Joe Hutshing Movies

American tourist Frank (Johnny Depp) meets a mysterious beauty who drags him into a dangerous world of intrigue and espionage while traveling through Europe in director Florian Henckel von Donnersmarck's paranoid thriller. When Frank met Elise (Angelina Jolie) on the train, he thought it was a chance encounter. Little did Frank realize it was all part of a much bigger plan, one that would soon find him dodging bullets through both the historic streets of Paris and the winding canals of Venice. Now, the faster Frank and Elise run, the more intense their romance grows. ~ Jason Buchanan, Rovi

An aged, divorced mother becomes "the other woman" in her ex-husband's life when the pair enters into an unexpected affair during an out-of-town trip. Jane (Meryl Streep) has been divorced from Jake (Alec Baldwin) for a decade. The mother of three grown children, she owns a successful Santa Barbara bakery/restaurant and maintains a friendly relationship with Jake, who has since been remarried to the much younger Agness (Lake Bell). Jane and Jake are attending their son's college graduation when they agree to an innocent meal together. Before long a simple dinner date has erupted into an all-out affair, and when architect Adam (Steve Martin) falls for Jane, he realizes he's been drawn into a most peculiar love triangle. Is love sweeter the second time around, or should Jane and Jake just be happy with what they had, and finally move on with their lives? ~ Jason Buchanan, Rovi

Nancy Meyers' romantic comedy Holiday stars Cameron Diaz and Kate Winslet as two women who exchange houses in order to get a new lease on life. After each suffers her fair share of romantic disappointments, Englishwoman Iris (Winslet) and L.A. woman Amanda (Diaz) meet on-line at a website devoted to helping people exchange houses for vacations. Each agrees to spend the Christmas holiday at the other's home. While each suffers from a minor case of culture shock, both women also end up becoming involved with a man. Iris makes the acquaintance of an upbeat everyman played by Jack Black, while Amanda spends time with a handsome Brit played by Jude Law. Both women must decide what to do with these new relationships as their pre-arranged house switch is scheduled to last less than two weeks. ~ Perry Seibert, Rovi

The Cutting Edge: The Magic of Editing teaches the viewer how editors compile strips of film in order to create memorable moviegoing experiences. In addition to interviews with a variety of respected and award-winning editors, the movie offers clips form some of the most memorable films in the history of the artform. ~ Perry Seibert, Rovi

As America geared itself for another possible armed conflict in Iraq, the HBO cable service offered a dramatization of events surrounding the 1991 Persian Gulf War. Originally telecast on December 8, 2002, Live From Baghdad recounted the efforts by the CNN network to be first on the scene when hostilities broke out in the Gulf in late 1990. Inaugurating round-the-clock coverage of the warfare with the invasion of Kuwait, dauntless CNN producers Robert Wiener (Michael Keaton) and Ingrid Formanek (Helena Bonham Carter), aided and abetted by on-the-scene reporters Bernard Shaw (Robert Wisdom), Peter Arnett (Bruce McGill), and John Holliman (John Carroll Lynch), among many others, represented the only American news service on the scene during the first night of bombing on January 16, 1991. Not only does Live From Baghdad celebrate the heroism (and meticulous fairness) of the CNN crew, but it also vividly demonstrates how a tiny but tenacious basic cable channel managed to out-scoop the Big Three networks, thereby becoming one of the most powerful and influential journalistic forces in the world. ~ Hal Erickson, Rovi

Would you pay money to journey into the mind of the star of Con Air, The Killing Fields, and In The Line of Fire? Puppeteer Craig Schwartz (John Cusack) is having money problems, so he takes a temporary job as a file clerk on the seventh-and-a-half floor of a large office building. One day, while rummaging behind a cabinet, he finds a small door that leads to the center of the mind of actor John Malkovich (played by, you guessed it, John Malkovich). Craig discovers that entering the portal allows him to become John Malkovich for a brief spell, and in time he and his beautiful but aloof co-worker Maxine (Catherine Keener) get the bright idea to charge admission for the privilege of spending 15 minutes inside the head of a well-known actor. Malkovich realizes that something strange is happening to him, but can do little to stop it, as strangers take over his mind for a quarter-hour at a time. Craig's wife, Lotte (Cameron Diaz), eventually takes a trip into Malkovich's psyche, and she soon finds herself in love with Maxine, with whom Malkovich has an affair; meanwhile, Maxine in time becomes infatuated with both Craig and Lotte, but only when they're inside Malkovich. Being John Malkovich marked the feature-length debut of director Spike Jonze, who previously made acclaimed music videos for Weezer, the Beastie Boys, and the Breeders, among others. ~ Mark Deming, Rovi

Hong Kong director John Woo's second U.S. film (his first was Hard Target) delivers a number of exciting action sequences but is let down by a credibility-straining plot. John Travolta plays Vic Deakins, an Air Force pilot on what is supposed to be a routine night flight mission with his co-pilot, the younger Riley Hale (Christian Slater), whom Deakins constantly kids for lacking the "will to win." Deakins is actually a traitor who crashlands their Stealth Bomber in Death Valley so that he can steal two nuclear warheads onboard and sell them to terrorists who plan to blackmail the government. Deakins meets up with his cohorts, who have been waiting in the park, while Hale survives and teams up with a young, attractive park ranger (Samantha Mathis) to foil Deakins's plans. Plenty of action ensues, with car chases, collapsing mine shafts, fights on burning trains, and even the underground detonation of a nuclear device. Despite the script's implausibilities and inconsistencies, Woo amply displays the expertise with action sequences and man-to-man conflict that has made his Hong Kong films cult favorites. ~ Don Kaye, Rovi

An American woman discovers that Paris truly is the city of love -- though not in the manner she expected -- in this romantic comedy. Kate (Meg Ryan) is desperately afraid of flying, so when her fiancée Charlie (Timothy Hutton) flies to Paris on business, she must stay behind. Kate has been having second thoughts about her impending marriage, but that changes when Charlie calls her to say that the engagement is off -- he's met a beautiful French woman named Juliette (Susan Anbeh), and he's fallen in love. Determined to win Charlie back, Kate confronts her fears and hops on board the next flight to Paris, where she finds herself seated next to Luc Teyssier (Kevin Kline), a French thief who stashes some valuable jewelry in her baggage hoping to avoid capture. While Luc simply wants to get his jewels back, he pretends to be willing to help Kate find Charlie and win him back in order to keep her luggage out of harm's way, but to his surprise (as well as Kate's), the two become infatuated as they make their way through the City of Lights. Leading lady Meg Ryan also served as co-producer for this film. ~ Mark Deming, All Movie Guide

Adrian Lyne buffs the premise of Honeymoon in Vegas to a fine gloss in this yuppie melodrama that poses the conundrum of whether the loving husband of an equally loving wife will accept $1 million to allow his wife to spend one night with a billionaire who looks like Robert Redford. All the cynics please take a number and form a line at the right. Demi Moore and Woody Harrelson play Diana and David Murphy, high-school sweethearts who marry and who are doing very well -- Diana is a successful real-estate agent, and David is an idealistic architect who has built a dream house by the ocean -- until the recession hits. Suddenly, David loses his job, and they can't make the mortgage payments. Dead broke, they borrow $5000 from David's father and head to Las Vegas to try to win money to pay the mortgage on their house. At first, they get $25,000 ahead -- but inevitably the house always wins, and they end up losing it all. While Diana is in the fancy casino boutique trying to lift some candy, she is spotted by billionaire John Gage (Robert Redford), who is immediately attracted to her. John invites Diana and David to an opulent party, and it is there that John offers David $1 million for a night with his wife. David is wracked by this moral dilemma, but Diana finally makes the decision on her own, with ensuing consequences for their ideal marriage and their bank account. ~ Paul Brenner, Rovi

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, Rovi

Monologist Eric Bogosian's one-man theater piece Talk Radio, co-written by Bogosian and Tad Savinar, is searingly brought to the screen by Oliver Stone. Bogosian plays provocateur radio talk-show host Barry Champlain, whose constant espousal of his inflammatory views and ceaseless hectoring of his callers and listeners reaps equal parts love and hate. As his program rolls on, Champlain is revealed to be just as screwed up as any of his fans, if not more. And then he pushes one caller just a bit too far. In co-adapting the play for the screen, Stone interweaves elements of Stephen Singular's factual book Talked to Death, the story of a liberal Denver radio personality who was murdered at the behest of a militant right-wing hate group. One word of warning: if you're not a fan of the sort of radio depicted herein, chances are you won't warm up to this film. ~ Hal Erickson, Rovi