Willy Holt Movies

An authority on rare books is drawn into a confrontation with the forces of darkness in this thriller directed by Roman Polanski. Dean Corso (Johnny Depp) is a rare book broker who makes his living tracking down valuable items for rich bibliophiles. Corso is hired by Boris Balkan (Frank Langella), a millionaire New Yorker with a vast collection of occult literature and a keen interest in "The Nine Gates to the Kingdom of Shadows." Legend has it that the book was co-written by Satan in the 17th century, and only three copies are known to exist; the owner of one recently sold the book to Balkan a few days before killing himself. Balkan wants Corso to find the other two copies (one owned by a Mr. Fargas in Portugal and the other by a French collector named Kessler) and examine them to determine if they are forgeries. Corso is told to be thorough and spare no expense. He begins by visiting Liana Telfer (Lena Olin), the widow of the man who once owned Balkan's copy of the book, who has an unusually strong desire to get the book back, and confers with his friend Bernie (James Russo), who soon turns up dead, in a manner much like an illustration from the book. Corso learns that the book contains clues to a puzzle that will allow people to call up the devil, and certain people will stop at nothing to find the missing parts of the formula. ~ Mark Deming, Rovi

A perverse, dark-humored comedy drama, Bitter Moon crosses the line into intentional camp more often than not in its tale of a kinky cripple Oscar (Peter Coyote) and his beautiful wife Mimi (Emmanuelle Seigner). Oscar ensnares a proper British man, Nigel (Hugh Grant) on an ocean-liner and makes him listen to the twisted tale of his relationship with Mimi (related in lengthy flashbacks) and how erotic obsession turned to homicidal hatred. Nigel is married to Fiona (Kristin Scott-Thomas), but is captivated by Mimi and listens to Oscar's grotesque stories because of his fascination. Naturally, the whole thing ends in tragedy, but it's wicked fun getting there, as director Roman Polanski paces the film quite well and the cast (particularly Coyote) is wonderful. ~ Robert Firsching, Rovi

This comic excursion from Louis Malle is set in May 1968, concurrent with a series of Parisian student uprisings. After the death of family matriarch Mme. Vieuzac (Paulette Dubost), the survivors converge on the French countryside for her funeral; they include her two sons, Milou (Michel Piccoli) and Georges (Michel Duchaussoy); Camille (Miou-Miou), Milou's daughter; Camille's husband and children; and granddaughter Claire (Dominique Blanc), a lesbian. With the latest news of rebellion from Paris as their soundtrack, the family members argue over property, revive long-simmering arguments, and watch in dismay as an unlikely love affair begins. When the student uprising threatens to spill over into their community, the family heads for the hills, where the great outdoors only intensifies their reunion. ~ Jason Ankeny, Rovi

Arthur Penn takes a crack at subverting the espionage film genre in Target. Walter Lloyd (Gene Hackman) is a quiet and unassuming lumberyard owner in Dallas, Texas. Chris (Matt Dillon) has dropped out of college to pursue a career as a race car driver. But all mundane tasks come to an end when Walter's wife Donna (Gayle Hunnicutt) is kidnapped while on a European trip. Walter flies to Paris with Chris to see what can be done. Once in Europe, Chris is shocked to discover that his dad was once a top CIA agent. Together, the two visit all of Walter's old CIA contacts in an effort to locate Donna. Finally, Walter discovers that Donna has been kidnapped by a rogue spy seeking revenge for an incident that happened eighteen years earlier. Now Walter must apply his old and vicious CIA tricks to save his wife from an old and vicious CIA operative. ~ Paul Brenner, Rovi

In this plodding drama about a man searching for his friend's wronged lover, there is neither high action nor high suspense to keep -- or even reach -- a quick-paced storyline. A shallow womanizer (Jean Rochefort) plays the trumpet in an orchestra conducted by his steady and stable friend (Philippe Noiret). One day a woman bursts into the womanizer's dressing room and tries to shoot him down for what he did to her sister. As he goes into hiding for his own safety, he asks the orchestra leader to find out who he wronged, and try to help him correct the problem. The rest of the film concerns that search, and its resolution. ~ Eleanor Mannikka, Rovi

Three workers in a social services office on Christmas Eve find themselves the center of a vortex of rag-tag humanity that all need their professional help, and more. Their visit from Santa Claus does not involve a trip down a chimney, but a walk-in by a somewhat derelict, irascible St. Nick hunting for the unfortunate Mrs. Nick, whose girth is wider than her husband's because she's carrying the future little Nick or Nicola -- she also has a sack, given that she is a bag lady, and she herself is in need of an orthodontist. This unusual couple is complemented by other characters in need of assistance, including a woefully abject transvestite and one character who no longer needs assistance because corpses are pretty much beyond help. Events conspire to bring everyone to the zoo, a fitting place for the cast of eccentrics, social workers not excluded. ~ Eleanor Mannikka, Rovi

Servolle (Claude Brasseur) is a police inspector and Faguet (Jean-Louis Trintignant) is a real estate dealer who become good friends because of their shared love of bicycling -- something they do each Sunday with others of like mind, circling a wooded park area. While they are pedaling away one Sunday morning, Faguet's wife is murdered by a sniper that had been the target of Servolle's investigations for many months. Outraged at this tragedy, he vows to Faguet that he will find the killer. But as time passes, the inspector begins to wonder if Faguet did not curry his friendship in order to get him (Faguet) off the list as a suspect in his wife's murder. This preoccupies Servolle, as he discovers that Faguet has lied to him several times already. ~ Eleanor Mannikka, Rovi

Inside jokes about the film industry dominate this slight tale of ambition and romance at the Cannes Film Festival. Keith Carradine plays a first-time director who has sunk two years and all his money into a movie about the execution of murderer Gary Gilmore. With his last bit of cash, he flies himself and his picture to Cannes, but the film is seized by French customs. The wife of an Italian producer (Monica Vitti) helps him retrieve his work, and the two become embroiled in a passionate, yet ultimately ill-fated, affair. Carradine gets the first-time, self-important director mostly right, but the movie is so specific to the film industry that viewers may lose interest. ~ Don Kaye, Rovi

The film traces the lifelong relationship between playwright Lillian Hellman and Julia, a wealthy girl who turns her back on her upbringing to follow her ideals. In the 1930s, while the adult Hellman (Jane Fonda) struggles to establish herself as a playwright with the help of her lover, Dashiell Hammett (Jason Robards), Julia (Vanessa Redgrave) battles the exigencies of the Nazi regime. Visiting Julia in Germany, Lillian realizes how much her friend's idealism has cost her, both physically and financially. Lillian is asked by Julia's friend Johann (Maximilian Schell) to smuggle a large sum of money from Paris to Germany, the better to combat the Nazis from within. Nominated for 11 Academy Awards, including Best Picture, Best Director, and four acting awards, Julia won for Alvin Sargent's screenplay and Robards' and Redgrave's performances, leading to Redgrave's infamous "Zionist hoodlums" acceptance speech. ~ Hal Erickson, Rovi

Set in the City of Light, this crime melodrama chronicles the attempts of a US drug agent to stop a major drug-lord. Though the agent realizes his three predecessors have been assassinated, and that the French government doesn't necessarily approve of the Yank's harassment of a French citizen, he is determined to succeed. Then a Parisian cop quietly suggests that Anthony Quinn himself hire an assassin to kill the drug lord. He thinks about it long and hard, before agreeing to it. Later he is shocked to learn that the assassin is an old war buddy. The hit man then works overtime to cozy up to the criminal and earn his trust. While he is doing that, the agent learns that events have changed and he must capture the drug lord alive. Unfortunately, he must first find a way to call off the professional killer before it is too late. ~ Sandra Brennan, Rovi

This French comedy is the first feature film directed by the well-known television-director Pierre Tcherina. In the film, the most elaborate designs of a greedy family are unwittingly undone by an ailing old man. The family has made a complicated financial arrangement which will result in their owning the lovely resort villa the old man is living in, but until he dies they are obligated to let him continue living there. Actually, the old man wouldn't be there in the first place, but the family arranged for him to live there as they expected him to die at any moment. Instead, he lives through the Second World War and the years following, completely oblivious to their plots to do away with him; he is extremely grateful for their attentiveness and generosity, and is saddened as, one after another, they drop by the wayside. ~ Clarke Fountain, Rovi

Dany (Samantha Eggar) is the ad agency secretary to Caldwell (Oliver Reed) in this psychological crime drama. She is asked to drive him to the airport and park the car in the lot after working at his home the night before. Getting in the wrong lane, she decides to use the car for a weekend getaway and return in time to collect Caldwell upon his return. Soon she is recognized in places she has never been before. She picks up a hippie (John McEnery) and makes love to him only to find he has stolen the car in the morning. Dany finds the car and the hippie, but there is now a dead body in the back seat. She finds where the dead man lived and takes the body to the house. Dany finds erotic nude photos of herself in the strange man's apartment even though the two had never met. She begins to suspect that her boss and his sluttish wife Anita (Stephane Audran) are setting her up to take the fall for the man's murder. ~ Dan Pavlides, Rovi