Gary B. Kibbe Movies

John Carpenter directed this horror-western, adapted from the novel Vampire$ by John Steakley, illuminating the pivotal figure of fearless vampire killer Jack Crow (James Woods), who lost his parents to the creatures. In a remote New Mexico location, Crow and his team, protected with chain-mail fang shields on their throats, blast away at a vampire nest, haul them out with the Jeep's winch, and then celebrate by pulling on other wenches at the Sun God Motel. Their revels are soon brought to an end by king vampire Valek (Thomas Ian Griffith), who became invulnerable after a bungled "inverse exorcism" during the 14th Century. Amid the motel mayhem, Jack escapes, along with his buddy Montoya (Daniel Baldwin) and hooker Katrina (Sheryl Lee). Since Katrina was already bitten by Valek, they use her as a decoy to locate Valek. Cardinal Alba (Maximilian Schell) sends padre Guiteau (Tim Guinee) to join Crow, who is unaware that Montoya has been bitten by Katrina. The hunt begins. Director Carpenter composed the film's music. ~ Bhob Stewart, All Movie Guide

Mel Brooks does it again with this send-up of vampire films. That Leslie Nielson plays the great blood-sucking count gives viewers a good idea as to what they are in for. This Dracula takes himself very seriously despite the fact that he's a bit of a klutz with a tendency to slip in the bat guano that adorns his castle floor. Staying very close to Bram Stoker's original story, Brooks also pays sly homage to other major vampire film classics, including Nosferatu. Though silly but subtle gags abound in this outing, Brooks has taken great care to recreate the late 19th-century atmosphere in rich detail and harkens back to Hammer horror movies popular during the '50s and '60s. ~ Sandra Brennan, All Movie Guide

Hired to help locate a missing author, an insurance investigator discovers to his terror that the nightmarish events depicted in the writer's best-selling horror novels are coming true. Wishing to be both a horror film and a parody of the genre, John Carpenter's In the Mouth of Madness combines supernatural thrills with winking references. For instance, the vanished author, Sutter Cane (Jürgen Prochnow), is modeled on writers like Stephen King and Howard Phillips Lovecraft, from his great popularity to his obsession with small-town New England. Indeed, it is to one such hamlet that investigator John Trent (Sam Neill) and Cane's female editor (Julie Carmen) travel, discovering a town filled with terrifying scenes right out of Cane's books, from random axe murders to far worse. Have Cane's fans gone psychotic and begun imitating his writings, or are Cane's stories of an otherworldly evil invading the earth actually true? In the Mouth of Madness's mix of self-referential satire and real frights anticipates the later Scream (1996). ~ Judd Blaise, All Movie Guide

Horror virtuoso John Carpenter hosts this goofy horror anthology, originally produced for Showtime as a gory stepchild of HBO's Tales from the Crypt series. Playing an emaciated, eye-rolling "coroner," John introduces the audience to a triptych of creepy vignettes in the EC horror-comics mode while paddling about in the guts of assorted cadavers and cracking jokes more gag-inducing than anything oozing on the slab. Two of the stories are directed by Carpenter himself: "The Gas Station" is a retread (pun intended) of Halloween-style scare tactics as a pretty gas-station attendant watches various oddballs pass by her window after hearing that an escaped killer is on the loose; "Hair" is a morbid, hilarious look at man's obsession with his own virility in which Stacy Keach turns to a bizarre hair-growth clinic (run by David Warner & Debbie Harry) which promises instant results, but at a horrific price. The third segment, directed by Tobe Hooper, involves a baseball player (Mark Hamill) who receives an eye transplant after a car accident and soon begins having optical flashbacks revealing (you guessed it) the identity and tendencies of the eye's former owner -- a serial killer. The second segment is by far the most entertaining, featuring a wonderfully neurotic performance by Keach, but the first and last chapters are too derivative to offer much for the discriminating horror buff, although the same fans will enjoy several cute cameos from other genre directors, including Wes Craven, Sam Raimi and Roger Corman. ~ Cavett Binion, All Movie Guide

This made-for-TV western stars Rick Schroder as a hotheaded cowboy who guns down the man responsible for the death of his parents. On the run from his victim's powerful father, Schroder is sheltered by old codger Wilford Brimley. Brimley seems to be operating out of friendship, but his reason for keeping Schroder alive is deliberately obscured until close to the end. Blood River was written by John Carpenter, a name usually associated with science fiction and horror. Though set in the Wild West, the film was lensed in Alberta and British Columbia. ~ Hal Erickson, All Movie Guide

Proving that you can never guess what you'll find when you clean out the basement, a man of the cloth discovers that ultimate evil has made a hiding place in his cellar in this tale of terror. Father Loomis (Donald Pleasance) is a priest who discovers a strange object in a church basement -- a canister filled with a swirling and volatile green substance. With the help of Professor Birack (Victor Wong), Loomis discovers the startling truth about his find -- it seems that Satan, who is actually an alien life form, had a son, and the essence of the devil's spawn is trapped inside the canister. The evil spirit has been guarded by a group calling themselves "The Brotherhood of Sleep," but the spirit has the ability to free itself whenever it decides the time is right...and it seems that time is just around the corner. Prince of Darkness was directed by horror master John Carpenter; he also wrote the screenplay under the pseudonym Martin Quatermass. ~ Mark Deming, All Movie Guide