John Irvin Movies

A movie set becomes a metaphor for the tragic rise of World War II in Europe in this historical drama. It's 1939, and as Benito Mussolini rules Italy and war sweeps through Europe, Italian film producer Davide Rieti (Alfred Molina) is attempting to set up his latest project, a historical epic adapted from Puccini's opera Tosca. While Rieti is short on money, that's the least of his problems -- as a gay Jew, he's an easy target for the fascist pogroms which have become commonplace in Europe, and working at Rome's lavish Cinecitta Studio is one of his few respites from the grim realities of life under Mussolini. Eager to turn his adaptation of Tosca into an international epic, Rieti hires Hungarian Lazlo Molnar (Andras Balint) to direct, and casts German Kristina Baumgarten (Catherine McCormack), Italian Maria Grazia (Surama De Castro) and British James Clavel (Jonathan Pryce) in the leading roles. Rieti also finds room in the cast for his handsome lover Renzo (Rupert Friend), but while the cast offers one another a certain grudging respect (and Baumgarten and Clavel enjoy a brief romance off-set), the tensions that have gripped the world can be felt on set, and fascist and anti-fascist factions arise among the crew. The turmoil is aided and abetted by the presence of Annibale (Ivano Marescotti), the film's chief backer and an ardent supporter of Il Duce, while free-spirited director Molnar makes no secret of his leftist views. The Moon and the Stars received its North American debut at the 2007 Palm Springs Film Festival. ~ Mark Deming, All Movie Guide

An ordinary man remakes himself into a warrior after the death of his family in this thriller. Jack Elgin (Jeremy Irons) is a magazine editor living in London with his wife and three children. Elgin joins his spouse and his children as they set off for a trip to India, and when the plane lands due to mechanical failures, the flight is hijacked by terrorists from the "August 15th Movement," who insist on 50 million dollars in ransom from the United States government. The U.S. administration delivers on the request, but as the terrorists begin to evacuate hostages from the plane, circumstances go awry and Elgin's wife and child die in the subsequent fire. The hijackers are soon arrested but released from custody, and when Elgin protests this turn of events to a representative of the U.S. State Department (Jason Priestley), he is told there's little than can be done -- unless he's willing to take the law into his own hands. With the help of his friend Kate (Charlotte Rampling), who is well-schooled in the finer points of international intelligence, Elgin becomes a one-man anti-terrorist squadron, tracking down extremist factions and turning their own weapons against them. Elgin's work is so impressive it attracts the attention of Jules Bernard (Forest Whitaker), an FBI agent who has his own agenda regarding shutting down terrorists. The Fourth Angel was co-produced by American independent studio Artisan Entertainment, but its U.S. theatrical release was canceled in the wake of the September 11, 2001, terrorist attacks on New York and Washington, D.C. ~ Mark Deming, All Movie Guide

The biblical story of Noah and the Great Flood gets a decidedly unusual retelling in this film, produced as a two-part TV movie and first aired on NBC in May 1999. Noah Jon Voight is an ordinary laborer who one day begins receiving messages from God. It seems the Lord has a special assignment for him: since God is planning on destroying the world with a massive flood, he wants Noah to build a giant ark and fill it with one male and one female of each animal on earth. So why Noah of all people? As God tells him, "You fit the bill. Good times, bad times, you believe in me." And why a 500-foot-long ark? "I think big! I made the world in seven days!" Joining Noah on the trip of a lifetime is his wife Naamah (Mary Steenburgen); those not invited along for the ride are F. Murray Abraham as Lot, Carol Kane as his wife Sarah, and James Coburn as a peddler. Some video versions run 140 minutes. ~ Mark Deming, All Movie Guide

Betrayal and revenge are the key ingredients of this violent, streetwise crime drama. Roy Egan (Harvey Keitel) was once a highly successful thief but has gotten out of the business and now leads a quiet life in the Midwest. He's lured out of retirement by his brother, Lee (Timothy Hutton); Lee figures that he's come to the end of his rope as a small-time thief and wants to pull one last job that will earn him a healthy score. Lee and Roy devise a plan to knock over a jewelry store in Palm Springs and bring along two helpers, even-tempered family man Jorge (Wade Dominguez) and hot-headed driver Skip (Stephen Dorff). The heist goes like clockwork, but afterward Skip turns on his partners and kills Lee and Jorge. Roy is able to escape and swears to avenge his brother's death with the help of Jorge's wife Rachel (Famke Janssen). City of Industry was the debut feature for writer/producer Ken Solarz. ~ Mark Deming, All Movie Guide

This romantic comedy is set upon Italy's beautiful Lake Como just before WW II erupted in Europe. British, middle-aged, but still-attractive Miss Bentley has come to the lake to visit the family resort. She has not been there since her father died and since her 14-year relationship with a married man broke up. The place has changed since she was there last and there is only one other Britisher there, the single, handsome Major Winslow, a wealthy industrialist. He and she engage in a few rounds of tennis, and begin a tentative romance that is interrupted when flirtatious American-upstart Miss Beaumont shows up and begins toying catlike, with the affections of the vulnerable major. Meanwhile, Miss Bentley finds herself dallying with a handsome young Italian. ~ Sandra Brennan, All Movie Guide

In the Irish town of Kilshannon in the 1920s, a matriarchal clique of widows tightly sets the rules for behavior. Heading the town's ruling circle is the doughty Mrs. Counihan (Joan Plowright). The only non-widow in town is a reclusive middle-aged spinster, Miss O'Hare (Mia Farrow), who seems to be guarding some kind of secret. Crashing into this provincial coterie is dashing, urbane Edwina Broome (Natasha Richardson), who immediately starts feuding with O'Hare, for no apparent good reason. Broome mangles O'Hare's prize roses and bumps her skiff in a boat race. Counihan's dimwitted son, Godfrey (Adrian Dunbar), proposes marriage to Edwina. Eventually, the true motives of all involved are revealed. ~ Michael Betzold, All Movie Guide

Polish bureaucrat Jozef Burski (Donald Sutherland) all but loses his reason for living when he is "downsized" by his government. Reduced to non-person status, Burski reaches out to his friends for moral support, but they turn their backs on him. Worse still, he doesn't know why he's been targeted for this emotional abuse; every time he tries to find out, something calamitous happens. The emotional strain takes its biggest toll on Burski's wife Mira (Anne Archer), who ends up in a state asylum. Suddenly, Burski's exile is lifted: it's all been a test of his loyalty to his homeland. ~ Hal Erickson, All Movie Guide

Though the anti-war sentiments of Hamburger Hill come through loud and clear, the film is squarely on the side of those courageous, much-maligned Americans who fought and died in Vietnam. Based on a true incident, the story takes place in 1969, as the 101st Airborne Division confronts the Vietcong in a bloody battle over Hill 937 (aka "Hamburger Hill") in the Ashua Valley. During the next 10 days, both sides incur heavy losses, but the Cong refuse to surrender the hill. The ultimate American "victory" turns out to be a hollow one indeed. Scripted by Vietnam war vet Jim Carabatsos, Hamburger Hill not only underlines the futility of the war but also the pressures brought to bear upon the troops by an insensitive, often hostile media. By utilizing a cast of unknowns, director Jim Irvin deftly avoids the Hollywoodized slickness of such bigger-budgeted efforts as Apocalypse Now and The Deer Hunter. ~ Hal Erickson, All Movie Guide

Adapted by Harold Pinter from the novel by Russell Hoban, Turtle Diary stars Glenda Jackson as a famed author/illustrator of children's books. In the midst of her success, Jackson suffers from writer's block. While casting about for new ideas, she makes several visits to the turtle tank at the local aquarium, where she becomes acquainted with shy bookstore clerk Ben Kingsley. From this point on, nothing is in the least predictable. What can one say that's sensible about a plotline that climaxes with a turtle hijacking? Screenwriter Pinter has a cameo role as "Man in Bookshop." Turtle Diary was the maiden effort of United British Artists, a consortium consisting of Glenda Jackson, Harold Pinter, and producer Richard Johnson (who also appears in the film). ~ Hal Erickson, All Movie Guide

As they become deeply involved in a romance, a couple learn that love takes time and patience. ~ John Bush, All Movie Guide

This 1981 John Irvin picture constitutes an adaptation of Peter Straub's colossal, bestselling novel. The central plot -- shared by both book and film -- revolves around the four elderly members of the Chowder Society (Fred Astaire, Melvyn Douglas, Douglas Fairbanks, Jr. and John Houseman), who gather in each other's drawing rooms each winter to sip cognac and spin elaborate ghost stories. The four men also share a dark secret far more unsettling than fiction -- a secret which has literally come back to haunt them, as well as their own adult offspring. Each man is visited by a hideous specter bearing the likeness of a young woman (Alice Krige) they accidentally killed 50 years ago when spurning her mischievous sexual advances. ~ Cavett Binion, All Movie Guide

Strange as it seems, the 1977 adaptation of Charles Dickens' novel Hard Times was the first full-scale adaptation of this work ever seen on British television. Set (of course!) during the Industrial Revolution, the multiplotted story line was held together by the travails of Louisa Gradgrind (Jacqueline Tong), a former circus employee who was adopted by a stern businessman and whisked off to a bleak industrial village called Coketown. With four-hour-long episodes at its disposal, this TV version managed to retain most of the characters and incidents of the Dickens original, and also kept sight of the author's indictment of the iniquitous social conditions which determined the behavior and the destinies of the main figures. Produced by Granada Television, Hard Times later aired in America via PBS. The 1994 BBC TV version, sometimes also referred to as a "miniseries," was actually intended to be seen in a single showing. ~ Hal Erickson, All Movie Guide