Frank Fenton Movies

Wandering cowpoke Kiowa Jones (Robert Horton) is deputized by a mortally wounded marshal (Gary Merrill) for a deadly mission. Jones is to transport two killers (Sal Mineo, Nehemiah Persoff) to a faraway fort. One of the criminals has offered a $2000 reward to anyone who will help him escape. Since Dangerous Days of Kiowa Jones was the pilot for a TV series, we can say with some confidence that Mr. Jones completes his mission. This made-for-TV movie--the first such for MGM--was first networkcast on Christmas day, 1966; later on, MGM released the film theatrically in Europe. ~ Hal Erickson, All Movie Guide

Drugs are the focus of the exploitation film set in the Los Angeles harbor. The plot centers around a villain's evil scheme to raid a ship and abscond with surplus war drugs. To help him get backers for the heist, he begins showing criminals a slide show depicting his scheme. A young woman accompanies one of the leader's gang members as he takes the slide show to various gangsters. The woman falls in love with an ambulance driver and gets him involved in the scheme. During the actual caper, the mastermind is killed, the drugs are safe, and the driver and the woman walk away from the whole thing unscathed. ~ Sandra Brennan, All Movie Guide

Grandfather Jackson (Raymond Hatton) has sewn his life savings into the lining of an old coat. His grandson Bobby (Stephen Wooton) unwittingly donates the coat to a flood-relief fund drive. Reporters Lois (Noel Neill) and Jimmy (Jack Larson) endeavor to retries the coat back, but a couple of crooks intervene. Superman (George Reeves) must not only save his friends and the coat, but also prevent Metropolis from being engulfed in water after the dam bursts! ~ Hal Erickson, All Movie Guide

Friday (Jack Webb) and Smith (Ben Alexander) set their sights on a forger who has been passing phony payroll checks all over town. Working on fragmentary evidence, the detectives conclude that the forger is driving a flashy rented convertible, and is frequently seen in the company of an equally flashy blonde. Once in custody, the criminal doles out a sob story about turning to crime for the sake of his sweet, innocent wife--who is neither of the above! This episode is based on the Dragnet radio broadcast of June 28, 1955. ~ Hal Erickson, All Movie Guide

This 62-minute quickie takes place during a single 12-hour shift at Los Angeles' Emergency Hospital. In anticipation of such contemporary TV dramas as Chicago Hope and ER, several subplots are developed at once. Dr. Janet Carey (Margaret Lindsay) is romanced by wealthy Ben Caldwell (Byron Palmer), who may or may not be a dangerously reckless motorist. Visiting detective Arnold (Walter Reed) must come to grips with the fact that his teenaged son (Jim Stapleton) is a budding delinquent. And other major and minor crises are experienced by nurse Norma Mullen (Rita Johnson) and staff doctor Ellis (John Archer). ~ Hal Erickson, All Movie Guide

Fury at Gunsight Pass is a brief, to-the-point "budget" western, well cast and excitingly staged. David Brian stars as bank robber Whitey Turner, whose outlaw gang takes over a small town. Beating gang leader Dirk Hogan (Neville Brand) to the punch by robbing the town bank ahead of schedule, Turner winds up empty-handed when crooked undertaker Boggs (Percy Helton) swipes the loot. Boggs is killed, whereupon his widow (Katherine Warren) gathers together the money and makes plans to skip town while the Law pursues Turner and Hogan. This is one of those stories in which no one emerges smelling like a rose; the suspense lies not in who will "get it", but how long will it be before someone halfway honest appears on screen. ~ Hal Erickson, All Movie Guide

Gary Cooper, Richard Widmark and Cameron Mitchell portray three somewhat disreputable 19th-century soldiers of fortune, en route to California to prospect for gold. Stopping over in a tiny Mexican village, the three men are hired by Susan Hayward to rescue her husband, who is trapped in a gold mine in hostile Indian territory. The threesome agree to the expedition, their interest piqued by the possibility of picking up some gold themselves. During the harrowing journey, the party's already frayed nerves are aggravated when the men become attracted to Hayward. The group arrives at the mine's location--the Garden of Evil, so named because the Indians regard it as the domain of evil spirits. During the escape, Hayward's husband (Hugh Marlowe) is killed by the Indians, as is Mitchell. Cooper and Widmark play cards to decide who will take Hayward to safety and who will cover them while they flee. Cooper wins--but later discovers that Widmark had cheated in order to sacrifice himself. Garden of Evil takes too long to get to its climax, but the Cinemascope photography and Bernard Herrmann's rich musical score make the wait worthwhile. ~ Hal Erickson, All Movie Guide

A nail-biting Indian deadlock remains the climax of this otherwise overly verbose Western filmed in M-G-M's then-new Ansco colors (forerunner of Eastmancolor). After ruthlessly dragging an escaped prisoner through the Arizona desert, Union Army Captain Roper (William Holden) suffers rebuke from both the rebel prisoners and his commanding officer (Carl Benton Reid). Things settles down a bit with the arrival of Carla Forester (Eleanor Parker), with whom Roper falls in love. But Carla proves to be a Confederate spy assigned to engender the escape of Captain Marsh (John Forsythe), the Rebel leader. The plan succeeds to a point but the escapees are hunted down by Roper and Lieutenant Beecher (Richard Anderson). Returning to Fort Bravo with his prisoners, Roper and his captives ride right into a Mescalero Apache hunting party. Filmed on location at California's Death Valley, Escape from Fort Bravo was co-written by Australian-born actor Michael Pate. ~ Hans J. Wollstein, All Movie Guide

Although a few character names and minor details are different, Vicki is a fairly faithful remake of the 1941 murder melodrama I Wake Up Screaming. The title character, Vicki Lynn, played by Jean Peters, is a waitress who is transformed into a top fashion model by press agent Steve Christopher (Elliot Reid). When Vicki is murdered, psychotic detective Ed Cornell (Richard Boone) tries to pin the blame on Christopher. In fact, Cornell knows who the real killer is, but he was so desperately (and hopelessly) in love with the dead girl that he intends to railroad Christopher into the electric chair. With the help of Vicki's sister (Jeanne Crain), Christopher tracks down the genuine culprit and exposes Cornell for the nutcase that he is. Featured in the cast is future TV producer Aaron Spelling. ~ Hal Erickson, All Movie Guide

During World War II, a Military Air Transport Command DC-3 piloted by a civilian crew is forced down in northern Labrador. The five men, led by Dooley (John Wayne), have barely any food and almost no way to keep warm, and their power supply is fading fast, but they have to find a way of staying alive until search planes find them. At first, even Dooley is overwhelmed by the responsibility for his crew's safety, and he is too lax in handling them -- but after one man dies, frozen to death just steps from help, he takes over and pushes his men and himself to the limits of their endurance; he even seems ready to crack himself at one moment. Meanwhile, the men who fly with Dooley push themselves and their machines past their endurance limits searching the arctic wastes for the downed plane. Island in the Sky -- based on the book by Ernest K. Gann (perhaps the best aviation novel ever written), which was, in turn, based on a true incident that happened during the war -- is one of the most startling movies in Wayne's output. He doesn't even look like the "star" John Wayne, but like a real pilot, and the cast, made up of familiar faces, all look like the real article; indeed, this movie should have been in the running for Academy Awards for costuming and makeup, just for making these familiar performers, such as Lloyd Nolan (in maybe his best performance) and Andy Devine (ditto), look like real pilots and ordinary men, rather than familiar actors. You end up feeling like you're watching a documentary, and the effect is bracing and unsettling, and dramatically unparalleled in Wayne's entire output. ~ Bruce Eder, All Movie Guide

His Kind of Woman directed by veteran John Farrow, is a convoluted mystery thriller which tries unsuccessfully to combine slapstick comedy with excessive violence, resulting in a film that depends more on stereotypes than on plot development. Nick (Raymond Burr), is a deported gang boss who needs to get back to the United States to run his operation. Dan Miller (Robert Mitchum) is a hard-up guy, who is persuaded, both by a series of beatings and a substantial sum of money, to sell his identity to Nick. Lenore (Jane Russell) a singer, poses as a heiress, trying to marry a millionaire. They all meet up in a resort in Mexico where Nick intends to have plastic surgery to alter his looks. There, a number of double-crosses, shootings, and chases all culminate in an exciting confrontation aboard ship. His Kind of Woman, a Howard Hughes production designed to be a showcase for Jane Russell, is entertaining when viewed as a comedy. As a serious film-noir thriller, it lacks suspense and depth. However, the film has its moments, and Robert Mitchum is in his element as the loner anti-hero. ~ Linda Rasmussen, All Movie Guide