Ron Howard Movies
Professionally, Ron Howard has come a long way from the tousle-haired, barefoot sheriff's son who trod the byways of idyllic Mayberry to reside in the heady company of Hollywood's most elite directors. Howard's films are pure entertainment; they are well-crafted efforts, frequently technically challenging from a production standpoint, and aimed at mainstream audiences. Though some of his lesser works have been criticized for possessing formulaic scripts, Howard's films approach even hackneyed subjects in fresh ways. Though he does not characterize himself as a risk taker, he loves the challenge of exploring different genres; therefore, his filmography includes B-movie actioners, domestic comedies, fantasies, sci-fi, suspense-thrillers, historical dramas, and big-budget action films.The son of actors Rance and Jean Howard, he made his theatrical debut at age two in a Baltimore production of The Seven Year Itch. He made his screen debut at age five in the suspenseful political drama The Journey (1959). The youngster became a hot property after that and appeared in several features, including The Music Man and The Courtship of Eddie's Father (both 1962). Through this period his father was a strong ally who kept Howard from being exploited by filmmakers. In a November 1996 interview with the Detroit News, Howard describes an incident in which he was six years old and during rehearsal could not cry on cue (Howard doesn't name the production), causing the director to threaten to flog him. Other children may have been terrified, but Howard felt secure because his father was on the set and would protect him. When producer Sheldon Leonard approached Rance Howard about casting Ronny (as he was billed during childhood) as Opie, the son of widowed sheriff Andy Taylor in The Andy Griffith Show (1960-1968), the elder Howard stipulated that his son be allowed time off for a normal childhood.
It was as the mischievous but guileless Opie that Ronny Howard became famous. During the popular show's long run, Howard occasionally appeared in other feature films. While a series' demise often signals the death of a child actor's career, particularly if that child is obviously maturing, Howard managed the transition gracefully and continued working steadily. He was cast in a new television series, The Smith Family, in 1971 and starred opposite Henry Fonda, who became one of Howard's mentors, encouraging Howard to strive for creative growth and to take periodic risks to keep himself vital. The series lasted one season, but again Howard landed on his feet, making a bigger name for himself starring as a callow youth in George Lucas' smash hit American Graffiti (1973). The film spawned Garry Marshall's long-running hit, the '50s revival sitcom Happy Days (1974). Essentially reprising his role from the film, Howard (now billed as Ron Howard) starred as all-American youth Richie Cunningham.
Again, Howard also worked simultaneously in films, notably in The Shootist (1976), where he played a teen who worshipped dying gunslinger John Wayne. Though playing a teenager on the series, Howard was in his early twenties and felt it was time to follow his longtime dream of becoming a director. Producer Roger Corman, who had recently starred Howard in Eat My Dust! (1976), let Howard helm the similarly themed Grand Theft Auto (1977). Howard also co-wrote the screenplay with his father and starred in the film. While not exactly an original masterpiece, the film earned praise for its fast-paced, high-energy action scenes. After leaving Happy Days in 1980, he directed Bette Davis in a television movie, Skyward, and managed to earn the great lady's respect with his filmmaking skills.
Howard had his first big hit in 1982 with the black comedy Nightshift. It was to be the first of many instances in which he would work with producer Brian Grazer, who eventually became his partner and the co-founder of Howard's production company, Imagine Films Entertainment (established in 1985), and screenwriters Lowell Ganz and Babaloo Mandel, who formerly wrote for Happy Days. Howard had even greater success with the Tom Hanks/Darryl Hannah vehicle Splash (1984), which launched Disney's Touchstone Pictures and became the company's most successful live-action film to date. He followed this up with sentimental favorite Cocoon (1985). He had his first misstep after hitting it big with Willow, a George Lucas-produced fantasy extravaganza that never clicked with audiences, though it has since developed a devoted cult following.
During the early '90s, Howard worked on a series of big-budget films such as Backdraft (1991) and Far and Away (1992), and Apollo 13 (1995), a gripping account of a failed moon mission. Apollo 13 was a huge international hit, nominated for nine Oscars (it won for Best Sound and Best Editing), and earned Howard the coveted Director's Guild award. In 1996, Howard attempted a new genre with the violent, bloody thriller Ransom, starring Mel Gibson. While an effective suspense thriller in it's own right, Ransom didn't darken Howard's sensibilities in any permanent terms, and after a few stints as producer on both the small screen (Felicity, Sports Night and the silver screen (Inventing the Abbots (1997) and Beyond the Mat (1999)), Howard was back in the director's chair for Ed TV in 1999, but itsuffered immediate and fatal comparisons to the more popular and strikingly similar Jim Carrey vehicle, The Truman Show. Undaunted, Howard next teamed with the rubber-faced star of Truman for How the Grinch Stole Christmas, which became a box-office smash.
Once again turning back to reality after the marked departure of The Grinch, Howard helmed the sensitive real-life tale of paranoid schizophrenic mathematician turned Nobel Prize winning genius John Forbes Nash Jr. in A Beautiful Mind (2001). With Russel Crowe essaying the role of Nash and Jennifer Connelly as his faithful and enduring wife, the film gained generally positive reception upon release, and only seemed to cement Howard's reputation as one of the most versatile and gifted director's of his generation as the film took the Best Picture award at both the that year's Golden Globes and Oscars. Academy Award night proved to be an even bigger night for Howard as the film also took home awards for Best Actress, Best Adapted Screenplay and, of course, Best Director. Howard followed up his Oscar wins with the dark Western drama The Missing starring Tommy Lee Jones and Cate Blanchett. Unfortunately, neither critics or audiences were too fond of the over-long film. Lucky for Howard, his next project would see him re-team with A Beautiful Mind's Russell Crowe. The Depression-era boxing film Cinderella Man starred Crowe as real-life boxer Jim Braddock and was released in 2005 to positive reviews and Oscar-buzz. Next, he helmed the adaptation of Dan Brown's novel The Da Vinci Code, casting his old Splash leading man Tim Hanks in the lead. The film was as big a worldwide success as the book that inspired it. Howard followed the massive success with an adaptation of Peter Morgan's hit play Frost/Nixon. The film captured five Academy Award nominations including Best Picture, Best Actor, and Best Editing, as well as a nod for Howard's direction.
As the 2000's continued to unfold, Howard would remain an extremely active filmmaker, helming movies like The Dilemma. ~ Sandra Brennan, Rovi
Season four of the wildly successful "real-time" adventure series 24 begins some 18 months at the end of season three. John Keeler (Geoff Pierson) has succeeded David Palmer (Dennis Haysbert) as president of the United States, and the new secretary of defense is James Heller (William Devane) -- who is also the new boss of crack CTU agent Jack Bauer (Kiefer Sutherland). One of Heller's first moves is to reunite Jack with his old nemesis Erin Driscoll (Alberta Watson), now the head of the CTU. Unbeknownst to most of the principal characters, Jack is in love with Heller's daughter (and policy assistant), Audrey Raines (Kim Raver), this despite the fact that Audrey is still legally married to estranged husband, Paul (James Frain). Outside of Jack Bauer and President Keeler, the only series character from season three to return as a regular in season four is CTU tech analyst Chloe O'Brien (Mary Lynn Rajskub); the rest of the cast is virtually brand-new. The "day" that comprises the fourth season begins, typically, with a nail-biting crisis, when James Heller and his daughter Audrey are captured by a terrorist group headed by Habib Marwan (Arnold Vosloo), who has already set a fiendish master plan in motion with a train bombing in the U.S. It soon develops that the abduction of Heller and Audrey is but a subterfuge to allow an enemy stealth bomber to blow up Air Force One and eliminate the president -- and ultimately to gain control of a nuclear warhead that will destroy a major U.S. city. Making matters worse, there is a turncoat in the ranks of the CTU -- and without giving the game away, it can be noted that CTU agent Sarah Gavin (Lana Parrilla) tumbles to the mole's identity before Jack Bauer does. As the tension mounts, Paul Raines is seriously wounded saving Jack during a covert mission, which "ices" Jack's relationship with Audrey; a shattering personal tragedy forces Erin Driscoll to resign from her post in mid-season; there is dissension in the terrorist ranks during a concerted effort to trigger nuclear meltdowns in six different cities; the seldom-used 25th Amendment is invoked to change presidents in midstream; and an old enemy of Jack's from the series' first two seasons appears virtually out of nowhere to make a terrible situation far worse than could ever be imagined. Clearly, the fourth season of 24 drew inspiration from the headlines of the day, notably the controversial treatment of prisoners at Abu Ghraib. The series also was attacked by certain special-interest groups for making several of the villains Arabs, or of Arab descent. And of course, there were those who carped that the series' notion of "real time" (each episode consisted of a single uninterrupted hour in the same day) resulted in some rather ludicrous lapses of logic. But 24 was as big a hit in the ratings throughout its fourth season as it had been all along. ~ Hal Erickson, Rovi
- Starring:
- Kiefer Sutherland, William Devane, (more)
The true story of prominent mathematician John Forbes Nash Jr. is the subject of this biographical drama from director Ron Howard. Russell Crowe stars as the brilliant but arrogant and conceited professor Nash. The prof seems guaranteed a rosy future in the early '50s after he marries beautiful student Alicia (Jennifer Connelly) and makes a remarkable advancement in the foundations of "game theory," which carries him to the brink of international acclaim. Soon after, John is visited by Agent William Parcher (Ed Harris), from the CIA, who wants to recruit him for code-breaking activities. But evidence suggests that Nash's perceptions of reality are cloudy at best; he is struggling to maintain his tenuous hold on sanity, and Alicia suspects a diagnosis of paranoid schizophrenia. Battling decades of illness with the loyal Alicia by his side, Nash is ultimately able to gain some control over his mental state, and eventually goes on to triumphantly win the Nobel Prize. Based loosely on the book of the same name by Sylvia Nasar, A Beautiful Mind (2001) co-stars Paul Bettany, Adam Goldberg, Anthony Rapp, Christopher Plummer, and Judd Hirsch. ~ Karl Williams, Rovi
- Starring:
- Russell Crowe, Jennifer Connelly, (more)
- 1980
The always-touchy issue of euthanasia has provided source material for films since the silent era. 1980's Act of Love stars Ron Howard as the brother of Mickey Rourke, who has been left paralyzed by a motorcycle accident. Howard kills Rourke with a shotgun, claiming his brother begged him to do it. He willingly gives himself up to the authorities and stands trial, hoping more for understanding than exoneration. Made for television, Act of Love was based on a true story, chronicled by author Paige Mitchell. ~ Hal Erickson, Rovi
It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. ~ Lucia Bozzola, Rovi
- Starring:
- Richard Dreyfuss, Ron Howard, (more)
Angels and Demons re-teams director Ron Howard and star Tom Hanks for the sequel to their international blockbuster adaptation of Dan Brown's novel The Da Vinci Code. Although the book Angels and Demons was written before the novel The Da Vinci Code, the movie transpires after the events of the earlier movie. Hanks stars as professor Robert Langdon, the most respected symbologist in the United States, who uses his knowledge in order to decode a symbol on the skin of a murder victim. The clues put him on the trail of an international conspiracy involving the Catholic Church. Ewan McGregor and Ayelet Zurer also star in the Sony Pictures production. ~ Perry Seibert, Rovi
- Starring:
- Tom Hanks, Ayelet Zurer, (more)
"Houston, we have a problem." Those words were immortalized during the tense days of the Apollo 13 lunar mission crisis in 1970, events recreated in this epic historical drama from
Ron Howard. Astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA's third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew's oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth's atmosphere. The film received an overwhelmingly enthusiastic critical response and a Best Picture nomination, but lost that Oscar to another (very different) historical epic, Mel Gibson's Braveheart. In 2002, the movie was released in IMAX theaters as Apollo 13: The IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format. ~ Don Kaye, Rovi
Ron Howard. Astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA's third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew's oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth's atmosphere. The film received an overwhelmingly enthusiastic critical response and a Best Picture nomination, but lost that Oscar to another (very different) historical epic, Mel Gibson's Braveheart. In 2002, the movie was released in IMAX theaters as Apollo 13: The IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format. ~ Don Kaye, Rovi
- Starring:
- Tom Hanks, Bill Paxton, (more)
- 2003
Making its Fox network bow on November 2, 2003, the weekly, half-hour Arrested Development would seem to meet all the qualifications of a "cult favorite." It was smart, hip, and savagely funny; it developed a fiercely loyal circle of fans; it was almost universally beloved of the critical establishment; and it never drew a large audience, barely making a second and then a third season. Jason Bateman headed the cast as Michael Bluth, a thirtysomething widower with a likable 13-year-old son named George Michael (Michael Cera). The level-headed Michael was disdained as the "white sheep" of his highly dysfunctional family because he refused to luxuriate in the wealth accumulated by his business entrepreneur father, George Bluth Sr. (Jeffrey Tambor), who had built a small Newport Beach frozen-banana stand into a vast financial empire. Instead, Michael broke from tradition by actually going to work for a living, and by not giving in to the ostentatious self-indulgence practiced by the rest of the Bluth clan. But when George Sr. was thrown in jail on a charge of fraud, Michael was forced to return to Orange County, CA, to take charge of the family and the family business, both of which were bankrupt because all of his father's assets had been frozen.
Now it was Michael's unenviable task to instill financial responsibility -- not to mention responsibility, period -- in the rest of the Bluth family. These included Michael's snobbish, boozy, hyperjudgmental mother, Lucille (Jessica Walter), who resided in a posh Balboa Bay penthouse and to whom credit cards were life's blood. Also living in Lucille's digs was Michael's youngest brother, Buster (Tony Hale), a perennial graduate student helplessly tied to his mother's apron strings (Buster would later become even more ineffectual, and far more of a thorn in Michael's side, when he lost his hand in an accident and was forced to use an ill-fitting hook). Moving in with Michael until conditions improved (if ever!) were his twin sister, Lindsay (Portia de Rossi), a selfish, scatterbrained liberal activist; Lindsay's husband, Tobias Fünke (David Cross), a former doctor who'd lost his license after administering CPR to a man who didn't need it, and who was half-heartedly trying to break into the acting profession (Tobias was also a deeply closeted homosexual, a fact obvious to everyone but himself); and the couple's spoiled-rotten daughter, Mae, aka "Maeby" (Alia Shawkat), for whom Michael's son, George Michael, harbored a somewhat unnatural crush. And just when you thought that the Bluth family couldn't be any more screwed up, we submit for your approval oldest son George Oscar II, aka "Gob" (Will Arnett), a spectacularly inept stage magician who suffered from a bad case of foot-in-mouth disease and who never had a job -- except when, during Michael's absence in season two, he inexplicably became the darling of Bluth Inc.'s board of directors.
Arrested Development also boasted a large cast of semi-regulars, most prominently Henry Winkler as the Bluth family's lovable but dangerously incompetent lawyer, Barry Zuckerkorn; Liza Minnelli as Lucille Bluth's neighbor and chief social rival Lucille Austero, aka Lucille 2, who at one point entered into a ridiculously torrid romance with the very much younger Buster; Justin Lee as Annyong, a 14-year-old Korean orphan whom Lucille Bluth adopted just to spite Buster; Ed Begley Jr. as George Sr.'s unscrupulous business rival Stan Sitwell; and an unbilled Ron Howard (whose Imagine Entertainment company produced the series) as the series' omnipresent narrator, forever filling in plot gaps with vital information (signature phrase: "In fact...") -- and always several steps ahead of the thick-eared characters. It is virtually impossible to chronicle all of the series' off-the-wall dialogue and surrealistic sight gags; suffice to say that the decision to approach the material in a hand-held "documentary" fashion, and to dispense with the use of a laugh track, only served to emphasize the million and one absurdities. The consistency of the series' lofty quality can be attributed to the fact that its creator, Mitchell Hurwitz (a veteran of such sitcoms as The Golden Girls and The John Larroquette Show), devoted every ounce of his energy to Arrested Development, refusing to accept any other projects throughout the show's run. Arguably too smart for the room, Arrested Development never got the huge audience it deserved, though the devotion of its fans and its multitude of industry awards all but shamed Fox into renewing the series beyond its first and second season. At the risk of offending devotees of Seinfeld and The Honeymooners, there are millions who regard Arrested Development as one of the best comedy series to grace network TV. ~ Hal Erickson, Rovi
Now it was Michael's unenviable task to instill financial responsibility -- not to mention responsibility, period -- in the rest of the Bluth family. These included Michael's snobbish, boozy, hyperjudgmental mother, Lucille (Jessica Walter), who resided in a posh Balboa Bay penthouse and to whom credit cards were life's blood. Also living in Lucille's digs was Michael's youngest brother, Buster (Tony Hale), a perennial graduate student helplessly tied to his mother's apron strings (Buster would later become even more ineffectual, and far more of a thorn in Michael's side, when he lost his hand in an accident and was forced to use an ill-fitting hook). Moving in with Michael until conditions improved (if ever!) were his twin sister, Lindsay (Portia de Rossi), a selfish, scatterbrained liberal activist; Lindsay's husband, Tobias Fünke (David Cross), a former doctor who'd lost his license after administering CPR to a man who didn't need it, and who was half-heartedly trying to break into the acting profession (Tobias was also a deeply closeted homosexual, a fact obvious to everyone but himself); and the couple's spoiled-rotten daughter, Mae, aka "Maeby" (Alia Shawkat), for whom Michael's son, George Michael, harbored a somewhat unnatural crush. And just when you thought that the Bluth family couldn't be any more screwed up, we submit for your approval oldest son George Oscar II, aka "Gob" (Will Arnett), a spectacularly inept stage magician who suffered from a bad case of foot-in-mouth disease and who never had a job -- except when, during Michael's absence in season two, he inexplicably became the darling of Bluth Inc.'s board of directors.
Arrested Development also boasted a large cast of semi-regulars, most prominently Henry Winkler as the Bluth family's lovable but dangerously incompetent lawyer, Barry Zuckerkorn; Liza Minnelli as Lucille Bluth's neighbor and chief social rival Lucille Austero, aka Lucille 2, who at one point entered into a ridiculously torrid romance with the very much younger Buster; Justin Lee as Annyong, a 14-year-old Korean orphan whom Lucille Bluth adopted just to spite Buster; Ed Begley Jr. as George Sr.'s unscrupulous business rival Stan Sitwell; and an unbilled Ron Howard (whose Imagine Entertainment company produced the series) as the series' omnipresent narrator, forever filling in plot gaps with vital information (signature phrase: "In fact...") -- and always several steps ahead of the thick-eared characters. It is virtually impossible to chronicle all of the series' off-the-wall dialogue and surrealistic sight gags; suffice to say that the decision to approach the material in a hand-held "documentary" fashion, and to dispense with the use of a laugh track, only served to emphasize the million and one absurdities. The consistency of the series' lofty quality can be attributed to the fact that its creator, Mitchell Hurwitz (a veteran of such sitcoms as The Golden Girls and The John Larroquette Show), devoted every ounce of his energy to Arrested Development, refusing to accept any other projects throughout the show's run. Arguably too smart for the room, Arrested Development never got the huge audience it deserved, though the devotion of its fans and its multitude of industry awards all but shamed Fox into renewing the series beyond its first and second season. At the risk of offending devotees of Seinfeld and The Honeymooners, there are millions who regard Arrested Development as one of the best comedy series to grace network TV. ~ Hal Erickson, Rovi
- 2003
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As Arrested Development leaps into its first season, hard-working Michael Bluth (Jason Bateman) is on the brink of starting a new life in Arizona with son George Michael (Michael Cera) when he is dragged kicking and screaming back to California, there to take charge of his family's business when his light-fingered father, George Sr. (Jeffrey Tambor), is jailed for fraud and the company's assets frozen. Though he had fondly assumed he'd seen the last of his vituperrious mother, Lucille (Jessica Walter), and his lazy, self-indulgent siblings, he was forced to hunker down and teach them how to behave (and spend!) more responsibly. As Michael's airheaded would-be-activist twin sister, Lindsay (Portia de Rossi), her sexually confused ex-doctor hubby, Tobias (David Cross), and their out-of-control daughter, Maeby (Alia Shawkat), move in with Michael, older brother Gob (Will Arnett), a spectacularly unsuccessful and untalented magician, must face the prospect of actually getting a real job, while the "baby" of the family, Michael's feckless kid brother, Buster (Tony Hale), remains sequestered in his mommy's Balboa Bay condo. Michael's well-ordered world doesn't take very long to unravel; by the second episode, his darling son George Michael has set fire to the Bluths' frozen-banana stand in Newport Beach, and has developed a borderline-incestuous crush on cousin Maeby. A few weeks later, Lucille Bluth's neurotic social rival Lucille Austero (Liza Minnelli) has entered into an affair with the much, much, much younger Buster, an act that will eventually move Buster's mom to spitefully adopt a Korean orphan named Annyong (Justin Lee). Meanwhile, Michael finds it next to impossible to break up the doomed romance between brother Gob and his girlfriend, Marta (Patricia Velasquez), and to fire such millstones around the Bluths' necks as hopelessly inept family lawyer Barry Zuckerkorn (Henry Winkler) and blackmailing company secretary Kitty Sanchez (Judy Greer).
Among the supporting actors entering into the lunacy are Rocky co-star Carl Weathers, who makes the first of several self-deprecating appearances as himself in the episode wherein George Michael is forced to hire a public relations service to gain entrance to a private school; Inside the Actors Studio host James Lipton as the warden in the prison where George Sr. is wasting away, so to speak; Seinfeld veteran Julia Louis-Dreyfus as the sight-challenged attorney Maggie Lizer, who plays up to Michael while trying to dig up more damaging dirt on his family's business practices; and series regular David Cross' longtime Mr. Show cohort Bob Odenkirk as a marriage counselor who tries to patch up the differences between Lindsay and Tobias (chief among them the fact that the "never-nude" Tobias will not undress in front of his spouse); and Amy Poehler, real-life wife of regular Will Arnett, as the "where the hell did she come from?" new wife of the gormless Gob. The season finale finds George Sr. staging a heart attack for the purpose of busting out jail, Maeby finally tumbling to George Michael's unspoken love for her, an unintentionally gay-themed book written years ago by Tobias embarrassingly hitting the best-seller charts, and the rivalry between Buster and Annyong coming to a head -- and threatening to bust both of their heads. Although season one of Arrested Development posted lukewarm ratings, the series earned a renewal from the Fox network largely on the strength of its five surprise Emmy Award wins (Outstanding Comedy Series, Outstanding Casting for a Comedy Series, Outstanding Directing, Outstanding Single-Camera Picture Editing, and Outstanding Writing). ~ Hal Erickson, Rovi
Among the supporting actors entering into the lunacy are Rocky co-star Carl Weathers, who makes the first of several self-deprecating appearances as himself in the episode wherein George Michael is forced to hire a public relations service to gain entrance to a private school; Inside the Actors Studio host James Lipton as the warden in the prison where George Sr. is wasting away, so to speak; Seinfeld veteran Julia Louis-Dreyfus as the sight-challenged attorney Maggie Lizer, who plays up to Michael while trying to dig up more damaging dirt on his family's business practices; and series regular David Cross' longtime Mr. Show cohort Bob Odenkirk as a marriage counselor who tries to patch up the differences between Lindsay and Tobias (chief among them the fact that the "never-nude" Tobias will not undress in front of his spouse); and Amy Poehler, real-life wife of regular Will Arnett, as the "where the hell did she come from?" new wife of the gormless Gob. The season finale finds George Sr. staging a heart attack for the purpose of busting out jail, Maeby finally tumbling to George Michael's unspoken love for her, an unintentionally gay-themed book written years ago by Tobias embarrassingly hitting the best-seller charts, and the rivalry between Buster and Annyong coming to a head -- and threatening to bust both of their heads. Although season one of Arrested Development posted lukewarm ratings, the series earned a renewal from the Fox network largely on the strength of its five surprise Emmy Award wins (Outstanding Comedy Series, Outstanding Casting for a Comedy Series, Outstanding Directing, Outstanding Single-Camera Picture Editing, and Outstanding Writing). ~ Hal Erickson, Rovi
- Starring:
- Jason Bateman, Portia de Rossi, (more)
- 2004
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The Bluth family of Orange County, CA, once again forces the media critics to come up with new variations on the word "dysfunction" as the cult-favorite sitcom Arrested Development launches its second season. For those who came in late, straight-arrow Michael Bluth (Jason Bateman) is still trying to keep his family and the family business from disintegrating after his entrepreneur father is thrown in jail on a fraud charge. Well, anyway, he was in jail until he broke out with the help of lookalike convict Oscar (also Jeffrey Tambor) at the end of season one. Now that George Sr. is on the run, the authorities target poor Michael for prosecution in their efforts to bring Bluth Inc. to justice -- and thus Michael's older brother, Gob, an habitually unemployed (and woefully) inept magician, becomes head of the family, managing to convince the company's board of directors that he actually has some business sense! In other developments, Michael's kid brother, Buster (Tony Hale), takes a break from his indolence by romancing Lupe (B.W. Gonzalez), a girl he'd met at a charity drive, and by joining the U.S. Army -- conveniently losing a hand in a freak accident just before he is to be sent to Iraq.
Meanwhile, bumbling detective Gene Parmesan (Martin Mull) gets lost somewhere south of the border while searching for the elusive George Sr.; Oscar, the man who'd traded places with George Sr. to effect his escape, may also end up replacing George Sr. in bed with his the elder Bluth's wife, Lucille (Jessica Walter); and Michael's 14-year-old son, George Michael, takes a surrealistic journey into "Charlie Brown" territory when he's dumped by his girlfriend. Plus, Michael's doctor-cum-actor brother-in-law Tobias (David Cross) edges further out of the closet when he adopts the drag alter ego of "Mr. Featherbottom." Also, this is the season when we meet George Sr.'s hated business rival Stan Sitwell (Ed Begley Jr.), whose daughter Sally (Christine Taylor) was once (and may still be) Michael's childhood sweetheart. Other guest performers include Martin Short as the paraplegic, monumentally annoying Uncle Jack Dorso, an old family friend who offers to help the Bluths regain their stock majority in their own company -- at a price; and blind lawyer/congenital liar Maggie Lizer (Julia Louis-Dreyfus), who shows up pregnant, leading Michael to believe that he's going to be a father again; and Ben Stiller as Gob's magician mentor Tony Wonder, whose most famous illusion was being baked in a loaf of bread -- and who, like everyone else on the show, has an ulterior motive for lending the Bluths a helping hand. The last episode of the season finds George Sr. still on the lam; Tobias linking up with his father-in-law's blackmailing, self-deprecating former secretary Kitty (Patricia Velasquez); and George Michael entering into a relationship with the devoutly Christian Ann Veal (Mae Whitman), despite her total revulsion for his family and everything they stand for. As in season one, Arrested Development earned several Emmy nominations for its second season, winning the prize for Outstanding Writing. ~ Hal Erickson, Rovi
Meanwhile, bumbling detective Gene Parmesan (Martin Mull) gets lost somewhere south of the border while searching for the elusive George Sr.; Oscar, the man who'd traded places with George Sr. to effect his escape, may also end up replacing George Sr. in bed with his the elder Bluth's wife, Lucille (Jessica Walter); and Michael's 14-year-old son, George Michael, takes a surrealistic journey into "Charlie Brown" territory when he's dumped by his girlfriend. Plus, Michael's doctor-cum-actor brother-in-law Tobias (David Cross) edges further out of the closet when he adopts the drag alter ego of "Mr. Featherbottom." Also, this is the season when we meet George Sr.'s hated business rival Stan Sitwell (Ed Begley Jr.), whose daughter Sally (Christine Taylor) was once (and may still be) Michael's childhood sweetheart. Other guest performers include Martin Short as the paraplegic, monumentally annoying Uncle Jack Dorso, an old family friend who offers to help the Bluths regain their stock majority in their own company -- at a price; and blind lawyer/congenital liar Maggie Lizer (Julia Louis-Dreyfus), who shows up pregnant, leading Michael to believe that he's going to be a father again; and Ben Stiller as Gob's magician mentor Tony Wonder, whose most famous illusion was being baked in a loaf of bread -- and who, like everyone else on the show, has an ulterior motive for lending the Bluths a helping hand. The last episode of the season finds George Sr. still on the lam; Tobias linking up with his father-in-law's blackmailing, self-deprecating former secretary Kitty (Patricia Velasquez); and George Michael entering into a relationship with the devoutly Christian Ann Veal (Mae Whitman), despite her total revulsion for his family and everything they stand for. As in season one, Arrested Development earned several Emmy nominations for its second season, winning the prize for Outstanding Writing. ~ Hal Erickson, Rovi
- Starring:
- Jason Bateman, Portia de Rossi, (more)
The sons of a Chicago fireman who gave his life in the performance of his duties, firefighting brothers Kurt Russell and William Baldwin carry their lifelong sibling rivalry into their work. Russell is convinced that Baldwin hasn't got what it takes to remain in the fire department. Baldwin is transferred to a "safe" assignment, assisting arson investigator Robert DeNiro, who is trying to make sense of a series of fires involving an oxygen-induced ball of fire called a backdraft. The investigation reveals a link between corrupt alderman J. T. Walsh and imprisoned pyromaniac Donald Sutherland. The trail of evidence leads Baldwin to suspect that his brother Russell, a much-decorated hero, may be the "inside" man setting up the arsons. ~ Hal Erickson, Rovi
- Starring:
- Kurt Russell, William Baldwin, (more)
In a rare foray into documentary filmmaking, Ron Howard and Brian Grazer's Imagine Entertainment produced this behind-the-scenes look at professional wrestling, shot on digital video by director (Barry W. Blaustein), screenwriter of several hit Eddie Murphy comedies. An unabashed wrestling fan since childhood, Blaustein nevertheless takes an unflinching look at the dark underbelly of the "sport," as he shadows a trio of wrestlers representing three very different aspects of the profession. Mick Foley is a superstar shown to be the complete opposite of "Mankind," his successful wrestling character. At work, Mankind is a bloodthirsty animal, but when his mask is off, he's a loving, doting father clearly worshipped by his two young kids, who are traumatized when they witness Foley being bloodied at an Anaheim, California, event. Terry Funk is a portrait of what Foley could become, a former legend now at the end of his career and in desperate need of knee surgery, but continuing to perform dangerous stunts in the ring. Jake "The Snake" Roberts, on the other hand, travels in second-class wrestling circles, a recovering drug addict who has a painful reconciliation with his daughter. Blaustein also interviews the World Wrestling Federation's boastful bigwig Vince McMahon. McMahon later tried to block the release and promotion of the film. ~ Karl Williams, Rovi
- Starring:
- Barry W. Blaustein, Jake "The Snake" Roberts, (more)
- 1981
Ron Howard plays a young farmer and family man whose dairy herd is being decimated by illness. As if this weren't enough, Howard's young son falls seriously ill. The state's agricultural officials could do something about Howard's plight, but red tape and bureaucracy rules the day. Based on a book by Frederick and Sandra Halbert, this caustic indictment of governmental indifference was nominated for four Emmies. Made for television, Bitter Harvest debuted May 18, 1981. ~ Hal Erickson, Rovi
- Starring:
- Ron Howard, Art Carney, (more)
A champion surfer who never met a wave she couldn't conquer, California teen Dana (Sasha Jackson) leaves Beverly Hills behind for the adventure of a lifetime, and makes some remarkable new friends along the way. Dana's late mother grew up in South Africa, and kept a detailed diary about her childhood experiences. Inspired by her mother's words, the privileged teen rejects her father's requests to enroll in college, instead booking a flight to South Africa to walk the beaches she has read about since childhood. Her mother's dream was to surf the waves of Jeffreys Bay, and with a little help from some fun-loving friends, Dana prepares to fill in the missing chapter of the book that guides her voyage. ~ Jason Buchanan, Rovi
- Starring:
- Sasha Jackson
Inspired by actual events that occurred in 1920s-era Los Angeles, Clint Eastwood's The Changeling tells the story of a woman driven to confront a corrupted LAPD after her abducted son is retrieved and she begins to suspect that the boy returned to her is not the same boy she gave birth to. The year was 1928, and the setting a working-class suburb of Los Angeles. As Christine (Angelina Jolie) said goodbye to her son, Walter, and departed for work, she never anticipated that this was the day her life would be forever changed. Upon returning home, Christine was distressed to discover that Walter was nowhere to be found. Over the course of the following months, the desperate mother would launch a search that would ultimately prove fruitless. Yet just when it seemed that all hope was lost, a nine-year-old boy claiming to be Christine's son seemed to appear out of thin air. Overcome with emotions and uncertain how to face the authorities or the press, Christine invites the child to stay in her home despite knowing without a doubt that he is not her son. As much as Christine would like to accept the fact that her son has been returned to her, she cannot accept the injustice being pushed upon her and continues to challenge the Prohibition-era Los Angeles police force at every turn. As a result, Christine is slandered by the powers that be, and painted as an unfit mother. In this town, a woman who challenges the system is putting her life on the line, and as the situation grows desperate, the only person willing to aid her in her search is benevolent local activist Reverend Briegleb (John Malkovich). ~ Jason Buchanan, Rovi
- Starring:
- Angelina Jolie, John Malkovich, (more)
- 2000
- Add Chuck Jones: Extremes and Inbetweens - A Life in Animation to Queue Add Chuck Jones: Extremes and Inbetweens - A Life in Animation to top of Queue
Chuck Jones: Extremes and Inbetweens - A Life in Animation was originally telecast as a PBS "Great Performances" episode on November 22, 2000. Warner Bros. animator Charles Martin "Chuck" Jones created many cartoon characters, including Pepe Le Pew, Wile E. Coyote, and the Road Runner. A key member of the team that developed Daffy Duck and Porky Pig, Jones also directed more than 50 Bugs Bunny cartoons. In her paean to Jones, writer-producer-director Margaret Selby features a running interview with the 88-year-old Jones, as well as interviews with famous fans, including Hollywood luminaries Whoopi Goldberg, The Simpsons creator Matt Groening, Ron Howard, Toy Story director John Lasseter, Steven Spielberg, and Robin Williams. Highlights include clips from such classic Jones cartoons including Rabbit of Seville, What's Opera, Doc?, One Froggy Evening, Duck Amuck, the original television version of How the Grinch Stole Christmas, and Academy Award-winner The Dot and the Line. ~ Steve Blackburn, Rovi
- Starring:
- Chuck Jones, Leonard Maltin, (more)
The true story of an athlete who achieved his greatest success against the most daunting odds of his life is brought to the screen in this historical drama. In the 1920s, James Braddock (Russell Crowe) from Bergen, NJ, was a promising contender in professional boxing; he had strength, spirit, and tenacity, but the combination of a serious hand injury and a 1929 defeat in a bout with light heavyweight champ Tommy Loughran sent his career into a serious tailspin. As Braddock's career in the ring dried up, the Great Depression put a stake through the heart of America's economy, and Braddock found himself working at the New York docks for pitiful wages as he tried to support his wife, Mae (Renée Zellweger), and three children. Desperate for money, Braddock turned to his former trainer and manager Joe Gould (Paul Giamatti), who was unexpectedly able to scare up a bout for him, battling John Griffin at Madison Square Garden. While conventional wisdom had it that Braddock was too old, out of shape, and out of practice to have any chance of winning, he defeated Griffin, and continued beating his opponents with a powerful left hook that had been intensified by years of punishing dock work. In a nation desperate for good news, Braddock's surprising comeback became a tonic to struggling workers and unemployed people, and all eyes were on Braddock when in 1935 he took on powerful heavyweight champion Max Baer (Craig Bierko) in what was both literally and figuratively the fight of his life. ~ Mark Deming, Rovi
- Starring:
- Russell Crowe, Renée Zellweger, (more)
The directorial debut of Glenn Gordon Caron, the creator of the television series Moonlighting (1985-89), this intense, gritty drama was received as one of the best-ever cinematic treatments of substance abuse. Michael Keaton stars as Daryl Poynter, a hustling, successful Philadelphia real estate agent who has become addicted to cocaine. He's already got problems, including nearly a $100,000 embezzled from his employer and lost on the stock market, when he wakes up one morning with a young woman dead in his bed from a coke overdose. His company is asking questions about the missing funds, and the dead girl's father is plastering his neighborhood with posters accusing Daryl of being a murderer, so he decides to hide out in an anonymous drug treatment program. There, however, Daryl runs into tough-minded counselor and former addict Craig (Morgan Freeman), who has heard all of Daryl's lies and tricks before. Daryl also finds romance with an abused fellow addict, Charlie Standers (Kathy Baker), and understanding with his Alcoholics Anonymous sponsor (M. Emmet Walsh). ~ Karl Williams, Rovi
- Starring:
- Michael Keaton, Kathy Baker, (more)
- 1990
- R
Indian-born, American-educated director Radha Bharadwaj based her allegorical thriller on the work of her husband with Amnesty International. The story concerns The Woman (Madeleine Stowe), a children's book writer who, in an unspecified country, is abducted from her bed in the middle of the night and imprisoned for writing subversive literature. She declares her books to be pure fantasies, but her well-dressed inquisitor The Man (Alan Rickman) sees the books as allegorical attacks on the State. In the form of a long dialogue between The Man and The Woman, The Man, through psychological and physical torture, attempts to get The Woman to confess. But The Woman endures, refusing to buckle under to The Man's relentless interrogation. ~ Paul Brenner, Rovi
- Starring:
- Madeleine Stowe, Alan Rickman, (more)
Cocoon is a warm-hearted science-fiction fable that avoids becoming overly corny thanks to the performances of its mostly senior cast. Wilford Brimley, Don Ameche, and Hume Cronyn are three old-timers who sneak out of their retirement home a few days a week to swim in the large pool on an abandoned estate next door. When the threesome begins to feel curiously younger, they discover strange pods on the floor of the pool. These pods are alien cocoons, which are being pulled from the ocean by a team of extra-terrestrials in human form led by Walter (Brian Dennehy), who has hired a local charter operator (Steve Guttenberg) to assist him. Walter explains to the seniors that energy from the cocoons is restoring youth and vigor to the older men every time they go for a dip. The aliens agree to let the men continue to swim in secret, but of course they can't keep their discovery to themselves. Soon the pool is swarming with retirees, with the notable exception of Bernie (Jack Gilford), who has no interest in prolonging life any longer than necessary. The aliens ultimately prepare to return home and offer the retirees eternal life if they leave Earth behind as well. Director Ron Howard treats his old-timers with care and dignity, and they respond with deeply sympathetic performances (Ameche won the Best Supporting Actor Oscar); the film's science-fiction trappings ably sustain the story's all-too-human ruminations on youth, aging, life, and death. ~ Don Kaye, Rovi
- Starring:
- Don Ameche, Wilford Brimley, (more)
- 1978
In this made-for-television movie, a group of high-school nerds form a band to gain both renown and romance. Directed by Ron Howard, the film was co-scripted by Howard and brother Clint. ~ John Bush, Rovi
Based on the graphic novel by Scott Mitchell Rosenberg, Cowboys & Aliens is set in 1800s Arizona, where the local cowboys, headed by gunslinger Jake Lonergan (Daniel Craig), and the indigenous Apache tribe have been feuding fiercely for quite a while. Their skirmish is interrupted, however, by the appearance of a spaceship, commanded by an alien creature that's bent on enslaving the human race. It's time for a six-gun shoot-out between these cattle rustlers and space invaders, and there might even be a temporary peace between the cowboys and Indians as they both take aim at these extraterrestrial uninvited guests. Jon Favreau directs from a script by Star Trek scribes Alex Kurtzman and Roberto Orci, with help from Lost's Damon Lindelof. Olivia Wilde, Harrison Ford, and Sam Rockwell fill out the headlining cast. ~ Cammila Collar, Rovi
- Starring:
- Daniel Craig, Olivia Wilde, (more)
The naughty little monkey from Margret Rey and H.A. Rey's beloved children's stories makes the leap to the big screen in this animated adaptation. Ted (voice of Will Ferrell) is an explorer with a large yellow hat who is good friends with Bloomsberry (voice of Dick Van Dyke), who runs a natural history museum. Bloomsberry's greedy son, Bloomsberry Junior (voice of David Cross), wants to tear down his dad's museum and put a parking ramp in its place, but the elder Bloomsberry is convinced that a spectacular new exhibit could save the museum from the wrecking ball. Ted heads to Africa on an expedition to find some special artifacts that will keep his friend in business, but while he's there he befriends a playful monkey he calls George (voice of Frank Welker). While George is friendly, he has a taste for mischief and seems to always get Ted in hot water; Ted thinks he's seen the last of his simian friend when his ship heads back to America, until he discovers that George managed to hide aboard the boat before it set sail. Ted's search for a eye-catching exhibit proved to be a failure, and Ted and his good friend Maggie (voice of Drew Barrymore), a schoolteacher who's sweet on him, struggle to find of a way to save Bloomsberry's museum. But time becomes precious for Ted when George has an entire new city to explore. Curious George features a handful of original songs composed for the film by surfer-turned-singer/songwriter Jack Johnson. ~ Mark Deming, Rovi
- Starring:
- Will Ferrell, Drew Barrymore, (more)
- 2006
Inspired by the series of popular children's books created by H.A. Rey and Margret Rey in 1941, the daily, half-hour Curious George was the second animated TV version of the venerable property. Narrated by actor William H. Macy, the two short cartoon segments per half-hour episode found mischievous "four-handed" monkey Curious George going through his time-honored paces, all the while gleaning valuable insights about science, math, and design-engineering concepts. Generally George had to have his enthusiasm curbed by the ubiquitous Man in the Yellow Hat, but he always managed to absorb an educational concept that could be easily grasped by the series' two- to six-year-old target audience. The end of each episode featured live-action segments showing children applying whatever they'd learned during the animated segments. Produced by Universal Home Entertainment, Imagine Entertainment, and WGBH-Boston, Curious George made its PBS debut on September 4, 2006, not long after a CGI-animated feature-film version of the same property was released theatrically. ~ Hal Erickson, Rovi
- Starring:
- William H. Macy
- 2000
- PG
- Add Dr. Seuss' How the Grinch Stole Christmas to Queue Add Dr. Seuss' How the Grinch Stole Christmas to top of Queue
He's mean, he's green, and he's doesn't like the Yuletide season one bit -- Jim Carrey stars in this live-action adaptation of the classic children's story by Dr. Seuss (aka Theodore Geisel). High atop Mt. Crumpet, the Grinch (Carrey) observes the residents of Whoville joyously preparing to celebrate Christmas. The Grinch was born in Whoville years ago, but was shunned due to his scary appearance, and his unrequited love for Martha May Whovier has turned him bitter; the good cheer of the Whos has been a thorn in his side ever since. Finally the Grinch decides he's had enough of all this happiness, and with the wary aid of his dog Max, the Grinch conspires to steal Christmas from Whoville, making off with their presents, holiday decorations, Christmas trees, and everything else used to enjoy the holiday. Molly Shannon, Christine Baranski, Jeffrey Tambor, and Clint Howard play several of the citizens of Whoville, while Anthony Hopkins narrates (taking over from the late Boris Karloff, who memorably read Dr. Seuss' story in Chuck Jones' 1966 animated adaptation of the story). Ron Howard directs. ~ Mark Deming, Rovi
- Starring:
- Jim Carrey, Jeffrey Tambor, (more)
- 1999
- PG13
- Add EDtv to Queue Add EDtv to top of Queue
The turning point in the life of Ed Pekurny (Matthew McConaughey) comes thanks to the misfortunes of the NorthWest Broadcasting Company. After two years on the air, their flagship cable channel, True TV, has slid into obscurity due to competition from the The Gardening Channel. Program director Cynthia Topping (Ellen DeGeneres) brainstorms a last ditch effort to save the channel: broadcast one ordinary person's life 24 hours a day, unedited (while he sleeps, the day's highlights will be shown). When the network agrees to the idea, Topping must find the subject of her program. After endless auditions, she lucks upon Ed, a goofy but good-looking video store clerk. Ed has little time to get used to his new shadow, a three man video crew, before the show becomes a hit. Suddenly Ed's a cultural icon with fan clubs, stalkers, and imitators, but the media saturation has it's effects on his friends and family, who are now part of the program. Ed alienates his proud brother, Ray (Woody Harrelson), by falling in love with his girlfriend, Shari (Jenna Elfman). His estranged father Hank (Dennis Hopper) reappears after abandoning the family and creates tension between Ed and Ray's mother, Jeanette (Sally Kirkland) and her wheelchair-bound second husband, Al (Martin Landau). When Ed realizes the phenomenon has turned on him, he convinces Topping to stop the ordeal, but not her boss, Whitaker (Rob Reiner). To regain his life, Ed must find a way to cancel EDtv. ~ Ron Wells, Rovi
- Starring:
- Matthew McConaughey, Jenna Elfman, (more)
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