Timothy Brown Movies

A successful retired jock and his geeky younger brother play out their sibling rivalry by coaching rival little league football teams in this family comedy. Ed O'Neill plays the older brother, Kevin O'Shea, a former Heisman Trophy winner whose gridiron exploits have made him a local hero in his small Illinois hometown. Kevin is the almost unanimous choice to head up the town's Pop Warner football team, and he happily builds an imposing team from the best local players. One of the few objectors is Kevin's young brother Danny (Rick Moranis), an awkward, bespectacled gas station owner who empathizes with the kids rejected from the team, including his own athletic daughter Becky (Shawna Waldron). As revenge, Danny starts his own competing team of misfits, taking on the coaching duties himself. Naturally, despite the total ineptitude of Danny and his players, they eventually find themselves major underdogs in a climactic battle against Kevin's well-trained juggernaut. Director Duwayne Dunham and a team of four screenwriters hit all the expected sports film conventions, throwing in a few innocent romantic subplots and cameos by real football players for good measure. ~ Judd Blaise, All Movie Guide

With 1985's Pacific Inferno action star Jim Brown made a triumphant return to movies. Or did he? If you read the copyright date carefully, you'll discover that this US-Philippine coproduction was actually shot in 1977. The plot has us believe that General Douglas MacArthur ordered that $16 million in silver be sent to the bottom of Manila Bay before the Philippines were overtaken by the Japanese in 1942. Navy divers Brown and Ric Van Nutter are among several POWs ordered to retrieve the money. Brown is all for escaping, but the duplicitous Van Nutter plans to abscond with the booty. Thus, Brown is alone in his efforts to round up local guerillas to help his fellow divers get away. Among the resistance fighters is buxom Wilma Reading, whose role consists of falling out of her blouse at the slightest provocation. Less attractive is "special guest star" Richard Jaeckel, who plays a soldier of fortune named Dealer. ~ Hal Erickson, All Movie Guide

Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. On the opposite end of the spectrum stands Adam, who is disillusioned with his father's drive to succeed at all costs (the father does receive a few awards) and who longs to go back to his roots -- in Warsaw. The story jumps from one scene to the next with some fantasy segments and not always enough connecting narrative. Otherwise, this is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation. ~ Eleanor Mannikka, All Movie Guide

A quarrel erupts between the Duke of Hereford, Henry Bolingbroke (Jon Finch), and the Duke of Norfolk, Thomas Mowbray (Richard Owens). According to Bolingbroke, Mowbray misappropriated government money and plotted the death of the Duke of Gloucester. Mowbray denies the charges, accusing Bolingbroke of being a slanderous coward. King Richard II (Derek Jacobi) first approves their proposal to settle their differences in a jousting duel, then decides to banish both of them -- Norfolk for life and Bolingbroke for six years. The lighter sentence for Bolingbroke masks Richard's hatred of Henry, who is so popular with the people that he poses a threat to the crown. While Bolingbroke is in exile, his father, the much-loved John of Gaunt (Sir John Gielgud), dies, and Richard appropriates his estate -- Henry's inheritance -- to help pay for a military campaign he personally conducts against rebels in Ireland. Nobles protest seizure of the inheritance, siding with Bolingbroke. Heartened, Bolingbroke returns from exile, organizes his supporters, and executes two of Richard's friends. Richard returns from Ireland to defend his realm. But after 20,000 Welsh troops desert to Bolingbroke, Richard takes refuge in Flint Castle, then surrenders to his foe. After being forced to give up the throne, Henry imprisons Richard in the Tower of London and announces his own coronation. ~ Mike Cummings, All Movie Guide

In this Disney film, Hank Cooper (Ed Asner) the owner of a losing professional football team, recruits Gus, a Yugoslavian soccer player, to his team. Even though Gus is a mule, he figures the animal can be taught to make field-goal kicks. Despite the outrage of his team, and sabotage efforts by Crankcase, Spinner and Gwymm (Tim Conway, Tom Bosley and Harold Gould), Gus the Mule kicks his team all the way to a championship. ~ Clarke Fountain, All Movie Guide

When an armored car is stolen, the SWAT team is faced with two disturbing questions: How do the thieves plan to use the all-but-impenetrable vehicle, and how will the team be able to stop them with conventional weapons? The answers are not long in coming: The armored-car robbers swoop down to steal the valuable crown and scepter used in the Miss American Beauty Pageant -- and kidnap Miss New Mexico (none other than Farrah Fawcett-Majors) in the process. ~ Hal Erickson, All Movie Guide

Cheri Caffaro reprises her role as a sexy, lethal spy in this second sequel to Ginger (1970). Director Don Schain introduces interracial themes along with the usual castrations and torture-murders in this violent exploitation actioner, filmed on location in the Virgin Islands. Jocelyn Peters co-stars as Ginger's sinister nemesis. ~ Robert Firsching, All Movie Guide

In this women's prison exploitation item from director Michel Levesque (Werewolves on Wheels), sexy Phyllis Davis stars as Sugar, framed for drug possession and sent to a Costa Rican sugar plantation. There, Sugar encounters sadistic guards including The Hills Have Eyes' James Whitworth and a mad scientist (Angus Duncan) who injects the inmates with hallucinogens. The usual violence and copious nudity are on display for devotees. Blaxploitation fans will recognize prisoner Ella Edwards from Detroit 9000 and Timothy Brown from The Dynamite Brothers Co-writer Stephanie Rothman later directed Terminal Island, also starring Davis. ~ Robert Firsching, All Movie Guide

Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood's 1970s generation of innovative and irreverent young filmmakers. Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War. Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. "Hot Lips" Houlihan (Sally Kellerman). Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O'Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless's momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game. MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman's sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman's films quickly became known. Although the on-screen war was not Vietnam, MASH's satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman's nose-thumbing attitude towards all kinds of authority and embraced the film's frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance. MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood's politics, blacklist survivor Lardner won the Oscar for his screenplay. MASH began Altman's systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood "New Wave" had arrived. ~ Lucia Bozzola, All Movie Guide