Alan R. Gibbs Movies

When deadly meteorites start striking the calm, peaceful community of Berkeley, Australia, a ragtag group of strangers fight for their lives against a hoard of red-blooded zombies that have mysteriously infected the residents. Headed by the town's ex-beauty queen Rene (Felicity Mason) and the village kook, Marion (Mungo McKay), the clan of survivors battle their way through farmhouses, bomb shelters, and back roads until they are faced with a much bigger problem than just the gut-munchers on their trail. The debut feature of writer/directors Michael and Peter Spierig, the film was two and a half years in the making, echoing other no-budget splatter epics like Peter Jackson's Bad Taste and other similarly themed sci-fi horror romps. It went on to garner accolades from the Melbourne International Film Festival and the Catalonian International Film Festival, Sitges, Spain, among others. ~ Jeremy Wheeler, All Movie Guide

The Witches of Eastwick, a memorable comedy with a dark edge, is based upon a novel by John Updike. On Thursday nights three female friends -- Alex (Cher), Sukie (Michelle Pfeiffer), and Jane (Susan Sarandon) -- meet to chug martinis, learn Chinese aphrodisiac cooking and lament the scarcity of eligible men. As they sit around, they fantasize about and describe their idea of the ideal male. Arriving in town the following day is Satan, disguised as mysterious stranger Darrell Van Horn (Jack Nicholson). One by one, Van Horne seduces each of the women. Then, strange things begin to happen. When the town matriarch Felicia (Veronica Cartwright) publicly denounces Van Horne, she sustains a nasty compound fracture. When she forces her editor husband to publish a story about Van Horne's sexual antics, Darrell gets his revenge with revoltingly large amounts of cherries. The women now see that they may be in danger and begin to plot their escape. ~ Linda Rasmussen, All Movie Guide

In this well-wrought, fast-paced caper flick, a naive, good-hearted waitress doesn't think twice about helping her troubled roommate. Unfortunately, her help lands her in Central America fleeing for her life with a grungy mercenary. They are chased because the two are believed to have possession of a priceless religious icon. ~ Sandra Brennan, All Movie Guide

Ivan Reitman directed this film, starring Robert Redford, Debra Winger, and Daryl Hannah, that is an amalgam of a thriller, courtroom drama, mystery and Tracy-Hepburn romantic comedy, with a little Mark Rothko-type scandal thrown in. The film revolves around troubled Chelsea Deardon (Daryl Hannah) who as an eight-year-old girl witnessed her father, a famous artist, perishing in a blaze along with his valuable art works. Twenty years later, Chelsea is arrested for stealing one of her father's paintings from an unscrupulous New York art dealer. She claims many more of her father's paintings survived the fire long ago. Defending Chelsea is lawyer Laura Kelly (Debra Winger). Pitted against her is suave district attorney Tom Logan (Robert Redford). Laura thinks if Tom knew the facts behind the case, he would reconsider and exonerate Chelsea. He doesn't, but one night when Chelsea appears at his doorstep, he does permit her to seduce him. The next morning, one of the art dealers involved in the case is found dead, and Chelsea is found in Tom's apartment. Chelsea becomes the prime suspect in the murder and Tom's career is ruined. Inexplicably, Laura hires Tom to help her defend Chelsea. The two lawyers, in researching their defense, not only uncover a scandal involving art dealership, but also fall in love. ~ Paul Brenner, All Movie Guide

This socially conscious family farm drama from director Mark Rydell was his follow up to the Oscar-winning On Golden Pond (1981). Mel Gibson and Sissy Spacek star as Tom and Mae Garvey, struggling Tennessee farmers constantly one step away from foreclosing. Their farm sits next to a river that both nourishes their land and constantly threatens to overflow its banks and destroy their crops. The Garveys sell some of their equipment for obscenely low prices at a foreclosure auction, at which some of their neighbors are forced to give up everything they own. The stoic Tom takes a job as a scab at a mill where the union workers are striking. Meanwhile, Mae has a platonic flirtation with local bank manager Joe (Scott Glenn), who saves her life when she's trapped under a heavy piece of farm equipment. Tom's homecoming is cut short by a flood, but the raging waters allow him to become a hero to his family again. The River was the third in a trio of dramas depicting the plight of the American family farmer released that same year. ~ Karl Williams, All Movie Guide

(Burt Reynolds) as J.J. McClure takes off across the country again in this rickety sequel to Cannonball Run. A sheik has offered $1,000,000 to the first driver to reach a destination in Connecticut from Redondo Beach, California, inspiring J.J. and others to go for the gold. With cameos from more name performers than any dozen films together, (Frank Sinatra and the rat pack, Telly Savalas, Susan Anton, Shirley MacLaine, Jackie Chan, Sid Caesar, Marilu Henner, Catherine Bach, etc., etc., etc.), the movie becomes a pastiche and is executed as though no rehearsals were required, or ever happened. A disparate group of people racing to get a lot of money was first successfully exploited in It's a Mad, Mad, Mad, Mad World, a much better film, and with just as many cameos, in fact. ~ Eleanor Mannikka, All Movie Guide

Bob Rafelson's remake of 1946's The Postman Always Rings Twice, with a screenplay by the award-winning playwright David Mamet, stars Jack Nicholson as Frank Chambers, a depression-era drifter who ends up at a diner run by Nick Papadakis (John Colicos), who offers Frank a job. Frank takes him up on the offer, but quickly begins a torrid affair with Nick's wife Cora (Jessica Lange). The adulterous lovers soon hatch a plan to kill Nick and share in the insurance payout. The second big-screen adaptation of the James M. Cain novel, the film garnered a certain degree of notoriety for the explicit sex scenes between Lange and Nicholson. ~ Perry Seibert, All Movie Guide

"Smokey," aka Sheriff Buford T. Justice (Jackie Gleason), is the prospective father-in-law of unwilling bride Carrie (Sally Field). The Bandit (Burt Reynolds), a maverick racecar driver, makes an 80,000-dollar bet that he can transport a shipment of Coors beer from Texarkana, TX, to Atlanta within 28 hours. It's important to note that in 1977, it was illegal to sell the Coors brand east of the Mississippi River without a permit; if we don't note that, then the plot won't make sense at times. Already in danger of arrest from redneck lawmen like Buford T. Justice, Bandit furthers his chances at a stiff jail term when he offers a ride to Carrie, who hopes to escape her unwanted wedding to Justice's boy. The rest of the film is one long chase; not quite as subtle as a Road Runner/Coyote cartoon, not quite as restrained as a Three Stooges comedy. Universally panned by critics upon its first release, Smokey and the Bandit reportedly pulled in just under $126 million and led to two sequels. ~ Hal Erickson, All Movie Guide

Peter Bogdanovich's early career as a film writer stood him in good stead for this comedy drama about the early days of the motion-picture industry, based in part on his interviews with pioneering directors Raoul Walsh and Allan Dwan. Leo Harrigan (Ryan O'Neal) is a lawyer and Buck Greenway (Burt Reynolds) is a cowboy and gunman. Both are sent to California to shut down a renegade group of silent-movie makers -- financed by blustery H.H. Cobb (Brian Keith) -- who are in violation of the Motion Picture Patents Co. Trust. Harrigan and Greenway somehow find themselves working with the movie crew instead of shutting them down; they join forces with cameraman Franklin Frank (John Ritter), leading lady Kathleen Cooke (Jane Hitchcock), and precocious prop girl Alice Forsyte (Tatum O'Neal). Greenway becomes a star and Harrigan a respected director, but both battle over the affections of Cooke. Incidentally, Cobb's big speech near the end is taken almost verbatim from a quote given to Bogdanovich in an interview with actor James Stewart. ~ Mark Deming, All Movie Guide

Cloris Leachman stars as Melba, a woman with whom violence is a way of life, in Jonathan Demme's high-pitched "B"-movie Crazy Mama. The film spans three decades in the violent life of Melba, beginning in Jerusalem, Arkansas in 1932, when law enforcers kill her father (Clint Kimbrough), turning her mother Sheba (Ann Sothern) into a bitter widow. Mother and daughter take off to Long Beach, California, and the time jumps to 1958, when the two are thrown out of their beauty salon for non-payment of back rent. Melba now has an attractive (and pregnant) teenage daughter Cheryl (Linda Purl). The three generations take to the road, stealing cars and creating general mayhem across the United States, robbing a motorcycle racetrack box office and a bank. But in 1959, Melba and Cheryl are picked up again, running a Miami Beach snack bar, their lives wasted in free-living terror. ~ Paul Brenner, All Movie Guide

A police officer who would rather use his brains than his gun is put into a situation where neither can help him in this police drama. John Wintergreen (Robert Blake) is a sawed-off and street-smart Arizona motorcycle cop who dreams of climbing the ladder and becoming a police detective, but his ambitions are scoffed at by his partner, Zipper (Billy "Green" Bush). Wintergreen's superiors tend not to take him seriously due to his short stature, but when he stumbles upon the site of a murder, he digs up enough relevant evidence to insure his advancement to detective status. However, after a few days on the job, Wintergreen begins to realize just how corrupt his superior Poole (Mitchell Ryan) truly is after Poole attempts to frame a local hippie, Bob Zemko (Peter Cetera), for a crime he didn't commit. Adding fuel to the fire is Poole's discovery that he and Wintergreen have been dating the same woman, dancer-turned-barmaid Jolene (Jeannine Riley). Electra Glide in Blue was the first (and to date only) directorial credit for James William Guercio. Successful in the music industry as a manager and producer, Guercio was best known for his association with the top-selling jazz-rock group Chicago; several members of the band appear in the movie, as does a young Nick Nolte in a bit part. On a note of sad irony, Terry Kath, the longtime Chicago vocalist who died in 1978 from a self-inflicted gunshot to the head, plays a gun-wielding killer in this film. ~ Mark Deming, All Movie Guide

The fourth Planet of the Apes film is set in 1991, 20 years since the assassination of talking, time-traveling apes Cornelius and Zira at the end of Escape From the Planet of the Apes. The couple's infant son, Caesar (Roddy McDowall), has grown to adulthood in the care of kindly circus owner Armando (Ricardo Montalban). Meanwhile, a plague has wiped all dogs and cats from the face of the Earth; speechless primitive apes have therefore been domesticated and turned into first pets, then servants of humankind. Caesar becomes outraged at the treatment of these simian slaves and accidentally reveals his powers of speech in front of the militaristic authorities, who kill Armando when he tries to protect his friend's identity. His cover blown, Caesar kick-starts a revolution that pits chimps against humans, paving the way for eventual ape ascendency. Caesar was the second of McDowall's three Planet of the Apes characters; he also portrayed Cornelius in the first and third films and Galen in the short-lived 1974 television series. After taking over the franchise with this picture, Hollywood veteran J. Lee Thompson would become the only director to helm two Planet of the Apes films when he returned for the fifth and final installment. ~ Brian J. Dillard, All Movie Guide

Sometime after the events of the first Planet of the Apes, the climax of which is repeated frame for frame at the beginning of this sequel, another set of astronauts arrives on the far-future Earth that is the titular planet. This time it's Brent (James Franciscus) who survives the crash landing and learns that evolved simians have taken over the world, post-apocalypse. After hooking up with Nova (Linda Harrison), the mute, fur bikini-clad beauty who spent the first film being squired by astronaut Taylor (Charlton Heston), Brent confers with Zira (Kim Hunter) and Cornelius (David Watson, giving Roddy McDowall his only break during the five-film series), the ape scientists whose adherence to scientific principles makes them friendly to the possibility of intelligent human life. Something of a military coup has taken place among the apes, who dispatch an army to the desolate "Forbidden Zone" where Taylor has coincidentally disappeared. With the apes and the humans both rooting about in the ruins of 20th century civilization, it's only a matter of time before they all find out what happened to the other survivors of the nuclear holocaust. ~ Brian J. Dillard, All Movie Guide