Bruce Byron Movies

British actor Robert Carlyle stars as the 20th century's most infamous dictator in this two-part TV biopic. The film covers the life of Adolf Hitler from his childhood to his emergence as absolute ruler of Germany in 1934. Most of the ground covered should be familiar to history buffs: Hitler's failed efforts to become a great artist, his frustration at watching his adopted country fall apart at the seams during World War I, his resolve to put Germany back on its feet by exploiting the nation's horrendous postwar economic woes and its ingrained anti-Semitism, his 1923 arrest, the publication of Hitler's virulent screed Mein Kampf, the growing popularity of National Socialism, and the fatal error made by senile German chancellor Von Hindbenburg (Peter O'Toole) to "neutralize" Hitler by giving him a relatively unimportant political post in 1933. Also covered is Hitler's abortive romance with his half-niece Geli Raubal (Jena Malone) and his longer relationship with the estimable Eva Braun (Zoe Telford). Given the difficulties faced by actor Carlyle and the screenwriters to successfully convey pure, unadulterated evil, much of what we learn about Hitler is conveyed by the observations and reactions of other characters, notably crusading but ineffectual anti-Nazi journalist Fritz Gerlich (Matthew Modine), and especially German publisher Ernst Hanfstaengl (Liev Schreiber) and his wife, Helene (Julianna Margulies). Originally a staunch supporter of Hitler, Hanfstaengl eventually comes to realize the danger the man poses to the world ("He's not human. He simply studies others to become human."); in contrast, Helene, who at the outset is vaguely opposed to National Socialism, is ultimately seduced and swept up by the movement. Not surprisingly, this film stirred up a great deal of controversy even before it aired; some Jewish leaders and prominent Holocaust survivors worried that Hitler might come off as being sympathetic (a concern that may have dictated altering the film's title, which was to have been Hitler: The Early Years); and one of the film's producers was summarily dismissed after issuing a public statement which seemed to compare Germany's blind, unthinking allegiance to Hitler to America's rallying behind George W. Bush during the Iraq crisis. Hitler: The Rise of Evil originally aired May 18 and 20, 2003, on CBS. ~ Hal Erickson, Rovi

The feature-length debut of Francesca Joseph, Tomorrow La Scala!, is about an unusual production of a musical. Victoria (Jessical Stevenson) is the head of a small opera company that goes to maximun-security Seaworth Prison to mount a staging of Sweeney Todd. Gurad Kevin (Shaun Dingwell) warns the troupe of the restrictive behavior expected from them. Janey (Samantha Spiro) is in charge of costumes and she resists the tamping down of her natural flamboyance. The inmates and the theater group learn from each other during the rehearsals. Tomorrow La Scala! was screened in the Un Certain Regard section of the Cannes Film Festival. ~ Perry Seibert, Rovi

Decried as obscene upon its initial release, this short documentary style feature from avant garde filmmaker Kenneth Anger contains no dialogue and rapidly inter-cuts images against a score of slyly selected pop tunes, predating the advent of the music video by a decade and a half. Delving into the homoerotic world of bikers, Anger focuses his camera on Scorpio (Bruce Byron), a leather-wearing, crystal methamphetamine-snorting bad boy who is alternately compared to Jesus Christ, Adolf Hitler and the Devil, depending on his activities. Scorpio is seen strutting his stuff, racing his bike, vandalizing a church and attending a rowdy party where a fellow reveler is tortured and humiliated by the bikers. Through it all, Anger draws clear parallels between Scorpio's crowd, sadism and homosexuality, with alternately subtle and obvious montages depicting snippets of other films, comic strips, plenty of gleaming phallic chrome, and symbols like the Nazi swastika. Considered by many to be one of the first post-modern films, Scorpio Rising (1964) was a controversial hit only on the underground circuit, but its style greatly influenced a generation of popular filmmakers, most notably director Martin Scorsese. ~ Karl Williams, Rovi