Louis Mann Movies

The laziest cat in America swaps places with the richest feline in England in director Tim Hill's lasagna-laden sequel to the 2004 theatrical hit Garfield. Jon Arbuckle (Breckin Meyer) is on his way to London to propose to his veterinarian girlfriend, Liz Wilson (Jennifer Love Hewitt), and his unflappable cat, Garfield, is determined to be there when Jon pops the big question. Of course, Garfield wouldn't go anywhere without his old pal Odie, and soon after arriving in the land of Big Ben, the clueless tomcat inadvertently changes places with royal look-a-like Prince. It seems that Prince's owner, Lady Eleanor, has recently passed away, leaving the care of her sprawling estate Castle Carlyle in the capable paws of her devoted kitty companion. The trouble is, Prince has decided it's due time for a vacation, and with Garfield in charge there's no telling what kind of trouble will befall Castle Carlyle. Despite having a devoted butler named Smithee (Ian Abercrombie) to cater to his every whim and a whole host of fun-loving critters with whom to pass the lazy days spent lounging in the sun, this crowned head begins to feel the sting of deceit as the envious Lord Dargis (Billy Connolly) hatches a dastardly plan to do away with the whiskered heir and claim Castle Carlyle all to himself. Meanwhile, as Garfield attempts to hold his ground against his greedy would-be nemesis, the fun-loving Prince is living it up with Jon and Odie by taking a trip to some of London's most popular pubs. ~ Jason Buchanan, Rovi

If you don't think Speed is the fastest-moving adventure film ever made, we challenge you to find a faster one. Keanu Reeves stars as an LA Bomb Squad specialist whose principal antagonist is elusive bomber-extortionist Dennis Hopper. Seeking vengeance after his latest ransom scheme is thwarted, Hopper presents a personal challenge to Reeves: A wired-for-destruction city bus, which will detonate if the speedometer drops below 50 MPH. Playing the reluctant civilian who is pressed into service as the bus' "substitute driver," leading lady Sandra Bullock became a major star in her own right. Once Speed gets to the meat of its story, the excitement never lets up--not even after the boobytrapped bus is out of the picture. ~ Hal Erickson, Rovi

In this retelling of Nathaniel Hawthorne's tale, Young Goodman Brown (Tom Shell) is out in the woods one day when he encounters the Devil (John P. Ryan) himself, along with some members of his retinue, who offers him a lot of attractive powers over the dullards of his Puritan town. Except for having lots of stilted language in the dialog, reviewers found it difficult to believe that this film's story had anything to do with the one it is allegedly based on. ~ Clarke Fountain, Rovi

In the early '90s, Brian Bosworth made the seamless transition from football bad boy to onscreen bad ass. In Stone Cold, the Boz plays cop Joe Huff, a brute force specialist. The FBI contracts him to take down a biker gang known as the Brotherhood, who have been implicated in drug trafficking and several murders. Joe assumes the personality of John Stone and goes undercover. His mission seems not to bust the gang but rather to kill with excessive force. Before he can take the law into his own hands, however, he has to get in with the gang's leader, the impressively tough Chains. The Boz doesn't disappoint, and he gets his chance in the final confrontation where he takes on several score of the Brotherhood in the street battle to end all street battles. ~ Brian Whitener, Rovi

This special effects-heavy science fiction sequel moves the action from the first film's Amazon forest to the urban jungle of L.A. Danny Glover stars as Lt. Mike Harrigan, an LAPD detective baffled by his latest case, the ritualistic slaughter of several drug dealers by a devastating killer who leaves no traces. As Harrigan and his partners, Danny Archuletta (Ruben Blades), Leona Cantrell (Maria Conchita Alonso), and Jerry Lambert (Bill Paxton), try to figure out who or what killed the criminals, FBI investigator Stephen Keyes (Gary Busey) attempts to warn the team away from investigating further. When two of his team are killed in a particularly grisly way, Harrigan uncovers the truth -- their quarry is an alien creature that hunts humans for sport. Attracted to violence, its latest choice of prey is gun-toting Jamaican drug dealers. Keyes and his team know all about the nasty extraterrestrial and its bloody pastime because they've been studying it for ten years, and they've come up with a possible means of dispatching the beast. When that plan backfires, however, it comes down to Harrigan and an extremely irritated otherworldly foe, slugging it out in a rooftop confrontation. ~ Karl Williams, Rovi

An aspiring writer faces up to the responsibilities of marriage and family in this romantic comedy from writer, director, and producer John Hughes. Despite the misgivings he pours out to best friend Davis McDonald (Alec Baldwin), Jake Briggs (Kevin Bacon) marries high-school sweetheart Kristy (Elizabeth McGovern). After an abortive attempt at graduate school in New Mexico, the couple settles in suburban Chicago. Jake fakes his way into a job as an advertising copywriter, while Kristy settles into her own corporate job. The couple faces the typical ups and downs of any new marriage, especially after Davis visits with a bimbo on his arm, regaling his pal Jake with tales of the good life. A few years later, Kristy decides to stop taking her birth-control pills -- and tells Jake about it three months later. Plagued by doubts, unfulfilled ambitions, and images of a fantasy girl (Isabel Lorca) he once spotted in a club, Jake resists the idea of fatherhood. Then he finds out he has low sperm count and, his manhood thus challenged, lines up for fertility clinic-assisted stud duty. The birth doesn't go as smoothly as Jake expected, however, setting the stage for climactic realizations. Edie McClurg, who played the nosy school secretary in Hughes' Ferris Bueller's Day Off, makes a cameo appearance as an officious neighbor. In addition, a who's who of other Hughes alums and Hollywood stars lend their faces and voices to a series of closing-credits shots in which each suggests a name for the titular baby. ~ Brian J. Dillard, Rovi

In this sci-fi film, actually a television pilot inspired by Nicolas Roeg's provocative 1976 film, chronicles the exploits of an alien marooned on Earth. All he wants is to go back to his dying planet. He is hindered by military forces determined to find him. ~ Sandra Brennan, Rovi

Eight years before the dinosaur mania created by Jurassic Park, Bill L. Norton released this more dinosaur-friendly story about a 10-foot baby dinosaur in dire straits in Africa because Dr. Eric Kiviat (Patrick McGoohan), an evil paleontologist, is after it with a vengeance. He is the nemesis of Dr. Susan Matthews-Loomis (Sean Young) -- determined to save the baby from its hunters -- and her husband George Loomis (William Katt), a sportswriter who shares her protective instincts. Kiviat has recruited a revolutionary army to help him capture the baby's mother -- which they manage to do without killing her. The army has already shot down the father dinosaur, and so their own instincts are far from protective. As the husband and wife and baby dinosaur are united at last in their attempts to survive, the next step is to recapture Mom dinosaur and get away from the army and Kiviat, not an easy feat. ~ Eleanor Mannikka, Rovi

There have been almost enough Meatballs to make a plate of spaghetti, but this entry about a decisive boxing match between two youth camps is basically inedible without Bill Murray to add the necessary zest, as he did in the original Meatballs. "The Flash" (John Mengatti) is out on probation but has to serve time at Camp Sasquatch as a counselor-in-training (!) as a part of the probation terms. There, he meets the super-innocent Cheryl (Kim Richards), adding interest to his job, but none of the characters in Camp Sasquatch or its rival Camp Patton add much interest to the film. Hershey (Hamilton Camp) is the one-dimensional fascist who runs the militaristic Camp Patton and sure enough, his aide-de-camp is a closet gay (John Larroquette). (Paul Reubens) of Pee Wee Herman fame is a minor player, Richard Mulligan is Giddy (an apt name for his character) and when these oddballs are combined with a strange- looking alien and the final boxing match that will save Camp Sasquatch if only The Flash can win, the pastiche is somewhat hard to digest. ~ Eleanor Mannikka, Rovi

After a carnival comes to Green Town, the good citizens are compelled to follow their deepest desires, caught under the spell of the malevolent Dr. Dark (Jonathan Pryce) who can grant those desires on one condition: that the grantees will forever join his freak show. Dr. Dark is after two young boys from the town in particular, while others in the town would certainly be easy marks. The sour-faced, older schoolteacher (Mary Grace Canfield) wants to be a seductive young woman, Ed the bartender (James Stacy) would like to regain his lost left arm and leg, and the librarian (Jason Robards) worries about a wasted life spent only in books. As Dr. Dark works his own brand of voodoo, the citizens and the two boys -- as well as the whole carnival itself -- approach a final reckoning. Something Wicked This Way Comes was based on a Ray Bradbury novel. ~ Eleanor Mannikka, Rovi

One of the earliest feature films to reflect the video-game craze of the 1980s, Disney's Tron stars Jeff Bridges as computer programmer Kevin Flynn, who becomes part of the very game that he's programming. Flynn's principal antagonist is his glory-grabbing boss, Ed Dillinger (David Warner), who likewise metamorphoses into a video-game character. The title character, a computer-generated superhero, is played by Bruce Boxleitner. Though antiquated by 1990s standards, Tron represented the last word in special effects back in 1982. Surprisingly, despite its long-range influence on the movie industry, the film was a box-office disappointment when first released. ~ Hal Erickson, Rovi

A blend of science fiction and noir detective fiction, Blade Runner (1982) was a box office and critical bust upon its initial exhibition, but its unique postmodern production design became hugely influential within the sci-fi genre, and the film gained a significant cult following that increased its stature. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. L.A. has become a pan-cultural dystopia of corporate advertising, pollution and flying automobiles, as well as replicants, human-like androids with short life spans built by the Tyrell Corporation for use in dangerous off-world colonization. Deckard's former job in the police department was as a talented blade runner, a euphemism for detectives that hunt down and assassinate rogue replicants. Called before his one-time superior (M. Emmett Walsh), Deckard is forced back into active duty. A quartet of replicants led by Roy Batty (Rutger Hauer) has escaped and headed to Earth, killing several humans in the process. After meeting with the eccentric Eldon Tyrell (Joe Turkel), creator of the replicants, Deckard finds and eliminates Zhora (Joanna Cassidy), one of his targets. Attacked by another replicant, Leon (Brion James), Deckard is about to be killed when he's saved by Rachael (Sean Young), Tyrell's assistant and a replicant who's unaware of her true nature. In the meantime, Batty and his replicant pleasure model lover, Pris (Darryl Hannah) use a dying inventor, J.F. Sebastian (William Sanderson) to get close to Tyrell and murder him. Deckard tracks the pair to Sebastian's, where a bloody and violent final confrontation between Deckard and Batty takes place on a skyscraper rooftop high above the city. In 1992, Ridley Scott released a popular director's cut that removed Deckard's narration, added a dream sequence, and excised a happy ending imposed by the results of test screenings; these legendary behind-the-scenes battles were chronicled in a 1996 tome, Future Noir: The Making of Blade Runner by Paul M. Sammon. ~ Karl Williams, Rovi

Amy Medford (Jenny Agutter) is a dutiful housewife of the early 1900s. But when her husband objects to a wife with a career, Amy leaves her husband and comfortable lifestyle. She goes on to devote her life to teaching sight-and-hearing-impaired students at a tradition-bound special school. This film betrays its Disney-studio origins with an audience-rousing action climax, in which Amy's students take on a team of "normal" kids at a football game. Amy was produced by onetime Hollywood leading man Jerome Courtland. ~ Hal Erickson, Rovi