Mitchell Galin Movies

Christian comics Jeff Allen, Brad Stine, Anthony Griffith, and Ron Pearson keep viewers in stitches without working blue in this stand-up comedy feature that proves religion and humor aren't mutually exclusive. Inter-cut with scenes of the comics performing before a live audience are intimate interviews in which they discuss the important role that faith has played in helping them overcome severe setbacks in life and keep them focused on getting the message of the gospel to the widest audience possible. ~ Jason Buchanan, All Movie Guide

In this low-budget screwball-mystery, the death of an L.A. woman leads to a surreal murder investigation on the outer fringes of la-la land. When Molly McMannis (Justine Bateman) turns up dead, still impaled with the murder weapon -- a carrot -- the police launch a probe into the colorful world Molly inhabited. The suspects range from her ex-con brother to her roommate to her high-strung friend (Heather Graham). But a more likely culprit lurks among the ranks of a therapy group full of off-the-wall serial killers and the shrinks who coddle them. The fetishistic police detectives -- including sadistic interrogator Angela Pierce (Jill Hennessy) -- prove as disturbing as the people they're investigating. In fact, their unorthodox procedures leave the door open for the killer to strike again. Written, produced, and directed by Jordan Alan, who previously helmed the similarly offbeat Love and Happiness, Kiss and Tell features a who's who of obscure and indie Hollywood talent, including veteran actor Lewis Arquette and his three famous sons. ~ Brian J. Dillard, All Movie Guide

The Vernon Johns Story is the inspirational saga of the man who preceded Martin Luther King Jr. as pastor of a Montgomery, Alabama Baptist Church. Described as "one of God's most brilliant preachers," Johns campaigned tirelessly for Civil Rights long before the cudgel was taken up by the "mainstream." Before leaving his post, Johns passed the torch to young Reverend King, who is but a minor character in this positive, uplifting TV-movie. James Earl Jones curbs his tendency to ham it up as Vernon Johns, delivering an understated and most effective performance. The Vernon Johns Story was syndicated to local stations during the week of January 15-21, 1994. ~ Hal Erickson, All Movie Guide

This feature-length spin-off of the popular television horror anthology is directed by John Harrison, who directed many episodes of the television series. The film consists of four grisly and gruesome horror teasers. "The Wraparound Story" stars Deborah Harry as Betty, a chef with a kitchen complete with Cuisinart and dungeon. She plans to cook a little boy, who delays his execution by telling Betty three tales of terror. The first tale is "Lot 249," based on the mummy story by Sir Arthur Conan Doyle. The tale concerns Bellingham (Steve Buscemi), a bug-eyed graduate student who has raised a mummy from the dead. The second tale, "Cat from Hell," adapted by George A. Romero from a Stephen King story, deals with a broken-down millionaire (William Hickey), who has made his millions by developing habit-forming painkillers. He is convinced that, since 5,000 cats have been killed in his lab experiments in order to develop his pills, a stray cat has killed his family. He hires a hit man (David Johansen) to track down the cat and rub him out. The third tale, "Lover's Vow," is based on "Woman in the Snow," one of the episodes in Kwaidan.James Remar plays an artist who strikes a deal with the devil and is rewarded with a beautiful wife (Rae Dawn Chong) and a respectful art career. ~ Paul Brenner, All Movie Guide

This less-satisfying sequel to the 1982 George A. Romero/Stephen King anthology presents a new trio of King stories, framed in a similar EC Comics-style format -- this time featuring some rather lackluster animated segments involving horror-host "The Creep," who introduces each chapter with pun-heavy gallows humor. The stories vary widely in quality: first there's "Old Chief Wood'nhead," involving a cigar-store Indian who quite literally guards the entrance to an old general store and comes to life to avenge the murders of the elderly couple (George Kennedy and Dorothy Lamour) who owned it. The middle segment, "The Raft," features a group of obnoxious teenagers stranded on a raft in the middle of a lake at the mercy of a murderous oil slick which looks like a bunch of plastic garbage bags stitched together. Both of these suffer in comparison to the closing segment, "The Hitchhiker," in which a bored, promiscuous socialite (Lois Chiles) mows down a hitchhiker who refuses to stay dead, returning again and again to torment her at every turn, rasping "Thanks for the ride, lady!" Despite its strengths -- a livelier pace, some creatively gory set pieces -- this is a much cheaper-looking effort than its predecessor, with the deft guidance of Romero conspicuously absent (long-time collaborator Michael Gornick took up the directorial reins); as a result, King's gross-out sensibilities don't come off as well. Makeup maestro Tom Savini appears in heavy makeup as a live-action version of The Creep, and King pops in for a bit part as a redneck trucker. ~ Cavett Binion, All Movie Guide