Georgia Brown Movies

After several weeks of reruns, Next Generation resumed its first-run manifest on January 4, 1992, with this poignant episode. Resigned to the fact that he has a son named Alexander (Brian Bonsall), Worf reluctantly allows the boy to live with him on the Enterprise. Worf's parenting skills, which even in the best of times are hardly salutary, are put to a grueling test when Alexander begins exhibiting some markedly un-Klingonlike behavior. The inevitable climax is a showdown between father and son (described by one publicity blurb as "Fatherhood: The Final Frontier"). "New Ground" was scripted by Grant Rosenberg from a story by Sara Charno and Stuart Charno. ~ Hal Erickson, Rovi

This is one of several seventh-season Murder She Wrote episodes introduced by Jessica Fletcher (Angela Lansbury) but starring Dennis Stanton (Keith Michell), a jewel thief turned insurance investigator. On this occasion, Stanton is probing into the curious case of a neurotic ventriloquist named Woody Perkins (Grant Shaud) and Woody's prize dummy Billy Boy. Not longer after Woody reports that Billy Boy has been "kidnapped", the dummy turns up in a locked room--along with the corpse of Katie Kelly (Georgia Brown), a nasty comedy-club owner with whom Woody had previously had a violent argument. Stanton tries to unravel the attendant mystery with the help and hindrance of Rhoda Markowitz (Hallie Todd) and Lt. Perry Catalano (Ken Swofford). ~ Hal Erickson, Rovi

Safely returned to his own self after briefly being possessed by the Borg, Captain Picard must face a another, more personal crisis. Returning to his home village during a repair stopover on Earth, Picard has an uncomfortable reunion with his envious older brother Robert (Jeremy Kemp). Meanwhile, Worf's adoptive parents, Sergey and Helena Rozhenko (Theodore Bikel and Georgia Brown), pay him a visit on the Enterprise, while Wesley Crusher comes across a hologram message recorded by his long-gone father (Doug Wert). First telecast October 6, 1990, "Family" was written by Ronald D. Moore. ~ Hal Erickson, Rovi

At the recommendation of Jessica Fletcher (Angela Lansbury), a young editor heads to Montana, there to organize the unpublished manuscript of the last novel written by a celebrated, recently deceased author. Unable to make heads or tails of the author's notes, the editor concocts a readable volume from his own imagination. Just as he is poised to tell the world that he, and not the late author, penned the novel, the editor is murdered--and from here on in, it's up to Jessica to solve the crime. ~ Hal Erickson, Rovi

The life of famous theatre and film star Paul Muni provides the basis for this musical. It begins in Hungary where he worked as a traveling actor and ends with his successful life in New York. ~ Sandra Brennan, Rovi

This is not the same kind of film as the 1962 production, Tom Jones. In fact, it is a "nudie musical", as evidenced by the presence of singing star Georgia Brown in the dual role of Jenny Jones and Mrs. Waters. The project originated as a Las Vegas stage presentation, with Nicky Henson in the lead. The plot of the Henry Fielding novel about the "boy born to be hanged" is followed in spirit rather than to the letter, with busty Joan Collins thrown in like a lagniappe as a lady highwayman. Wandering through the proceedings are such English stalwarts as Trevor Howard and Terry-Thomas. ~ Hal Erickson, Rovi

Essentially a reworking of their earlier omnibus Asylum, this is another anthology of pulp horror tales from Amicus, this one helmed by the ever-reliable Freddie Francis. It features a quartet of eerie vignettes involving four patients in the care of psychiatrist Dr. Tremayne (Donald Pleasence), who is attempting to justify his strange theories to a colleague (Jack Hawkins, who died shortly after his scenes were filmed) by explaining the horrific events that drove the patients to their current state. The first tale centers on a young boy (Russell Lewis), whose parents' constant squabbling prompts him to conjure an imaginary tiger to devour them. The second involves a Victorian-era bicycle which allows its finder (Peter McEnery) to travel back in time and live as his own ancestor. The goofy third chapter pits a jealous wife (Joan Collins) against a strange rival for her husband's attention: a tree possessed by a human soul. The final segment stars Kim Novak (a last-minute replacement for Rita Hayworth) as a literary agent who must sacrifice her own daughter (Mary Tamm) to appease the restless spirit of her client's mother. Although certainly not the studio's best effort, this is still an amusing diversion, featuring the standard twist ending and a flamboyant approach suggestive of EC horror comics. ~ Cavett Binion, Rovi

More widely seen in Britain as Nothing but the Night, this atmospheric chiller -- based on the novel Children of the Night by John Blackburn -- stars the ubiquitous Christopher Lee and Peter Cushing as a Scotland Yard inspector and a forensics expert sent to investigate a series of mysterious deaths among the elderly caretakers of a Scottish orphanage. Their probing uncovers a diabolical plot perpetrated by members of a Satanic cult, involving the use of an experimental serum which contains the genetic memories of its departed members. The caretakers have been injecting the serum into their young charges in order to use their bodies as healthy vessels for the Satanists' return, and the resulting possession transforms them into sadistic murderers. Although Christopher Lee acted as co-producer on both this film and the superb mystical classic The Wicker Man, it bears little resemblance to the latter, playing more like a Hammer-style variant on the American-made Brotherhood of Satan, released the previous year. Also known as The Resurrection Syndicate. ~ Cavett Binion, Rovi

Three sailors on shore leave engage in a series of comedic sexual pursuits in Lock Up Your Daughters!. Jim Dale, Ian Bannen, and Tom Bell hit dry land with one thing on their minds -- something that lands everyone in jail in this comedic romp. Susannah York, Glynis Johns, and Elaine Taylor become the objects of the lovesick sailors' alleged affections. The farcical proceedings are witnessed by Lord Foppington (Christopher Plummer), the aristocratic dandy who shudders in horror over the trouble the three salts cause in their efforts to spice up their love lives. This film version is taken from the musical of the same name, sans the music. ~ Dan Pavlides, Rovi

In A Study in Terror the ever popular Sherlock Holmes and his companion Dr. Watson search for the Victorian serial killerJack the Ripper in this well-made and exciting mystery produced, written and directed by James Hill. In this adaptation of the popular character created by Sir Arthur Conan Doyle, Holmes (John Neville) aided by Dr. Watson (Donald Houston) and his brother Mycroft (Robert Morley) are called in to help catch the crazed killer of prostitutes. This film combines all the elements beloved by fans of Sherlock Holmes resulting in a satisfying and well-acted mystery. John Neville is good as the cool, logical Holmes and Robert Morley adds a nice dash of humor to liven up the story. A Study in Terror is highly recommended for fans of Sherlock Holmes and should be enjoyed by any viewer who loves vintage mysteries. ~ Linda Rasmussen, Rovi