Charles Butterworth Movies
A master at playing diffident, absentminded middle-aged bachelors, American actor and Notre Dame alumnus Charles Butterworth was an established Broadway musical comedy star when he made his first film, Life of the Party (1930). Butterworth's heyday was in the 1930s, when he appeared as either the hero's silly best friend or a besotted society twit in one film after another. An offscreen drinking buddy of such literary wits as Robert Benchley and Corey Ford, Butterworth became so famous for his dry quips and cynical asides that Hollywood screenwriters began writing only fragmentary scripts for him, hoping that the actor would "fill in the blanks" with his own bon mots. Butterworth hated this cavalier treatment, complaining "I need material as much as anyone else!" By the early 1940s, material of all sorts began running thin, and Butterworth was accepting assignments at such lesser studios as Monogram and PRC, with the occasional worthwhile role in A-films like This Is the Army (1943). Two years after completing his last picture, Dixie Jamboree (1946), the still relatively youthful Butterworth was killed in an automobile accident. His memory was kept alive in the early 1960s by actor Daws Butler, who used a Butterworth-type voice for the cartoon commercial spokesman Cap'n Crunch. ~ Hal Erickson, All Movie Guide- 1944
Ever so slightly, the quality of PRC Pictures' film output improved as the 1940s rolled on. In PRC's Dixie Jamboree, Frances Langford plays Susan Jackson, the daughter of a showboat skipper (Guy Kibbee). Captain Jackson's vessel, the Ellabelle, is the last of the Mississippi showboats, and as such has become a refuge for such social outcasts as con artists Tony (Lyle Talbot) and Curly (Frank Jenks), itinerant musician Jeff Calhoun (Eddie Quillan), and ham actors Yvette (Fifi D'Orsay) and the Professor (Charles Butterworth). When Jackson inadvertently picks up a shipment of whiskey, Tony and Curly, assuming that the captain is a wealthy distiller, plan to hijack the boat and its cargo. All of this is set to the music of Cajun ditties, black spirituals, and lively cakewalks, performed con brio by Frances Langford and company. ~ Hal Erickson, All Movie Guide
- Starring:
- Frances Langford, Guy Kibbee, (more)
- 1944
This 20th Century-Fox programmer stars Preston Foster as breezy detective Steve Carromond. When a man dies of a suspicious heart attack, the victim's niece, Constance Martin (Ann Rutherford), hires Steve to investigate. The solution to the mystery lies in a tontine-like arrangement, wherein six WW1 vets have pooled their savings for a joint insurance policy, to be collected by the surviving veteran. Props essential to the action include a package of poisoned cigarettes. ~ Hal Erickson, All Movie Guide
- Starring:
- Preston S. Foster, Ann Rutherford, (more)
- 1944
Paramount Pictures did their patriotic duty with this World War II era musical, with a number of the studio's biggest stars making cameo appearances. Tony West (George Raft), his sister Kitty (Grace McDonald), and their father Nick (Charles Grapewin) tour together as The Three Wests, a failing act just scraping by in the latter days of vaudeville. With job opportunities drying up on the East Coast, Tony persuades the family to take their chances in California, and for once luck is with him. Not long after arriving in Hollywood, Tony is hired as a chorus boy on a musical starring Latin bombshell Vera Zorina (Gloria Vance). Cocky Tony offers Vera some much-needed advice on her dancing. She's intrigued by his confidence, and a romance blooms; soon, the two marry. Tony becomes a major star as Vera's on and off screen dancing partner, but when World War II breaks out, Tony's conscience gets the better of him. Tony is 4-F because of a bad knee, but he's ashamed to admit this, even to Vera, who thinks he's avoiding the service out of cowardice. Vera eventually gives Tony his walking papers, and desperate to show his support of our troops, Tony organizes an all-star U.S.O. revue bringing much needed entertainment to America's fighting men overseas. Follow the Boys also features guest shots by Marlene Dietrich, W.C. Fields (demonstrating trick billiard shots), Orson Welles (doing his magic act), Dinah Shore, The Andrews Sisters, Jeanette MacDonald, Sophie Tucker, Randolph Scott, Lon Chaney Jr., and Maria Montez, among many others. ~ Mark Deming, All Movie Guide
- Starring:
- George Raft, Vera Zorina, (more)
- 1943
The Andrews Sisters harmonize their way through yet another 60-minute Universal musical quickie. The plot this time concerns a Lonely Hearts club which is used as a front by con artist Colonel Winchester (Charles Butterworth). Trying to promote a phony formula for synthetic rubber, Winchester gets mixed up with diligent young DA Tony Warren (Patric Knowles) and lady detective Linda Marlowe (Grace McDonald). A secondary plot involves the efforts of Greek restaurant owner Nick (Billy Gilbert) to advance the radio careers of the Andrews girls. Though it hardly seems possible, there's still room in Always a Bridesmaid for the terpsichorean routines of the Jivin' Jacks and Jills. ~ Hal Erickson, All Movie Guide
- Starring:
- The Andrews Sisters, Patric Knowles, (more)
- 1943
In this frothy musical, a sultan's lovely daughter finds herself courted by a handsome American. WW II erupts and her father finds himself courted by an agent from the German government for the rights to the oil fields. When that doesn't work, the conniving agent then tries to sway the Sultan's personal secretary. Songs include: "I'm Always the Girl," "The Sultan's Daughter," "Clickety-Clack-Jack," and "I'd Love to Make Love to You." ~ Sandra Brennan, All Movie Guide
- Starring:
- Ann Corio, Charles Butterworth, (more)
The splashy, star-studded This is the Army is based on the Irving Berlin Broadway musical of the same name, which in turn was a reworking of Berlin's WW1 "barracks musical" Yip Yip Yaphank. In both instances, the cast was largely comprised of genuine servicemen, many of them either recently returned from fighting or on the verge of heading off to war. The Hollywood-imposed storyline concerns Jerry Jones (George Murphy), a member of the original 1918 Yip Yip Yaphank cast. His showbiz career curtailed by a leg injury, Jerry becomes a producer during the postwar era. When the US enters WW2, Jerry gathers together several other cast members from the 1918 Berlin musical to help him stage a new all-serviceman show, titled (what else?) This is the Army. The show-within-a-show framework is able to accommodate a romantic subplot, involving Jerry's son Johnny (Ronald Reagan, later a political comrade-in-arms of George Murphy) and Eileen Dibble (Joan Leslie), the daughter of Yip Yip Yaphank alumnus Eddie Dibble (Charles Butterworth). Some of the best moments in This is the Army are from the Broadway production itself, though the lengthy Alfred Lunt-Lynn Fontanne imitation and incessant "gay" jokes may have been too smart for the room in 1943. Guest stars include boxer Joe Louis, Kate Smith (singing "God Bless America", naturally) and Irving Berlin himself, who steals the show with his plaintive rendition of "Oh, How I Hate to Get Up in the Morning". All profits for the stage and film version of This is the Army went to the Army Emergency Relief Fund, which also controlled the rights to the film. Long withheld from TV distribution, the film finally hit the small screen when it lapsed into Public Domain in the mid-1970s. ~ Hal Erickson, All Movie Guide
- Starring:
- George Murphy, Joan Leslie, (more)
- 1942
The Andrews Sisters headline this musical. They play the lead act at a popular nightclub. The trouble begins when they hire a few students from a financially foundering dance school for their newest production. One of the dancers, a rich young socialite, desperately wants to be in it too, but her prurient maiden aunts refuse to allow her to disgrace their family by becoming a common chorine. She and the club owner (who must have the aunt's permission because the girl is underage) try to convince them, but it's not easy. Meanwhile the talented girl finds herself falling hopelessly in love with the club bandleader. In desperation, the ingenious club owner has the obliging Andrews dress up as the aunties and sign the consent forms. The real aunts are infuriated when they discover the ruse and in a tizzy rush down to the club. They arrive just in time to catch the girl's performance and a predictably happy ending ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- The Andrews Sisters, Grace McDonald, (more)
- 1942
A solid Jonathan Latimer screenplay is one of the "plusses" of the medium-budget mystery A Night in New Orleans. Preston S. Foster plays police lieutenant Steve Abbott, at present engrossed in a baffling murder case. As he pieces the clues together, Abbott comes to the sobering conclusion that his own wife Ethel (Patricia Morrison) may be intimately involved in the murder. It gets worse: soon Abbott himself is accused of the crime. The film is full of clever little touches, notably a scene in which the heroine is seen reading a book written by none other than Jonathan Latimer! Featured in the cast of A Night in New Orleans is Ginger Rogers' former stand-in Jean Phillips, whom Paramount briefly groomed for stardom in the early 1940s. ~ Hal Erickson, All Movie Guide
- Starring:
- Preston S. Foster, Patricia Morison, (more)
- 1942
There's plenty cookin' in this brisk, breezy Andrews Sisters vehicle. The plot, such as it is, concerns the efforts by a group of entertainers to package a weekly musical radio show. Their biggest obstacle is a lack of sponsorship, but this is overcome when eccentric business executive J. P. Courtney (Charles Butterworth) agrees to pony up the necessary dough on behalf of his talented niece Sue (Gloria Jean). Within its tightly packed 69 minutes, What's Cookin' is able to accommodate a romantic subplot, comedy relief, and a plethora of musical numbers. The stellar (and quite topheavy) supporting cast includes Jane Frazee, Robert Paige, Billie Burke, Donald O'Connor, Franklin Pangborn, Grace McDonald, Leo Carrillo, the Jivin' Jacks and Jills, and even Woody Herman and His Thundering Herd. Imagine what a lineup like that would cost a radio sponsor today! ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Frazee, Robert Paige, (more)
When millionaire bachelor John Hubbard takes a run-out powder at his own wedding, Hubbard's vengeful fiancee Polly Ann Young has the luckless fellow committed to an insane asylum. Hubbard escapes with certified looney Adolphe Menjou; together they join a carnival run by Carole Landis. Hubbard and Menjou not only save Landis from bankruptcy, but also convince Hubbard's allegedly normal uncle Charles Butterworth (who races fire engines as a hobby) to arrange for the carnival to be set up right next to the family mansion. Directors Hal Roach, Hal Roach Jr. and Gordon M. Douglas deliberately blur the thin line between sanity and insanity throughout Road Show. Just who's crazier: the delusional Menjou, who takes photographs with an invisible camera, or lovestruck Indian George E. Stone, who spends his free time chasing after carnival employee Patsy Kelly? And are the freewheeling carney folk any goofier than the flibbertigibbet society folk? The Charioteers, a black singing group who'd previously appeared in the Broadway production of Hellzapoppin, act as a sort of Greek chorus, commenting on the action with several refrains of the Hoagy Carmichael song "Calliope Jane". The amiable wackiness of Road Show is capped by a car-chase finale. The film was based on a novel by Eric Hatch, who four years earlier had worked on Roach's Topper. Watch for several familiar comedy faces among the uncredited bit players, including Shemp Howard of Three Stooges fame. ~ Hal Erickson, All Movie Guide
- Starring:
- Adolphe Menjou, Carole Landis, (more)
- 1941
Blonde Inspiration was one of the few non-musical directorial efforts of Busby Berkeley. MGM contract players John Shelton and Virginia Grey head the cast of this leisurely second-echelon comedy. Shelton plays a western novelist who is inspired to incredible productivity by buxom blonde Marion Martin. Trouble is, he writes more books than his publisher (Albert Dekker) can handle; thus, efforts are made to break up Shelton's romance--and that's where Grey comes in. Blonde Inspiration was based on John Cecil Holm's stage farce Four Cents a Word. ~ Hal Erickson, All Movie Guide
- Starring:
- John Shelton, Virginia Grey, (more)
- 1941
Previously filmed with Mabel Normand in 1920, the old Rose Melville stage property Sis Hopkins was trotted out in 1941 for Republic's newest star, raucous cornpone comedienne Judy Canova. Sporting pigtails and dressed like a potato sack, Sis Hopkins (Canova) shows up at the doorstep of her snooty rich relations in the Big City after her family farm burns down. Though she immediately ingratiates herself to her uncle, bathroom-appliance mogul Horace Hopkins (Charles Butterworth), Sis runs afoul of her bitchy, beautiful cousin Carol (played by a pre-stardom Susan Hayward). Determined to humiliate our heroine and send her packing, Carol arranges for Sis to partipate in a sorority-initiation striptease. Fortunately, Sis wins out in the finale, while Carol must endure such indignities as a well-aimed pan of water and a misplaced bathroom plunger. As a bonus, Sis wins the heart of college bandleader Jeff Farnsworth (Bob Crosby). Adding to the general merriment of Sis Hopkins is Jerry Colonna as a zany college professor. Judy Canova sings several of her patented country-western ditties, then surprises her fans with a "straight"operatic rendition from La Traviata. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Canova, Charles Butterworth, (more)
- 1940
Considering that it was adapted from a Broadway musical by Richard Rodgers, Lorenz Hart and George Abbott, The Boys From Syracuse must rank as a disappointment, though it manages to remain entertaining throughout its surprisingly brief 74-minute running time. Like its theatrical predecessor, the film was inspired by Shakespeare's A Comedy of Errors ("After a play by William Shakespeare long, long after" reads the opening title). In ancient Ephesus, young tyrant Antipholus (Allan Jones) sentences elderly merchant Aegeon (Samuel S. Hinds) to death unless the latter can come up with a handsome ransom. What Antipholus doesn't know is that Aegeon is his own father; he also doesn't know that he has a twin brother, also named Antipholus (and also played by Allan Jones) who has just arrived from Syracuse in search of dear old daddy. Further complicating matters is that Antiopholus of Ephesus and Antipholus of Syracuse both have slaves named Dromio (Joe Penner)-likewise identical twins! The mistaken-identity angle is played to the hilt, with A. of E.'s wife Adriana (Irene Hervey), A. of S.'s girlfirend Phyllis (Rosemary Lane), and Dromio of Ephesus' main squeeze Luce (Martha Raye) ending up just as confused as everyone else. Only four of the original Rodgers & Hart songs were retained-"This Can't Be Love", "Falling in Love with Love", "Sing for Your Supper", and "Oh, Diogenes"-while two new ones were written for the film. Most of the best jokes are based on anachronisms, with Dromio the slave organizing a labor union (complete with placards), a cheering section at an execution shouting "Give him the ax", and a parchment newspaper bearing such headlines as "Ephesus Blitzkriegs Syracuse". Originally purchased by Universal as a vehicle for the Ritz Brothers, The Boys from Syracuse isn't any great shakes, but it would certainly be well worth seeing again (last telecast in the 1970s, it seems to have fallen off the face of the earth in recent years!) ~ Hal Erickson, All Movie Guide
- Starring:
- Allan Jones, Joe Penner, (more)
Though not the best of the Fred Astaire musicals, Second Chorus is the most easily accessible thanks to its current public-domain status. Astaire and Burgess Meredith play Danny O'Neill and Hank Taylor, friendly-enemy musicians who after spending seven years in a college band aspire to join the Artie Shaw Orchestra. Danny and Hank also spend a lot of time vying over the attentions of their pretty manager Ellen Miller (Paulette Goddard). While Paulette Goddard later became Mrs. Burgess Meredith in real life, guess who wins her hand in this picture? Charles Butterworth steals the show as Mr. Chisholm, a music-loving eccentric who finances Shaw's "swing concerto" concert at Carnegie Hall. Oh, and Fred Astaire dances, too. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Paulette Goddard, (more)
- 1939
Originally filmed in Sepiatone, Let Freedom Ring is a satisfying Nelson Eddy musical with patriotic overtones. Set in the years following the Civil War, the story focuses on the battle of wills between Harvard-educated idealist Steve Logan (Eddy) and bullying railroad magnate Jim Knox (Edward Arnold). Launching a newspaper aimed at combatting Knox's engulf-and-devour tactics (could the villain be intended as a frontier Hitler?) Logan is disowned by his wealthy family and frozen out by his society friends. But with the help of woman-of-the-people Maggie Adams (Virginia Bruce), Logan sticks to his guns and perserveres. Let Freedom Ring goes out of its way to erase Eddy's "Singing Capon" image by having him engage in as much virile physical activity as possible, including a well-staged fistic bout with the gargantuan Victor McLaglen. Fey comedy relief is provided by Charles Butterworth, who does the most with the least material. ~ Hal Erickson, All Movie Guide
- Starring:
- Nelson Eddy, Virginia Bruce, (more)
- 1938
The popularity of both Bob Hope and the sentimental tune "Thanks for the Memory" by Ralph Rainger and Leo Robin in The Big Broadcast of 1938 led to this plodding little domestic comedy-drama in which Hope plays a stay-at-home author and Shirley Ross his working wife. The situation is, of course, ripe for misunderstandings, and soon each spouse accuses the other of infidelity, with everything neatly solved in the final reel. In addition to the title tune, Hope and Ross also perform Hoagy Carmichael and Frank Loesser's "Two Sleepy People." The film was an unofficial remake of the 1931 production Up Pops the Devil. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Bob Hope, Shirley Ross, (more)
- 1937
Swing High Swing Low is a new coat of paint on the old stage play Burlesque, first filmed in 1929 as The Dance of Life. Ex-serviceman Skid Johnson (Fred MacMurray) rises to the uppermost rungs of show business as a bandleader. As his fame swells, so does his head, and he becomes impossibly arrogant, forgetting the friends who helped him get to the top -- not to mention his ever-faithful sweetheart, band vocalist Maggie King (Carole Lombard). Consuming great quantities of booze, Skid hits the skids, ending up a skid-row derelict (there seems to be a pattern here). The ultimate humiliation comes when he isn't even allowed to return to the Army because his insides are shot. In the film's calculatedly teary finale, Skid is rescued emotionally and professionally by Maggie, now a big star in her own right. As indicated by the synopsis, the film is banal and old-hat, but the stars are terrific, especially Carole Lombard, who sings in several scenes (and not all that badly!) Swing High, Swing Low was remade in 1948 as When My Baby Smiles at Me. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fred MacMurray, (more)
- 1937
Paramount spent a record one million dollars on its 1937 Mae West vehicle Every Day's a Holiday. La West portrays a turn-of-century confidence trickster who poses as a famous French chanteuse to avoid arrest. In this guise, she manages to expose crooked police chief Lloyd Nolan and smooths the path for reform mayoral candidate Edmund Lowe. A strong cast of supporting comedians, including Charles Winninger, Charles Butterworth and Walter Catlett, match Mae quip for quip. Elaborately produced and snappily directed by Eddie Sutherland, Every Day's a Holiday should have been the hit that Mae West needed to save her flagging film career. Unfortunately, her vogue had passed, plus she was under fire from America's bluenoses because of her previous "racy" vehicles and her recent "lewd and lascivious" appearance on Edgar Bergen's radio show. (When heard today, West's "Adam and Eve" sketch seems harmless enough, but remember the formidability of the Bible Belt back in 1938.) As a result, Every Day's a Holiday lost every penny it cost and then some -- and effectively ended Mae West's relationship with Paramount, the studio she had single-handedly rescued from bankruptcy with She Done Him Wrong back in 1933. ~ Hal Erickson, All Movie Guide
- Starring:
- Mae West, Edmund Lowe, (more)
- 1936
In this murder comedy, a young woman is no sooner acquitted of poisoning her father when she finds herself suspected of poisoning another. A pushy, over-eager reporter attempts to badger her into a confession, but he changes his tune after he falls in love with her. This results in the loss of his job. The man is then determined to prove that the girl is innocent. After much searching, he succeeds in finding the real killers and clearing his true-love's names. ~ Sandra Brennan, All Movie Guide
- Starring:
- Frances Dee, Brian Donlevy, (more)
- 1936
We Went to College is a perceptive spoof of alumni "homecoming" reunions. Hugh Herbert plays a daffy economics professor, who invites old grads Glenn Harvey (Charles Butterworth), Phil Talbot (Walter Abel) and Senator Budger (Walter Catlett), among many others, to attend the annual homecoming rally. It isn't long before the three middle-agers jump-start their old campus rivalries, much to the consternation of their wives. Our heroes also try their best to interfere with campus activities, notably the all-important homecoming football game. The finale, in which the inebriated Glenn Harvey stumbles onto the football field to prevent a touchdown, was based on an actual incident, which presumably wasn't quite as amusing as what happens on screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Butterworth, Walter Abel, (more)
- 1936
A New York novelist (Henry Fonda) meets up with an actress (Margaret Sullavan), and the two date and later marry, though neither knows of the other's fame. The real adventure begins on the honeymoon, when this screwball comedy really heats up with insults and arguments. ~ John Bush, All Movie Guide
- Starring:
- Margaret Sullavan, Henry Fonda, (more)
- 1935
Based on a story by Vicki Baum, the Sigmund Romberg-Oscar Hammerstein operetta The Night is Young is set in Vienna during the Franz Josef era. To cover up an affair with the married Countess Rafay (Rosalind Russell), Archduke Gustave (Ramon Novarro), the emperor's nephew, feigns a romance with ballet dancer Lisi (Evelyn Laye). By the time Gustave realizes how much he truly cares for Lisi, the stern Franz Josef (played by Henry Stephenson) admonishes the young man to honor duty over love and to enter into a pre-arranged marriage of state. After a tearful rendition of "When I Grow Too Old to Dream," Gustave and Lisi bid one another their last farewell. This relentless parade of "Student Prince" cliches is relieved somewhat by the comic expertise of supporting players Una Merkel and Charles Butterworth. ~ Hal Erickson, All Movie Guide
- Starring:
- Ramon Novarro, Evelyn Laye, (more)
- 1935
A man who has ruined a woman's life attempts to make good on his debt to her (and his conscience) in this sudsy drama based on a best-selling novel by Lloyd C. Douglas. Bobby Merrick (Robert Taylor) is an alcoholic ne'er-do-well whose recklessness causes the death of Dr. Hudson, a respected physician. Helen Hudson (Irene Dunne), the doctor's widow, turns away from Merrick's apology, only to walk into traffic. She's struck by a car and blinded. Shaken by the tragic events, Merrick gives up alcohol and begins studying to become a doctor and right the wrong he's done to Helen. As he begins spending time at the family's estate through a mutual friend, Helen grows fond of his frequent visits, and they begin to fall in love. However, when Helen learns that Merrick is responsible for her husband's death and her own accident, she moves away to a place where he cannot find her. In time, Merrick becomes a gifted eye surgeon, and he learns that he could restore Helen's sight with a delicate and dangerous operation that he has never performed before. Magnificent Obsession was a box-office success that spawned a 1954 remake directed by Douglas Sirk and starring Rock Hudson and Jane Wyman. ~ Mark Deming, All Movie Guide
- Starring:
- Irene Dunne, Robert Taylor, (more)
- 1935
For 20 years, Jeff Williams (Clark Gable) has been in love with his childhood playmate Mary Clay (Joan Crawford). Alas, Jeff has never said as much, thus Mary becomes engaged to another childhood friend, Dill Todd (Robert Montgomery). Returning from a trip to Spain for the purpose of proposing to Mary, Jeff is taken aback when he learns of the impending marriage. Stout fellow that he is, however, he agrees to act as Dill's best man. Comes the day of the wedding, and Dill leaves Mary at the altar to run off with his mistress Connie (Frances Drake). Jeff stays behind to console Mary -- yet he still doesn't tell her how much he loves her. Small wonder, then, that a chastened Dill is able to rekindle his romance with Mary and plan a second ceremony. Disillusioned, Jeff is about to return to Spain, when at the last minute, comedy-relief Charles Butterworth tells Mary what's up with Jeff. "Suddenly everything is clear!" says Mary -- 84 minutes after the MGM lion introduced Forsaking All Others. Its plot absurdities aside, this star vehicle is splendidly glossy entertainment. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Clark Gable, (more)
- 1935
The title may be Orchids to You, but the plot is motivated by a camellia -- to be exact, Camelia Rand (Jean Muir). About to be ejected from her thriving flower shop when a developer plans to tear down the building, Camelia confronts Thomas Bentley (John Boles), the lawyer representing the developer. Despite her anger, Camelia can't help but take a liking to Bentley, though she refuses to entertain any romantic notions because the lawyer is already married to Evelyn (Ruthelma Stevens). Later on, a stranger enters Camelia's shop and orders a dozen orchids for Mrs. Bentley. Not wishing to hurt Mr. Bentley, Camelia refuses to mention Mrs. B's name in court when ordered to do so, and as a result spends 10 days in jail on a contempt charge. All-around comedy relief Teddy Stuyvesant (Charles Butterworth) shows up in time to solve everything, and the film ends with the philandering Mrs. Bentley out in the cold and Camelia in Mr. Bentley's arms. ~ Hal Erickson, All Movie Guide
- Starring:
- John Boles, Jean Muir, (more)
