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Roland Gräf Movies

East German screenwriter and director Roland Gräf made his feature-film debut with Mein Lieber Robinson/My Dear Robinson in 1971. Gräf studied cinematography at the Academy of Film and Television in Postsdam-Babelsberg East Germany. Following his graduation in 1959, Gräf became a cameraman at Berlin's DEFA Newsreel and Documentary Film Studio. In 1961, he moved to the DEFA Features Studio in Potsdam-Babelsberg. Gräf has been scripting his own films since 1981. ~ Sandra Brennan, Rovi
1986  
 
The German Das Haus Am Fluss (House on the River) is based on "The Russian Pelt," a 1942 story by Frederick Wolf. The film takes place in an industrial community just outside of Berlin in 1941. Two sisters--unmarried Emmi and married Agnes--live with their mother while their men are off to war. Emmi receives a Ukranian blouse from her fiance, who is fighting in Russia. Her acceptance of what is considered "war goods" upsets the equillibrium of the community. Meanwhile, Agnes is being pursued by the factory boss who arranged with his Gestapo contacts to have Agnes' husband sent to the Russian front. Noting the effect the Ukranian blouse has on the flighty Emmi, the factory boss hopes to entice Agnes by offering her a Ukranian fur pelt. Agnes' seriously injured husband returns from the war with a similar pelt as a gift. Agnes symbolically accepts her husband's gift over that of the boss, who responds by threatening to have the husband imprisoned as a subversive. The boss is killed by Agnes who, despite her subsequent arrest by the Gestapo, feels that she's won a moral victory. As for Emmi, she hangs herself upon discovering that her fiance has been killed. ~ Hal Erickson, Rovi

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Starring:
Katrin SassManfred Gorr, (more)
 
1983  
 
This interesting film embodies a commentary on society and the search for personal fulfillment that is an undercurrent to its storyline. Times were difficult in East Germany during the 1950s, but Samuel Fussberg (Franciszek Pieczka) continues to earn his living by going from town to town with his traveling puppet show. His former partner died in a Nazi extermination camp, and now Fussberg is training his partner's grandson in his craft. Before long, a young woman joins them in their travels and from that moment onward, life is not the same for either man. Problems arise that make it questionable whether or not the puppet show with all its inherent cultural references and traditions will continue to exist, but equally important are the life-decisions forced on the trio, and how they might be tied to the values embodied in the puppeteers' craft and stories. ~ Eleanor Mannikka, Rovi

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Starring:
Franciszek PieczkaArianne Borbach, (more)
 
1983  
 
Based on the satire of the same name by Guenter de Bruyn this film humorizes the dilemma of a pompous university professor when he discovers his 10 years of research on a revolutionary writer have gone down the drain because a village schoolteacher found out the writer was a hoax. The two men and their single-minded dedication to research provide comic fodder, and their unique relationship is highlighted when the schoolteacher shows up at the professor's birthday party. But since the professor knows that if his error is exposed he might lose his job, the stakes are high and very real. An interesting film for anyone, especially for those who have breathed the rarefied air of academia and found it less than pure. ~ Eleanor Mannikka, Rovi

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Starring:
Hermann BeyerJutta Wachowiak, (more)
 
1978  
 
The theme of escaping to West Germany from East Germany is the theme of this melodramatic East German movie. In the story, a doctor is tempted to self-exile by the possibility of conducting well-supported research in a center of his own. After all, he has an offer of a contract from a West German businessman who will also arrange for his escape. However, a number of factors conspire to send the doctor into a tail-spin of doubt about the good sense of making such a move. ~ Clarke Fountain, Rovi

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Starring:
Armin Mueller-Stahl
 
1971  
 
In this black-and-white East German film, the young protagonist of this story wants to do the right thing but also wants to retain his independence. When his girlfriend gets pregnant and gives birth, he tries hard to avoid it but finally succumbs to his sense of responsibility. ~ Clarke Fountain, Rovi

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1970  
 
Sommer II (Werner Tietze) is the young physician who reports for surgical duty at a local hospital. He incurs the wrath of the chief surgeon when he dares to contradict the veteran doctor. He also helps a nurse (Juliana Koren) when she is relegated to cleaning duty. He is fired when he breaks the news to a patient that he has terminal cancer. Sommer II is reinstated when the irascible chief surgeon retires from private practice to focus on socialized medicine. ~ Dan Pavlides, Rovi

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1968  
 
When a woman in her 40s meets an engineer her same age, the two fall in love and eventually sleep together. They agree to be married, but the woman fears the news of her impending nuptials will upset her teenage daughter. The woman and her fiancé devise a plan where the man will meet the daughter to dismiss any reservations she may have about the new man in her mother's life. Comedy ensues when it seems the young girl has fallen for the older man, but the daughter meets a boy her own age. After some confusion, things are resolved and a double wedding ceremony is planned. ~ Dan Pavlides, Rovi

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1965  
 
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Originally banned in 1966, director Jürgen Böttcher's sexually daring tale of love and disillusionment among two newlyweds attempting to navigate the treacherous world of marriage was never officially released in his homeland until after reunification in 1990. Trapped together in a tiny flat and stifled by their newfound lack of privacy and personal freedom, recently-married couple Albert and Lisa soon decide to divorce. As Albert drifts aimlessly through Berlin and Lisa attempts to cope with the failure of the marriage, all hope for the pair seems lost until the prospect for a reunion begins to emerge. ~ Jason Buchanan, Rovi

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