Fannie Flagg Movies

A woman learns the value of friendship as she hears the story of two women and how their friendship shaped their lives in this warm comedy-drama. Evelyn Couch (Kathy Bates) is an emotionally repressed housewife with a habit of drowning her sorrows in candy bars. Her husband Ed (Gailard Sartain) barely acknowledges her existence, and while he visits his aunt at a nursing home every week, Evelyn is not permitted to come into the room because the old women doesn't like her. One week, while waiting out Ed's visit, Evelyn meets Ninny Threadgoode (Jessica Tandy), a frail but feisty old woman who lives at the same nursing home and loves to tell stories. Over the span of several weeks, she spins a whopper about one of her relatives, Idgie (Mary Stuart Masterson). Back in the 1920s, Idgie was a sweet but fiercely independent woman with her own way of doing things who ran the town diner in Whistle Stop, Alabama. Idgie was very close to her brother Buddy (Chris O'Donnell), and when he died, she wouldn't talk to anyone except Buddy's girl, Ruth Jamison (Mary-Louise Parker). Idgie gave Ruth a job at the cafe after she left her abusive husband, Frank Bennett (Nick Searcy). Between her habit of standing up for herself, standing up to Frank, and serving food to Black people out the back of the diner, Idgie raised the ire of the less tolerant citizens of Whistle Stop, and when Frank mysteriously disappeared, many locals suspected that Idgie, Ruth, and their friends may have been responsible. Evelyn finds herself looking forward to her weekly visits with Ninny, and is inspired by her story to take a new pride in herself and assert her independence from Ed. Fried Green Tomatoes was based on the novel Fried Green Tomatoes at the Whistle Stop Cafe by actress-turned-author Fannie Flagg, who makes a cameo appearance as the leader of a self-help group. ~ Mark Deming, All Movie Guide

In this, Joan Rivers' first attempt at film direction, a young virgin male (Billy Crystal) is engaged to be married when he finds out he is pregnant! Using the film as a vehicle for her acerbic humor, director Rivers may as well be on stage, for interspersed throughout this questionable plot is an unending onslaught of sarcastic slams pointed at just about every sector of society. Ms. Rivers even makes a cameo appearance. Other big names in this film are Tom Poston (as a minister), Roddy McDowall (in several roles), and George Gobel as the U.S. President. ~ All Movie Guide

Sex and the Married Woman stars Joanna Pettet as a housewife and Barry Newman as her liberal-minded husband. Encouraging his wife to find her "inner self," Newman has no notion that Pettet will translate this invitation into writing a book based on the sex habits of her friends and neighbors. The book becomes a best-seller, Pettet becomes a celebrity, and Newman seethes with envy. When first telecast in 1977, Sex and the Married Woman was advertised on the basis of its large cast of celebrity cameos (Jayne Meadows, Keenan Wynn, etc.) Virtually ignored was the fourth-billed F. Murray Abraham, seven years away from his Oscar win as Salieri in 1984's Amadeus. ~ Hal Erickson, All Movie Guide

The second made-for-TV movie based on Charles Moulton's classy comic-strip heroine Wonder Woman, The New Original Wonder Woman was the one that "sold", resulting in a popular and durable weekly series. Replacing Cathy Lee Crosby, who'd starred in the disastrous 1974 adaptation of Wonder Woman, is the statuesque Linda Carter. Having dwelled exclusively among females on Paradise Islandsince 200 BC, immortal Amazonian princess Diana comes in contact with the real world for the first time in her life when US Army Major Steve Trevor (Lyle Waggoner) crash-lands on the island during WWII. Falling in love with Steve, the Princess assumes the identity of mousy, bespectacled Diana Prince and returns with him to the mainland. Every so often, and unbeknownst to Steve, Diana occcasionally transforms herself into the scantily clad superheroine Wonder Woman (golden lasso, magic belt and bracelets, the whole bit) in order to save the world from the Nazi menace. On this occasion, Wonder Woman does her thing in order to prevent the Nazis from destroying the prototype of a revolutionary new bombsight. First telecast on November 7, 1975, The New Original Wonder Woman was seen on ABC; by the time the Wonder Woman series proper ran its course on September 11, 1979, the property had switched networks to CBS. ~ Hal Erickson, All Movie Guide

A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Puget Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away. ~ Lucia Bozzola, All Movie Guide