Patsy Kensit Movies

Written by George Eliot (of Silas Marner fame), the 1859 novel Adam Bede trenchantly addresses the issues of ingrained social prejudices. Played in this British TV adaptation by Iain Glen, the titular Adam Bede is a humble carpenter, enamored of the beautiful but shallow Hetty Sorel (Patsy Kensit). Surrendering to the "political correctness" of her times, Hetty spurns Adam in favor of a wealthy marriage to a nobleman, Lord Arthur (James Wilby). Though he is deeply hurt by this, Adam never relinquishes his love for Hetty and spends the balance of the story trying to win her back in his own single-minded, diligent fashion. Counterbalancing the romantic melodrama is the calm, good-hearted presence of Adam's erstwhile sweetheart, Dinah Morris (Susannah Harker), perhaps the only character in the novel without an agenda. Adapted for television by Maggie Wadey, Adam Bede made its BBC debut in 1991, then aired as part of the PBS anthology Masterpiece Theatre on March 1, 1992. ~ Hal Erickson, Rovi

Brevity may be the soul of wit, but that doesn't make the 79-minute Blame It on the Bellboy any funnier. Orton (Dudley Moore) is an ambitious real estate agent. Horton (Richard Griffiths) is a middle-aged married man looking for extracurricular activity via a dating service. And Lawton (Bryan Brown) is a professional hit man. Orton, Horton and Lawton all check into adjoining rooms at a posh Venetian hotel. Bellboy Bronson Pinchot, whose grasp of the English language is virtually nonexistent, delivers the wrong messages to the three men. That's why Orton is trying to sell a valuable piece of property to a roomful of mafiosi, Horton is "paired up" with an unwitting female real estate broker, and Lawton is preparing to rub out a hapless dating-service subscriber......Written by director Mark Herman, this old-style doorslamming farce might have passed muster as a dinner-theater attraction, but on film it comes across as strained and tiresome. ~ Hal Erickson, Rovi

Patsy Kensit stars in Don Boyd's distaff version of Alfie, with Kensit playing 21-year-old Katie, an attractive and self-absorbed Londoner who has just reached this milestone of an age and is trying to make some sense out of it. Until now, Katie has enjoyed life and all its pleasures without thinking too much about it. But, as she speaks to the camera, she reflects upon the men in her life and wonders if she has made all the right romantic decisions. There is Bobby (Rufus Sewell), her charming Scottish boyfriend, who has a propensity for slipping off to the bathroom for a heroin fix. And then there is Jack (Patrick Ryecart), another lover, whose sad-eyed demeanor belies his lack of sexual excitement. So what should Katie do about her beaux, particularly when she is preparing to move to New York? ~ Paul Brenner, Rovi

Director Bernard Rose and screenwriter David Yallop were inspired by the real-life Hulten/Jones murder case of 1944, famously known as The Cleft Chin Murder Case, after a London cabbie was found murdered. It was a sensation in England, where American soldier Karl Hulten and British showgirl Elizabeth Maud Jones became household names -- even beating out news of the war. In the film, Karl Hulten (Kiefer Sutherland), is an American GI who is stalking the black market of London after stealing an army truck and going AWOL. There he meets up with Betty Jones (Emily Lloyd), a stripper with a deluded fantasy world view formed by watching a steady stream of Hollywood film noir and gangster pictures. Seeing Karl, who claims he is Chicago Joe doing advance work in London for encroaching Chicago gangsters, Betty takes the opportunity to set her fantasies to life as she connives Karl into a crime spree of petty crimes. With luck on their side, the spree keeps escalating, until Betty urges Karl to commit the ultimate crime -- murder. ~ Paul Brenner, Rovi

This thriller stars Jurgen Prochnow as an alcoholic sailor who agrees to deliver two young English women to the Caribbean. ~ Jason Ankeny, Rovi

Lethal Weapon 2 re-teams Mel Gibson and Danny Glover as, respectively, "loose cannon" L.A. detective Martin Riggs and his partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what's going on thanks to characterless character witness Joe Pesci, he can't touch the villain because of "diplomatic immunity." After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Director Richard Donner, Gibson, Glover, and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4. ~ Hal Erickson, Rovi

The rise of teen culture in 1950s Britain provides the backdrop for Julien Temple's unconventional rock musical Absolute Beginners. The film centers on Colin, an 18-year-old with a talent for photography and a fondness for the neon nightlife of British jazz clubs. He also is in love with Crepe Suzette, an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer. Depressed and aimless, Colin turns for help to a flashy ad executive (David Bowie) who promises to make him a star photographer. The former lovers take parallel paths to success, capitalizing on the youth mania gripping the nation. The film's nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era's social tension, particularly a disturbing rise in racism. Despite these serious undertones, however, the film tells its story with a colorful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter. Critical reception was mixed, with some hailing the film's spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent. The film also drew lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself. ~ Judd Blaise, Rovi

This version of the classic tale of estranged twin brothers, one good and one evil, whose lives and swords cross as adults, was made for British television. ~ Sandra Brennan, Rovi

In this WWII romance, Harrison Ford (face-to-face with superstardom from his involvement in Star Wars) is cast as David Halloran, an American bomber pilot stationed in London. During an air raid, Halloran meets and falls in love with beautiful Briton Margaret Sellinger (Lesley-Anne Down). Naturally, Margaret is married, and just as naturally David hopes that this won't make too much difference in their relationship. But this is not to be: Halloran is assigned behind enemy lines on a dangerous assignment, and his partner in this endeavor is Margaret's husband, Paul (Christopher Plummer). ~ Hal Erickson, Rovi

Alfie is an incorrigible womanizer who uses his trucking job as a way to commute from tryst to tryst as he makes his way across the women of the nation. Then he meets Townsend, a magazine editor. They have a lot in common; that is, she's as callous and fond of one-night stands as he is. An unlikely relationship builds between the two. But can they stick together? And what other dangers are waiting in the shadows? This sequel to the 1966 hit Alfie is also known as Oh Alfie on video. ~ Rovi

From its opening multi-language titles (that sure looks like Swedish) to the closing arrest of the entire Dark Ages cast by modern-day bobbies, Monty Python and the Holy Grail helped to define "irreverence" and became an instant cult classic. This time the Pythonites savage the legend of King Arthur, juxtaposing some excellently selected exterior locations with an unending stream of anachronistic one-liners, non sequiturs, and slapstick set pieces. The Knights of the Round Table set off in search of the Holy Grail on foot, as their lackeys make clippety-clop sounds with coconut shells. A plague-ridden community, ringing with the cry of "bring out your dead," offers its hale and hearty citizens to the body piles. A wedding of convenience is attacked by Arthur's minions while the pasty-faced groom continually attempts to burst into song. The good guys are nearly thwarted by the dreaded, tree-shaped "Knights Who Say Ni!" A feisty enemy warrior, bloodily shorn of his arms and legs in the thick of battle, threatens to bite off his opponent's kneecap. A French military officer shouts such taunts as "I fart in your general direction" and "I wave my private parts at your aunties." Rabbits are a particular obsession of the writers this time around, ranging from the huge Trojan Rabbit to the "killer bunny" that decapitates one of the knights. Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin collaborated on the script and assumed most of the onscreen roles, while Gilliam and Jones served as co-directors. ~ Hal Erickson, Rovi