Susan Cabot Movies

The aggressively Irish Maureen O'Hara and the staunchly American Jeff Chandler are cast as Arabian Nights types in Flame of Araby. Chandler plays Tamerlaine, a Bedouin chief who is engaged in a hunt for a legendary black stallion. Also coveting the prize steed is Tunisian princess Tanya (O'Hara), who wants to capture the horse to race in competition against her hated brothers Borka (Lon Chaney) and Hakim (Buddy Baer). After reels and reels of deadly rivalry, Tamerlaine decides to join forces with Tanya to trap the stallion--and in the process, the two fall in love. Listed as associate producer of Flame of Araby is Ross Hunter, whose later cinematic efforts would eschew desert-sands escapism in favor of lush soap operas and frothy sex comedies. ~ Hal Erickson, Rovi

No relation to the TV and radio series of the same name, Universal-International's Gunsmoke is a Technicolor vehicle for action star (and war hero) Audie Murphy. Murphy plays a wandering hired gun who is commissioned to kill a rancher (Paul Kelly). The film's conflict arises when the gunslinger befriends his would-be victim and comes to reject the attitudes of those who hired him. The fact that the gunman has fallen in love with the rancher's daughter (Susan Cabot) may have something to do with his change of heart. Audie Murphy mends his ways by the time Gunsmoke comes to a close, as if there was any doubt. ~ Hal Erickson, Rovi

Paladin's suspicions are aroused when his favorite tailor is killed in an "accident" shortly after purchasing a gold mine. Believing that the tailor was murdered for his gold, Paladin (Richard Boone) is assured that this is not the case, inasmuch as the mine is deemed worthless. Why, then, have several of the dead man's heirs also been systematically decimated in similar "accidents"? Featured in the cast are cult favorite Susan Cabot and prolific B-western star Bob Steele. ~ Hal Erickson, Rovi

In On the Isle of Samoa, beefcake star Jon Hall plays Kenneth Crandall, an unsavory gambler who absconds with his partner's money in a stolen plane. He crashes on an unchartered island, where he comes across a tribe of English-speaking natives, benevolently overseen by selfless missionary Peter Appleton (Raymond Greenleaf). The hard-bitten Crandall comes around to Appleton's way of thinking after a near-cataclysmic volcanic eruption, realizing at long last that money isn't everything. It helps, of course, that native girl Moana (Susan Cabot) has fallen in love with Crandall in the meantime. ~ Hal Erickson, Rovi

Audie Murphy may have had top billing in Ride Clear of Diablo, but the film is bushwhacked and stolen by co-star Dan Duryea. As notorious gunslinger Whitey Kincaid, Duryea is hired by sinister forces to kill Murphy, who is out to avenge the murders of his father and brother. Instead, Kincaid befriends Murphy, and helps him track down his family's killers. Since Murphy is the star, it is he who exacts final vengeance, but the script makes clear that he couldn't have done this without the aid of the snide, smirking Kincaid. Ride Clear of Diablo's supporting cast includes singer Abbe Lane, who handles her "bad girl" role with class. ~ Hal Erickson, Rovi

Sabra Tanner (Susan Cabot) is a member of an exclusive sorority on a small California campus. Wealthy, attractive, and intelligent, she should be sitting on top of the world and feel like she is; but she's the product of an emotionally abusive upbringing, by an uncaring mother, and she's so twisted in her thinking, that she knows not a moment of peace. She believes that no one accepts her, and in her growing paranoia, lashes out at her fellow sorority members, their boyfriends and fiancés, and anyone else she can bully and threaten. Her machinations finally catch up with her, but not before she sets a tragedy in motion. This film was remade in 1994 for cable as Confessions of Sorority Girls. ~ Bruce Eder, Rovi

Two of the cast members from the 1950 western Broken Arrow, Jeff Chandler and Jay Silverheels, recreate their earlier roles in 1952's Battle at Apache Pass. Chandler plays temperate Indian leader Cochise, while Silverheels is the more explosive Geronimo. The film takes place several years before the events depicted in Broken Arrow, a time in which Cochise attempts to prevent war between his people and the white settlers. Though Cochise's wife dies at the hands of a bigoted cavalry officer and a crooked Indian agent, the stoic Native American continues to believe that a lasting peace is possible. Two years after Battle at Apache Pass, Jeff Chandler would again reprise the role of Cochise (this time as a dying old man) in Taza, Son of Cochise (54). ~ Hal Erickson, Rovi

Humphrey Bogart plays Martin Ferguson, a prosecutor about to put Albert Mendoza (Everett Sloane), the head of a murder-for-hire ring, on trial. But the night before the trial, his key witness, Joe Rico (Ted de Corsia), dies in a fall out of the window of the room in which he's been guarded, part of an abortive escape attempt to keep from testifying. His case in shambles, Ferguson and detective Captain Nelson (Roy Roberts) try to piece the entire four-year investigation back together from square one, trying to find something that might give them another way to prosecute Mendoza. The main body of the movie is told in flashback, starting when a small-time hood named Duke Malloy (Michael Tolan, then billed as Lawrence Tolan) walks into a police station to turn himself in for killing his girlfriend -- and says that someone made him kill her. He babbles to the bewildered detectives about "hits" and "contracts" and men nicknamed Philadelphia, Big Babe, and Smiley. The body isn't found, but they arrest Malloy, who hangs himself in his cell. That dead end leads, almost by accident, to Philadelphia Tom Zaca (Jack Lambert), an asylum inmate who has to be put under sedation at the mention of Malloy's name. They find another suspect's body burning in his building's incinerator, and then Big Babe Lazick (Zero Mostel), a two-bit hood, hiding in a church in mortal fear of his life. He begins weaving a tale of a murder-by-contract ring and its head operator, Joe Rico, of a murder contract that Duke Malloy never filled on a girl who had to change her name, of mistaken identity and the murder of the girl's cab-driver father, and the connection between that and a murder that they both witnessed eight years earlier. In the midst of all of those interlocking stories (spread across ten years), there's something Ferguson missed -- when he had Rico to testify -- that he has to sort out from the reams of testimony and evidence, and he has to figure it out before Mendoza does, or lose the last witness he has. ~ Bruce Eder, Rovi

By the time you've read the title, the film is half over. Anyway, the story concerns a group of proud female Nordic warriors (who look more like UCLA cheerleaders), who set out on a perilous sea journey, the better to locate their long-missing men. Halfway across the ocean, their vessel is destroyed by a deadly vortex (this special effect must be seen to be believed). The ladies are washed up on the shores of the Grimaults, a spear-wielding tribe which had previously enslaved the girls' menfolk. One attempted human sacrifice and several minor clashes later, the viking men and women try to make their escape. When the head viking (Brad Jackson) slays a rampaging monster (actually a harmless lizard, "blown up" by trick photography), he and his party are given safe passage by the grateful Grimaults. Abby Dalton is the star of Viking Women and the Sea Serpent, but only by default; when the film's original leading lady fell ill, all the other actresses were promoted to the next largest role. ~ Hal Erickson, Rovi

Tomahawk takes place during the Great Sioux Uprising of the 1860s. Van Heflin stars as famed frontier scout Jim Bridger, who labors valiantly and vainly to orchestrate peace between Indians and whites. Much of the action takes place at Fort Phil Kearney, the scene of one of the bloodiest battles in western history. Though the film isn't what one might call a pro-Native American tract, the script is careful to note that the Sioux were galvanized into action by the broken treaties and sadistic excesses of certain Indian-hating white men. The feminine angle in these otherwise all-male proceedings is provided by Yvonne de Carlo as a travelling showgirl and Susan Cabot as an ill-fated Sioux maiden. Though economically produced, Tomahawk has all the polish and professionalism of an "A" production. ~ Hal Erickson, Rovi