Johnny Mack Brown Movies

Jim Walker Rory Calhoun is a hero who fights Indians and crooks who plan a series of stagecoach robberies in this routine western. He defends the honor of a woman (Corinne Calvet) wrongly accused of having a bad reputation. Johnny Mack Brown plays the local Sheriff Ben Hall, with Lon Chaney, Jr. as the friendly stagecoach driver Charlie Russell. Watch for DeForest Kelley in a pre-Star Trek role as a crazed gunman. ~ Dan Pavlides, All Movie Guide

In this western, a gunfighter finds himself mistaken for a judge when he journeys to a beleaguered town that is under the oppressive influence of an outlaw and his evil gang. One couple knows the gunslinger's true avocation and they talk him into working as a lawman and putting one of the crooks on trial. Things go well until one of the outlaws recognizes him and tells all during the trial. This leads to a classic showdown in which the gunfighter shoots the gun from the villain's hand. He then discards his own weapon and literally rides off into the sunset to pursue a more peaceful life. ~ Sandra Brennan, All Movie Guide

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves." Ken Murray himself makes a supporting appearance as a leering frontier wiseacre named "Sliding Bill Murray." ~ Hal Erickson, All Movie Guide

Johnny Mack Brown was a bit on the chunky side by the time he starred in Canyon Ambush, though his excess poundage never impedes his performance. This time Brown comes to the rescue of imperiled Phyllis Coates (who'd just spent 26 weeks as Lois Lane on the TV series Superman). The bad guys just plain haven't got a chance against the slow-talking, fast-triggered Mr. Brown from Alabama. Brown's Monogram westerns of the early 1950s were hampered by severe economical limitations, and Canyon Ambush is hardly an exception. The film manages to coast on the sheer star power of its veteran leading man. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown was nearing the end of his starring career when he appeared in the Monogram oater Dead Man's Trail. Brown and his youthful sidekick Jimmy Ellison come to the aid of imperiled Barbara Allen. At this point, Johnny was too long in tooth and thick around the middle to qualify as a romantic lead, hence the presence of Ellison. But when it came to fast action, Brown always delivered the goods. Featured among the second villains in Dead Man's Trail is stuntman supreme Dale Van Sickel (he's the fellow who drove the truck in Steven Spielberg's TV-movie classic Duel). ~ Hal Erickson, All Movie Guide

Johnny Mack Brown goes up against a lady bank robber in this average Mack Brown series late-entry from Monogram. The lady, played by Barbara Allen, is of course called "Ma." In order to get the goods on "Ma" and her "brood," Mack Brown must masquerade as a lone bandit. The ruse works up to a point but Johnny's real identity is eventually exposed, with a rather well-orchestrated barroom brawl as a consequence. Bruce Edwards and 1950s B-movie perennial Phyllis Coates take care of the romance, while Mack Brown, his physique no longer svelte, uses his fists on the likes of Marshall Reed and Lane Bradford. The aforementioned Barbara Allen is not the popular comedienne Barbara Allen who also billed herself Vera Vague. ~ Hans J. Wollstein, All Movie Guide

A series of prospector murders near an abandoned mine are investigated by a lawman in this exciting western. ~ All Movie Guide

Though ready for release in 1951, Whistling Hills ended up as western star Johnny Mack Brown's first entry for 1952. This time, Johnny comes to the aid of sheriff Dave Holland (Jimmy Ellison) when a band of stagecoach robbers plague the countryside. The masked bandits use the "whistling hills," a natural phenomenon, to signal the arrival of each stagecoach. Johnny and Dave spend the bulk of the film trying to figure out the identity of the man behind the holdups (the audience may well be several steps ahead of Our Heroes). Noel Neill, who later gained fame as Lois Lane on TV's Superman, serves as romantic interest for Jimmy Ellison. Johnny Mack Brown would star in five more westerns in 1952 before hanging up his six-guns. ~ Hal Erickson, All Movie Guide

Western aficionados tend to regard Short Grass as the best-ever directorial effort by Lesley Selander. Considerably longer than most Monogram westerns (82 minutes), the film never lags, thanks to the expertise of Selander and a top-rank cast. Rod Cameron plays Steve, a drifter who briefly settles down on a ranch. During a range war, Steve comes to blows with avaricious rancher Hal Fenton (Morris Ankrum). Shortly thereafter, a man is killed and Steve is implicated in the crime. He leaves town in a hurry, returning five years later to clear his name and reclaim his land. He finds that his former girl friend Sharon (Cathy Downs) is married to alcoholic newspaperman John Devore (Tris Coffin), and that Fenton now holds the commuity in an iron grip of fear. Lawman Keown (Johnny Mack Brown) can't administer justice because of the political strings pulled by the villains. With Steve's help, Keown and the rest of the town's honest citizens are finally able to swing into action, leading to a superbly staged climax. Comic actor Raymond Walburn essays a relatively straight role as the town's leading citizen. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown follows his tried-and-true western formula in Law of the Panhandle. This time, U.S. Marshal Brown backs up Sheriff Tom Stocker (Riley Hill) in an ongoing battle against a marauding outlaw gang. The thieves, led by snarling Henry Faulkner (Myron Healey), hope to scare all the local ranchers off the land that will soon be purchased by the railroad that's coming through the territory. The film's parade of cliches is stemmed by a truly innovative finale. Once more, Johnny Mack Brown leaves the film's romantic angle to the younger Riley Hill, whose vis-a-vis is played by Jane Adams. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown stars in the rubber-stamp western Over the Border. Bringing Bart Calhoun (Marshall Reed) to justice for his complicity in a robbery/murder, Johnny assumes that his job is over. Not by a long shot! Calhoun's arrest leads to the uncovering of a wide-ranging conspiracy to smuggle silver from Mexico to the United States. With Calhoun's cooperation, Johnny exposes the "Mister Big" behind the whole operation. There isn't much action in Over the Border; the screenwriters seem more concerned with mystery and intrigue. Johnny Mack Brown is obviously getting too old for this sort of thing, but he carries his years -- and excess poundage -- quite well. ~ Hal Erickson, All Movie Guide

Stampede is a choice example of the Lesley Selander B-plus westerns of the late 1940s/early 1950s. Rod Cameron and Don Castle star as feuding brothers who own separate cattle ranches. The siblings find themselves on opposite sides of a water-rights battle, in which settlers are being deprived water by a gang of clever criminals. The war turns ugly before the film is over, resulting in the destructive stampede promised by the title. Despite poor reviews from big-city critics, this stacks up favorably against the more costly big-studio westerns of the era. ~ Hal Erickson, All Movie Guide