Fred Johnson Movies

This film of the wartime exploits of Baron Von Richthoven, who was also known as the "Red Baron," was a relatively lavish Corman-brothers production, and is directed by Roger Corman. The film's airborne dogfight sequences are among its most notable features. Vintage World War I airplanes were used, and accidents during filming resulted in one death and several injuries. The evolution of airborne warfare from being a sporting game between gentlemen to its use as an instrument of total war is integral to the story. Von Richthoven (John Phillip Law), who becomes an air ace and an important German hero, was an early aeronautical rival of Hermann Goering (Barry Primus). So important was he to German morale that he was asked to retire from fighting, so that he could assume a position in the post-war German government. He refused, and was killed by a young Canadian (Don Stroud) in an airborne battle. Spookily enough, even though he died in the air, his plane is reputed to have landed intact. ~ Clarke Fountain, All Movie Guide

Southern California high school sweethearts Tom Pace and Holland are forbidden to be with each other, but through clandestine meetings continue their romance and end up marrying each other. ~ All Movie Guide

A young Susannah York had her first lead role in this drama about a teenage girl on the cusp of womanhood. When her mother falls ill during a vacation in the French wine country, 16-year-old Joss Grey (York) is left to her own devices as she and her three younger siblings are left in the reluctant care of Madame Zisi (Danielle Darrieux), the proprietor of the hotel where they were staying. Eliot (Kenneth More), Zisi's strapping boyfriend, offers to show the youngsters some of the sights in the countryside, and Joss finds herself developing a strong infatuation with the older man. However, when she realizes that Eliot and Zisi are lovers, she becomes despondent and ends up getting drunk on wine with Paul (David Saire), a boy who works in the kitchen at Zisi's hotel. When Joss learns that Eliot is actually a jewel thief wanted by the law, she informs the police of his whereabouts. However, that same night, Paul's efforts to seduce Joss degenerate into a violent attempt at rape, but when Eliot hears her screams for help, he comes to Joss' rescue. Having spared her virtue and perhaps her life, Joss confesses to Eliot that she has turned him in to the police, and urges him to flee for his own safety. One of Joss' sisters is played by Jane Asher, a distinguished actress who was most famous in the United States not for her abilities as a performer, but for spending several years as Paul McCartney's girlfriend. ~ Mark Deming, All Movie Guide

Between his internship in Canadian television and his A-feature work on The Ipcress File, Sidney J. Furie directed an old-fashioned horror flick called Doctor Blood's Coffin. Kieron Moore stars as research scientist Dr. Peter Blood, who's been experimenting with heart transplants. Thrown out of Vienna for wishing to move from lab animals to humans, Blood sets up shop in the village of Cornwall. Within a few months of his arrival, several Cornwallians disappear from view. Dr. Blood, you see, has been merrily transplanting hearts in a secret lab located in an abandoned tin mine. Unfortunately, one of his resurrected humans reacts negatively to the operation--especially after he discovers that Blood has been dallying with his wife. ~ Hal Erickson, All Movie Guide

George Baxt scripted this extraordinarily good chiller from a story by Milton Subotsky, who also co-produced. A college student (Venetia Stevenson) with an interest in witchcraft goes to the Massachusetts town of Whitewood. It's a foggy, spooky town which gets even scarier when Stevenson discovers that the owner of the Raven's Inn, Mrs. Newlis (Patricia Jessel) is in fact a 268-year old witch. Jessel sold her soul to the Devil to regain her life after being burned at the stake. The whole town is her coven, including Stevenson's kindly history professor (Christopher Lee). Stevenson's boyfriend and brother arrive to look for her and discover human sacrifices and all sorts of evil goings-on. One of the few horror films of the period which still has the power to frighten, Horror Hotel is required viewing for genre fans. ~ Robert Firsching, All Movie Guide

Victor McLaglen made his last film appearance in the British Sea Fury. McLaglen plays the brawny captain of a salvage vessel, while Stanley Baker is his second in command. The two men battle over the affections of South American beauty Luciana Paluzzi. Baker has the advantage, but Luciana's father disapproves. During the climactic rescue sequence, Baker proves his mettle, while McLaglen is permanently removed from the scene. Sea Fury was instrumental in the spectacular comeback of director Cyril Endfield, who'd been forced to flee Hollywood and seek out work in England thanks to the Blacklist. ~ Hal Erickson, All Movie Guide

London's colorful but rundown Soho district is the setting for this thinnish romantic comedy. John Gregson plays a Soho roadworker who has little hopes of finding happiness in life. Belinda Lee is a like-minded barmaid in a tiny pub. Gregson and Lee discover each other, and the "miracle" happens. The script was written by Emeric Pressburger, who apparently was so accustomed to "big" projects like The Red Shoes (47) that he couldn't scale himself down to the genuine emotions of normal people. Too, Miracle in Soho cries out for location filming, but the producers insisted upon lensing the story in the most unconvincing of studio sets. ~ Hal Erickson, All Movie Guide

The Weapon is a loose grouping of elements first seen in the 1951 British melodrama The Yellow Balloon. Jon Whitely plays a young London boy who finds a loaded gun in a blitzed-out building. He fires, accidentally shooting a playmate. Believing he's killed his friend, the boy runs away--leading to a relentlessly suspenseful climax. Though filmed in England, The Weapon was geared from the start for primarily American audiences; its producer was Hollywood's own Hal E. Chester, and its adult stars included Steve Cochran and Lizabeth Scott. The script was written by Fred Freiberger, best known to sci-fi followers as the producer of the original Star Trek's third and final season. ~ Hal Erickson, All Movie Guide

This filmed biography of Vincent Van Gogh was adapted by Norman Corwin from the best-selling novel by Irving Stone, which was in turn inspired by the written correspondence between Van Gogh and his brother Theo. Kirk Douglas plays the tormented genius, whose obsessive devotion to his art engulfs, consumes, and finally destroys him. James Donald costars as Theo Van Gogh, who provides financial and moral support to his brother from the time Vincent leaves his Holland home in 1878 to his death in Auvers in 1890. Anthony Quinn won an Oscar for his eight-minute turn as Van Gogh's fast friend and erstwhile rival Paul Gaugin. Nearly 200 of Van Gogh's original paintings were borrowed from private collections for brief display in the film: some are "recreated" before our eyes, as the artist stands before his easel, spattered with paint and with a look of white-hot intensity burned into his countenance. ~ Hal Erickson, All Movie Guide

This disappointing thriller from horror legend Terence Fisher (The Curse of Frankenstein) stars Alex Nicol as James Bradley, an America trumpet-player visiting London. Falsely accused of murdering a Spanish singer, Bradley can only prevent his own execution by finding the real killer. Not one of Fisher's more rousing films, this modestly-budgeted programmer co-stars Geoffrey Keen and Arthur Lane. ~ Robert Firsching, All Movie Guide

David Niven plays the new squire in a small Irish community. As snooty and restrictive as the old squire was warmhearted and generous, Niven quickly earns the animosity of the locals. Eventually they draw lots for the privilege of bumping Niven off. Before the cad is humanized by the love of Yvonne DeCarlo, the villagers contrive to scare him off the premises by faking a local ghost--which rouses the fury of the town's genuine wraith. Tonight's the Night was originally released in Great Britain as Happy Ever After. ~ Hal Erickson, All Movie Guide

Virtually every Lutheran in America has seen Martin Luther during a church-basement screening. Niall McGinniss plays the title role, while the rest of the cast is an adroit mixture of professional actors, clerics and Biblical scholars. The film recounts Martin Luther's 16th-century break from Catholicism, his posting of the 95 theses, and his ultimate creation of the Protestant Movement. The dramatic highlight is Luther's "Here I stand" speech, straightforwardly directed by Irving Pichel (who also plays a supporting role). Filmed in West Germany, Martin Luther was a collaboration between Lutheran Productions Inc. and Louis de Rochemont associates. The film caused a minor brouhaha when its Chicago TV debut in 1956 was successfully blocked by the local Catholic Archdiocese. ~ Hal Erickson, All Movie Guide