Billie Burke Movies
The daughter of a circus clown, American actress Billie Burke became a musical comedy star in the early 1900s under the aegis of two powerful Broadway producers: Charles K. Frohman and Florenz Ziegfeld. Burke's career soared after her marriage to Ziegfeld, which was both a blessing and a curse in that some newspaper critics, assuming she wouldn't have reached the heights without her husband's patronage, gave her some pretty rough reviews. Actually, she had a very pleasant singing voice and ingratiating personality, not to mention natural comic gift that transferred well to the screen for her film debut in Peggy (1915). She had no qualms about adjusting to characters roles upon reaching 40, but she was devoted to the stage and didn't intend to revive her film career - until the crippling debts left behind by Ziegfeld after his death in 1932 forced her to return full-time to Hollywood. At first concentrating on drama, Burke found that her true strength lay in comedy, particularly in portraying fey, birdbrained society ladies. She worked most often at MGM during the sound era, with rewarding side trips to Hal Roach studios, where she appeared as Mrs. Topper in the three Topper fantasy films, played Oliver Hardy's wife in Zenobia (1939) and earned an academy award nomination for her performance in Merrily We Live (1938). A tireless trouper, Burke appeared in virtually every sort of film, from rugged westerns like Sgt. Rutledge (1960) to a pair of surprisingly good two-reel comedies for Columbia Pictures in the late 1940s. If she had done nothing else worthwhile in her seven-decade career, Burke would forever be remembered for her lighthearted portrayal of Glinda the Good Witch in the matchless The Wizard of Oz (1939). In addition to her many film portrayals, Burke was herself portrayed in two filmed biographies of Flo Ziegfeld: Myrna Loy played her in The Great Ziegfeld (1936), while Samantha Eggar took the role in the TV-movie Ziegfeld: The Man and His Women (1978). ~ Hal Erickson, Rovi
The first big budget Western to feature a black hero, this military courtroom drama from director John Ford starred his long-time stock player Woody Strode. When a cavalry commander and his daughter are discovered murdered, racism amidst the 9th Cavalry immediately leads to suspicions that Sergeant Braxton Rutledge (Strode), a black man, is responsible for the crime. Arrested by Lieutenant Tom Cantrell (Jeffrey Hunter), Rutledge escapes from captivity during an Indian raid but voluntarily returns to warn his fellow cavalrymen that they are about to face an ambush by hostiles, saving the detachment from certain doom. At first among those who accept Rutledge's probable guilt, Cantrell and his love interest Mary Beecher (Constance Towers) become two of the accused man's scarce defenders as he is put on trial and faces testimony from prejudiced "witnesses." ~ Karl Williams, Rovi
- Starring:
- Jeffrey Hunter, Constance Towers, (more)
- 1959
Something of an urbanized, upscale version of Peyton Place, Vincent Sherman's
The Young Philadelphians is a glossy adaptation of Richard Powell's bestselling novel
The Philadelphians that revels in melodrama. The film opens strongly, with a lengthy 1924 prologue. Socialite Kate Lawrence (Diane Brewster) jilts impoverished lover Mike Flannagan (Brian Keith) in favor of wealthy William Lawrence (Adam West). On their wedding night, William drunkenly announces that he's impotent and commits suicide (this scene should fascinate Batman fans). Returning to Mike, Kate has a child by him, Tony. The boy grows up amid an atmosphere of dire poverty, which imparts him with a relentless drive for success. Flash forward to 1952: the out-of-wedlock kid, Tony, has grown up (now played by Paul Newman) and still doesn't know that he was an illegitimate child. Tony attends Princeton Law School, and falls in love with rich girl Joan Dickinson (Barbara Rush). Via the doings of Joan's father, wealthy Gilbert Dickinson (John Williams), Tony ends up taking a cushy job in a law office, at the expense of the relationship. The heartbroken Joan marries Carter Henley (Fred Eisley) on the rebound, who is conveniently killed in Korea. Tony then begins spending a prodigious amount of time with Carol Wharton (Alexis Smith), wife of attorney John Wharton (Otto Kruger), so that she will persuade John to find Tony a better job. Soon it's Tony's turn to fight in Korea; when he returns, the opportunity arises for Tony to redeem himself for his past misdeeds. Watch for Richard "Mel Cooley" Deacon in a bit as a hostile witness. ~ Hal Erickson, Rovi
The Young Philadelphians is a glossy adaptation of Richard Powell's bestselling novel
The Philadelphians that revels in melodrama. The film opens strongly, with a lengthy 1924 prologue. Socialite Kate Lawrence (Diane Brewster) jilts impoverished lover Mike Flannagan (Brian Keith) in favor of wealthy William Lawrence (Adam West). On their wedding night, William drunkenly announces that he's impotent and commits suicide (this scene should fascinate Batman fans). Returning to Mike, Kate has a child by him, Tony. The boy grows up amid an atmosphere of dire poverty, which imparts him with a relentless drive for success. Flash forward to 1952: the out-of-wedlock kid, Tony, has grown up (now played by Paul Newman) and still doesn't know that he was an illegitimate child. Tony attends Princeton Law School, and falls in love with rich girl Joan Dickinson (Barbara Rush). Via the doings of Joan's father, wealthy Gilbert Dickinson (John Williams), Tony ends up taking a cushy job in a law office, at the expense of the relationship. The heartbroken Joan marries Carter Henley (Fred Eisley) on the rebound, who is conveniently killed in Korea. Tony then begins spending a prodigious amount of time with Carol Wharton (Alexis Smith), wife of attorney John Wharton (Otto Kruger), so that she will persuade John to find Tony a better job. Soon it's Tony's turn to fight in Korea; when he returns, the opportunity arises for Tony to redeem himself for his past misdeeds. Watch for Richard "Mel Cooley" Deacon in a bit as a hostile witness. ~ Hal Erickson, Rovi
- Starring:
- Paul Newman, Barbara Rush, (more)
- 1953
A remake of the 1936 Janet Gaynor vehicle of the same name, Small Town Girl stars Jane Powell in the title role. Powell plays Cindy Kimball, daughter of village judge Gordon Kimball (Robert Keith). When wealthy playboy Rick Livingston (Farley Granger) is arrested for speeding, Judge Kimball sentences the arrogant young sprout to 30 days to teach him a lesson. Taking it upon herself to "reform" the prodigal Rick, Cindy tricks him into marriage, and then the fun begins. Ann Miller co-stars as a musical comedy star with whom Rick had planned to elope; her presence in the film is justified by several well-staged Busby Berkeley dance numbers. Also on hand as Jane Powell's hometown sweetheart is Bobby Van, who performs the film's best and most memorable musical setpiece, "Street Dance," in which Van hops around town like a human pogo stick. ~ Hal Erickson, Rovi
- Starring:
- Jane Powell, Farley Granger, (more)
- 1951
- NR
This sequel to the 1950 comedy hit Father of the Bride finds Spencer Tracy and Joan Bennett returning as Stanley and Ellie Banks, the parents of newlywed Kay Dunstan (Elizabeth Taylor). In the first film, Stanley Banks was forced to endure the chaotic events leading up to the wedding. This time, he must comes to grips with the prospect of becoming a grandfather. Once he's reconciled himself to this jolt of mortality, Stanley must contend with the little bundle of joy, who screams his head off every time Grandpa comes near him. Father's Little Dividend was remade in 1994 as Father of the Bride II, with Steve Martin assuming the Spencer Tracy role, and with the added complication of discovering that his own wife (Diane Keaton) is also pregnant. The copyright for Father's Little Dividend was not renewed in 1978; thus the film has lapsed into public domain. ~ Hal Erickson, Rovi
- Starring:
- Spencer Tracy, Joan Bennett, (more)
Spencer Tracy received an Oscar nomination for his performance in this classic comedy. Stanley T. Banks (Tracy) is a securely middle-class lawyer whose daughter Kay (Elizabeth Taylor) announces that she's going to marry her beau Buckley Dunstan (Don Taylor). From that point on, everything in Stanley's life is turned upside down. His wife Ellie (Joan Bennett) wants Kay to have the kind of formal wedding that she and Stanley never had, and between meeting his soon-to-be in-laws, the socially prominent Herbert and Doris Dunstan (Moroni Olsen and Billie Burke), his man-to-man talk with the groom, hosting the engagement party, financing the increasingly lavish wedding, and wondering if Kay and Buckley will resolve their differences before arriving at the altar, Stanley barely has time to deal with his own considerable anxieties about his advancing age and how his "little girl" became a grown woman. Director Vincente Minnelli reunited with the principal cast a year later for a sequel, Father's Little Dividend; and the movie was remade in 1991 with Steve Martin and Diane Keaton. ~ Mark Deming, Rovi
- Starring:
- Spencer Tracy, Elizabeth Taylor, (more)
- 1950
Lon McCallister is the Boy From Indiana in this pleasant horse-racing yarn. Lon Decker (McCallister) comes to the rescue of Texas Dandy, a champion quarter-mile racehorse who is being abused by his avaricious owner (George Cleveland). After various and sundry adventures--including a hair-raising episode with a wild bull--Decker rides Texas Dandy in a crucial, plot-solving Big Race. Lois Butler co-stars as the girl in Lon's life, while Billie Burke goes through her dithery repertoire as a high-society horse fancier. As can be expected, Boy From Indiana is at its best during the racetrack scenes. ~ Hal Erickson, Rovi
- Starring:
- Lon McCallister, Lois Butler, (more)
Inspired by the 1949 hit A Letter to Three Wives, this takes the other side of the coin with a deceased playboy leaving letters to the husbands accusing their wives of having had affairs with him. Although the 1949 hit was done as a dramatic treatise on the reactions of the wives to the revelations, this movie is played strictly for laughs as the husbands stumble all over themselves trying to dig out the truth behind the allegations. ~ Tana Hobart, Rovi
- Starring:
- Eve Arden, Ruth Warrick, (more)
The Barkleys of Broadway became Fred Astaire and Ginger Rogers' "reunion" picture purely by accident. Originally conceived as a follow-up to the successful Astaire-Judy Garland vehicle Easter Parade, Barkleys was to have starred Fred and Judy as a successful musical comedy team that breaks up when the female half decides to become a "serious" artist. Just before shooting started, Garland fell ill, Rogers replaced her, and the rest, as they say, is history. The script is as thin as a spider's web, a mere coat-rack upon which to hang several topnotch musical numbers. Fred and Ginger aren't quite as footloose and fancy-free as they were in their RKO heyday, but they still work together seamlessly. The film's highlights include "My One and Only Highland Fling," "You'd Be Hard to Replace," a reprise of "They Can't Take That Away From Me" (originally performed by Astaire and Rogers in Shall We Dance?), and Oscar Levant's keyboard rendition of "The Sabre Dance." The film's least memorable moment is the play-within-a-play wherein Rogers, cast as the young Sarah Bernhardt, passionately recites "The Marseillaise" as an audition piece! ~ Hal Erickson, Rovi
- Starring:
- Fred Astaire, Ginger Rogers, (more)
- 1949
Bride-to-be Barbara Hale collapses into a faint while taking the altar vows. Hale learns that she is pregnant by her former husband Robert Young, who steadfastly refuses to give her custody of the unborn child. As it turns out, she isn't pregnant at all, but her reunion with Young has convinced her that she's still in love with her first hubby. Robert Hutton is the prospective bridegroom left out in the cold--but he's a nasty sort, so good riddance. And Baby Makes Three was produced for Columbia by Humphrey Bogart's Santana company. ~ Hal Erickson, Rovi
- Starring:
- Robert Young, Barbara Hale, (more)
- 1946
Andrew Stone's The Bachelor's Daughters has much of the nonsensical breeziness of Stone's earlier screwball comedy Hi Diddle Diddle; the stylistic link between the two properties is emphasized by the presence in both films of stars Adolphe Menjou and Billie Burke. The title characters are four merrily mercenary salesgirls: Eileen (Gail Russell), Terry (Ann Dvorak), Marta (Jane Wyatt) and Cynthia (Claire Trevor). Persuading distinguished-looking floorwalker Mr. Moody (Menjou) and shop assistant Molly (Burke) to pose as their wealthy parents, the girls rent a lavish Long Island mansion and pretend to be heiresses, for the express purpose of landing rich husbands. Eileen catches millionaire Bruce Farrington (John Whitney), Terry goes after Broadway impresario Diane (Russell Hicks), and Marta ends up with Schuyler Johson (played by famed concert pianist Eugene List), son of the owner of the store where she works. Only Cynthia fails in her mission, but there's still hope for her yet at the finale. In the process of snaring their mates, the bachelor's daughters learn the hard way that (all together now) Money Isn't Everything, while middle-aged Moody and Molly find true love without a price tag attached. ~ Hal Erickson, Rovi
- Starring:
- Gail Russell, Claire Trevor, (more)
- 1946
Breakfast in Hollywood was loosely based on the ABC radio program of the same name. Tom Breneman, the series' host, appears as himself in a contrived story about a radio personality attempting to smooth the path of true love for heroine Dorothy (Bonita Granville) and hero Ken (Edward Ryan); he also helps the wife (Billie Burke) of a philanderer (Raymond Walburn) and assists a charity-minded matron (Beulah Bondi). The plot can be forgotten, and in fact is forgotten as a parade of guest stars-Andy Russell, The King Cole Trio, Spike Jones et. al.-do their specialties. Columnist Hedda Hopper also makes a brief appearance. After years in obscurity, Breakfast in Hollywood resurfaced in the mid-1970s when it was first offered on the 8-millimeter home movie market. In England, where the original radio series was unknown, the film was retitled The Mad Hatter (evidently a reference to Hedda Hopper's bizarre headgear!) ~ Hal Erickson, Rovi
- Starring:
- Tom Breneman, Bonita Granville, (more)
- 1945
Though on its last legs, Universal's "B"-musical unit continued grinding out tune-filled quickies like Swing Out, Sister well into 1946. Universal cowboy star Rod Cameron plays Geoffrey, conductor of a high-toned symphony orchestra. Secretly harboring the desire to become a swingin' jazz trumpeter, Geoffrey takes a job at a "hot" Broadway nightclub. Here he meets and falls in love with café songstress Donna (Frances Raeburn), who has led her family to believe that she's studying for a classical-music career. Meanwhile, a comedy-relief romance develops between Geoffrey's snooty valet Chumley (Arthur Treacher) and Donna's best pal Pat (Jacqueline De Wit). For those not interested in the plot (what there is of it), Swing Out, Sister includes specialty numbers by organist Selika Pettiford and the Lou Diamond Quintet. ~ Hal Erickson, Rovi
- Starring:
- Rod Cameron, Billie Burke, (more)
- 1945
A snooty blue-blooded English family learns a bitter lesson about the realities of lower class living in this British comedy. It all happens because the ditzy wife makes a terrible mistake with their money and loses a fortune. Her husband, a banker is at his wit's end as he scrambles about looking for much-needed cash. He tries his wife's wealthy, ailing uncle, but he has bequeathed his fortune to the actress he loved as a boy, (a woman he has never met). The aging star, who long ago disappeared from the screen, has no idea she is an heiress. Meanwhile, just before Christmas the daughter of the family brings home a boozy hambone of a fallen theater star who is short on cash. It is he who finds the missing actress and brings her into the house after convincing her that she and the family are related. Things go swimmingly and wealth is restored until the actor gets drunk and tells her the truth. ~ Sandra Brennan, Rovi
- Starring:
- Joseph Schildkraut, Billie Burke, (more)
- 1944
With his performance in the offbeat sagebrusher The Laramie Trail, Bob Livingston makes his final appearance in a Republic western. When first we meet Livingston, he appears to be an ingenuous dude, unwise to the harsh ways of the West. He proves to have more grit than expected when he rescues innocent cowboy John James from a murder rap. The film's overall brooding atmosphere seems more attuned to a Raymond Chandler detective story than a B western. Even Livingston's sidekick Smiley Burnette curbs his comic impulses. Laramie Trail was adapted from Jackson Gregory's story Mystery at Spanish Hacienda. ~ Hal Erickson, Rovi
- Starring:
- Linda Brent, Smiley Burnette, (more)
In the tradition of Hellzapoppin', Hi Diddle Diddle is an all-stops-out "screwball comedy" populated by certifiable zanies. Billie Burke plays Mrs. Prescott, the featherbrained mother of bride-to-be Janie Prescott (Martha Scott). When Mrs. P is swindled out of her life savings, Colonel Phyffe (Adolphe Menjou), the con-man father of Janie's fiancé Sonny (Dennis O'Keefe), vows to get her money back -- by any means possible. The plotline is merely an excuse for a series of wild nonsequitur visual and verbal gags, culminating in a cute reverse-cliché finale. Making her first Hollywood appearance in years, silent screen star Pola Negri is hilariously cast as Phyffe's opera-star wife Genya Smetana. Best bits: Mrs. Prescott revealing that a recurring female character is a "special friend of the director"; Leslie Quayle (June Havoc singing a duet with herself); and an outrageous scene in which the wallpaper comes to life during a eardrum-shattering family sing-along (the animation was provided by the Warner Bros. cartoon staff). ~ Hal Erickson, Rovi
- Starring:
- Dennis O'Keefe, Martha Scott, (more)
- 1943
In this tuneful comedy, a would-be actor and playwright is deeply in debt, and to keep away from his creditors, begins pretending to be his aged uncle. Unfortunately he ends up getting hit by a limousine. The rich woman inside takes the wounded "codger" home to her manhungry old aunt. The actor uses the old woman's desire to con her into financing his "nephew's" play. Things are going well until the actor's real uncle appears. Mayhem and a double wedding ensue. Songs include: "St. Louis Blues" (W.C. Handy, sung by the Delta Rhythm Boys), "Don't Get Around Much Anymore" (Duke Ellington, Bob Russell, sung by the Delta Rhythm Boys), "Liza" (George Gershwin, sung by the Tailor Maids), "That's the Way It Goes" (Milton Rosen, Everett Carter, sung by Mary O'Brien), "You're Driving Me Crazy" (sung by Jan Garber and his Orchestra), "Dark Eyes" (sung by Mary O'Brien, with Jack Teagarden and His Orchestra). Other songs were penned by Walter Donaldson and W.C. Handy. ~ Sandra Brennan, Rovi
- Starring:
- Billie Burke, Donald Woods, (more)
- 1943
Gildersleeve on Broadway was the third in a series of RKO B-pictures inspired by the radio sitcom The Great Gildersleeve. Harold Peary once more stars as Throckmorton P. Gildersleeve, water commissioner and resident blowhard of the town of Springfield. In this one, Gildy accompanies his pharamacist friend Peavey (Richard LeGrand) at a druggist's convention in New York. Here he becomes romantically involved with wealthy widow Mrs. Chandler (Billie Burke) and brassy gold-digger Francine Gray (Claire Carleton). He also spends his time dodging the arrows of a nut named Homer (Hobart Cavanaugh), who thinks he's cupid. Things get sillier and sillier before the film's slapstick setpiece, which finds Gildy teetering on the edge of a skyscraper. Midget actor Walter Tetley, who played Gildersleeve's nephew Leroy on radio, shows up in a bit role as a bellboy in Gildersleeve on Broadway. ~ Hal Erickson, Rovi
- Starring:
- Harold Peary, Billie Burke, (more)
- 1943
The title of this low-budget Universal musical was lifted from the Andrew Sisters' hit song, introduced in 1941's Buck Privates. Evelyn Ankers stars as Lynn, who in order to collect an inheritance must quickly wed dull old Harvey (David Bruce). En route to her marriage by train, Lynn is reluctantly paired up with Tony (Allan Jones) by Tony's precocious, matchmaking sister Peggy (Patsy O'Connor). Lynn's wedding plans are spoiled when she's tricked into a marriage with Tony, but all's right with the world by film's end. No fewer than ten songs are crammed into the film's 63 minutes, five of them performed by the King's Men Quartet. ~ Hal Erickson, Rovi
- Starring:
- Allan Jones, Evelyn Ankers, (more)
- 1942
Joan Crawford is the kissable bride of the title--but when the film opens, matrimony is the farthest thing from her mind. Crawford becomes a big-time executive upon inheriting her father's trucking business, which leaves her no time for such trivialities as romance. To enhance her business, Crawford arranges a marriage of convenience for her younger sister (Helen Parrish). At the wedding, Crawford meets reporter Melvyn Douglas, who is out to discredit Crawford....and you know what's coming next. They All Kissed the Bride was one of several 1942 productions originally slated for Carole Lombard, whose sudden death in a plane crash required all the major studios to reshuffle their production schedules to come up with last-minute Lombard replacements. ~ Hal Erickson, Rovi
- Starring:
- Joan Crawford, Melvyn Douglas, (more)
- 1942
In this comedy, set in WW II, a Venezuelan rubber planter's son must travel to New York to try and secure a loan for the expansion of the family business. There he encounters an impoverished American girl whose fortune lies frozen in England until the war ends. To make ends meet, she rents her apartment to the Venezuelan and becomes his personal maid. Mayhem ensues as the two get involved in merry mix-ups, fall in love, fall out of love, and fall in love again. Eventually, she helps him get the loan he needs. ~ Sandra Brennan, Rovi
- Starring:
- Don Ameche, Joan Bennett, (more)
- 1942
There's plenty cookin' in this brisk, breezy Andrews Sisters vehicle. The plot, such as it is, concerns the efforts by a group of entertainers to package a weekly musical radio show. Their biggest obstacle is a lack of sponsorship, but this is overcome when eccentric business executive J. P. Courtney (Charles Butterworth) agrees to pony up the necessary dough on behalf of his talented niece Sue (Gloria Jean). Within its tightly packed 69 minutes, What's Cookin' is able to accommodate a romantic subplot, comedy relief, and a plethora of musical numbers. The stellar (and quite topheavy) supporting cast includes Jane Frazee, Robert Paige, Billie Burke, Donald O'Connor, Franklin Pangborn, Grace McDonald, Leo Carrillo, the Jivin' Jacks and Jills, and even Woody Herman and His Thundering Herd. Imagine what a lineup like that would cost a radio sponsor today! ~ Hal Erickson, Rovi
- Starring:
- Jane Frazee, Robert Paige, (more)
- 1942
- NR
In This Our Life is not a "for the ages" classic of the Golden Age of Cinema, but as a highly effective and entertaining melodrama, it more than fits the bill. Howard Koch's screenplay is a trifle predictable, but it's well structured and provides the requisite juicy roles for its pair of female stars. It also provides a number of little surprises -- a sympathetic and (for the time) non-stereotypical portrayal of a black character and two characters living not only in sin but adulterously so -- that give it some distinction. The script's main drawback is its initial lack of focus; it doesn't seem to quite know exactly what its story is and where the real conflict will lie. Ultimately, this doesn't really matter, for John Huston knows where it's going, and he shepherds the story along very efficiently, throwing in a little social commentary here, heightening the atmosphere there, tossing in a hint of the unsavory elsewhere. Although he doesn't really know what to do with the male actors (save for Charles Coburn and Frank Craven, each of whom is just right in entirely different ways), he handles the women in exactly the right way, including Billie Burke as the coddling, neurotic mother. It's Bette Davis, of course, who gets the showiest role, and she sinks her teeth into it and plays it for all it's worth. It's a great Davis performance, but she's still outdone by Olivia de Havilland, whose quiet, understated work anchors the film and ultimately makes the greater impression. It's terribly fine film acting, and immensely satisfying. ~ Craig Butler, Rovi
- Starring:
- Bette Davis, Olivia de Havilland, (more)
- 1941
One Night in Lisbon is one of several pre-1942 films which used the screwball-comedy form to comment upon the raging war in Europe. While transporting American warplanes to the beleagured RAF, Texas flyboy Dwight Houston (Fred MacMurray) is caught in a London air raid. Scurrying to a shelter, Dwight meets icy, well-bred Briton Leonora Pettycote (Madeleine Carroll), with whom he falls in love--a feeling that is far from mutual at first. Eventually responding to Dwight's charms, Leonora agrees to join him for a night's revelries (as soon as the Nazi bombers head home, that is), but their budding relationship is complicated by the unexpected presence of Dwight's ex-wife Gerry Houston (Patricia Morrison and Leonora's erstwhile sweetheart, Cmdr. Peter Walmsley (John Loder). Escaping their respective suitors, Dwight and Leonara end up in neutral Lisbon, only to land in the middle of a Nazi spy ring. Although poor Leonora gets the worst of it at the hands of the villains, she is game enough to realize that she wants to spend the rest of her life with the footloose Dwight. The film is filled to overflowing with familiar character faces, including Britishers Edmund Gwenn and Dame May Whitty, French émigré Marcel Dalio and even perennial Laurel and Hardy foil James Finlayson. One Night in Lisbon was based on There's Always Juliet, a pre-WW2 play by John Van Druten. ~ Hal Erickson, Rovi
- Starring:
- Fred MacMurray, Madeleine Carroll, (more)
- 1941
In this comedy drama, a medicine show con-man pretends to be a wealthy man to impress his long-lost daughter who is slated to inherit a vast fortune. Unfortunately, she turns out to be someone else's daughter. Later he finds his own and discovers that she has less money than he does. They decide to continue the con together and head for New York. There, they stay in a boarding house for theatrical performers. When their ruse is discovered, mayhem ensues. Fortunately, by the end of the film, the two fakers encounter better luck. ~ Sandra Brennan, Rovi
- Starring:
- Frank Morgan, Mary Howard, (more)
The third of producer Hal Roach's Topper films, Topper Returns eschews the frothy "screwball" format of the first two in favor of an "old dark house" comedy-mystery. Roland Young returns as banker Cosmo Topper, who gallantly offers a lift to pretty hitchhikers Gail Richards (Joan Blondell) and Ann Carrington (Carole Landis). This results in a few baleful glances from Topper's wife, Clara (Billie Burke), but the worst is still to come. It seems that Gail and Ann are en route to a chilly old mansion, recently inherited by Ann and populated by all manner of sinister types, including old reliable menaces Dr. Jeris (George Zucco) and Lillian (Rafaela Ottiano). The only person whom the girls can trust -- or can they? -- is Ann' father (H.B. Warner). Unable to sleep in the creepy mansion, Gail suggests that she and Ann exchange bedrooms. This proves to be a major mistake when a mysterious, hooded assailant, intending to murder Ann, kills Gail instead. Seconds later, Gail's ghost arises from her body and heads to the nearby summer house where Mr. and Mrs. Topper are staying. Having had his fill of ghosts in the first two Topper films, Topper wants nothing to do with Gail's spirit, but she finally convinces him to help her identity her killer, and to rescue Ann from a similar fate. Some of the film's best moments belong to Eddie "Rochester" Anderson as Young's eternally frightened chauffeur (at one point, Anderson threatens to quit the Toppers and go back to Jack Benny)! More contrived and slapstick-oriented than the earlier Toppers, Topper Returns still works as a neat and entertaining comedy, even in its dreadful computer-colorized version. A decade later, Thorne Smith's "Topper" characters would be revived for a popular TV series, starring Leo G. Carroll, Anne Jeffreys, and Robert Sterling. ~ Hal Erickson, Rovi
- Starring:
- Joan Blondell, Roland Young, (more)
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