Richard Marks Movies

A handsome and successful bachelor is taken aback when his dream girl asks him to be the "maid" of honor in her upcoming wedding in this romantic comedy starring Patrick Dempsey and Michelle Monaghan. Tom (Dempsey) and Hannah (Monaghan) have been best friends for years. Though all the hard times, Hannah has been the one constant in Tom's life, and the one person he knows he can always rely on. When Hannah leaves for a six-week business trip in Scotland, Tom is surprised to realize how truly lonely he is without her. Life just isn't the same without Hannah around, so the moment she returns, Tom resolves to ask for her hand in marriage. But apparently Hannah's trip wasn't all business, because upon returning home Hannah announces that she has gotten engaged to a dashing Scotsman and will soon be starting a new life overseas. She's convinced that Tom will be thrilled for her, and wants him to play a crucial role in the wedding. His spirits crushed but his love for Hannah stronger than ever before, Tom reluctantly agrees to be the "maid" of honor so that he can prove his love in no uncertain terms and convince her to call off the wedding before true happiness slips through his fingers. ~ Jason Buchanan, Rovi

A Hispanic woman and her young daughter are thrown into the middle of a well-to-do but remarkably dysfunctional family in this comedy drama from writer and director James L. Brooks. Flor (Paz Vega) is a single mother who has struggled to support her daughter Cristina (Shelbie Bruce) working as a domestic in Mexico. Hoping to give her daughter greater financial security, Flor packs up their belongings and moves the family to California, but Flor refuses to surrender her Latino identity and opts not to learn English; meanwhile, Cristina quickly learns to speak the language fluently. Flor lands a high-paying job working as a housekeeper for Deborah Clasky (Téa Leoni); Deborah doesn't speak a word of Spanish, but this is hardly the most curious thing about their working relationship. A deeply troubled neurotic who has spent time in a mental hospital, Deborah is at once obsessed with her duties as a wife and mother and utterly clueless to her family's needs, and when she learns that Flor has a daughter, she insists that the girl move in with the Claskys. Flor, however, isn't so sure she wants Deborah Americanizing Cristina, especially when Deborah begins doting on the girl at the expense of her relationship with her own daughter, Bernice (Sarah Steele). Deborah's husband, John (Adam Sandler), is an oasis of loving calm and understanding in the midst of his chaotic family, and Flor becomes attracted to this man who shows no signs of the arrogant machismo she's accustomed to. But John's career as a chef is turned upside down when The New York Times gives his restaurant a four-star review, suddenly turning his small eatery into the "in" spot in Los Angeles. Meanwhile, Flor reaches the end of her patience when Deborah enrolls Cristina into an exclusive private school which Flor is certain will turn her into a typical American child and drive a wedge between Cristina and her mother. Spanglish also stars Cloris Leachman as Deborah's sharp-tongued mother. ~ Mark Deming, Rovi

Directing his first film since 1998's Lethal Weapon 4, Richard Donner helmed this big-budget adaptation of Michael Crichton's novel of the same name. Featuring a script by first-time screenwriter George Nolfi, Timeline begins in France in the near future. A group of students from Yale are there studying a medieval site, when their professor, played by Billy Connolly, mysteriously goes missing. To make matters more enigmatic, the students are then taken back to the United States by a shadowy technology company called ITC, led by Robert Doniger (David Thewlis). The eccentric Doniger explains that because of a machine that his company built, their professor is trapped in 14th century France. In order to rescue him, two of the students, Chris Hughes (Paul Walker) and Kate Erickson (Frances O'Connor), along with Andre Marek (Gerard Butler), an archeological site manager, must travel to France, circa 1357, amid archaic war, deadly diseases, and other unexpected pitfalls. Meanwhile, David Stern (Ethan Embry), a third student, stays behind to keep an eye on the shady Doniger. ~ Matthew Tobey, Rovi

Garry Shandling makes his big-screen debut as a leading man in this sci-fi romantic comedy. Harold (Shandling) is an alien from another galaxy sent to Earth on a vital mission: in order to ensure that his civilization will prevail, Harold must impregnate an Earth woman. But he discovers that this is more easily said than done, as he quickly gets a crash course in the arcane rituals of the human courtship process. What's worse, just when Harold thinks he's making progress in Earthbound seduction, he discovers that the males of his planet don't physically interface properly with women on Earth, so he is issued a variety of bizarre gadgets to complete his assignment. Mike Nichols directed What Planet Are You From?, which also features a top-notch supporting cast, including Annette Bening, John Goodman, Ben Kingsley, and Camryn Manheim. ~ Mark Deming, Rovi

James L. Brooks (Terms of Endearment, Broadcast News) directed this $50 million-plus romantic comedy, set in Manhattan. Dysfunctional, acid-tongued romance novelist Melvin Udall (Jack Nicholson), who suffers from an obsessive-compulsive disorder, takes pride in his ability to offend. At a nearby cafe, the only waitress willing to stand up to his sarcastic tirades is Carol Connelly (Helen Hunt), a single mother struggling to raise her chronically asthmatic son. In Melvin's West Village apartment building, talented contemporary artist Simon Nye (Greg Kinnear) lives across the hall from Melvin. Simon is the current darling of the New York art world, reason enough to draw Melvin's verbal fire, but Simon's gay lifestyle is further grist for the novelist's malicious mill. These three New Yorkers, none of whom appears to have a chance in hell at finding true happiness, discover their fates intertwined because of the fourth complicated character in the piece, Verdell, a tiny Brussels Griffon dog (played by newcomer Jill, after a 15-week training program). Melvin seems to have no friends or family, and he lives alone, working on his 62nd book.

When Simon goes into the hospital after a brutal mugging, Melvin has to take care of Verdell, and the dog actually warms Melvin's cold heart -- to the degree that he sets up unsolicited medical care for Carol's son. Eventually, Melvin is cornered into driving Simon and Carol to Baltimore, and during a hotel stopover, Melvin confesses to Carol, "You make me want to be a better man." The trip becomes an odyssey of self-realization for all three. Locations included Brooklyn's Prospect Park (Carol's neighborhood) and Greenwich Village (where Melvin's building is on 12th Street between Fifth and Sixth Avenues). Other exteriors were shot in downtown Los Angeles, where a dilapidated transient hotel at the corner of 4th Street and Main was transformed into the chic cafe where Carol works. Sets for the Simon/Melvin apartment interiors were erected on a soundstage at the Sony Pictures lot. Simon's paintings were created for the film by New York artist Billy Sullivan, whose work is part of the modern art collection at NYC's Metropolitan Museum of Art and the New Orleans Museum of Art. ~ Bhob Stewart, Rovi

In the mode of Quentin Tarantino, this film, directed by Gary Fleder from a script by Scott Rosenberg, concerns itself with hip, smart gangsters. The film is set in Denver, and the title comes from a Warren Zevon song. A retired, good-hearted gangster named Jimmy the Saint (Andy Garcia) runs a company that videotapes dying people giving life advice to their children and grandchildren, to be delivered when they come of age. Jimmy's former crime boss, The Man with the Plan (Christopher Walken), summons him. The Man is wheelchair-bound and doesn't have long to live; he explains that Jimmy owes him a favor and must perform one final job. It involves frightening the boyfriend of the ex-girlfriend of Bernard (Michael Nicolosi), the son of The Man, who has been so shaken by the girl's rejection of him that he has been fondling schoolyard children. Jimmy rounds up his old gang -- including Pieces (Christopher Lloyd), a porno theater projectionist; Franchise (William Forsythe), an ex-biker with a trailer-trash family to support; Critical Bill (Treat Williams), a psychotic, trigger-happy ex-con; and Easy Wind (Bill Nunn), an exterminator. Pieces and Bill pose as cops as part of the needlessly elaborate plan, which misfires badly. The Man, enraged, gives Jimmy 48 hours to leave town, and he orders his comrades wiped out, hiring the notorious hitman Mr. Shhh (Steve Buscemi) to track them down. But Jimmy can't seem to get the others to leave town, and despite The Man's decree, Jimmy is also reluctant to leave, because he's become romantically entangled with Dagney (Gabrielle Anwar). Jack Warden's character serves as a kind of Greek chorus who comments from time to time on the unfolding action. ~ Michael Betzold, Rovi

In the style of the screwball comedies of the 1930s and 1940s, I Love Trouble depicts the developing romance of two rival reporters who reluctantly fall for each other while competing for a major scoop. Old hand Peter Brackett (Nick Nolte) and aspiring newcomer Sabrina Peterson (Julia Roberts) first meet when they are both assigned to cover a mysterious train crash. The pair immediately develops a connection despite their professional rivalry, and they decide to work together. Sensing something fishy about the crash, they look deeper and are soon fighting to expose a wide-ranging conspiracy, while also struggling to outmaneuver and out-charm each other along the way. Co-creators Charles Shyer and Nancy Meyers, who previously found success harking back to 1940s comedy in Father of the Bride, borrow heavily from His Girl Friday, Bringing Up Baby, and other screwball classics. ~ Judd Blaise, Rovi

Steve Martin stars in this remake of the 1950 Vincente Minnelli classic as shoe executive George Banks, whose happily married existence hits a bump when he greets his daughter Annie (Kimberly Williams), home from a semester studying in Europe. She tells her father that she is engaged to be married. When the shocked George asks to whom, she says his name is Bryan (George Newbern) and that he is an "independent communications consultant." George is even more shocked when he finds out what the wedding will cost (when George goes through the card file for invited wedding guests and is told someone is deceased, George chirps, "He died? That's great!"). As George is ignored during the mad preparations for the wedding, he wistfully looks back to all the good times he has had with Annie and sadly looks forward to the time when he loses his little girl. ~ Paul Brenner, Rovi

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould's square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis's goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city's criminal activities in the process. Caprice also gains proprietary rights to Manlis's girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy's next move to is unite the rest of the city's crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice's criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy's long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they've been keeping an eye on. The various bad guys, heavily made up to resemble Gould's cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe. ~ Mark Deming, Rovi

Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. ~ Don Kaye, Rovi

John Hughes crafts an exemplary '80s Brat Pack romance out of the standard Cinderella story in Pretty in Pink. Andie Walsh (Molly Ringwald) is a teenager who lives in the dingy part of town with her terminally underemployed dad (Harry Dean Stanton). She works at a record store with eccentric Ionia (Annie Potts) and is considered a misfit at her uppity high school, but somehow she rises above them all. Her oddball best friend, Duckie (Jon Cryer), is hopelessly in love with her, so he causes trouble for her romantic pursuits. When local rich kid Blaine (Andrew McCarthy) develops a fascination with her, they go out on a date together. Visiting the home bases of each social clique, they are basically ridiculed for their audacity to date one another. When Blaine eventually asks the delighted Andie to the prom, he is threatened by his rich friend Steff (James Spader). The romance versus high school social politics finally culminates at the big night of the prom. ~ Andrea LeVasseur, Rovi

Post-collegiate angst, '80s style, is the subject of this coming-of-age ensemble piece, which traces the fortunes of a group of Georgetown grads as they enter the real world and grapple with work, infidelity, and adulthood. The most outwardly upscale member of the gang, Jules (Demi Moore), hides a plethora of emotional baggage behind a chic wardrobe, an expensive apartment, a fashionable drug habit, and lots of meaningless casual sex. Her friend Wendy (Mare Winningham) has the opposite problem; a trust-fund baby with body-image issues and little sexual experience, she's hung up on Billy (Rob Lowe), a no-good, sax-playing drunkard who can't face up to his responsibilities in the job market or at home with his wife and young child. Such open infidelity is anathema to Alex (Judd Nelson), who must maintain a sense of propriety even while engaging in compulsive womanizing; after all, the Democrat-turned-Republican's nascent political career requires the sort of picture-perfect relationship he shares with girlfriend Leslie (Ally Sheedy). That doesn't sit too well with tortured writer Kevin (Andrew McCarthy), who toils away at a newspaper job and pines away for the unattainable Leslie. Unrequited love also dogs Kirby (Emilio Estevez), a law-school student whose greatest wish is to romance classy doctor Dale Biberman (Andie MacDowell), who is, alas, way out of his league. Co-written by director Joel Schumacher and his studio intern, Carl Kurlander, St. Elmo's Fire spawned the number one pop hit "St. Elmo's Fire (Man in Motion)," which was credited to John Parr but co-written by music producer David Foster. ~ Brian J. Dillard, Rovi