Manuel Cabral Movies

Yet another American filmmaker inspired by the storytelling economy of Dogme 95, writer/director Eric Eason shot his feature debut, Manito, on digital video with a tiny budget and cast the film predominantly with first-time actors. Native New Yorker Eason's tale takes place in the Puerto Rican community of Washington Heights. Manny (Leo Minaya) is graduating high school near the top of his class and is headed to Syracuse University on a full scholarship. His family proudly organizes a massive graduation party, paid for by his older brother, Junior (Franky G.). Junior is a habitual womanizer who's done time for dealing drugs, but now he's working as a contractor. He's still hustling -- he falsifies his insurance certificate for a new job and hires illegal Mexican workers off the street -- but he's trying to pull his life together and support his wife, Miriam (Julissa Lopez), and their little boy. But his big celebration for Manny (staged at the famous Jimmy's Bronx Café) does not go smoothly. Their father, Oscar (Manuel Cabral), a reformed crack dealer, tries to participate in the big event, but Junior, still haunted by their ugly past, chases Oscar off, threatening to kill him. Manny has a crush on a sexually mature classmate, Marisol (Jessica Morales), and when he escorts her home from the party, they're accosted on the subway by two hoods who molest Marisol and steal Manny's graduation money. Just when it seems the world might be opening up to them, Manny and Junior find their hopes for the future in jeopardy. Manito won a Special Jury Prize for its ensemble cast at the 2002 Sundance Film Festival, and was shown in competition at the 2002 Tribeca Film Festival. ~ Josh Ralske, Rovi

Can a would-be artist find happiness with a woman who has never heard of Jackson Pollock? That's the dilemma facing Alex (Mark Ruffalo), whose life is finally going just the way he'd like; he's scored a one-man show at an upscale gallery, and is sharing an apartment with a beautiful model named Yvette (Anne-Marie Johnson). A few days later, however, Alex's life is in tatters; the curator of the gallery informs him his work is soulless and cancels his show, while Yvette hands Alex his walking papers. With no money and nowhere to go, Alex takes a job at a pizza place and finds an flat in a squalid building where the super, Ray (Alan Gelfant), has a habit of walking in unannounced at any time of the day or night. Along with a colorful group of neighbors, including a desperate middle-aged woman who can do wonders with Spam and a hooker with a remarkable collection of "work clothes," Alex meets Lori (Beth Ulrich), a sweet-natured woman who has just moved to L.A. from Colorado. At first they seem to hit it off, but Alex thinks Lori lacks big-city sophistication, and she knows nothing about modern art. Alex breaks up with her, but it doesn't take long for him to realize he's made a mistake -- or for his neighbors to start reminding him of that. Life/Drawing marked the directorial debut of Dan Bootzin, who co-wrote the screenplay with his producer and spouse, Elizabeth Rivera Bootzin; the film was warmly received in its premier engagement at the 1999 Taos Film Festival, then aired on U.S. cable in 2003, retitled Apartment 12. It premiered on DVD in 2006 under the same title. ~ Mark Deming, Rovi

In this thriller, a free-lance photographer is falsely convicted of possessing cocaine and is sentenced to jail time and 400 hours of community service. For the latter she must work with the LAPD and take favorable pictures of them doing their jobs for a public relations campaign. She willingly does this so she can regain custody of her young son. The trouble begins when she snaps a picture of Officer Eddie Martin, the cop who got her falsely arrested, killing a pimp. Unfortunately, the corrupt cop catches her catching him and now her life and the life of her son is in terrible danger. ~ Sandra Brennan, Rovi