Ken Kelsch Movies

A woman who achieves stardom against all odds uses her celebrity to make a difference in the land she left behind in this drama based on a true story. Waris Dirie (Liya Kebede) was born in Somalia, where she was one of a dozen children raised by a family of travelers. Waris grew up poor, and at the age of five, like many girls in East Africa, she was the victim of genital mutilation, a practice performed by Muslims in the belief it will insure that the girls will remain "true virgins." At 13, Waris' family sold her to an elderly man, but rather than live under his tyranny, she ran away and eventually settled in London. After a series of odd jobs, Waris was attending school and working at a hamburger stand in her spare time when she was spotted by Terry Donaldson (Timothy Spall), a professional photographer. Terry was convinced that Waris had the looks and poise to be a model, and with the help of Lucinda (Juliet Stevenson), an agent, Waris begins making a name for herself in fashion modeling. But as she becomes an international success in the glamorous world of high fashion, Waris can't escape the cruel irony that while she's known for her sex appeal, the mutilation from her youth prevents her from fully enjoying lovemaking, and she uses her rising fame to speak out against the barbaric practice still forced upon many young girls in the Third World. Desert Flower was an official selection at the 2009 Venice International Film Festival, where it was screened as part of the "Venice Days" program. ~ Mark Deming, Rovi

Two decades after Angela Baker's bloody murder spree at Camp Arawak, Camp Manabe begins to experience a rash of killings that leads one of the owners to recall the gruesome horrors of the past. It's summer at Camp Manabe, and that means that the counselors are doing as little as possible to keep track of their young charges while the kids gleefully torment one another at every possible turn. But while self-serving camp owner Frank (Vincent Pastore) and junior partner Ronnie (Paul DeAngelo) strive to maintain some semblance of control over their campground, things suddenly take a terrifying turn for the worse when the mutilated corpses of young campers and counselors begin turning up all over the grounds. Reflecting on the murders that plagued Camp Arawak when he was an employee there two decades ago, paranoid Ronnie begins compiling an ever-growing list of suspects. Could a member of the staff be responsible for such atrocities, or could former Camp Arawak employee Ricky (Jonathan Tiersten) - who curiously still works nearby - be to blame for the latest round of summertime slaughter? Sure the kids at Camp Manabe have always maintained a reputation for being cruel, but does that really mean that they're capable of murder? Original Sleepaway Camp writer/director Robert Hiltzik reunites with that film's star Felissa Rose for this belated sequel featuring all of the trash-talking thrills and creative kills that has made the long-running series a hit with horror fans everywhere. ~ Jason Buchanan, Rovi

A suburban mom bestowed with the gift of second sight works as a part-time consultant to the district attorney's office in this series starring Emmy Award-winning actress Patricia Arquette and inspired by the true-life story of research medium Allison DuBois. Allison (Arquette) can speak with the dead, and frequently sees the future in her dreams. She is an invaluable tool in solving the crimes that perplex her boss, D.A. Devalos (Miguel Sandoval), as her powers help the authorities to capture criminals who might have otherwise gotten away with their gruesome crimes. When Allison is not helping to solve crimes alongside Detective Lee Scanlon (David Cubitt), she spends the majority of her time with her husband, Joe (Jake Weber), and three daughters, Ariel (Sofia Vassilieva), Bridgette (Maria Lark), and Marie (Madison Carabello). ~ Jason Buchanan, Rovi

A reclusive Vietnam veteran finds his quiet life thrown into chaos upon receiving an unexpected visitor in this tale of friendship and healing starring Danny Glover, Linda Hamilton, and Ron Perlman. Though 35 years have passed since Jake (Glover) returned to American soil after fighting in the Vietnam war, the horrors of the battlefield still linger vividly in his mind. Instead of returning to the hustle and bustle of the city, Jake has chosen to seek solitude in the serene forests of the Pacific Northwest -- cutting all ties to modern society save for the occasional trip into town for supplies. When a terminally ill army buddy appears on Jake's doorstep pleading with his old friend to take care of his young daughter, the gruff veteran reluctantly accepts. As the bond between Jake and his new charge strengthens, the seeds of their growing friendship sets into motion a healing process that will reach beyond Jake to affect an entire community of forgotten war veterans. ~ Jason Buchanan, Rovi

Cult favorite Abel Ferrara directed and co-wrote this story set in New York City in 1993, before Mayor Rudy Giuliani's much-publicized crusade against street crime put a dent in semi-public drug dealing in the city. It's a few days before Christmas, and a Latin American couple living on the city's Upper East Side (Lillo Brancato Jr. and Drea de Matteo) are watching their daughter (Lisa Valens) perform in her school's holiday pageant. Afterward, the couple drop the child off with a babysitter and set out to run some errands. They have two items on their agenda: get their daughter the doll she's been asking for (a nearly impossible task, since the toy has become the must-have item of the season), then head to their work space uptown, where they prepare and package heroin for street distribution. While the wife has her qualms about the ethics of drug dealing, both she and her husband know there's plenty of money to be made in heroin -- more than most Hispanic immigrants could make working legitimate jobs in New York -- and the business has been highly lucrative for them. The couple discovers one of their lower-level dealers may be talking to the police, but they soon have a bigger problem to deal with when the husband is lured to the Bronx by a fence who can get him the toy he's been looking for. The husband finds he's been lured into a trap, and a kidnapper (Ice-T) gives the wife less than a half hour to collect and pay a huge ransom, or her husband will be killed. As in Ferrara's Bad Lieutenant, the audience never learns the names of most of the major characters in 'R Xmas; also like Bad Lieutenant (as well as King of New York and The New Rose Hotel), Ferrara invited pioneering gangster rapper Schooly-D to contribute to the film's score. ~ Mark Deming, Rovi

Abel Ferrara directed this erotic thriller adapted by Ferrara and Christ Zois from a short story by science fiction author William Gibson (in his Burning Chrome collection). Global corporations rule the world, and corporate raider Fox (Christopher Walken) and his deputy X (Willem Dafoe) could pocket $100 million if they can get top scientist Hiroshi (Yoshitaka Amano) to defect from one corporation to another. Fox offers singer Sandii (Asia Argento) $1 million to seduce Hiroshi away from his wife, family, and employer. An affair develops between Sandii and X, while she studies facts about Hiroshi's life. She departs on her assignment, but betrayals ensue, with Fox and X soon becoming targets themselves. With opening credits in three languages (English, German, Japanese), the soundtrack features the score-composition debut of hip-hopper Schoolly D, music which plays over a blank screen at the wrap-up (since the film has no closing credits). This Gibson short story was a property once in development by director Kathryn Bigelow. The title story of Gibson's Burning Chrome collection was planned as the second Heavy Metal movie, intended for live-action and scripted but never filmed. Shown in competition at the 1998 Venice Film Festival. ~ Bhob Stewart, Rovi

Actor Stanley Tucci made his directorial debut with a strong cast in this Depression Era farce focusing on two struggling two New York actors. In opening scenes, Maurice (Oliver Platt) and Arthur (Tucci) fabricate a fake fight at an outdoor cafe, do acting exercises, audition for a theater director (Woody Allen in an uncredited cameo), stage a pastry shop argument (to get food), and watch over-the-top, Barrymoresque actor Jeremy Burtom (Alfred Molina) on Broadway in Hamlet. Later, Burtom overhears himself insulted by a drunken Maurice and gives chase, forcing Arthur and Maurice to hide in a box. When they awaken, the box has been moved onto a luxury liner bound for France. To evade Burtom, they pose as stewards, meeting passengers and crew members: Staff director Meistrich (Campbell Scott) fancies head stewardess Lily (Lili Taylor), who goes for ship detective Marco (Matt McGrath). Others on board include Greek wrestling enthusiast Sparks (Billy Connelly); a former European queen (Isabella Rossellini); a suicidal lounge vocalist (Steve Buscemi); and a revolutionary (Tony Shalhoub) planning to bomb the liner. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Cult figure Abel Ferrara directed this typically edgy look at an actor whose abuse of alcohol and drugs takes an unexpected toll. Matty (Matthew Modine) is an actor whose career is on the fast track; however, he's not able to handle the pressures of life in Hollywood, so he heads to Miami to recharge his emotional batteries. Given Miami's night life, this might not have been the wisest choice he could have made, as he's soon sunk deep in a sea of drink and drugs. Matty asks his girlfriend Annie (Beatrice Dalle) to marry him, but she turns him down, as she's still bitter about having to have an abortion when he got her pregnant some time back. Matty, however, can barely remember this event. Matty's friend Mickey (Dennis Hopper), a night club owner and video artist, decides that Matty needs to get away from his problems, and they set out for a long night of heavy partying, during which Matty picks up a waitress, also named Annie (Sarah Lassez). Somewhere along the line, Matty drinks so much that he blacks out, and he awakes with no memory of the evening. 18 months later, Matty is clean and sober, living in New York with his new girlfriend Susan (Claudia Schiffer). He can't get Annie out of his mind, and he flies to Miami to visit her, hoping to close some old wounds. But Annie the waitress turns out to have some bad news for him when he arrives in Florida. The Blackout marked the acting debut of model Claudia Schiffer, and, as in several of Ferrara's previous films, seminal hardcore rapper Schooly D contributed several songs to the soundtrack. ~ Mark Deming, Rovi

Amy Pietz stars in this made-for-TV thriller as Carrie, a professional writer who volunteers her services at a crisis-hotline center dedicated to helping victims of domestic violence. Late one evening, Carrie receives an anguished phone call from an anonymous woman who threatens to kill her abusive ex-husband. As Carrie and the rest of the staff conduct a desperate search for the would-be murderer, they must also tackle the case of a teenager who'd been viciously beaten by her boyfriend after declining help from the center. Also known as A Call for Help, Every 9 Seconds was first telecast October 12, 1997 by NBC ~ Hal Erickson, Rovi

Grumpy, chain-smoking prosecuting attorney Ingrid Maynard (Stockard Channing) hasn't accepted a case since the accident that left her confined to a wheelchair. But when the husband of assistant DA Rachel Simone (Michelle Forbes) is killed in a robbery, Ingrid decides to return to the courtroom to take over the investigation and ultimate prosecution of the culprit. Forced to work together, the embittered Ingrid and the dispirited Rachel don't always see eye to eye, but this does not compromise the value of their work. However, a major "conflict of interest" crisis threatens to slow the wheels of justice to a grinding halt. Made for the NBC network by the same team responsible for the series Homicide and Prime Suspect, The Prosecutors originally aired on December 2, 1996. ~ Hal Erickson, Rovi

Based on a true story, this psychological study concerns Henry Lesser (Robert Sean Leonard), a prison guard who witnesses the brutal beating of an inmate, Carl Panzram (James Woods), who attempted to escape. Lesser tries to befriend the convict, whom he senses has an intelligence that has gone unrecognized by his jailers; he gives Panzram a notebook and pencils and encourages him to keep a journal. Panzram responds by writing the story of his life of crime -- a shocking litany of violence and brutality in which he takes credit for 21 murders, numerous armed robberies, several acts of arson, and over 1,000 homosexual rapes. Lesser has a difficult time reconciling the intelligent, articulate man he sees in his cell every day with the monster documented in his writings (though as far as anyone can tell, his claims are entirely accurate). Lesser believes that there's a humanity in Panzram that can be brought out, and that he can be redeemed and perhaps rehabilitated. Panzram, however, doesn't seem so convinced; his violent behavior continues behind bars, and attempts by opponents of the death penalty to prevent his execution only inspire his scorn -- as he sees it, society made him a killer, and it's society's responsibility to stop him once and for all. Killer: A Journal of Murder was the first directorial project for screenwriter Tim Metcalfe. ~ Mark Deming, Rovi