyn as Q, Judi Dench as M, Samantha Bond as Miss Moneypenny, and John Cleese as R. Alternative rock band Garbage performs the theme song. ~ Mark Deming, All Movie Guide

James Fox stars as real-life British turncoat Anthony Blunt in A Question of Attribution. A highly respected art expert (he was Queen Elizabeth's personal art advisor), Blunt was also intimately involved in the Burgess-Maclean-Philby spy scandal of the 1950s. According to this 1992 adaptation of Alan Bennett's play, Blunt tipped his hand while restoring one of his precious Titians. John Schlesinger (Midnight Cowboy) directed this razor-sharp psychological melodrama. Originally produced for British television, the 90-minute A Question of Attribution premiered in the US on October 4, 1992, as part of PBS' Masterpiece Theatre. ~ Hal Erickson, All Movie Guide

This four-part British miniseries took place just after the fall of the Soviet Union. Going through Kremlin files, a team of Soviet bureaucrats discover that two KGB "sleepers," or secret agents, were assigned to England 20 years before, and had been there ever since. One of the sleepers was a shop steward in the North, the other an urban professional in London, and neither man had any desire to return to Moscow. The Kremlin dispatched an attractive female agent to retrieve the renegade duo, thereby setting the stage for a maddening procession of double-crosses, multi-pronged conspiracies, and other assorted mayhem perpetrated by both the "good" and the "bad" guys. As much a comedy as a thriller, Sleepers was broadcast over BBC2 in 1991. ~ Hal Erickson, All Movie Guide

This fast-paced thriller examines the amorality of a nation's secret services and the responsibility of journalistic investigations in an era of nuclear tensions and bureaucratic deceit. The film examines an unspooling series of events occurring after a near crash of a nuclear bomber at an American Air Force base in the English countryside. When Dennis Markham (Ian Bannen), a well-respected member of Parliament, is reported by a London paper to have been seen leaving a woman's home, and the woman is found to also be familiar with a dignitary from East Germany, his loyalty to his country is questioned, and he is forced to resign. The author of the newspaper exposé, Nick Mullen (Gabriel Byrne), continues his investigation with his colleague Vernon Bayliss (Denholm Elliott). But when Vernon dies from a mysterious heart attack, Mullen suspects something deeper at work and finds evidence of a complex web of deceit concerning a secret Air Force base. With the help of Vernon's secretary, Nina Beckman (Greta Scacchi), Nick fights the dark forces in order to bring the truth to light. ~ Paul Brenner, All Movie Guide

Jeremy Irons portrays Nowak, one of four Polish laborers, living in England. In exchange for a place to stay, Irons and his buddies -- none of whom have British work permits -- agree to renovate their landlord's flat within a limited time-frame. Despite their hectic schedule, the boys agree never to work on Sunday: this is the day that they communicate with their loved ones in Poland. On one such Sunday, however, the Soviets declare martial law in Poland, cutting off all telephone and telegraph service to the outside world. Nowak, the only one of the four who speaks English, learns of the turmoil in Poland before his friends do; he decides to keep the news secret, rather than jeopardize their living arrangements. When the flow of money from home ceases, Nowak takes to stealing to finance the renovation project. He pushes his friends mercilessly to make sure the project is completed on time, secretly burning their letters so that they remain in the dark about the Soviet incursion upon their native soil. When they do find out, they physically vent their anger upon Nowak, perceiving him to be as much an enemy and oppressor as the Soviets. This is clearly the allegorical point that director Jerzy Skolimowski is hoping to make in Moonlighting; wisely, he avoids conveying his message in fluent tract, relating his story with generous doses of humor and irony. ~ Hal Erickson, All Movie Guide

Director Roger Donaldson's directorial debut was also a breakthrough film for New Zealand filmmakers, being the first film from New Zealand to open in the United States. Sam Neill stars as a man named Smith who lives in a near future of economic collapse in New Zealand. Smith is a husband who discovers that his wife has been having an affair. Unable to deal with it, he decides to move out and live by himself. But the precarious political chaos in New Zealand has created a right wing backlash, with repressive government forces murdering opponents to the government's policies. Smith finds himself joining a group of freedom fighters that sets out to preserve democracy. Opposing Smith and the freedom fighters are the government thugs and an apolitical soldier of fortune named Willoughby (Warren Oates). ~ Paul Brenner, All Movie Guide