Sally Menke Movies

A group of hardened Nazi killers stalk their prey in Nazi-occupied France as a Jewish cinema owner plots to take down top-ranking SS officers during the official premiere of a high-profile German propaganda film. As far as Lt. Aldo Raine (aka Aldo the Apache," Brad Pitt) -- is concerned, the only good Nazi is a dead Nazi. Raine's mission is to strike fear into the heart of Adolf Hitler by brutally murdering as many goose-steppers as possible, or die trying. In order to accomplish that goal, Lt. Raine recruits a ruthless team of cold-blooded killers known as "The Basterds" which includes baseball-bat-wielding Bostonian Sgt. Donnie Donowitz (aka "The Bear Jew," Eli Roth) and steely psychopath Sgt. Hugo Stiglitz (Til Schweiger), among others. When the Basterds' secret rendezvous with turncoat German actress Bridget von Hammersmark (Diane Kruger) goes awry, they learn that the Nazis will be staging the French premiere of "The Nation's Pride," a rousing propaganda film based on the exploits of German hero Fredrick Zoller (Daniel Brühl), at a modest theater owned by Jewish cinephile Shoshanna Dreyfus (Mélanie Laurent), posing as a Gentile after the brutal murder of her family by the ruthless Col. Hans Landa (Christoph Waltz). As the Basterds hatch an explosive plan to take out as many Nazis as possible at the premiere, they remain completely oblivious to the fact that Shoshanna, too, longs to bring the Third Reich to its knees, and that she's willing to sacrifice her beloved theater in the process. ~ Jason Buchanan, Rovi

Kill Bill director Quentin Tarantino and Sin City director Robert Rodriguez join forces to offer a cinematic tribute to the blood-soaked exploitation epics of yesteryear with this hyper-violent coupling of two full-length features punctuated by a collection of outrageous trailers. The first segment, directed by Rodriguez and entitled Planet Terror, details the violent struggle between a ravenous army of zombie-like humanoids who have taken control of the planet and the remaining survivors who refuse to go down without a fight. Freddy Rodriguez, Naveen Andrews, and Rose McGowan headline a cast that also includes Marley Shelton, Michael Biehn, Josh Brolin, Bruce Willis, and Tom Savini. In Death Proof -- director Tarantino's take on such peddle-to-the-metal shockers as White Line Fever -- Kurt Russell stars as an engine-revving psychopath who prefers to take out his beautiful victims at 200 mph. With a list of potential roadkill candidates that includes Rose McGowan, Jordan Ladd, Rosario Dawson, and Vanessa Ferlito, Death Proof takes viewers on an adrenaline-infused drive that's as sexy as it is shocking. Its tantalizing title borrowed from the term frequently used to describe the seedy, 1970s-era inner-city movie theaters that screened excessive, low-budget independent films containing copious amounts of violence and nudity as a means of offering counter-programming to the decidedly more restrained big-budget studio films, Grindhouse takes its love for these unabashedly sleazy efforts one step further by offering a jaw-dropping collection of fake exploitation trailers from such directors as Rob Zombie, Eli Roth, and Edgar Wright. ~ Jason Buchanan, Rovi

The Cutting Edge: The Magic of Editing teaches the viewer how editors compile strips of film in order to create memorable moviegoing experiences. In addition to interviews with a variety of respected and award-winning editors, the movie offers clips form some of the most memorable films in the history of the artform. ~ Perry Seibert, Rovi

Billy Bob Thornton wrote, directed, and starred in this serio-comic look at the trials (literally and figuratively) of an eccentric Arkansas family. Struggling musician Claude (Thornton) and his wife Ruby (Laura Dern) get the news that Claude's uncle Hazel (Jim Varney) has been accused of murder and is in jail awaiting trial. Claude and Ruby head for the Alabama town where they grew up, and, before long, there's a friendly (and sometimes not-so-friendly) war of words among the factions of the family, including Claude's mother Jewel (Diane Ladd), father O.T. (Andy Griffith), and sister Rose (Kelly Preston). Daddy and Them's supporting cast includes Jamie Lee Curtis and Ben Affleck as a pair of married attorneys, Brenda Blethyn as Hazel's wife Julia, and Jeff Bailey, and John Prine as Claude's brothers. While Daddy and Them was shot in 1999 -- and would have been his first directorial effort after his breakthough hit Sling Blade -- the film stayed in the editing room for several years, and wasn't released until after his third feature, All The Pretty Horses. ~ Mark Deming, Rovi

Like The Vanishing (1988 and 1993), Nightwatch is an English-language version of a foreign-made film with the original director hired to remake his own movie. Ole Bornedal was the writer-director of the suspenseful 1994 thriller, Nattevagten, which had no U.S. release immediately on the heels of its success in Denmark. For the second time around, Bornedal directed, but Steven Soderbergh wrote a new script based on Bornedal's original film. Both were produced by Michael Obel. Nattevagten was Bornedal's directorial debut, and reviews praised the film for the claustrophobic atmospherics and suspense generated from the very first establishing scene. For the 1998 English-language remake, the artistic elements of the original gave way to name actors, slicker production values, and the more conventional grindhouse genre approach, opening with a brutal prostitute murder in a pre-credit sequence. University student Martin (Ewan McGregor) ignores warnings to take a city-morgue night watchman job for extra cash. Odd happenings at the morgue are linked to a serial killer, and Inspector Thomas Cray (Nick Nolte) investigates. Soon Martin's girlfriend Katherine (Patricia Arquette) learns that Martin has become a key suspect. However, some might suspect Martin's edgy friend James (Josh Brolin). Brad Dourif fills the role of a doctor, and young Alix Koromzay portrays vulnerable teen hooker Joyce. ~ Bhob Stewart, Rovi

Four men just barely on the right side of the law step into a web of danger and corruption in this drama. In the early 1950s, Max Hoover (Nick Nolte) is a detective with the Los Angeles Police Department who leads what's been dubbed "the hat squad," a group of sharp-dressed cops who are ordered to stamp out organized crime using any means necessary, with legality and delicacy not much of an issue. Hoover and his partners Ellery Coolidge (Chazz Palminteri), Eddie Hall (Michael Madsen), and Arthur Relyea (Chris Penn) are looking into the brutal murder of a young woman named Allison Pond (Jennifer Connelly). In the course of their investigation, they discover that Allison had a lively sexual history, and she possessed explicit films of herself with her lovers, including Gen. Thomas Timms (John Malkovich), leader of the newly-formed Atomic Energy Commission. Timms becomes a key suspect, and he reveals the first of a long trail of troubling secrets, but Hoover has secrets of his own that he's trying to keep covered in the process -- including the fact that he and Allison were once an item. Popular vocalist Aaron Neville has a cameo as a singer at a night spot. ~ Mark Deming, Rovi

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, Rovi

In 1992, Reservoir Dogs transformed Quentin Tarantino practically overnight from an obscure, unproduced screenwriter and part-time actor to the most influential new filmmaker of the 1990s. The story looks at what happens before and after (but not during) a botched jewelry store robbery organized by Joe Cabot (Lawrence Tierney). Mr. White (Harvey Keitel) is a career criminal who takes a liking to newcomer Mr. Orange (Tim Roth) and enjoys showing him the ropes. Mr. Pink (Steve Buscemi) is a weaselly loner obsessed with professionalism. Mr. Blonde (Michael Madsen) has just gotten out of jail after taking the rap on a job for Cabot; he's grateful for the work but isn't the same person he used to be. While Mr. Blonde goes nuts during the heist, the thieves are surprised by the sudden arrival of the police, and Mr. Pink is convinced one of their team is a cop. So who's the rat? What do they do about Mr. Blonde? And what do they do with Mr. Orange, who took a bullet in the gut and is slowly bleeding to death? Reservoir Dogs jumps back and forth between pre- and post-robbery events, occasionally putting the narrative on pause to let the characters discuss such topics as the relative importance of tipping, who starred in Get Christie Love!, and what to do when you enter a men's room full of cops carrying a briefcase full of marijuana. ~ Mark Deming, Rovi

Tom Christo (Griffin Dunne) is a New York TV writer-director in a dead-end marriage to Leslie (Blanche Baker). He meets the intriguing Marty Fenton (Marissa Chibas), a research scientist, when she attends a party Tom and his wife give at their home. Even though there is an initial attraction between Tom and Marty, their eventual pairing takes a long time to evolve as each have their own partners (Marty has a boyfriend) and first must go through separation and a series of disastrously failed blind dates. Although slow in developing and stereotypical enough to register as banal, the storyline is greatly enhanced by the interpretations of the two leads. ~ Eleanor Mannikka, Rovi