Sarah Green Movies

Terrence Malick, the universally acclaimed American filmmaker responsible for the key 1970s features Badlands and Days of Heaven, returns for a rare directorial outing with the sweeping period piece The New World -- an epic dramatization of Pocahontas' relationships with John Smith and John Rolfe. Malick's story opens at the dawn of the 17th century, just prior to the colonization of the United States -- when the North American population consisted of an interconnected series of native tribes. In April 1607, three maritime vessels approach the unfamiliar continent, with 103 sailors on board. As members of the Virginia Company, these adventurers carry a royal charter to mount a society on the edge of the new continent. John Smith (Colin Farrell) sits chained below one of the decks. He is a 27-year-old loose cannon, who, for his persistently rebellious acts, has been sentenced to death by hanging as soon as the ships dock. Nevertheless, Captain Christopher Newport (Christopher Plummer) acknowledges Smith's ability to aid with exploration and consents to pardon him as a result. Upon landing, Smith seeks assistance from local Native American tribes with colonization, but runs into the unexpected -- he falls desperately in love with Pocahontas, or "Playful One" (Q'orianka Kilcher), the daughter of the omnipotent Chief Powhatan (August Schellenberg). Needless to say, this does not sit well with Powhatan or the rest of the tribe. Moreover, the oft-bellicose Smith enters a head-to-head conflict with his fellow Britons when he finds his tempestuousness calmed by the tranquility of the new landscape, as the anger and violence of his shipmates concurrently build in the face of the Native Americans. Later, Smith temporarily returns to England; believing that Smith is dead, Pocahontas accepts the hand of plantation owner John Rolfe in marriage (with her father's blessing) and follows Rolfe back to the old country. When Smith returns to America, his intended is nowhere to be seen, and the entire community teeters on the brink of a British-Indian war. Malick shot the production on location in Virginia; it co-stars Jonathan Pryce, John Savage, and David Thewlis. ~ Nathan Southern, All Movie Guide

In Deepa Mehta's poignant and heartbreaking romance, Emilia Fox plays Fay, a generally content, thirtysomething Torontoite suffering in a relationship of quiet desperation with her boyfriend; Bruce Greenwood is Tom Avery, a loser in the ways of romance with three broken-hearted marriages behind him, who hosts a late-night call-in radio program. The two meet and grow deeply smitten with one another, but must ultimately learn to accept one another unconditionally. Life seems just about perfect, until an unforeseen calamity challenges everything Fay has come to rely on as stable and solid. Mehta adapted the novel of the same title by Canadian author Carol Shields. ~ Nathan Southern, All Movie Guide

Echoing the themes of Living in Oblivion and Irma Vep, David Mamet's seventh feature centers on the havoc wrought on the inhabitants of a small town by a troubled film production. After its leading man's propensity for teenage girls gets them banished from their New Hampshire location, a film crew relocates to the small town of Waterford, VT, to finish shooting "The Old Mill." As its title suggests, the film depends on the presence of a genuine mill, something the town is reported to possess. Unfortunately, with only days before principal photography begins, it becomes apparent that the mill in fact burned down decades ago. Unfazed, the film's director, Walt Price (William H. Macy), places his faith in the ability of first-time screenwriter Joseph Turner White (Philip Seymour Hoffman) to alter the script; what he doesn't count on is White's apparently bottomless reserve of angst-fueled writer's block. The film's leading lady (Sarah Jessica Parker) refuses to do her contracted nude scene unless she's give an ungodly sum of cash, while a foreign cinematographer offends the locals by messing with an historic firehouse, and the leading man, Bob Barrenger (Alec Baldwin), dallies with Carla (Julia Stiles), a crafty local teen. Everything comes to a head after Barrenger and Carla are injured in a car accident, which leads White to another emotional quandary and into the arms of Ann Black (Rebecca Pidgeon). ~ Rebecca Flint Marx, All Movie Guide

Playwright and filmmaker David Mamet, best known for gritty, emotionally powerful dramas such as American Buffalo, Glengarry Glen Ross and Oleanna, approaches something different with this project, a screen adaptation of Terrence Rattigan's play The Winslow Boy, which was previously filmed in 1948. Set in England in 1912 (and based on an actual court case), the story begins with the Winslow family at a tense and trying moment. Arthur Winslow (Nigel Hawthorne) is making final preparations for a dinner to seal the engagement between his daughter Catherine (Rebecca Pidgeon) and John Watherstone (Aden Gillett). Catherine herself has been a subject of no small tension in the family, given her outspoken support of the controversial cause of women's suffrage. However, the meeting between Arthur and John goes well, and the family and guests are toasting the upcoming marriage when Arthur discovers that his youngest son Ronnie (Guy Edwards) is unexpectedly home from the Naval College at Osbourne. It seems Ronnie was accused of stealing a five shilling postal note from one of his classmates and was expelled as a result. Ronnie proclaims his innocence and his father believes him -- enough so that he demands an apology from the College. When the college refuses to reinstate Ronnie, Arthur decides to take the matter to court. His councilor, Sir Robert Morton (Jeremy Northam), informs him that the Naval College is a representative of the Admiralty and the Crown, and as such British law presumes they are infallible and above question; their judgement can be legally questioned only with the permission of the Attorney General. Arthur insists on taking the matter before Parliament to decide if his suit can be brought forward, and the case begins to split the family's foundations. Catherine is upset with her father for hiring a lawyer who opposes a woman's right to vote, John's father threatens to stop the engagement if Arthur does not drop the matter, and Arthur's wife Grace (Gemma Jones) begins to wonder if the real issue is justice or a father's stubborn and foolish pride. The Winslow Boy was filmed in England with a primarily British cast (the most notable exception being Rebecca Pidgeon, who happens to be Mamet's wife); Neil North, who plays the First Lord of the Admiralty, played Ronnie in the first film version of the story. ~ Mark Deming, All Movie Guide

David Mamet's play about three losers planning a robbery is brought to the screen in an admirably simple, straightforward manner. Don (Dennis Franz) is the owner of an "antique store" (read: junk shop) who discovers that the buffalo head nickel he recently sold to a coin collector was a lot more valuable than he imagined. Don hatches a scheme in which he and Bobby (Sean Nelson), a teenage kid who works at the shop, will steal the nickel back and sell it for a much higher price. Teach (Dustin Hoffman), Don's down-on-his-luck buddy, insists on coming in on the job, but Don isn't sure he wants Teach's help -- or that the robbery is a good idea at all. While director Michael Corrente occasionally moves the action out of the shop (unlike the original play), American Buffalo maintains nearly all the dialogue of the original play and its three-man cast. ~ Mark Deming, All Movie Guide

The magic of folklore forms the basis of this Irish tale by writer-director John Sayles. Adapted from the book Secret of the Ron Mor Skerry, the 1940s story is told from the point-of-view of Fiona (Jeni Courtney), a young girl sent to live with her grandparents in an Irish fishing town. Her grandfather weaves grand stories about the family's evacuation from their home on the tiny island of Roan Inish and about his great-great grandfather, who once cheated death at the hands of the unforgiving sea. As she meets other villagers, Fiona hears even more personal stories about an uncle who married a beautiful, part-human/ part-seal and about how the sea stole her baby brother during the departure from Roan Inish. Later, Fiona believes that she has found Jamie romping in the grass on Roan Inish, and she must convince the family of her vision. While Roan Inish has the feel of a family film, it shares with other Sayles works a character who learns history through storytelling, such as Sam Deeds in Lone Star (1996) and Dr. Fuentes in Men with Guns (1997). Sayles builds cohesive stories from multiple voices, showing the importance of oral history and indicating that learning the past can alter the future. ~ Norm Schrager, All Movie Guide

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide

After her son dies of AIDS, a woman must come to terms with his abbreviated life. Sada Thompson stars as the mother in this Emmy award-winning movie that aired on PBS. Thompson is joined in her grief by her dead son's lover played by Richard Thomas. As they learn to cope with their losses, the two begin to see how each person's choices affect those who love them. Terrence McNally authored the acclaimed play on which the film was based. ~ Elizabeth Smith, All Movie Guide