Robert Lantos Movies

Randy Quaid and Jay Baruchel star in writer/director Randall Cole's comedic drama detailing the unique relationship between a compulsive gambler, and the coolly detached hit man assigned the task of taking him out. Andy (Baruchel) is an excitable gambler who has incurred one debt too many. When stoic hit man Reuban shows up to kill Andy, his target's initial reaction is disbelief. It soon becomes obvious that this is no joke, however, and now with less than sixty minutes to live the desperate Andy does his best to squeeze as much living into his final hour as possible. From one final session with a prostitute to a chance to get revenge on a former boss and a desperate search for a missing childhood toy, the bizarre series of final requests made by Andy prompt both the trigger man and his target to realize that there is more to their lives - and their current missions - than surface impressions would indicate. ~ Jason Buchanan, All Movie Guide

Author Anne Michaels's poetic novel comes to the screen courtesy of director Jeremy Podeswa in this period drama concerning a Holocaust survivor who remains eternally haunted by the uncertain fate of his beloved sister. Athos (Rade Sherbedgia) is an archeologist conducting a dig in Nazi-occupied Poland. When Athos discovers a seven-year-old boy named Jakob (Robbie Kay) hiding near the work site, he smuggles the frightened boy back to Greece and promises to shelter him when the Nazis come knocking there as well. Having previously witnessed the brutal massacre of his family at the hands of Hitler's henchmen, Jakob longs to find out what fate befell his sister, Bella (Nina Dobrev) -- who wasn't executed with the majority of his other relatives but subsequently disappeared without a trace. After the war, Athos and Jakob emigrate to Toronto in hopes of starting a new life. But even after all these years, Jakob (Stephen Dillane) can't seem to shake the grief of losing his family and not knowing what ever became of Bella. Later, when Jakob marries the radiant Alex (Rosamund Pike), the bright-eyed beauty does her best to illuminate the dark corners within her husband's soul. To maintain one's connection to ghosts requires a certain shunning of the living, however, and only when Jakob discovers the strength to let go of his painful past will he finally be able to move forward into the future. ~ Jason Buchanan, All Movie Guide

A reporter unexpectedly gets a personal perspective on a legendary show-business story in this adaptation of Rupert Holmes' novel, scripted and directed by noted Canadian independent filmmaker Atom Egoyan. In the mid-'50s, Lanny Morris (Kevin Bacon) and Vince Collins (Colin Firth) were a wildly popular comedy team who suddenly and unexpectedly broke up at the peak of their popularity. Fifteen years after Morris and Collins called it quits, journalist Karen O'Connor (Alison Lohman), who has earned a reputation for her celebrity exposés, wants to write about the true story of what happened with Morris and Collins -- and to her surprise, her publisher tells her Collins has agreed to co-author the book for a cool million dollars. The only catch is that Collins has to tell the full truth about a very large skeleton in the team's closet -- a beautiful naked woman was found drowned in the bathtub of Morris and Collins' hotel suite shortly before they broke up the act, and while the comics were cleared of any wrongdoing, rumors about the incident followed them for years. As O'Connor and Collins complete their book, they learn to their surprise that Morris has opted to write a book of his own about the team's career; eager to learn what Morris has to say, O'Connor meets him posing as a schoolteacher, and soon falls into an unexpected romantic relationship with him. O'Connor soon finds herself playing two sides against one another as she tried to learn the truth about two men with dark and scandalous pasts. Where the Truth Lies became the subject of unexpected controversy when the MPAA gave the film an NC-17 rating due to a brief scene involving a ménage à trois; the film earned significantly more lenient rating in other countries. ~ Mark Deming, All Movie Guide

Canadian filmmaker Atom Egoyan explores his Armenian heritage, and how the country's tragic history has touched several generations of the nation's expatriates, in this ambitious drama. Edward Saroyan (Charles Aznavour), a veteran filmmaker of Armenian descent, is in Toronto shooting a film about the Siege of Van, in which invading Ottoman armies forced the evacuation of Armenian communities in 1915, leading to the genocide of over a million Armenian people at the hands of Turkish troops. Twenty-one-year-old Raffi (David Alpay) has been sent to Turkey to shoot background footage for the film; Raffi's mother Ani (Arsinee Khanjian), an author and historian, is also involved in the project as a consultant. Lately Raffi and Ani have been at odds; Raffi has been dating Celia (Marie-Josee Croze), Ani's stepdaughter, who is convinced that Ani is somehow responsible for the death of her father. Ani's first husband, who was Raffi's father, is also dead, after taking part in an assassination attempt on a Turkish political leader. As Raffi attempts to re-enter Canada with cans of exposed film, he's detained by David (Christopher Plummer), a suspicious customs official who has his own tenuous link to Saroyan's film -- David is struggling to come to terms with the gay lifestyle of his son Philip (Brent Carver), whose lover Ali (Elias Koteas) is playing the villain in the picture. Ararat also features Eric Bogosian and Bruce Greenwood. ~ Mark Deming, All Movie Guide

French Canadian director Denys Arcand pushes the boundaries of the mockumentary with Stardom, the tale of a fictional neophyte supermodel (Jessica Pare) told entirely through clips of her appearances on talk shows, television interviews, and documentaries. Originally titled 15 Moments, Stardom begins its portrait at a women's hockey game in the nether regions of Ontario, Canada. When the team's formidable teenage forward Tina (Pare) pulls her helmet off, letting her brunette tresses fly, a bystander snaps a photo, and Tina soon becomes the buzz at the country's hottest fashion houses. Her rise through the industry, however, is plagued by advances from older men with sundry motives: a smitten French photographer (Charles Berling), a smarmy entrepreneur (Dan Aykroyd), the Canadian Ambassador to the U.N. (Frank Langella), and a slick promoter (Thomas Gibson, the latter half of TV's Dharma and Greg). Stardom was the closing film at the 2000 Cannes Film Festival, marking the first time in over 50 years that a Canadian production was chosen for such an honor; it would go on to open the 2000 Toronto International Film Festival before its theatrical premiere. ~ Michael Hastings, All Movie Guide

Canadian filmmaker David Cronenberg, who has long been fascinated by the ways new technology shapes and manipulates the human beings who believe they are its masters, is in familiar territory with eXistenZ, a futuristic thriller which combines elements of science fiction, horror and action-adventure. What is eXistenZ? According to the glossary Cronenberg put together for this film, it is a new organic game system that, when downloaded into humans, accesses their central nervous system, transporting them on a wild ride in and out of reality. What's more, it changes every time it is played, by adapting to the individual user -- you have to play the game to find out why you are playing the game. More than one person can plug into the same game and set out on a series of bizarre and surrealistic adventures together. The narrative takes place sometime in the near future, when game designers are worshipped as superstars and players can organically enter inside the games. Allegra Geller (Jennifer Jason Leigh), the goddess among computer game designers whose latest invention, 'eXistenZ,' taps deeply into its users' fears and desires by blurring the boundaries between reality and escapism, is subject to an assassination attempt and forced to flee. Her sole ally is Ted Pikul (Jude Law), a novice security guard sworn to protect her. Persuading Ted to play the game, Allegra draws them both into a phantasmagoric world where existence ends and eXistenZ begins. Jennifer Jason Leigh, who is supposedly something of a computer nerd in real life, is hip and sexily alluring as Allegra Geller. When she and Pikul make love and are transported to the bizarre setting of a trout farm which has been converted to an assembly line production plant for games, they delve deeper into the dangerously intriguing game. Soon the forces of Anti-eXistenZialism will close in on Pikul and Allegra. eXistenZ marks the first time since Videodrome that Cronenberg has written a completely original screenplay. eXistenZ was inspired by the tribulations of the fugitive writer Salman Rushdie, author of the Satanic Verses. After interviewing the author for a magazine article in 1995, Cronenberg was struck with the idea of an artist who suddenly finds himself on a hit list for religious or philosophical reasons and is forced to go into hiding. The idea of a game came later on, for which he created a new vocabulary. According to Cronenberg, eXistenZ thematically connects to Crash, Videodrome, Naked Lunch and even M. Butterfly in terms of exploring the extent to which we create our own levels of reality and the idea of a creative act being dangerous to the creator. This is the second film on which Alliance Atlantis has been associated with Cronenberg, after Crash, which won the Special Jury Prize at the 1996 International Cannes Film Festival. On the occasion of the presentation of eXistenZ, Cronenberg received a Silver Bear for his outstanding artistic achievements at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide

Sarah Kernochan wrote and directed this nostalgic coming-of-age comedy-drama with some autobiographical touches. In 1963, budgetary problems at the East Coast boarding school Miss Godard's School for Girls, prompt a merger with a boy's academy. The girls are stunned at the prospect of going co-ed and devise a campaign to sabotage the plan. Screenwriter Kernochan, scripter of Sommersby and 9 1/2 Weeks, won an Oscar when she co-directed the 1972 documentary Marjoe, but this film marks her feature directorial debut creating comedy-drama. The upstate New York seen here is actually Toronto. The title created some confusion, since Kernochan's film received reviews the same month the 1998 New York Film Festival unspooled a new 35mm print of Sergei Eisenstein's silent classic Strike (1924). ~ Bhob Stewart, All Movie Guide

One of the most successful Canadian drama series of the late 1990s, Da Vinci's Inquest was also one of the CBC's slickest efforts -- not to mention one of the most realistic. Nicholas Campbell starred as Dominic Da Vinci, a former cop who worked as a police coroner in Vancouver. Like Quincy before him, Da Vinci used his official capacity to right wrongs, help those in distress, and in general boldly go where the "regular" cops feared to tread. In this he was assisted by a number of friends, business associates, and family members, who frequently found themselves in jeopardy, obligating the hero to effect a last-minute escape. Compared by some critics to the American TVer Homicide (albeit with a bit more melodrama), the series was created by Chris Haddock, who also wrote many of the 60-minute teleplays. Da Vinci's Inquest began its long and profitable CBC TV run on October 7, 1998. ~ Hal Erickson, All Movie Guide

Produced in Canada for a Canadian and U.S. viewership, the weekly, hour-long drama series Fast Track starred Keith Carradine as Richard Beckett. A former racecar driver, Beckett had become a doctor, working almost exclusively along the speedway circuit and tending to the injuries of his fellow motorists. Naturally, Beckett also got involved with various domestic crises, and occasionally put in time as an amateur detective. The impressive supporting cast included Duncan Regehr as Christian Chandler Jr., Tristan Rogers as Harry, Fred Williamson as Lowell Carter, and Sebastian Spence as Stevie Servine. Produced by Alliance Atlantis, Fast Track unveiled the first of its 23 episodes on August 3, 1997, telecast simultaneously on Canadian and American cable TV. ~ Hal Erickson, All Movie Guide

Atom Egoyan's haunting adaptation of the Russell Banks novel The Sweet Hereafter was the Canadian filmmaker's most successful film to date, taking home a Special Grand Jury Prize at the 1997 Cannes Film Festival and scoring a pair of Academy Award nominations, including Best Director. Restructured to fit Egoyan's signature mosaic narrative style, the story concerns the cultural aftershocks which tear apart a small British Columbia town in the wake of a school-bus accident which leaves a number of local children dead. Ian Holm stars as Mitchell Stephens, a big-city lawyer who arrives in the interest of uniting the survivors to initiate a lawsuit; his maneuvering only drives the community further apart, reopening old wounds and jeopardizing any hopes of emotional recovery. Like so many of Egoyan's features, The Sweet Hereafter is a serious and painfully honest exploration of family grief; no character is immune from the sense of utter devastation which grips the film, not even the attorney, whose interests are in part motivated by his own remorse over the fate of his daughter, an HIV-positive drug addict. ~ Jason Ankeny, All Movie Guide

After surviving a brutal car wreck, commercial director James Ballard finds himself slowly drawn to a mysterious subculture of people who have transformed automobile accidents into erotic events. Like the J.G. Ballard novel that inspired it, David Cronenberg's study of the sexual dimension of man's relationship to technology was a magnet for controversy, drawing a NC-17 rating and criticism from several sources, including studio owner Ted Turner, who attempted to prevent the film's American release. But though some have leveled charges of pornography, James' descent into this fetishistic underworld is approached with cold, scientific detachment. Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film's point. This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore's superb score. Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes. ~ Judd Blaise, All Movie Guide

As the star of Knight Rider, you've seen him fight crime from behind the wheel of one of the most advanced automobiles ever, and as the leader of the Baywatch team, you've watched him rescue countless innocent souls from being swept out to sea -- now join television superstar David Hasselhoff in his most daring journey yet as he takes to the sky in this edge-of-your-seat action thriller from writer/director Sandor Stern (The Amityville Horror). Temporarily reassigned to air traffic control as a result of his maverick attitude, Jake Gorsky (Hasselhoff) is a New York City helicopter cop who never shies away from a good fight. When a well-organized group of bank robbers blows up nearly all of the bridges in Manhattan in an attempt to distract authorities and clean out the Federal Reserve Bank, the NYPD believes the action to be the work of a terrorist group run by Mr. One (Miguel Fernandes) -- but Gorsky knows better. Determined to save the bank and rescue his girlfriend, Michelle (Kathy Ireland), Gorsky once again bucks authority to launch his own offensive and take the skies back from the murderous bank robbers. ~ Jason Buchanan, All Movie Guide