Vladimir Menshov Movies

The "code" in question refers to a pivotal telephone number - 11 digits that, when dialed, will trigger a global apocalypse by instantly setting off catastrophic nuclear devices in four metropolises around the world. As this Russian-language thriller opens, two individuals find their lives, and futures, at the mercy of "The Code"; FSB Agent Darya (Anastasiya Zavorotnyuk) sets out to defuse the devices in question and render the 11 digits ineffective, while the psychotic Louis Devier (Vincent Perez) wants nothing less than to attain those elusive numbers and use them to completely wipe humankind from the face of the Earth. These two embark on a head-to-head conflict, in a transcontinental race against time that will carry each through such exotic locales as Norway, Malaysia and Italy. Moreover, the stakes are not simply political, but personal: Louis caused significant emotional and psychological grief for Darya by murdering her lover. Nevertheless, Darya is forbidden from enacting vengeance, and must focus exclusively on her mission at hand, however difficult the task. ~ Nathan Southern, Rovi

Two bands of warriors, one good and one evil, battle to keep the peace in Moscow in this cat's cradle thriller from Russia. In 1342, the Warriors of Light (led by Gesser, Lord of Light) and the Warriors of Darkness (led by Zavulon, General of Darkness) declare a truce under which each side will form a law enforcement team to monitor the other side's activities. The Warriors of Light, who enforce the powers of good, patrol the Night Watch, while the Warriors of Darkness, who openly embrace evil, staff the Day Watch. Each watch group also contains "Others," mortals with supernatural powers from both sides that include vampires, shapeshifters, witches, and the like. Prophecy suggests that one day, a Great One will surface and permanently extinguish the threat of an apocalyptic war between the two sides by upsetting the balance, lending greater power to either good or evil (depending on his or her choice) and thus determining the future of mankind forever.

In 1992, Night Watch member and Warrior of Light Anton Gordesky (Konstantin Khabensky) discovers he's an "other" amid a sting on a witch. Cut to twelve years later. In 2004, Anton still works the Night Watch, but now he's a vampiric warrior who drinks blood. One night, while on patrol, he rescues a young boy named Egor (Dima Martinov) from a handful of Dark Warriors, but in the process, he encounters Svetlana (Maria Poroshina), a woman who acts as a "funnel" -- a conduit for the powers of evil. Anton reflects on the prophecy regarding "The Great One," and begins to suspect that Svetlana and Egor may be harbingers of this fateful event. As the first installment in a Russian trilogy, Night Watch (aka Nochnoj Dozor) was a massive box-office success in its native Russia, and is followed by the second installment, Day Watch; it was released in the U.S. with a heavy prologue and epilogue, and animated subtitles that alternately scuttle across the screen, dissolve, shudder, and explode.

20th Century Fox not only purchased United States distribution rights for the film, but also announced plans for a Westernized remake. ~ Mark Deming, Rovi

The confusion inherit in contemporary Russian society provides the basis of this slapstick social satire that focuses on a case of mistaken identity. The trouble begins in a Siberian diamond field as miners bring to light the world's biggest diamond. So valuable is the giant gem, that it will not only pay off the enormous national debt, it will also allow every Russian citizen to move to the Canary Islands. Unfortunately, the Mafia plans to steal the massive stone. Their plans are foiled when a renowned thief, Vesja, exchanges stones at the airport. Now the chase is on as the Mafia begins its pursuit. Also chasing him is the inept police chief Igor Ugolnikov, who trails him to the home of his alcoholic auntie. But Vesja, a master of disguise, still eludes them all. He then learns that he is a triplet when his two brothers suddenly appear. One is a renowned Jewish conductor, and the other brother is a gypsy. The conductor, Imokenty, has come back to Russia to marry a fluff-headed American divorcee. Mayhem and a merry chase ensue as he continues to elude his pursuers. ~ Sandra Brennan, Rovi

In this drama Svetlana Zasypina plays a sixteen year old girl who has been a star in the Russian national gymnastics program since she was barely six years old. Now that injuries have prevented her from competing again, she is relegated to the tender mercies of the ordinary school system, where she's nobody special. She has a tremendous ego problem, and despite her small size, attempts to bully and lead her classmates, and is very difficult with her teachers. Elena is one of this obstreperous girl's teachers, and she is more than willing to try and outwit her and help her learn to be a human among humans. ~ Clarke Fountain, Rovi

Ivan (Fedor Dunaevsky) is a teenager who is suffering through the acrimonious divorce of his parents. His sympathies are all with his father, who has taken up with a younger woman, and he has nothing but scorn for his mother, who won custody of him. He tries to set his mother's apartment on fire, but fortunately enough, he fails. He also fails at getting accepted into the university in a subject chosen by his mother. Ivan is not a deep thinker and basically only wants an easy existence with enough money to enjoy some of the good things of life. Since he has graduated from high school, he has to do something, so his mother sets him up with a job as a messenger. While on his first assignment (which he messes up), he makes friends with professor's daughter Katya (Anastasiya Nemolyayeva, the daughter of the film's cinematographer Nikolai Nemolyaev), a member of Moscow's social elite. He sets his heart on winning her, even though he is a homely and uneducated housing-project bumpkin with nothing to recommend him except his persistence, engagingly bad manners and a certain originality. Despite being thrown out of the girl's apartment many times by her father (Oleg Basilashvili), he keeps coming back and eventually wins the older man's grudging respect. Kuryer first became popular as a story published in the mid-1980s. The story was humorous and addressed the real-life situations and problems that young people would face, as opposed to ideologically heavy, Party-sponsored books that dominated the market at that time. That's what made Kuryer so appealing and fresh. As it often happens, when Karen Shakhnazarov adapted his own story for the screen, some of the magic was lost in the transition. However, the film was a popular success and also received a Special Prize at the Moscow International Film Festival in 1987, along with the Jury Prize at the Tbilisi Film Festival, a State Prize of the Russian Federation, and, finally, was voted the "Best Film of the Year" by the readers of the film magazine Sovetsky Ekran. ~ Yuri German, Rovi