Clark Gable Movies
The son of an Ohio oil driller and farmer, American actor
Clark Gable had a relatively sedate youth until, at age 16, he was talked into traveling to Akron with a friend to work at a tire factory. It was in Akron that
Gable saw his first stage play, and, from that point on, he was hooked. Although he was forced to work with his father on the oil fields for a time,
Gable used a 300-dollar inheritance he'd gotten on his 21st birthday to launch a theatrical career. Several years of working for bankrupt stock companies, crooked theater managers, and doing odd jobs followed, until
Gable was taken under the wing of veteran actress
Josephine Dillon. The older
Dillon coached
Gable in speech and movement, paid to have his teeth fixed, and became the first of his five wives in 1924. As the marriage deteriorated,
Gable's career built up momentum while he appeared in regional theater, road shows, and movie extra roles. He tackled Broadway at a time when producers were looking for rough-hewn, down-to-earth types as a contrast to the standard cardboard stage leading men.
Gable fit this bill, although he had been imbued with certain necessary social graces by his second wife, the wealthy (and, again, older) Ria Langham.
A 1930 Los Angeles stage production of The Last Mile starring
Gable as Killer Mears brought the actor to the attention of film studios, though many producers felt that
Gable's ears were too large for him to pass as a leading man. Making his talkie debut in
The Painted Desert (1931), the actor's first roles were as villains and gangsters. By 1932, he was a star at MGM where, except for being loaned out on occasion, he'd remain for the next 22 years. On one of those occasions,
Gable was "punished" for insubordination by being sent to Columbia Studios, then a low-budget factory. The actor was cast by ace director
Frank Capra in
It Happened One Night (1934), an amiable comedy which swept the Academy Awards in 1935, with one of those Oscars going to
Gable. After that, except for the spectacular failure of
Gable's 1937 film
Parnell, it seemed as though the actor could do no wrong. And, in 1939, and despite his initial reluctance,
Gable was cast as Rhett Butler in
Gone With the Wind, leading him to be dubbed the "King of Hollywood."
A happy marriage to wife number three,
Carole Lombard, and a robust off-camera life as a sportsman and athlete (
Gable enjoyed a he-man image created by the MGM publicity department, and perpetuated it on his own) seemed to bode well for the actor's future contentment. But when
Lombard was killed in a 1942 plane crash, a disconsolate
Gable seemed to lose all interest in life. Though far beyond draft age, he entered the Army Air Corps and served courageously in World War II as a tail-gunner. But what started out as a death wish renewed his vitality and increased his popularity. (Ironically, he was the favorite film star of
Adolf Hitler, who offered a reward to his troops for the capture of
Gable -- alive).
Gable's postwar films for MGM were, for the most part, disappointing, as was his 1949 marriage to Lady Sylvia Ashley. Dropped by both his wife and his studio,
Gable ventured out as a freelance actor in 1955, quickly regaining lost ground and becoming the highest paid non-studio actor in Hollywood. He again found happiness with his fifth wife, Kay Spreckels, and continued his career as a box-office champ, even if many of the films were toothless confections like
Teacher's Pet (1958). In 1960,
Gable was signed for the introspective "modern" Western
The Misfits, which had a prestigious production lineup: co-stars
Marilyn Monroe,
Montgomery Clift, and
Eli Wallach; screenwriter
Arthur Miller; and director
John Huston. The troubled and tragic history of this film has been well documented, but, despite the on-set tension,
Gable took on the task uncomplainingly, going so far as to perform several grueling stunt scenes involving wild horses. The strain of filming, however, coupled with his ever-robust lifestyle, proved too much for the actor.
Clark Gable suffered a heart attack two days after the completion of
The Misfits and died at the age of 59, just a few months before the birth of his first son. Most of the nation's newspapers announced the death of
Clark Gable with a four-word headline: "The King is Dead." ~ Hal Erickson, Rovi

- 1924
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- Add The Iron Horse to Queue
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John Ford directed this epic-scale silent western, which was one of his first major successes and was hugely influential on outdoor films that followed. David Brandon (James Gordon) is a surveyor in the Old West who dreams that one day the entire North American continent will be linked by railroads. However, to make this dream a reality, a clear trail must be found through the Rocky Mountains. With his boy Davy (Winston Miller), David sets out to find such a path, but he's ambushed by a tribe of Indians led by a white savage, Peter Jesson (Cyril Chadwick); while the boy manages to escape, David is killed. Years later, the adult Davy Brandon (George O'Brien) still believes in his father's dream of a transcontinental railroad, and legislation signed by President Abraham Lincoln has made it an official mandate. Davy is hired on as a railroad surveyor by Thomas Marsh (Will R. Walling), the father of his childhood sweetheart Miriam (Madge Bellamy). While Davy hopes to win Miriam's heart as he helps to find the trail that led to his father's death years ago, he's disappointed to discover that Miriam is already married -- and shocked to discover her husband is Peter Jesson, now working with the railroad as a civil engineer. As the Union Pacific crew presses on to their historic meeting at Promitory Point, Davy must find a way to earn Miriam's love and uncover Peter's murderous past. Shot on location in Arizona in Ford's beloved Monument Valley, The Iron Horse was a massive production that employed over 6,000 people; two temporary cities were built to accommodate them, with 100 cooks on hand to serve meals. ~ Mark Deming, Rovi
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- Starring:
- Winston Miller, George O'Brien, (more)

- 1924
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Star Pola Negri and director Ernst Lubitsch, who created an international sensation with the German superproduction DuBarry, Woman of Passion, were reunited in the frothy Hollywood comedy/drama Forbidden Paradise. Negri is cast as Catherine, the Czarina of an unnamed but very Russian-looking country. Rescued from revolutionaries by dashing Captain Alexis Czerny (Rod LaRocque), Catherine "repays" the Captain in the boudoir. Czerny falls madly in love with the Czarina, only to discover that he is the latest in a long line of royal consorts. Angrily, he joins the rebellion, vowing to topple the monarchy (but promising that Catherine will remain unharmed). When the revolution fails, Czerny is sentenced to death, but Catherine rescinds the order and allows him a happily-ever-after with his true love, lady-in-waiting Anna (Pauline Starke). Adolphe Menjou, a favorite of Lubitsch's, has all the film's best scenes as a rakish chancellor. Based on a play by Lajos Biro and Melchoir Lengyel, Forbidden Paradise was remade in 1945 as A Royal Scandal, with Tallulah Bankhead as Catherine; the 1945 film was produced by Ernst Lubitsch, who fell ill during shooting and was forced to relinquish the directorial responsibilities to Otto Preminger. ~ Hal Erickson, Rovi
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- Starring:
- Pola Negri, Rod La Rocque, (more)

- 1924
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Alice Joyce stars in this tale of darkest Africa. Lady Andrea Pellor (Joyce) agrees to marry a rich South African mine owner only because her parents are in dire financial straits. Just before the wedding, she decides she can't go through with it, and begs an aviator (Kenneth Harlan), whose plane has landed on the beach nearby, to take her away. The aviator takes her into the jungle, where he is known only as White Man. When Lady Andrea contracts jungle fever, he nurses her back to health. They fall in love, but Lady Andrea suspects he is a fugitive from the law, so she treats him with reserve and suspicion. White Man's enemy, the River Thief (the ever-villainous Walter Long), kidnaps Lady Andrea and takes her to his cabin. White Man rescues her by crashing through its roof with his aeroplane. After he returns her to civilization, she discovers that he's a war buddy of her brother (a fledgling actor by the name of Clark Gable, billed at the time as "Clarke Gable"). Before he can return alone to the jungle, she drops her reserve to admit her love for him. ~ Janiss Garza, Rovi
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- 1925
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Produced by Preferred Pictures on rental stages at FBO and on-location at Pomona College in Claremont, CA, The Plastic Age was Clara Bow's 15th and final release of 1925 and the comedy-drama that made her a major star. She plays Cynthia Day, the campus flirt whose "hotsy-totsy" lifestyle does not bode well for freshman Hugh Carver (Donald Keith), smitten with Cynthia from day one. The pride of his community, Hugh is expected to become a track star but late nights with Cynthia take too much out of him and Coach Henry (David Butler) is soon in despair. After yet another wild night at the local roadhouse, during which Hugh saves his romantic rival, Carl Peters (Gilbert Roland), from a police raid, Cynthia realizes the error of her ways and nobly refuses to see him again. Hugh quickly regains his athletic prowess, wins the big game for Prescott College and is rewarded with both self-respect and the love of a properly chastened Cynthia. ~ Hans J. Wollstein, Rovi
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- Starring:
- Clara Bow, Donald Keith, (more)

- 1925
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This silent adaptation of Franz Lehar's famous operetta (in which precious little of the original story was retained) was a rare event in Erich Von Stroheim's directorial career -- a critical and commercial success that the director was also able to complete according to his wishes (though in the latter years of his life, he would claim that the film's final moments were forced upon him by studio brass intent on a happier ending). Prince Danilo (John Gilbert) and Crown Prince Mirko (Roy D'Arcy) are two brothers in the Ruritanian royal family who are notorious womanizers, frequently finding themselves competing for the same woman. When Sally O'Hara (Mae Murray), a dancer from America, stops in Ruritania on a performance tour, both Danilo and Mirko are both strongly attracted to her, as is the older Baron Sadoja (Tully Marshall). Each begins making plans to seduce her; however, during Sally's performance, the differences between the three men become apparent -- Danilo is attracted to the beauty of Sally's eyes and face, while Mirko is strictly interested in her body, and Sadoja's intense focus is upon her feet. Danilo introduces himself to Sally after a performance as "Danilo Petrovich," claiming to be a wealthy commoner rather than royalty. He invites her to dine at his estate after her performance, and when he "mistakenly" spills soup on her dress, it's the first step in his successful efforts to lead her to his bed. Danilo asks Sally to marry him, and she agrees. To his surprise, Danilo finds that he is eager to settle down with the American dancer, but King Nikita (George Fawcett) and Queen Milena (Josephine Crowell) forbid him to marry a woman who does not carry a royal title, and Danilo is forced to leave Sally waiting at the altar. Seizing an opportunity, the aging Sadoja asks Sally for her hand in marriage, and she grudgingly accepts; he dies on their wedding night while ecstatically rummaging through her collection of shoes. Sally inherits Sadoja's estate and retains the title of Baroness, and a year later she encounters Danilo, who is still deeply in love with Sally and wants another chance to win her heart -- although since she never learned the truth about why he never arrived for their wedding, she is not eager to be wooed by him again. Mirko also re-enters the picture in a new effort to win Sally's affections, but while Danilo is motivated by true love, Mirko's efforts are fueled by lust, both for her body and her newly-gained wealth. The Merry Widow was a lavishly-staged production shot on a long schedule (19 weeks, very unusual for the time) with a large cast of extras. If you look carefully, you can spot Clark Gable and Myrna Loy among the bit players, several years before either would become a star. ~ Mark Deming, Rovi
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- Starring:
- Mae Murray, John Gilbert, (more)

- 1925
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Dog star Strongheart, perhaps the most popular rival of canine hero Rin-Tin-Tin, heads the cast of North Star. The "human" plot concerns wealthy young man Noel Blake (Ken Maynard), on the lam from the law after ostensibly murdering a man. Noel tries to start life over again, only to be victimized by blackmailer Dick Robbins (Stuart Holmes). A bit quicker on the uptake than the Authorities, Strongheart figures out that Robbins is the real murderer, and by film's end he has dragged the villain to justice. Syd Crossley and Jerry Mandy, two refugees from the Hal Roach comedy studios, do their best to steal the picture from Strongheart as a pair of slapstick hoboes. ~ Hal Erickson, Rovi
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- Starring:
- Strongheart, Virginia Lee Corbin, (more)

- 1925
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- 1931
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Joan Crawford is her usual upwardly mobile self in this melodrama co-starring Clark Gable. She plays Marian Martin, a cynical small-town girl determining to give up the idea of marriage. Kept by wealthy attorney Mark Whitney (Gable), Marian assumes a new identity as a divorced woman of the world, but her newfound life of luxury comes crashing down when Mark decides to run in the gubernatorial race. A rival leaks her real identity and Marian is forced to defend herself at one of Mark's election rallies. Her story brings the crowd to tears, however, and a relieved Mark proposes marriage. Based on a 1920 play by Edgar Selwyn, Possessed had been filmed previously in 1924 as The Mirage, a vehicle for silent star Florence Vidor. ~ Hans J. Wollstein, Rovi
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- Starring:
- Joan Crawford, Clark Gable, (more)

- 1931
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In this melodrama that was considered utterly scandalous in its day, an impoverished, beautiful young ghetto girl quickly learns that she can get to Easy Street on her back. Her indecent journey begins when a scout discovers her working in a department store. He gets her signed up to a modeling agency where she soon becomes the mistress of the owner. He gives her plenty of money and a nice place to live. She tries to share the money with her family, but they strongly disapprove of the means by which she is "earning" it. The young model later falls in love with an Argentine tycoon who proposes, but is unable to marry her because he must hastily return to Buenos Aires to attend to personal matters. He asks that she wait for him. She wants to, but finds herself seduced by the lure of her other lover's money and so moves in with him. When the tycoon finally returns and finds out, he is utterly devastated and tragedy ensues for the girl. There are two prints of the film around: one features a happy ending, while in the other, the tragedy continues. ~ Sandra Brennan, Rovi
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- Starring:
- Constance Bennett, Adolphe Menjou, (more)

- 1931
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William Wellman's Night Nurse survives as a potentially interesting but ultimately unsatisfying melodrama about a nurse discovering evildoings in the household where she is caring for a couple of sick children. Based on a 1930 novel by Dora Macy, Wellman's probe into medical corruption is one of the director's more cynical looks on Depression-era America, but most of the characters are weakly drawn and the denouement a cheat, cinematically. Barbara Stanwyck plays Lora Hart, an ambitious student nurse whose first assignment after graduation is tending to a couple of deathly ill little girls, Nanny (Marcia Mae Jones) and Desney (Betty Jane Graham). Despite their posh surroundings, the girls are apparently suffering from malnutrition; their mother, Mrs. Ritchey (Charlotte Merriam), is hopped-up on bootleg booze ("I'm a dipsomaniac! A dipsomaniac I tell ya! And I like it!"), and the girls' physician (Ralf Harolde) is a society quack with a facial tick. Lora soon realizes that the good doctor is deliberately starving the children to death in order to gain access to their trust fund and that Mrs. Ritchey is kept in line by Nick (Clark Gable), a black-clad gangster posing as the family chauffeur. A desperate Lora proposes to contact the authorities, but her medical sponsor (Charles Winninger) deems that unethical and instead suggests that she find a solution from inside the family. Nearly at the end of her ropes -- and having accepted one too many blows to the chin from Nick -- Lora is saved by an admirer, good-natured bootlegger Mortie (Ben Lyon), whose "friends" take the evil chauffeur on a final "ride." None of this makes much sense, and the film appears to have been tampered with along the way. One of the children disappears without any explanation halfway through, and the hospital establishment's reticence is never properly explained. Instead of a coherent plot, Night Nurse, in typical pre-Production Code style, offers quite a few scenes of Barbara Stanwyck and fellow nurse Joan Blondell dressing and undressing and a rather brutal portrayal by a very young Clark Gable on the threshold to fame. Warner Bros. had borrowed Gable from MGM to play the despicable chauffeur when the original choice, James Cagney, suddenly proved too valuable a commodity for what was actually a supporting role. ~ Hans J. Wollstein, Rovi
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- Starring:
- Barbara Stanwyck, Ben Lyon, (more)

- 1931
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The Kenyon Nicholson play Torch Song was the source for the Joan Crawford vehicle Laughing Sinners. Crawford plays nightclub entertainer Ivy Stevens, who loses her zest for living when she's thrown over by her salesman sweetheart Howard Palmer (Neil Hamilton). At her lowest ebb, Ivy is befriended by Salvation Army captain Carl Loomis (yes, that's Clark Gable!). With her faith in God and Mankind renewed, Ivy becomes an "urban missionary," singing on street corners with Loomis and his flock. Alas, she falls from grace when she rekindles her romance with the now-married Howard. The conscience-stricken Ivy quits the Salvation Army, insisting that she's no longer worthy of the organization. But rather than accept her resignation, Carl turns in his uniform and collection plate and pledges eternal devotion to Ivy! And this all happens in a swift 71 minutes. ~ Hal Erickson, Rovi
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- Starring:
- Joan Crawford, Neil Hamilton, (more)

- 1931
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Joan Crawford and William Bakewell play the spoiled-rotten grown children of stockbroker William Holden. When Wall Street lays its famous egg in 1929, Crawford and Bakewell find that they can no longer pursue their flamboyant lifestyle (for example, they'll have to put a moratorium on the sort of "lingerie parties" with which this film opens). Crawford gets a newspaper job, while Bakewell ties up with vicious bootlegger Clark Gable. When Gable is implicated in the murder of seven gangsters (a transparent reenactment of the St. Valentine's Day Massacre), Crawford's fellow reporter Cliff Edwards gets proof of Gable's complicity. Bakewell is ordered to kill Edwards; Crawford, not knowing of her brother's actions, takes Edwards' place, wooing Gable in hopes of getting a scoop. When Gable finds out that Crawford's working undercover (so to speak), he prepares to rub her out, but her life is saved by Bakewell at the cost of his own. Compared to the rest of the stick-figure leading men in Dance Fools Dance, Clark Gable stood out like a testosterone-soaked thumb, and it wouldn't be long before he'd be promoted from villains to heroes. ~ Hal Erickson, Rovi
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- Starring:
- Joan Crawford, Cliff Edwards, (more)

- 1931
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In this Academy Award-winning film, Stephen Ashe (Lionel Barrymore) is a hotshot Californian lawyer from a well-to-do family, whose main failing is his indulgence in alcohol. After winning a case for mobster Ace Wilfong (Clark Gable), Stephen brings his client along to a party at his parents' house for a little celebrating. However, when they arrive at their destination, Ace manages to steal the heart of Stephen's wild daughter, Jan (Norma Shearer), and the two run off together, much to the family's dismay. Stephen struggles to win his foolhardy daughter back from the clutches of her lowlife boyfriend, as she defies her father at every turn. ~ Iotis Erlewine, Rovi
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- Starring:
- Norma Shearer, Leslie Howard, (more)

- 1931
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Clark Gable went from supporting actor to star in the space of one year with Sporting Blood, adapted from a novel by Frederick Hazlitt Brennan. Gable is top-billed as a gambling house proprietor named Rid Riddell. When the owner of a prize thoroughbred loses heavily in Riddell's establishment, he is forced to give up the horse to the gambler as security. Rid enters the horse in several honest races, then pulls the animal during a crucial race in order to collect big money on the losses; then he plans to dope up the horse to assure future wins. But when the horse loses, the gambler, deeply in debt to mobsters, transfers ownership to one of his female dealers (Madge Evans), and then drops out of the plotline. Clark Gable isn't really the lead in Sporting Blood--actually he's something of a rat--but he's the one whom everybody in the audience remembers long after the final fadeout. ~ Hal Erickson, Rovi
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- Starring:
- Clark Gable, Ernest Torrence, (more)

- 1931
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Bootleggers Louis Scorpio (Wallace Beery) and Johnny Franks (Ralph Bellamy), with the advice of their alcoholic lawyer Richard Newton (Lewis Stone), try to muscle in on the territory of gangster "Smiling Joe" Colimo (John Miljan). Franks kills Colimo's brother and tries to frame Scorpio, but Scorpio kills both him and olimo. Newspaper reporters Hank Rogers (Johnny Mack Brown) and Carl Luckner (Clark Gable) investigate with help from "The Secret Six," a consortium of businessmen eager to fight crime, but when Scorpio's moll Anne Courtland (Jean Harlow) tries to help them, Scorpio kidnaps her and Carl. The two hostages are rescued by "The Secret Six" and the police, and Scorpio and Newton shoot each other fighting over their money. ~ Nicole Gagne, Rovi
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- Starring:
- Wallace Beery, Johnny Mack Brown, (more)

- 1931
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The names have all been changed, but this hard-hitting gangster tale is based on an actual newspaper headline story involving the brutal slaying of corrupt crime reporter Alfred "Jake" Lingle, who had been suspected of betraying his boss Al Capone. Naive Southern boy Breckinridge Lee comes to the big city for fame and fortune. He starts out honest, but is unable to the resist hefty payoffs offered by crime lord Louis Blanco to suppress certain stories. Time passes and Lee does a great job for Blanco. Lee's girl friend tries to get him to go straight, but he has become too accustomed to the money and besides is too deeply mired in corruption to ever escape. In the end, he loses his life when a story about Blanco's latest shenanigans escapes his watchful eye and gets printed. Believing Lee was behind the double-cross, Blanco orders him executed and tragedy ensues. ~ Sandra Brennan, Rovi
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- Starring:
- Richard Barthelmess, Fay Wray, (more)

- 1931
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It was once theorized by critic Andrew Sarris that this 1931 Greta Garbo vehicle was subtitled "Her Fall & Rise" rather than the expected "Rise & Fall," because Hollywood--and by extension, the public--could not tolerate a failure. Whatever the case, modern audiences will latch onto Susan Lennox not because of its cumbersome title but because of its one-time-only pairing of Garbo and Clark Gable. Fleeing an arranged marriage with Alan Hale, Sr.,, Swedish farmer's daughter Garbo takes temporary refuge in a cabin in the woods, occupied by engineer Gable. Though it is love at first sight, Garbo hastily runs out of Gable's life when her uncle and her betrothed show up. Again a fugitive, Garbo joins a seedy carnival, becoming the kept woman of carney owner John Miljan. By chance, she is reunited with Gable, who spurns her because of her tawdry station in life. Years pass: Garbo has worked her way up the courtesan ladder, becoming the mistress of politician Hale Hamilton. This relationship comes to a sudden halt thanks to Hamilton's muckraking enemies, so it's back to the road for Garbo, who by now will settle for no man but her long-lost Gable. The protagonists finally manage bury the past in the jungle community where the drink-sodden Gable has retreated to "lose himself." Greta Garbo's performance in Susan Lennox: Her Fall and Rise is up to standard, but Clark Gable seems extremely uncomfortable, almost as if suffering an impacted molar. The film was adapted by four screenwriters from a novel by David Graham Phillips. ~ Hal Erickson, Rovi
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- Starring:
- Greta Garbo, Clark Gable, (more)

- 1932
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Clark Gable was officially elevated to stardom with this airborne MGM action-adventure, but good old Wallace Beery (whom Gable disliked in real life) ended up with more screen time. They played Naval officers training in the newfangled art of dive bombing while spending a great deal of time squabbling over who is more macho. The two rivals, of course, end up crashing on a deserted atoll only to discover that behind the tough veneer they share a common goal. In the end, the gruff but lovable Beery sacrifices himself so that Gable and the stolid Conrad Nagel may live. As usual in this kind of testosterone-driven action fare, the girls are given short shrift and have to literally shout to be heard above the din. Dorothy Jordan is forgettable as Gable's love interest, but both Marjorie Rambeau and Marie Prevost, as a couple of goodhearted floozies, make the most of their all too brief moments. Hell Divers is the kind of film where action in the skies makes up for the lack of any real drama and where characters are constantly uttering such lines as "Gee honey, I'm just goofy about you!" The film was produced with full co-operation from the U.S. Navy on-location at San Pedro and in Panama. ~ Hans J. Wollstein, Rovi
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- Starring:
- Clark Gable, Wallace Beery, (more)

- 1932
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A remarkably smooth 110-minute adaptation of Eugene O'Neill's marathon eight-hour play, Strange Interlude was advertised as "the picture in which you hear the characters think," a nod to O'Neill's technique of having the characters speak their innermost thoughts out loud between dialogue passages (on-stage, the actors stood stock still while delivering their soliloquies; in the film, their thoughts are heard on the soundtrack). Norma Shearer plays Nina Leeds, who during WWI is talked out of marrying her soldier sweetheart, Gordon Shaw (Robert Young), by her professor father (Henry B. Walthall). When Gordon dies two days before the Armistice, the embittered Nina rebels against her father, escaping his dominance by marrying faithful Sam Evans (Alexander Kirkland). Upon discovering that there is a strain of insanity in the Evans family, Nina, desperate to have children, enters into a romance with Dr. Ned Darrell (Clark Gable). She bears his child, a son named Gordon (Tad Alexander as a child, Robert Young as an adult), assuring Evans that the baby is his. Gordon grows up idolizing Evans and despising Darrell, even though the boy is unaware of the circumstances of his birth or his true parentage. Her love for her son bordering on the obsessive, Nina does everything she can to dominate the boy even into adulthood, trying to scare away her son's fiancée, Madeline (Maureen O'Sullivan), by bringing up the insanity issue. Hoping to make up for past misdeeds, Darrell orders Nina to stop poisoning Madeline's mind against Gordon. By the time Evans suffers a fatal heart attack, Nina and Darrell have lost whatever love they shared between them. Through it all, Charlie Marsden (Ralph Morgan), a family friend who has long harbored an unrequited love for Nina, stands on the sidelines vicariously living his life through Nina and Darrell. Of necessity severely cut due to time and censorial constrictions, Strange Interlude still manages to distill the essence of the O'Neill play in its comparatively brief running time. The film's major flaw can also be found in the original play: though the characters age only 25 years or so in the course of the story, by the film's end they are seen doddering around like nonagenarians. The "speaking one's thoughts" gimmick in Strange Interlude was parodied in such comedy films as Animal Crackers, Me and My Gal, So This Is Africa, and even the Walter Catlett two-reeler Get Along Little Hubby. ~ Hal Erickson, Rovi
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- Starring:
- Norma Shearer, Clark Gable, (more)

- 1932
- NR
Red Dust was lensed almost entirely on MGM's back lot; even so, we are utterly convinced that the film takes place in Indochina (never mind that everyone pronounces "Saigon" as Say-gone). Even more importantly, the audience never doubts for one moment that the relationship between "hero" Clark Gable and "heroine" Jean Harlow has gone far beyond the meaningful-glances stage. Gable plays the overseer of a rubber plantation, whiling away the hot, lonely nights with his drunken assistant Tully Marshall. Donald Crisp, another of Gable's cohorts, arrives by boat with stranded prostitute Jean Harlow in tow. Gable wants no part of Harlow at first, telling her that she's history the moment the next boat to Saigon shows up. But Gable and Harlow are, in the parlance of the time, made for each other. After the inevitable affair, Harlow leaves, just as engineer Gene Raymond shows up to participate in the construction of a bridge. Raymond has brought along his seemingly proper wife Mary Astor; it isn't long, however, before Astor is throwing herself at the not altogether unwilling Gable. Raymond is such a good egg that Gable feels ashamed of himself for enjoying Astor's favors. When Harlow returns, Gable goes back to her, which drives the already unstable Astor completely off her trolley. She shoots Gable in a fit of jealous rage. Hearing the shot, Raymond rushes in. Proving that she's "aces," Harlow quickly covers up for Astor, insisting that it was she who shot Gable. None the wiser, Raymond returns to the mainland with Astor, while Gable and Harlow end up in each other's arms for keeps. Fairly "hot" even by pre-code standards, Red Dust has gained legendary status thanks to rumors concerning Jean Harlow's famous bathing scene in a shaved barrel; according to rumor, footage still exists of Harlow totally au naturel (some stories go as far as to claim that the overseas version of Red Dust shows Gable and Harlow "doing it".) For all the sexual badinage, our favorite bit occurs when Harlow, cleaning out a parrot's cage, mutters "Watcha been eatin', cement?" A heavily laundered remake of Red Dust, Mogambo, appeared in 1954, again with Clark Gable in the lead, but this time with Ava Gardner and Grace Kelly in the Harlow and Astor roles, respectively. ~ Hal Erickson, Rovi
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- Starring:
- Clark Gable, Jean Harlow, (more)

- 1932
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In this romantic drama, a strait-laced preacher creates controversy when he marries a seductive trapeze artist . The two meet after the swinger is injured during a performance and taken to his home to recover. Love blossoms while she heals and they surreptitiously marry. When the minister's snooty parishioners find out, they are shocked evict him from their chapel. When he is unsuccessful at finding other work, his wife selflessly returns to the circus so he can have his congregation back. This leads to the story's upbeat conclusion, but not before some exciting aerial antics ensue. ~ Sandra Brennan, Rovi
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- Starring:
- Clark Gable, Marion Davies, (more)

- 1932
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- Add No Man of Her Own to Queue
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No Man of Her Own represented the only time that Clark Gable and Carole Lombard co-starred in the same picture (at the time the film was made, both were married to other people; their romance and subsequent marriage was several years in the offing). Gable plays a crooked cardsharp who takes it on the lam from the New York constabulary. He hides out in a small town, where he falls in love with librarian Lombard. Endearing himself to Lombard's family, Gable pretends to be an out-of-town broker. He takes his new bride Lombard back to New York, where he resumes his dishonest activities, all the while keeping his one-and-only in the dark. The fly in the ointment is Gable's ex-lover and former partner in crime Dorothy Mackaill, who threatens to expose Gable to the law. Rather than appear to be a cad in his wife's eyes, Gable turns himself in, telling Lombard that he's about to embark on a long business trip. The truth is revealed sometime before the final reel, but Lombard is willing to forgive and forget so long as Gable promises to go straight. Given the usual wiseacre urbanity of Gable's and Lombard's separate starring vehicles, No Man of Her Own seems unusually banal and sentimental. Still, the film is an opportunity not to be missed by latter-day "Golden Age of Hollywood" aficionados. ~ Hal Erickson, Rovi
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- Starring:
- Clark Gable, Carole Lombard, (more)

- 1933
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There's nothing wrong with Hold Your Man that a little editing wouldn't cure. Clark Gable plays a raffish young petty crook who hides out in hard-boiled Jean Harlow's apartment after he pulls off a robbery. Harlow enjoys Gable's company, and soon the two are living together. Gable puts his criminal career on hold for a while, but when Harlow, jealous of her boy friend's womanizing, fabricates a romance with "wealthy" laundry owner Paul Hurst, Gable decides to knock over Hurst's establishment. Hurst is accidentally killed, whereupon Gable runs off to parts unknown, leaving Harlow to take the rap. While in prison, Harlow discovers she's pregnant with Gable's baby. The conscience-stricken Gable tries to fix things by sneaking into prison and hastily marrying Harlow. By coming out of hiding, Gable allows himself to be arrested, but Harlow promises to wait for him. Hold Your Man starts out as an acerbic "sez you" comedy-drama, then bogs down into a big pile of sentimental goo (a common problem with MGM films of the early 1930). Still, the first few reels are infinitely entertaining, thanks to the chemistry between Clark Gable and Jean Harlow. ~ Hal Erickson, Rovi
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- Starring:
- Jean Harlow, Clark Gable, (more)

- 1933
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Based on the 1909 novel by F. Marion Crawford, The White Sister stars Helen Hayes as an aristocratic Italian girl who spurns the potential husband chosen by her father in favor of a handsome army lieutenant (Clark Gable). When her lover is reported killed in World War I, Hayes renounces the world to become a nun. After taking her vows, the lieutenant shows up very much alive. He implores her to give up the Order, but she refuses. The lieutenant is later injured in a bombing raid; he dies, with Hayes lovingly at his side. The White Sister was previously filmed in 1922, with Lillian Gish and Ronald Colman. ~ Hal Erickson, Rovi
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- Starring:
- Helen Hayes, Clark Gable, (more)