Bill Buell Movies

Set against the anti-war protests, rock & roll revolution, and mind-expanding psychedelia of the 1960s, Julie Taymor's hallucinogenic musical follows the arduous journey of star-crossed lovers Jude (Jim Sturgess) and Lucy (Evan Rachel Wood) as they and a small group of musicians are swept up in the raging waters of the volatile counterculture movement. Guided through their journey by a pair known only as Dr. Robert (Bono) and Mr. Kite (Eddie Izzard), Jude and Lucy are eventually forced to find their way back to one another after being split apart by powerful forces beyond their control. The music in the film consists exclusively of songs made popular by the Beatles during the time period depicted in the movie. ~ Jason Buchanan, All Movie Guide

Directed by Walter Salles Jr., this remake of Hideo Nakata's supernatural psychological drama Honogurai Mizuno Soko Kara revolves around the plight of a single mother (Jennifer Connelly) whose messy divorce and subsequent battle for the custody of her five-year-old daughter is taking a heavy toll on her emotional well-being. Ultimately, the mother and daughter are able to relocate to an apartment, which, despite its excessively dilapidated interior, seems to be an adequate location for beginning a new life. Before long, however, what appears to be the spirit of a young girl begins to haunt them. No stranger to mental illness, the wary young woman brushes the visions aside as part of the inherent stress of making the transition from housewife to working, single mom. As time goes by and the apparent haunting does not subside, the apartment's new residents are forced to examine the history of its former tenants. Dark Water also features performances from John C. Reilly, Tim Roth, and Dougray Scott. ~ Tracie Cooper, All Movie Guide

Alfred Kinsey was an entomologist who taught at Indiana University and had a keen interest in an area of human behavior that had seen little scholarly research -- human sexuality. While the courtship and reproductive patterns of animals had been carefully documented, Kinsey believed that most "established facts" about human sexual behavior were a matter of conjecture rather than research and that what most people said about their sex lives was not born out by the evidence (a subject that had personal resonance for him given the troubles he and his wife Clara Kinsey had in the early days of their marriage). After introducing a course in "Marriage" at Indiana University which offered frank and factual information on sex to students, Kinsey began an exhaustive series of interviews with a wide variety of people from all walks of life in order to find out the truth about sex practices in America. When he published Sexual Behavior and the Human Male in 1948, his findings were wildly controversial, indicating that most men had a wider variety of sexual experiences than most people imagined, including a number of practices commonly thought to be dangerous or perverted (including pre-marital sex, same-sex contacts, and masturbation). An even greater outcry greeted Kinsey's next volume, Sexual Behavior and the Human Female, which contradicted common notions than most women went into marriage sexually inexperienced. Kinsey is a film biography written and directed by Bill Condon which examines Kinsey's life and work from his strict childhood until his death in 1956. Liam Neeson plays Alfred Kinsey, and Laura Linney co-stars as Kinsey's wife and colleague Clara. John Lithgow highlights the supporting cast as Kinsey's repressed and moralistic father, while Chris O'Donnell, Peter Sarsgaard, and Timothy Hutton play members of Kinsey's research team and Tim Curry appears as an IU faculty member at odds with Kinsey's teachings. ~ Mark Deming, All Movie Guide

It's the fourth-season finale of Curb Your Enthusiasm, and in addition to being nervous about his Broadway debut in The Producers, Larry (Larry David) only has a few days left in which to take advantage of Cheryl's (Cheryl Hines) anniversary gift. There are a couple of likely prospects, including his co-star in the show, Cady Huffman. Jeff (Jeff Garlin) helps Larry's cause with her by telling her that Larry suffers from obsessive-compulsive disorder, just like she does. Once the gang arrives in New York for the show, Jeff (Jeff Garlin) introduces him to Christina (Cynthia Ettinger) who describes herself as a "fellatio teacher." Larry continues his petty squabbles with David Schwimmer and gets into trouble with the hotel staff due to some confusion over gratuities. He also has to deal with his obnoxious cousin Andy (Richard Kind, who actually starred in The Producers on Broadway) and his special needs, and has a run-in with a hostile tourist (Stephen Colbert). The episode features many guest cameos including Mel Brooks, Susan Stroman (director of the Broadway show and the feature-film musical version of The Producers), Paul Mazursky, Nathan Lane, Jerry Seinfeld, and, in her last filmed appearance, Anne Bancroft. ~ Josh Ralske, All Movie Guide

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, All Movie Guide

Helen (Kate Capshaw) runs a bookstore in Loblolly By The Sea, a small fishing community in New England where everyone seems to know everyone else's business. A 42-year-old single mother, she is emotionally distant and fearful of getting too close to anyone. George (Tom Selleck) has known Helen since they were schoolmates, and he's been in love with her for ages, but has always settled for just being her friend. Convinced she wasn't interested in him, he married another woman years ago. Helen also has another secret admirer, Johnny (Tom Everett Scott), who isn't at all put off by the fact that Helen is twice his age. Johnny, however, is currently occupied with Jennifer (Julianne Nicholson), a fellow student who also works at the bookstore and is crazy about him. Into this tangled web of unrequited love comes an amorous letter that Helen finds in the store one day. The letter bears no signature and no address; it's at once passionate and oblique, fervent and cryptic. It's very interesting stuff. So who wrote it? And to whom was the writer planning to send it? Before long, the letter has made its way through this circle, and everyone has an idea (or a hope) of who their secret love is, although no one knows for sure or just how to find out. The Love Letter marked the American debut of director Peter Ho-Sun Chan, who enjoyed success in Hong Kong with Comrades: Almost A Love Story and He's A Woman, She's A Man. The supporting cast includes Ellen DeGeneres, Blythe Danner, and Gloria Stuart. The Love Letter may be best remembered as the only major studio film to open the same week as Star Wars: Episode One -- The Phantom Menace. ~ Mark Deming, All Movie Guide

The 1947 holiday classic Miracle on 34th Street is transplanted to the 1990s with few changes in this family-oriented remake. The screenplay by the prolific John Hughes sticks close to the original outline, centering on Macy's executive Dorey Walker (Elizabeth Perkins) and her young daughter Susan (Mara Wilson), neither of whom much believes in the spirit of Christmas. Dorey is in charge of hiring Macy's Santas, including an old man named Kriss Kringle (Richard Attenborough). He does a remarkably convincing job, and he soon reveals that he actually believes himself to be Santa Claus. The authorities threaten to place the old man in an insane asylum, but a young lawyer comes to his defense. Meanwhile, Dorey and Susan find their own defenses melting and become reacquainted with the power of faith. Hughes and director Les Mayfield add a few modern touches, making Susan slightly more cynical and adding the requisite soulless corporate villains. Viewers familiar with the original may still prefer Edmund Gwenn's original Kris Kringle and consider the remake unnecessary, although the newer version reflects enough of the earlier film's spirit to prove entertaining to modern family audiences. ~ Judd Blaise, All Movie Guide

Wind is set in the world of competitive yacht racing, where a young sailor (Matthew Modine) is intent on winning the America's Cup, as well as regaining the affections of his ex-girlfriend (Jennifer Grey). As the film opens, Modine chooses to race the America's Cup instead of staying with Grey. She leaves him and his team loses the race, leaving him devastated. Modine tracks Grey down, finding her with a new boyfriend, who happens to be an engineer. He persuades her and her new boyfriend to help him build a new yacht, which he plans on using in his pursuit to regain the America's Cup. ~ Stephen Thomas Erlewine, All Movie Guide