Norman Krasna Movies

Producer, writer, director and bon vivant Norman Krasna was educated at NYU, Columbia and the Brooklyn Law School. He worked as a film and theatre critic in New York before heading to Hollywood to join Warner Bros.' publicity department. Developing a talent for turning out funny material in a minimum amount of time, Krasna became a valuable man to have around for producers of such economical comedy films as Wheeler and Woolsey's So This Is Africa (1933) and Miriam Hopkins' The Richest Girl in the World (1934). He proved equally adept at drama, turning out the original stories for director Fritz Lang's powerful anti-lynching tract Fury (1936) and Lang's Brechtian You and Me (1938).

As busy on Broadway as he was in Hollywood, Krasna penned several popular stage plays, many of which (Dear Ruth, Kind Sir, Who Was That Lady?) were later committed to film. Krasna turned director for four films -- Princess O'Rourke (1943), The Big Hangover (1950) and The Ambassador's Daughter (1956) -- and served as producer for many more. A longtime friend of comedian Groucho Marx, Krasna collaborated with Groucho on the screenplay of the 1937 film comedy The King and the Chorus Girl and the later stage play Time for Elizabeth. Norman Krasna won a "Best Original Screenplay" Academy Award for Princess O'Rourke, and earned nominations for The Richest Girl in the World, Fury and The Devil and Miss Jones (1941). ~ Hal Erickson, All Movie Guide
1988  
PG  
This is a TV remake of the Cary Grant/Ingrid Bergman vehicle, in which a British actress begins an affair with an American diplomat. ~ Jason Ankeny, All Movie Guide

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Starring:
Robert WagnerLesley-Anne Down, (more)
1964  
 
Maurice Chevalier plays Philip Dulaine, a supposedly dying millionaire, while Sandra Dee co-stars as Cynthia, the elderly man's granddaughter. To allow Dulaine to die happy, Cynthia promises to find a husband. Actually, Dulaine is only pretending to be at death's door to get Cynthia married off. Subsequent complications involve Cynthia's personal choice for a husband, Warren Palmer (Andy Williams), and Dulaine's selection, Paul Benton (Robert Goulet). Deanna Durbin fans will quickly detect that I'd Rather Be Rich is a remake of Durbin's It Started With Eve (1941), with a gender switch (in the original, Robert Cummings is the grandson, and Durbin is the instant fiancee) and with Maurice Chevalier filling the sizeable shoes of Charles Laughton as the foxy grandpa. ~ Hal Erickson, All Movie Guide

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Starring:
Sandra DeeRobert Goulet, (more)
1963  
 
Playwright Norman Krasna adapted his hit Broadway sex farce for the screen under the direction of Peter Tewksbury. Adam Tyler (Cliff Robertson) is an airline pilot who rents a pricey Manhattan apartment and has the weekend off. His prim sister Eileen (Jane Fonda), shows up to visit, complaining that her fiancée Russ (Robert Culp), is pressuring her to have premarital sex, threatening to break up their engagement if she doesn't comply. Adam tells his sister that she is right to resist, that men want to marry women who are virgins, then he leaves with plans to meet his lover, Mona Harris (Jo Morrow), in another city. Left alone, Eileen finds women's lingerie in her brother's closet and realizes that he has a double standard. She leaves, upset. While on a bus, she meets a man named Mike (Rod Taylor). They spend the day sightseeing, fall in love, and return to the apartment after a rainstorm drenches their clothes. Russ and Adam later arrive at the apartment at different intervals. Russ mistakenly believes that Eileen has cheated on him, so he storms out, leaving Eileen with her new love and Adam with plans to marry Jo. Jim Backus has a minor role as a flight dispatcher. Musician Peter Nero, who scored the film, appears in a cameo. ~ Michael Betzold, All Movie Guide

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Starring:
Rod TaylorJane Fonda, (more)
1962  
 
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In this romantic comedy, a popular actress disguises herself as a Japanese geisha to land a part in a film directed by her husband. Shirley MacLaine stars as Lucy Dell, a comic actress married to equally successful director Paul Robaix (Yves Montand). Though Paul has found success creating comic vehicles for Lucy, he wants to expand his range by making a lavish adaptation of Madame Butterfly on location in Japan, using a local actress as the star. Lucy feels she can play the part just as well as any Japanese woman, and, with the help of the film's producer (Edward G. Robinson), she hatches a plot to prove it. She poses as Yoko Mori, an innocent young geisha on her way to joining a convent, and her husband is immediately determined to cast her. Of course, the masquerade proves more difficult than imagined, and things become especially complicated when Lucy's Hollywood playboy co-star (Robert Cummings) falls in love with her demure Yoko persona. Opting for mild, character-driven humor over farce, My Geisha provides a few knowing jibes at Hollywood and comfortable performances from MacLaine and Montand, but the film's treatment of Japanese culture will likely seem dated to modern audiences. ~ Judd Blaise, All Movie Guide

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Starring:
Shirley MacLaineYves Montand, (more)
1960  
 
A screwball comedy that turns into political farce, this film was something of a throwback even in 1960. Real-life husband and wife Tony Curtis and Janet Leigh star as David and Ann Wilson. David is a university professor who is kissing one of his students when Ann walks in on them. She demands a divorce. David turns to his old friend, a television writer, Michael Haney (Dean Martin), who cooks up a cover story. They convince Ann that David is working undercover for the FBI, and that the kiss was part of a sting. The gullible Ann believes the story. Later, when she sees David and Michael in a restaurant with two women, she suspects that the women are spies, and passes David his empty gun. This touches off a disturbance that is filmed by TV news crews. Some real Russian spies think that David really is an FBI agent, and the spies grab the Wilsons and Haney, take them to a secret chamber beneath the Empire State Building, and give them truth serum. From there, the film continues to twist and turn in wildly wacky ways. ~ Michael Betzold, All Movie Guide

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Starring:
Tony CurtisDean Martin, (more)
1960  
 
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Let's Make Love is a breezy comedy about an off Broadway musical production. Jean-Marc Clement (Yves Montand) is the richest man in the world and looking for someone who loves him instead of his money. He reads in Variety he is to be satirized in the new production and tries out for the part. The producers hire him, unaware of his real identity. He hires Bing Crosby, Milton Berle and Gene Kelly to coach him for the role. Amanda (Marilyn Monroe) is the poor aspiring actress who lands a part in the play. Her opening number is the classic "My Heart Belongs To Daddy". Unaware of his fabulous wealth, she falls for the playboy billionaire during the rehearsals for the show. Tony Randall plays Montand's fussy public relations agent and tries to keep his boss from embarassment. ~ Dan Pavlides, All Movie Guide

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Starring:
Marilyn MonroeYves Montand, (more)
1958  
 
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Adapted by Norman Krasna from his play Kind Sir, Indiscreet stars Ingrid Bergman as a wealthy actress and Cary Grant as an international financial wizard. While Grant is visiting London, Bergman's sister Phyllis Calvert and brother-in-law Cecil Parker introduce Grant to Bergman. Because he feels he has no time for marriage, Grant pretends to be married to avoid romantic tangles. Bergman, however, finds the prospect of an affair with a married man to be quite exhilarating. When she discovers the truth, Bergman gets even with the now-smitten Grant by faking a romance with an ex-boy friend--ordering luckless chauffeur David Kossoff to pose as her beau. A comedy by grownups, about grownups and for grownups (at least by 1958 standards), Indiscreet proved to be far more successful as a film than as a stage play. ~ Hal Erickson, All Movie Guide

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Starring:
Cary GrantIngrid Bergman, (more)
1956  
 
The offspring of the American ambassador to France (the star was then living in Paris with her journalist husband), De Havilland tries to dissuade narrow-minded senator Adolphe Menjou from declaring Paris "off limits" to American servicemen. One such man in uniform is sergeant John Forsythe, who falls in love with De Havilland, whom he mistakes for a model. Eventually Menjou is shown the error of his ways through the combined efforts of De Havilland and his own wife Myrna Loy, while Our Heroine finds true happiness as an Army wife. The Ambassador's Daughter was produced, written and directed by Norman Krasna, a renowned Hollywood wit whose comic gifts were apparently left back in California on this occasion. ~ Hal Erickson, All Movie Guide

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Starring:
Olivia de HavillandJohn Forsythe, (more)
1956  
 
This musicalized remake of the 1939 comedy Bachelor Mother stars Debbie Reynolds and Eddie Fisher (then Mr. and Mrs.) in the roles originated by Ginger Rogers and David Niven. Reynolds plays a department store salesgirl whose life is turned topsy-turvy when she finds an abandoned baby. Despite her protestations, everyone assumes that she's the mother of the child, including Fisher, the son of store owner Adolphe Menjou. Meanwhile, Menjou convinced that his son is the baby's father, is determined that his boy will "do right" by the innocent Reynolds. Much of the comic zest of the original film is diluted by the lackluster performance of Eddie Fisher, though Debbie Reynolds and the rest of the cast are in fine form. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie FisherDebbie Reynolds, (more)
1954  
 
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White Christmas, Paramount's belated follow-up to the 1942 hit Holiday Inn, was the studio's first VistaVision production. A veritable warehouse full of oldie-but-goodie Irving Berlin tunes are woven into the film's simplistic plotline, along with a handful of new songs, of which "What Can You Do With a General?" is the least memorable. Bing Crosby and Danny Kaye (replacing an ailing Donald O'Connor) play nightclub entertainers Bob Wallace and Phil Davis, while Rosemary Clooney and Vera-Ellen are cast as singing-sister act Betty and Judy. The foursome travel to Vermont to visit Bob and Phil's WII commanding officer, General Waverly (Dean Jagger, who looks and sounds like Dwight D. Eisenhower!), who now runs a rustic old inn. Discovering that the general is in dire financial straits, the four entertainers secretly make plans to bail the old guy out with a big musical show, enlisting the aid of Bob and Phil's army buddies. Corny in the extreme, White Christmas evidently struck a responsive note with film fans; it was the high-grossing picture of 1954, and a decade later proved to be a ratings bonanza when it was given its network-TV premiere. Of the four stars, Crosby comes off best, especially when singing the title song at the beginning and end of the film; Kaye is a bit overshadowed this time out, though he's quite funny camping it up in a "drag" version of Irving Berlin's "Sisters." Still a big favorite on the home-video circuit, White Christmas may not be the best Bing Crosby musical on the market, but it's certainly one of the most heartwarming. ~ Hal Erickson, All Movie Guide

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Starring:
Bing CrosbyDanny Kaye, (more)
1952  
NR  
The titular Lusty Men are rodeo riders in this modern-day western, assembled with a touch of the offbeat by director Nicholas Ray. Former rodeo star Robert Mitchum, disabled by a series of accidents, hobbles back to his Oklahoma hometown in hopes of replenishing his bank account. Aspiring bronco-buster Arthur Kennedy hires Mitchum to train him for an upcoming rodeo, promising that they'll split the winnings. It doesn't take a crystal ball to predict that Mitchum will soon fall hard for Kennedy's wife Susan Hayward; she can take Mitchum or leave him, but decides to take him so that he'll continue to train Kennedy. After a falling out, Mitchum quits his job and enters the rodeo himself, hoping to win the prize from the arrogant Kennedy. He proves he still has what it takes, but does so at the price of his life. The Lusty Men was co-adapted by one-time cowboy David Dotort from a Life magazine story by Claude Stannish. ~ Hal Erickson, All Movie Guide

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Starring:
Susan HaywardRobert Mitchum, (more)
1951  
 
Personally supervised by Howard R. Hughes, the RKO Technicolor musical Two Tickets to Broadway stars Janet Leigh as a small-town girl who hopes to make it big in the Big Apple. Moving into a Manhattan boarding house populated by such showbiz hopefuls as Ann Miller, Tony Martin, Gloria De Haven and Barbara Lawrence, Leigh aspires to appear on the popular TV variety program hosted by bandleader Bob Crosby. Two-bit agent Eddie Bracken promises to make her dreams come true, even though he doesn't know Crosby from Adam. Along the way, Leigh falls for Martin, though the course of true love seldom runs smooth--in fact, at one point it threatens to run all the way back to Leigh's home town. Injecting their time-honored routines into the proceedings are veteran vaudevillians Joe Smith and Charlie Dale, playing a couple of stagestruck deli owners (their roles were originally slated for Stan Laurel and Oliver Hardy, but Laurel's illness precluded any film work). Despite the creative input of choreographer Busby Berkeley, the film's best number is the simplest: Let's Make Comparisons, wherein Bob Crosby explains why he's not his brother Bing. Seemingly a surefire box-office hit, Two Tickets to Broadway inexplicably posted a loss of $1,150,000. ~ Hal Erickson, All Movie Guide

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Starring:
Tony MartinJanet Leigh, (more)
1951  
 
The Blue Veil was the single most successful effort from the production team of Jerry Wald and Norman Krasna. Jane Wyman pulls out all the emotional stops as a young Frenchwoman named Louise, who, after losing her husband and child in WW I, devotes the rest of her life to selflessly caring for other people's children. In true "woman's story" fashion, Louise ages and ages beautifully, sacrificing all for the sake of others. On the brink of destitution, she is rescued by her former charges, all nicely grown up and boundlessly grateful. A remake of the French Le Voile Bleu, The Blue Veil was adapted for the American screen by radio's Norman Corwin. The sterling supporting cast includes Charles Laughton as a widowed manufacturer, Joan Blondell as a blowsy actress, Natalie Wood as Blondell's neglected daughter, and Richard Carlson, Audrey Totter, Agnes Moorehead and Don Taylor. ~ Hal Erickson, All Movie Guide

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Starring:
Jane WymanCharles Laughton, (more)
1951  
 
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One of the oddest comedies of the 1950s, Behave Yourself! stars Farley Granger and Shelley Winters as a pair of none-too-bright newlyweds. Granger and Winters adopt a stray pooch named Archie, who unbeknownst to them has been trained as a go-between for a couple of underworld gangs. To the ever-mounting amazement of our hero and heroine, corpses begin to pile up all around them as one gang endeavors to rub out the other during a million-dollar smuggling operation. While it's quite possible to treat murder as a farcical situation-remember Arsenic and Old Lace?--the killings in this film are sometimes too graphic to induce laughter (there's nothing terribly mirth-provoking about gang flunkey Hans Conried lying dead in a bathtub with a bullet hole between his eyes). Another detriment is the casting of Granger and Winters, both of whom are woefully unsuited to their roles. In fact, such veteran villains as Lon Chaney Jr., Sheldon Leonard, Francis L. Sullivan and Elisha Cook Jr. come off funnier than the stars! The film's best sequence occurs during the closing cast credits, so try to stick around after the "THE END" title. Behave Yourself was the first coproduction between Wald-Krasna Productions and RKO Radio. ~ Hal Erickson, All Movie Guide

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Starring:
Farley GrangerShelley Winters, (more)
1950  
 
Nobody sits on the fence so far as The Big Hangover is concerned. Leonard Maltin considers it "predictable, as well as silly and boring," while the late William K. Everson regarded it as one of Hollywood's best and most underappreciated screwball comedies. Examine the premise and judge for yourself: Van Johnson plays David Maldon, an attorney with an acute allergy to liquor. It seems that, during the war, Maldon was nearly drowned in an overstocked wine cellar; ever since that time, he can't even smell booze without becoming inebriated. The young, rich, and pretty Mary Belney (Elizabeth Taylor) does her best to save Maldon from embarrassment whenever he comes into proximity with alcohol. Typical of many postwar comedies, Norman Krasna's screenplay has a sturdy inner lining of social consciousness: Maldon must choose between becoming a partner in a high-profile firm or devoting his time to fighting for the civil rights of minorities. In addition to his scripting chores, Krasna also produced and directed The Big Hangover. ~ Hal Erickson, All Movie Guide

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Starring:
Van JohnsonElizabeth Taylor, (more)
1949  
 
John Lawrence (Ronald Reagan) is a returning GI. Mary McKinley (Patricia Neal in her film debut) is the girl he left behind. But their reunion will have to wait: John has returned with cockney war bride Lilly Herbish (Virginia Field) in tow. It seems that John married Lilly as a favor to get her into the U.S., intending to divorce her so that she can wed her true love, John's old pal Fred Taylor (Jack Carson). Alas, Taylor has gotten married himself in the interim--and now John is stuck with Lillie. Somewhat cleaned up from Norman Krasna stage original, John Loves Mary is otherwise faithful to its source, right down to the all-smiles curtain call at the end. ~ Hal Erickson, All Movie Guide

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Starring:
Ronald ReaganJack Carson, (more)
1947  
 
Adapted from the popular stage play of the same name, Dear Ruth features Mona Freeman as teenaged Miriam Watkins, who can't keep her nose out of other people's affairs. Fired up by patriotism, Miriam inaugurates a warm pen-pal relationship with an overseas air force officer (William Holden), hinting at a future marriage. When the airman arrives in town, he insists upon seeing Miriam's older sister Ruth (Joan Caulfield). It seems that Miriam, in an effort to appear older, signed her letters with her sister's name, and even enclosed her sister's picture. Ruth, however, is engaged to her nerdish employer (Billy DeWolfe), and it isn't hard to imagine the plot convolutions that ensue from this set-up. Dear Ruth was written by Norman Krasna, who based the Watkins household on the family of his old friend Groucho Marx (whose first wife's name was Ruth). ~ Hal Erickson, All Movie Guide

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Starring:
Joan CaulfieldWilliam Holden, (more)
1944  
 
Bride by Mistake is a remake of the 1934 Miriam Hopkins vehicle The Richest Girl in the World, with a wartime angle providing topicality. Tired of being romanced by fortune hunters and being rejected by poor-but-proud suitors, fabulously wealthy Norah (Laraine Day) decides to pose as her own secretary Sylvia (Marsha Hunt), and vice versa. The plot thickens when Norah falls in love with convalescing fighter pilot Tony (Alan Marshall)-while he in turn falls for the very married Sylvia. All sorts of manic complications ensue, with Sylvia's hapless husband (Allyn Joslin) the "odd man out". RKO Radio revived Richest Girl in the World for a third time in 1954 as the Jane Russell musical The French Line. ~ Hal Erickson, All Movie Guide

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Starring:
Alan MarshalLaraine Day, (more)
1944  
 
The popular screen team of Claudette Colbert and Fred MacMurray stars in this wartime farce. MacMurray is an army pilot who develops engine trouble during a vital mission. Thinking he's about to die, MacMurray radios back his undying affection for his dog "Piggy." But the radio reception is fuzzy, and it is assumed that he has said "Peggy"--which happens to be the character name of Colbert, who intercepts the message. MacMurray survives the plane crash, whereupon he is whisked back home into the arms of Peggy, which is not to the liking of Peggy's gormless fiance (Gil Lamb). Practically Yours was guaranteed to make money, which it did. Its humor not meant to survive the ages, which it hasn't. ~ Hal Erickson, All Movie Guide

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Starring:
Claudette ColbertFred MacMurray, (more)
1943  
 
A princess finds love with a regular American Joe in this patriotic romantic comedy. A European diplomat (Charles Coburn) is named an ambassador to the U.S., and when he relocates to Washington D.C., he's accompanied by his niece, Princess Maria (Olivia de Havilland). Maria's uncle hopes that she'll meet an eligible American bachelor during her visit, since potential husbands are in short supply at home. Maria tires of her uncle's attempts at matchmaking, and when he suggests that she take a side trip to San Francisco, she leaps at the chance. However, Maria has a fear of flying, and when she's given tranquilizers to settle her nerves, she passes out in mid-flight. Maria is down for the count when bad weather forces the flight to return to Washington, and pilot Eddie O'Rourke (Robert Cummings) volunteers to put her up for the night. When Maria comes to, she's struck by Eddie's decency and charm, and it's love at first sight for them. However, Maria's uncle was hoping for someone higher up the social ladder than a pilot, and the lovebirds have an uphill battle getting him to consent to their wedding. No one seems sure if it's actually President Franklin D. Roosevelt appearing in the film's final scenes or just an impersonator, but apparently FDR's dog Fala did actually play himself. ~ Mark Deming, All Movie Guide

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Starring:
Olivia de HavillandRobert Cummings, (more)
1941  
 
The Devil and Miss Jones is a social comedy with left-wing undertones. John P. Merrick (Charles Coburn), the world's richest man, gets word that someone is trying to unionize a department store that he owns. To thwart this blatant act of democracy, Merrick changes his name and takes a menial job at the store, the better to catch the union activists without detection. Once he himself is subjected to the humiliating treatment afforded his employees, Merrick starts to wise up -- and soften up. As things develop, it is Merrick himself who spearheads the union movement after discovering how duplicitous his hand-picked executives can be. The film also introduces Jean Arthur and Robert Cummings as fellow employees who fall in love before fadeout time. Keeping with the film's insistence upon equal treatment for everyone, Merrick himself is permitted a romance in the person of Elizabeth Ellis (Spring Byington). The Devil and Miss Jones was written by Norman Krasna and directed by Sam Wood. ~ Hal Erickson, All Movie Guide

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Starring:
Jean ArthurCharles Coburn, (more)
1941  
 
Acclaimed French filmmaker Rene Clair made his American debut with this period comedy/drama. Claire Ledeux (Marlene Dietrich) leaves her native France and arrives in New Orleans, Louisiana in 1841, with one goal in mind: marrying a wealthy man. Posing as a pillar of society and a woman of means, Claire sets her sights on Charles Giraud (Roland Young), who is good looking and rich, but she soon discovers that ship captain Robert Latour (Bruce Cabot) is also vying for her hand. However, when Zoltov (Mischa Auer), who knew Claire from the old country, starts dropping heavy hints about her scandalous reputation in Europe, Claire tries to convince everyone that he's really talking about her cousin, even going so far as to disguise herself as the phantom cousin to add weight to her ruse. Three Stooges fans should keep an eye peeled for a brief appearance by Shemp Howard, who plays a waiter; Andy Devine, Franklin Pangborn, and Clarence Muse also appear in the supporting cast. ~ Mark Deming, All Movie Guide

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Starring:
Marlene DietrichBruce Cabot, (more)
1941  
 
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In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, All Movie Guide

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Starring:
Carole LombardRobert Montgomery, (more)
1941  
 
A man trying to make his dying father happy makes his love life very complicated indeed in this musical comedy starring Deanna Durbin. Jonathan Reynolds Jr. (Robert Cummings) is the playboy son of multi-millionaire business magnate Jonathan Reynolds, Sr. (Charles Laughton). Junior has told his father that he's finally met the woman he's going to marry while on a recent trip to Mexico, and Father, who has been given a very short time to live by his doctors, wants to meet her right away. However, the woman in question is not available, so Junior persuades Anne Terry (Durbin), a hat-check girl and aspiring singer, to pose as his fiancée for the sake of his father's peace of mind. Father takes quite a liking to Anne, which is fine and good until he defies all the expectations of his doctors and makes a complete recovery. Now Father is spending a great deal of time with the woman he thinks is going to be his future daughter-in-law, and Junior isn't sure how to tell him that Anne isn't really the woman he wants to marry. As usual, Durbin sings several songs, including "Clavelitos" by Valverde and "Going Home," adapted from Symphony for the New World by Dvorak. ~ Mark Deming, All Movie Guide

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Starring:
Deanna DurbinCharles Laughton, (more)
1940  
 
In It's a Date, the teenage diva Deanna Durbin is cast as Pamela Drake, the daughter of celebrated stage actress Georgia Drake (Kay Francis). Hoping to find success as an actress herself, Pamela energetically lobbies for the role of the maid in an upcoming play based on the life of St. Bernadette -- a role that has already been given to Georgia. When those conducting the auditions hear Pamela's singing, however, they quickly change their mind and offer the part to her. The rivalry between Pamela and Georgia intensifies when both fall in love with handsome middle-ager John Arlen (Walter Pidgeon). Innumerable complications follow, leading to a happy ending for both mother and daughter, though not quite the ending that either one had in mind. Deanna Durbin's musical repertoire this time out includes "Musetta's Street Song" from La Bohème, "Loch Lomond," "Love Is All," and a curious climactic rendition of "Ave Maria." It's a Date was remade in 1950 as Nancy Goes to Rio, with Jane Powell and Ann Sothern. ~ Hal Erickson, All Movie Guide

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Starring:
Deanna DurbinKay Francis, (more)

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