Nunnally Johnson Movies
Starting out as a reporter in his native Georgia, Nunnally Johnson worked his way up the journalistic ladder to the New York Herald Tribune. A prolific writer, Johnson contributed fiction to such periodicals as The New Yorker and The Saturday Evening Post; one of his Post stories was adapted for the screen as the 1927 Clara Bow vehicle Rough House Rosie. Unlike other Manhattan-based writers, Johnson was attracted to film work. When his proposal to write movie criticism for The New Yorker was turned down by editor Harold Ross in 1933, Johnson decided to move to Hollywood, where he immediately found work as a screenwriter. Well known for his laconic, biting wit, Johnson became a close friend of several other well-known Tinseltown quipsters, notably Groucho Marx. His movie career was briefly jeopardized in the late 1930s when, under a pseudonym, he wrote a less than flattering Saturday Evening Post profile of powerful gossip columnist Louella Parsons. The crisis passed, and Johnson remained incredibly busy, particularly at 20th Century-Fox, where from 1935 onward he toiled as both screenwriter and associate producer.Among the many films benefitting from Johnson's expertise was 1940's The Grapes of Wrath, which co-starred Dorris Bowden, a budding leading lady who gave up her career to become Johnson's wife. In partnership with onetime Fox executive William Goetz, Johnson formed International Pictures in 1943, turning out such projects as Woman in the Window (1944) and The Stranger (1946) until International merged with Universal in 1946. Johnson returned to Fox as a producer, handling many of the best early CinemaScope efforts, notably 1953's How to Marry a Millionaire. He turned to directing in 1954 with the literate murder mystery Black Widow; though not terribly proficient visually, he had a sharp ear for intelligent, scintillating dialogue, as proven by such films as The Man in the Grey Flannel Suit (1956). Johnson's best directorial efforts include the pioneering multiple-personality drama Three Faces of Eve (1957) and the sprightly all-star comedy Oh, Men, Oh Women (1957). While sweating through a difficult location shoot during the making of The Angel Wore Red (1960), Johnson suddenly decided he was too old and too wealthy to continue knocking himself out as a director, and he returned exclusively to screenwriting. Two years after his last film, The Dirty Dozen (1968), Johnson announced his formal retirement ("I simply put on my top hat and tails -- and retired"); a collection of his letters to and from famous friends was published posthumously in 1981. ~ Hal Erickson, All Movie Guide
- 1984
The original 1946 Dark Mirror starred Olivia de Havilland as twin sisters, one of whom has committed a murder. Since each twin can provide an alibi for the other, a rumpled detective (Thomas Mitchell) and a handsome shrink (Lew Ayres) are compelled to get to the truth through patience and not a little sneakiness. Dark Mirror was remade as a TV movie in 1984, this time with Jane Seymour in the "leads" and Vincent Gardenia as the detective. Seymour has a field day alternating between the good and bad twin; would that the audience was having as much fun. There really isn't any point to this dour remake, except perhaps to honor a contractual commitment to Jane Seymour, whose playing is so ripe that we secretly hope both twins will get the chair. ~ Hal Erickson, All Movie Guide
Director Robert Aldrich took what he considered a hopelessly old-fashioned script by Lukas Heller and Nunnally Johnson and fashioned The Dirty Dozen into one of MGM's biggest moneymakers of the 1960s--and the sixth highest-grossing film in the studio's history. Lee Marvin plays Major Reisman, assigned to coordinate a suicide mission on a French chateau held by top Nazi officers. Since no "normal" GI can be expected to volunteer for this mission, Reisman is compelled to draw his personnel from a group of military prisoners serving life sentences. This "dirty dozen" includes a sex pervert (Telly Savalas), a psycho (John Cassavetes), a retarded killer (Donald Sutherland), and the equally malevolent Charles Bronson, Trini Lopez, Jim Brown, and Clint Walker. On the dim promise of receiving pardons if they survive, the criminals undergo a brutal training program, then are marched behind enemy lines dressed as Nazi soldiers, the better to overtake the chateau and kill everyone in it--including the innocent wives and mistresses of the German officers. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee Marvin, Ernest Borgnine, (more)
Decked out with another of his American accents, Peter Sellers plays self-centered concert pianist Henry Orient. While Henry's active libido sends him off on pursuit of married woman Paula Prentiss, a pair of preteen boarding-school chums, played by Tippy Walker and Merrie Spaeth, worship Orient from afar. The girls' overworked imaginations, manifested in pursuing Orient about and recording their fantasies in their diaries, leads Walker's mom, Angela Lansbury, to conclude that Henry has "had his way" with her underaged daughter. The World of Henry Orient was later musicalized for Broadway as Henry, Sweet Henry. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Paula Prentiss, (more)
- 1963
In this generation gap movie of the early 1960s, Sandra Dee is Mollie Michaelson, a teenage rebel enamored with long-haired hippies and radical anti-nuclear political causes. Her involvement in such activities sends her ultra-conservative father Frank (James Stewart) into a tizzy. His reassuring wife is played by Audrey Meadows. Frank's furor deepens when Mollie is sent to Paris on an art scholarship. Back at home, Frank picks up a popular magazine and finds that his daughter has posed on the cover for a radical artist, Henri Bonnet (Philippe Forquet). He pursues her to save her from further degradation, but he ends up in a café in the wrong part of Paris just as it is raided by police. They arrest him on trumped-up and erroneous charges, and he struggles to prove that he's not guilty. This film was based on a play by Phoebe Ephron and Henry Ephron. ~ Michael Betzold, All Movie Guide
- Starring:
- James Stewart, Sandra Dee, (more)
Screenwriter Nunnally Johnson adapted the novel by author Edward Streeter, whose work was also the basis of Father of the Bride (1950), into this domestic comedy. James Stewart and Maureen O'Hara star as Roger and Peggy Hobbs, a St. Louis couple with a large brood who desire a seaside vacation. Renting a cottage by the ocean is just the first step in a summer fraught with disasters, including a couch potato son, a shy daughter with newly installed braces, a pair of grown daughters who have married badly, and a local yachtsman with eyes for Peggy. Not to mention the ramshackle state of the shoreline abode, Roger and Peggy's new grandparent status, and incidents involving a sexy neighbor, a sailboat regatta and bird watching. ~ Karl Williams, All Movie Guide
- Starring:
- James Stewart, Maureen O'Hara, (more)
Tensely directed by Don Siegel, Flaming Star is the grittiest of Elvis Presley's post-Army films. Elvis plays Pacer Burton, a half-breed youth in the old West, torn between loyalty to the whites, as represented by his father (John McIntyre), and the Indians, represented by his mother (Dolores Del Rio). A series of brutal Kiowa raids, and the subsequent reprisals by the white settlers, sorely test Pacer's fortitude. Though offered moral support from his loved ones, Pacer is forced to work things out himself. The film was based on a novel by Clair Huffaker. ~ Hal Erickson, All Movie Guide
- Starring:
- Elvis Presley, Steve Forrest, (more)
- 1960
This is an indecisive, ultimately unconvincing wartime drama set in the 1930s when Spain was caught in a bloody civil war, a situation that is never clearly delineated in that the story supports the fascists without specifically saying so. The hero is a voluntarily defrocked priest, Arturo Carrera (Dirk Bogarde) who is being hunted by the leftist, anti-clerical, and anti-fascist forces. While on the run himself, he encounters a beautiful prostitute, Soledad (Ava Gardner) and as sure as the sun rises, the two fall in love and stay together. Eventually, they are both caught by the anti-Franco fighters who are trying to get their hands on a precious holy relic. The ex-priest is trapped into making a no-win decision between his love for Soledad and his love for the church while she has a similar but more tragic decision to make on her own. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ava Gardner, Dirk Bogarde, (more)
- 1959
After making Man Who Understood Women and seeing that the result was an ill-realized, uneven combination of Hollywood satire and tear-jerking melodrama, star Henry Fonda did not make another film until almost three years later. The story centers on a Hollywood producer who becomes so obsessed with turning his wife Leslie Caron into the sexiest star in Hollywood that he neglects her real needs. Feeling lonely and tired of Tinseltown, Caron returns to her native France and finds herself attracted to the handsome and very attentive pilot Cesare Danova. When Fonda hears about the budding affair, he flies into a rage and hires assassins to kill his rival. Unfortunately for him, the killers are romantics and decide that Caron and Danova are so in love that both must die so they can be together always. When Fonda finds out, he rushes over to France to try and save his wife. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leslie Caron, Henry Fonda, (more)
When Alistair Cooke shows up to introduce Three Faces of Eve, we know that the fact-based story will bear more than a little fidelity to truth. Joanne Woodward won an Academy Award for her portrayal of Eve, a young Georgia housewife suffering from multiple personalities. Eve's husband (David Wayne), confused by his wife's aberrant behavior when assuming her two "other selves," seeks out help from a psychiatrist (Lee J. Cobb). Carefully probing Eve's subconscious via hypnosis, the doctor finds out that, though each of Eve's personalities is aware of the other's existence, none are related. After months of therapy, Eve is purged of her negative selves and is totally cured. Ironically, Joanne Woodward would herself play a psychologist confronted with a multiple-personality case in the Emmy-winning 1976 TV movie Sybil. ~ Hal Erickson, All Movie Guide
- Starring:
- Joanne Woodward, David Wayne, (more)
- 1957
Edward Chodorov's stage farce Oh, Men! Oh, Women! is somewhat unnecessarily overburdened by star names in this 1957 film version. Dan Dailey plays psychiatrist Arthur Turner, who is somewhat put out when he discovers that one of his patients is the ex-boyfriend of his supposedly "normal" fiancée, Myra Hagerman (Barbara Rush). Having always prided himself on keeping his professional and personal life separated, Dr. Turner finds that he's just as mixed up as any of his patients in matters of the heart. Nominally, David Niven and Barbara Rush are the stars, but top billing is bestowed upon Dan Dailey and Ginger Rogers as bickering married couple Arthur and Mildred Turner, two secondary characters in the original play. Director Nunnally Johnson's screenplay also fleshes out the roles played by Dailey and Rogers with a lengthy, amusing "fantasy" sequence wherein Ginger offers a highly fanciful version of her marital life. In his motion picture debut, Tony Randall is hilarious as Cobbler, Myra Hagerman's neurosis-ridden former beau. Watch for Franklin Pangborn and Roy Glenn Sr. in unbilled cameo roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Dailey, Ginger Rogers, (more)
- 1956
- Add The Man in the Gray Flannel Suit to QueueAdd The Man in the Gray Flannel Suit to top of Queue
This meticulous and unusually long cinemadaptation of Sloan Wilson's best-selling novel The Man in the Grey Flannel Suit stars Gregory Peck as an ex-army officer, pursuing a living as a TV writer in the postwar years. Hired by a major broadcasting network, Peck is assigned to write speeches for the network's president (Fredric March). Peck comes to realize that the president's success has come at the expense of personal happiness, and this leads Peck to ruminate on his own life. Extended flashbacks reveal that Peck had experienced a torrid wartime romance with Italian girl Marisa Pavan, a union that produced a child. Peck is torn between his responsibility to his illegitimate son and his current obligations towards his wife (Jennifer Jones), his children, and his employer. Among the many life-altering decisions made by Peck before the fade-out is his determination to seek out a job that will allow him to spend more time with his family, even if it means a severe cut in salary. The superb hand-picked supporting cast of The Man in the Grey Flannel Suit includes Ann Harding as March's wife, Keenan Wynn as the man who informs Peck that he'd fathered an Italian child, Henry Daniell as a detached executive, and an unbilled DeForrest Kelley as an army medic (who gets to say "He's dead, captain"!) ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Jennifer Jones, (more)
- 1955
Betty Grable's final film was a remake of the 1934 Bing Crosby-Miriam Hopkins musicomedy She Loves Me Not, which in turn was based on a play by Howard Lindsay. Betty and Sheree North star as a couple of striptease "artistes" who have the bad luck to witness a murder. Hoping to evade the killer, the girls hide out in a small college town, where they immediately win the hearts of the male frat brothers. One of these is overaged undergrad Robert Cummings, who falls for Betty, while Sheree settles for not-terribly-bright Orson Bean. A subplot concerns the unending get-rich-quick schemes of college president Charles Coburn. Before the story can be resolved, both Betty and Sheree are placed under hypnosis, with hilarious results. It could not have rested well with Betty Grable that Sheree North stole the show in How to Be Very, Very Popular--especially with her energetic rendition of "Shake, Rattle and Roll"--but Betty was on the verge of retiring anyway, so what the heck? ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Sheree North, (more)
- 1954
The witness of the title is Barbara Stanwyck, who insists she's seen a man strangling a girl in the apartment across the street. The murderer is George Sanders, an ex-Nazi with plenty of experience in covering his tracks. Deftly disposing of body and clues, Sanders is able to convince the authorities that Stanwyck is hallucinating. But Stanwyck persists, forcing Sanders to show his hand in a fateful climax. Witness to Murder is far beneath the talents of its stars, though both Stanwyck and Sanders, pros that they are, give the material the old "Academy Award" treatment. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, George Sanders, (more)
- 1954
"You've never SEEN Gregory Peck until you've seen him in CINEMASCOPE." So read the publicity hype for 20th Century-Fox's Night People. Actually, Peck is his usual solid, stoic self as Col. Van Dyke, a CIA officer stationed in West Berlin. When an American soldier is kidnapped by the Soviets in the Eastern sector, Van Dyke is verbally assaulted by the soldier's influential industrialist father Leatherby (Broderick Crawford), who demands that something be done immediately. The Colonel realizes that it's not as simple as that: in return for the soldier, he is expected to turn over an elderly couple, both former anti-Nazi activists, to the East Germans, who will probably execute the couple. Leatherby backs off a bit when he meets the couple, then agrees to let Van Dyke handle the crisis in the most diplomatic manner possible. Things come to a head when the Colonel discovers that one of his trusted aides (Anita Bjork) is in league with the Soviets. Filmed on location in Germany, Night People is capped by a deliciously ironic coda. ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Broderick Crawford, (more)
- 1954
Broadway producer Peter Denver (Van Heflin) takes in young actress Nanny Ordway (Peggy Ann Garner) while his wife (Gene Tierney) is out of town. When Nancy is found murdered in his penthouse apartment, the two prime suspects are Peter and the neglected husband (Reginald Gardiner) of temperamental Broadway star Ginger Rogers, who had also been dallying with the dead girl. Detective Bruce (George Raft) figures out the true identity of the killer, but the audience may be well ahead of him. Despite its resplendant color photography, Black Widow is a "film noir" at heart. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Van Heflin, (more)
A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Marilyn Monroe, (more)
This anthology film assembles five respected directors and a top-notch cast to bring a handful of stories by the great American author O. Henry to the screen. In The Cop and the Anthem, a tramp named Soapy (Charles Laughton) tries to get arrested so that he can spend the winter in jail, only to find that is not as easy as it used to be. Marilyn Monroe appears in this episode as a streetwalker. The Clarion Call features Dale Robertson as Barney, a cop forced to arrest an old friend, Johnny (Richard Widmark). Anne Baxter stars in The Last Leaf as Joanna, an elderly woman who sees her own illness reflected in the fall of the autumn leaves; she's convinced that when the last leaf drops from the tree outside her window, her life will go with it. The Ransom of Red Chief concerns Sam (Fred Allen) and Bill (Oscar Levant), two novice kidnappers who kidnap a child, only to discover that his parents don't want him back -- and after a few hours with the brat, they find out why. And The Gift of the Magi tells the story of a pair of cash-strapped newlyweds, Della (Jeanne Craine) and Jim (Farley Granger), who struggle to get each other the perfect Christmas gift, with unexpected results. John Steinbeck narrates. ~ Mark Deming, All Movie Guide
- Starring:
- Charles Laughton, Marilyn Monroe, (more)
David Trask (Gary Merrill), the sole survivor of an airplane crash, takes it upon himself to contact the families of the various victims. Though he's already formed preconceived notions of his deceased fellow passengers, he's in for quite a few surprises when he meets the relatives. His first visit is to the wife (Beatrice Straight) and son (Ted Donaldson) of a profoundly troubled doctor (Michael Rennie). His second stop is at a nightclub managed by the domineering mother-in-law (Evelyn Varden) of an aspiring actress (Shelley Winters). Finally, he meets the invalid wife (Bette Davis) of an outwardly obnoxious travelling salesman (Keenan Wynn). After his odyssey into other people's lives, Trask gains a new perspective on his own personal travails. Few studios could pull off the "multi-story film" format as well as 20th Century-Fox, and Phone Call From a Stranger is a grade-A example of that format. ~ Hal Erickson, All Movie Guide
- Starring:
- Shelley Winters, Gary Merrill, (more)
- 1952
Olivia de Havilland and Richard Burton star in this adaptation of Daphne du Maurier's gothic novel. In a reversal of Jane Eyre, it is the hero who arrives at the home of a mysterious woman. Rachel (de Havilland) is the widow of a Cornish man of property (John Sutton), who died in suspicious circumstances. Philip Ashley Burton is the dead man's cousin, who in probing his relative's demise immediately suspects Rachel -- and goes on suspecting her even after he falls in love with her. Going against the inheritance laws of the era, Burton turns over his cousin's estate to Rachel, but she refuses his entreaties of marriage. He soon falls ill, and it is whispered that Rachel has poisoned him. ~ Hal Erickson, All Movie Guide
- Starring:
- Olivia de Havilland, Richard Burton, (more)
Having supped full of success with the multi-storied O. Henry's Full House, 20th Century-Fox assembled another all-star "omnibus" film, We're Not Married. The unifying factor of this enjoyable seriocomedy is provided by justice-of-the-peace Melvin Bush (Victor Moore), who learns to his horror that his license is invalid. Bush and his wife (Jane Darwell) feverishly track down the five couples whom he has married "illegally" to inform them of the fact and invite them to renew their vows. Couple #1 is Fred Allen and Ginger Rogers, a husband-and-wife radio team whose huggy-kissy behavior on the air conceals the fact that they'd dearly love to cut each other's throats. Couple #2 consists of David Wayne and his contest-happy spouse Marilyn Monroe, who's just won the "Mrs. Mississippi" pageant. Couple #3, Paul Douglas and Eve Arden, ran out of things to say to each other long ago. Couple #4 is millionaire Louis Calhern and his avaricious young bride Eva Gabor, who intends to jilt the old coot and make off with his millions. And Couple #5 is young GI Eddie Bracken and his pregnant wife Mitzi Gaynor. When Bush delivers the news that these unions aren't legal in the eyes of the state, the results range from poignant to hilarious: particularly satisfying is Calhern's puckish revenge on his gold-digging wife. And yes, that is Lee Marvin as Eddie Bracken's army buddy. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Fred Allen, (more)
- 1951
Rex Harrison's extramarital relationship with Patricia Wayne comes to an end when Wayne is murdered. All evidence points to Harrison; we know that he's innocent, but the detectives don't have this advantage. With his faithful wife Lilli Palmer at his side, Harrison goes on trial for his life. Anthony Dawson, the genuine murderer, intends to confess after Harrison is hanged. Thanks to a governmental quirk, Dawson's letter reaches the authorities just a few steps ahead of the hangman. Anthony Bushell, co-director of Long Dark Hall, is featured as Harrison's defense attorney. The film was co-scripted by Hollywood's Nunnally Johnson and based on a novel by Edgar Lustgarden. ~ Hal Erickson, All Movie Guide
- Starring:
- Rex Harrison, Lilli Palmer, (more)
The Desert Fox is a superb filmed biography of German general Erwin Rommel, concentrating on the period between his retreat from North Africa and his government-decreed death. A brilliant tactician, Rommel earns the respect not only of his own men but of the enemy. Unfortunately, Adolph Hitler (Luther Adler), laboring under the delusion that he too is a military genius, demands more of Rommel than he's able to provide. Ordered to stand his ground in Africa to the last man, Rommel realizes that it's more intelligent in the long run to retreat; this incurs Hitler's wrath, but Rommel is a war hero, and as such is virtually "untouchable". Increasingly disgusted by Hitler's behavior, Rommel joins in a plot to assassinate the Fuhrer. The attempt fails, and Rommel's complicity is discovered. He is given a choice: either face a horrible death by torture, or commit suicide, thereby saving his family and his reputation. Rommel opts for the latter; the official story given to the press is that Rommel died heroically of his war wounds. Also appearing in The Desert Fox are Jessica Tandy as Rommel's wife and Leo G. Carroll as an insufferably aristocratic Von Ruhnstedt. The film caused a critical stir in 1951 by providing a tense ten-minute dramatic sequence before the opening credits--a technique that is all but de rigueur today. The Desert Fox was based on the book by Brigadier Desmond Young, who narrates the film and appears as himself in the early scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Cedric Hardwicke, (more)
- 1950
The mudlark is Andrew Ray, an illiterate London street urchin of the mid-19th century. Having seen a picture of Queen Victoria on a coin, Ray determines to meet the Great Lady, and to that end he sneaks into Windsor Castle. Victoria (Irene Dunne in a padded costume) has sequestered herself in the castle since the death of her beloved Prince Albert, and has refused to make any public appearances, much to the consternation of Prime Minister Disraeli (Alec Guinness). When the boy breaks into the Queen's sanctorum, her courtiers are convinced he's part of an assassination plot. But Victoria is regenerated by the boy's natural good humor, and for the first time in a long time she emerges from mourning to see her loyal subjects again. Filmed in England, The Mudlark not so much an historical drama as it is an acting lesson from such masters as Irene Dunne, Alec Guinness, and Finlay Currie (as a kilted Scotsman). ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Alec Guinness, (more)
- 1950
In this classic noir-influenced Western, Gregory Peck stars as an aging gunslinger, sick of killing but haunted by punks wanting to make a name for themselves by slaying a legend. After being warned by his old friend the Sheriff, Peck decides to return East to see his estranged wife and the child he left behind. Knowing his death is an inevitability if he stays, Peck leaves but before he can reach his destination his past catches up with him in the form of a young outlaw. A showdown-cum-Greek tragedy follows and the film ends on a haunting, bleak note. Nominated for an Academy Award in Best Motion Picture Story, The Gunfighter was often imitated by other Westerns, most notably by High Noon, and its minimalist, morally difficult, and compelling tale made it one of the most important films produced in the 1950s. ~ Brian Whitener, All Movie Guide
- Starring:
- Gregory Peck, Cliff Clark, (more)
Based on the autobiographical book by Agnes Newton Keith, Three Came Home stars Claudette Colbert as Mrs. Keith. Trapped in Borneo during the Japanese invasion, Mrs. Keith and her British husband (Patric Knowles) are penned up in a prison camp along with several other subjects. Despite the humanitarian views of camp commander Col. Suga (Sessue Hayakawa), Mrs. Keith is subject to torture, starvation, and humiliation at the hands of the guards, with Suga helpless to intervene lest he incur the wrath of his own superiors. Three Came Home contains several unforgettable moments, including a comic interlude between the male and female prisoners that ends abruptly with a barrage of Japanese bullets, and the heartwrenching scene wherein Suga learns that his family has been killed in a bombing raid. Since lapsing into the public domain in 1977, Three Came Home has popped up innumerable times on cable television. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Patric Knowles, (more)
