Raymond Bussières Movies

Whether or not the title of this well-wrought film was intentional, this was indeed, the last melodrama made by director Georges Franju (1912-1987). The nostalgic story looks at the last days of a theatrical troupe as it travels around the French countryside performing in small towns in the 1950s. The old-style theater get mixed reactions from its audiences, yet the troupe manages to keep on going. But fate intervenes in their road schedule as they are finishing up in one village. They reject an aspiring actress, the wife of an innkeeper intent on leaving her husband, and the results are disastrous. ~ Eleanor Mannikka, All Movie Guide

A triumph of animation for both children and adults, this engaging story was adapted from the fairy tale of The Shepherdess and the Chimney Sweep by Hans Christian Andersen. Director Paul Grimault worked with the late and gifted Jacques Prevert to create the wit, humor, and political nuances that enliven the story each step of the way. The tale is set in the kingdom of Takicardie ("runaway heartbeat") where a beguiling young shepherdess has fallen in love with a charming chimney sweep, and he reciprocates her feelings honorably and completely. Enter the king who wants the shepherdess for himself. A mockingbird, well aware of the situation, helps the lovers out -- until he and the chimney sweep are captured and thrown into the lion's den. Now the two of them have a real challenge on their hands if they want to save the shepherdess and defeat the king. ~ Eleanor Mannikka, All Movie Guide

Unicorn (Jean Claudio), a top enemy agent, is accidentally killed by his own comrades during a shootout. To fool the Other Side, the New Avengers arrange an elaborate hoax to make it appear as though Unicorn is still alive. Unfortunately, the villains have captured a foreign Prince in hopes of exchanging him for Unicorn--and the Prince has been wired to explode in case the exchange goes awry. ~ Hal Erickson, All Movie Guide

Christopher Lee dons the Count's legendary cape once again for this satirical French-made entry in the vampire genre (titled Dracula and Son for American release). It seems Dracula's son (Bernard Ménez) is a bit reluctant to carry on the family's blood-drinking tradition on account of severe squeamishness. This understandable rift is widened when the Dracula family is banished from Romania by the new communist regime, and they end up traveling their separate ways -- Ménez goes to France, while Lee, oddly enough, finds a lucrative career in British horror films (perish the thought!). They are reunited again at the premiere of one such film, where they meet and fall in love with the same woman). Directed by Edouard Molinaro, known best for his international comedy hit La Cage aux Folles, this was a very witty film prior to its decimation by an uncaring American distributor, who not only excised many of the jokes but also replaced them with horribly-written, sophomoric gags. ~ Cavett Binion, All Movie Guide

The revolutionary upheaval of 1968 rocked Europe, and led to many changes. For a while, it was possible to think that the radical idealism of the youth protests would finally take form in the world. In this film, eight people in their late tweties and early thirties try to keep the radical flames burning. From a man continuing his mystic quest to a Robin Hood-like grocery worker, each of them seeks an alternative to the mainstream vision. One of them is married, and his child Jonah, born that year, will be 25 in the year 2000. ~ Clarke Fountain, All Movie Guide

The subtitle of this Swedish comedy is "Tage Danielsson's Divine Comedy." It recounts the trials of a man named Dante Alighieri (Gosta Ekman) as he attempts to quit smoking. He is worried about backsliding, so he hires a pair of private detectives to keep him from smoking even a single cigarette. They follow him around from Sweden to France and back again. He also has an uncle who thinks it is funny to offer him cigars and cigarettes. Indeed, he even hires Dante's private eyes away from him and instructs them to get him smoking again. ~ Clarke Fountain, All Movie Guide

This war-drama centers more on the effects of battle on civilians than it does on the bravery of the fighters as it tells the story of a courageous squadron of Yankee soldiers endeavoring to protect and bring to safety a village full of French civilians whom they saved from German captors following the Allied invasion of Normandy. During the battle to free them, the soldiers also capture a German officer. They then begin heading toward the beach with the civilians so they can go to England. Unfortunately, the beachmaster does not know they are coming and regretfully sends them back. Twice more the squadron and the civilians go back to the beach, but they are still not allowed to go. Things get even worse when the Germans begin bombing the remains of their town and they are forced to find some place to hide until help arrives. ~ Sandra Brennan, All Movie Guide

Henri (Robert Dhery) joins a group of rowdy soccer fans who travel from France to London two days before he is supposed to be married, and he goes to the dentist after his two front teeth are knocked out in a melee with rival fans. Sight gags include a busload of drunken fans trying to evade the police in a rare working combination of Gallic and British humor. Diana Dors appears as herself in this feature directed and co-written by Dhery. ~ Dan Pavlides, All Movie Guide

This well-acted though conventional comedy-drama by director Luigi Comencini features comic Nino Manfredi in the title role of Giacinto, a father and husband who has been driven to steal in order to survive. His ineptitude lands him in jail where he meets up with slightly more hardened criminals, like Tagliabue (Mario Aldorf), a killer, and Il Sorcio (Raymond Bussieres), an experienced thief. Giacinto is anxious to escape and get back to his family but Tagliabue and the thief also want out as soon as possible. And even if Giacinto escapes, the challenges that wait for him on the other side of the bars may be more than he can handle. ~ Eleanor Mannikka, All Movie Guide

Fanny was adapted from the Broadway musical of the same name, which in turn was based on the final chapter of Marcel Pagnol's "Marseilles Trilogy". Pagnol's original, titled Cesar, ends with protagonist Marius returning to the sea, leaving behind his lover Fanny and their son. Expanding upon the original, Fanny picks up the narrative nine years later. Marius (Horst Buchholtz) finally meets his son and is reunited with Fanny (Leslie Caron). She tells him that Panisse (Maurice Chevalier), the elderly suitor who married Fanny to save her from disgrace, is dying. On the verge of shuffling off his mortal coil, Panisse gives Fanny and Marius his blessings, hoping that they'll marry at long last. Charles Boyer co-stars as Cesar, the philosophical gent portrayed in the 1930s film versions of the Pagnol trilogy by the great Raimu. Fanny goes its merry way without any of the songs in the original Broadway score, despite the proven musical talents of Caron and Chevalier. Producer/director Joshua Logan saved himself plenty of embarrassment when he agreed not to release this film as Joshua Logan's Fanny. ~ Hal Erickson, All Movie Guide

Aladdin (Donald O'Connor) is a poor young man living in ancient Bagdad, who is given to flights of imagination, and taken with tales of the wealthy and powerful -- in many ways, he's still a boy, and so caught up in his daydreaming that he doesn't realize how his one-time childhood playmate Djalma (Noelle Adam), now a grown young woman, loves him (even if her merchant father thinks he's a worthless loafer). In a moment of indulgence, his mother buys Aladdin an old lamp so that he can have light at night "like a rich man." He accidentally discovers that the lamp contains a genie $Vittorio De Sica), who will grant him three wishes -- but he is so scatterbrained, that he can't figure out exactly how he called the genie in the first place. Aladdin and Djalma both end up headed for Basra and the wedding of the young Prince Malouk (Mario Girotti) to the princess (Michele Mercier), and both are caught up in the plans of the evil Grand Vizier (Fausto Tozzi) to kill the prince and marry the princess himself. Those plans, helped by a malevolent old magician (Raymond Bussieres), include the use of two full-size magical dolls, one a dancing wonder and the other with a deadly embrace. And only Aladdin and his genie, and the brave young prince, can stand in his way. ~ Bruce Eder, All Movie Guide