Phil Feldman Movies
American producer Phil Feldman started out as a retail wholesaler. He then became a lawyer and this led to his signing on as counsel to Famous Artists in the early 1950s. Later he became a producer for several film and television studios as well as an executive. During the late 1960s, Feldman began working as an independent producer on such productions as Peckinpah's The Wild Bunch (1969). ~ Sandra Brennan, All Movie Guide- 1986
- R
Columbia Pictures spent as estimated $8 million dollars on this laughless sex comedy that crashes and burns before ever leaving the ground. Two bumbling boneheads who are kicked out of flying school decide to remain airborne by becoming stewardesses. Bathroom humor, sight gags, and the prerequisite nudity are the lowlights of this forgettable film. The only interest is the appearance of former Playboy bunny Yuliis Ruval. This dog makes Porky's seem like Shakespeare. ~ Dan Pavlides, All Movie Guide
- Starring:
- Brett Cullen, Mary Cadorette, (more)
Ex-Vietnam chopper pilot Roy Scheider is now in charge of Blue Thunder, a high-tech copter designed to quell possible terrorism during the 1984 LA Olympics. His onetime comrade-in-arms Malcolm McDowell, now his bitter enemy, will stop at nothing to neutralize Blue Thunder and expedite an armed takeover of the United States. Well, there's the plot: now sit back and enjoy those eye-popping aerial scenes. Blue Thunder was later adapted into a weekly TV series. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Malcolm McDowell, (more)
In The Toy, director Richard Donner and screenwriter Carol Sobieski update the 1976 Pierre Richard farce Le Jouet as a vehicle for comedian Richard Pryor. Pryor stars as out-of-work journalist Jack Brown, who's hit with the sudden realization that his idle book writing won't pay a 10,000-dollar sum necessary to keep his house from going to auction. Desperate, he is improbably hired as a cleaning lady in the offices of rich businessman and newspaper magnate U.S. Bates (Jackie Gleason). Running afoul of Bates' quick temper, Jack gets the axe, but is later spotted goofing around in a Bates-owned toy store by Bates' bratty son, Eric (Scott Schwartz), who's spending his annual week together with his estranged father. Taking his father's offer that he may have "anything in the store" quite literally, the spoiled kid asks for Jack as his personal toy for the week. Initially unwilling to be treated as a possession, Jack soon agrees after Bates offers to pay him enough to climb out of debt. When Eric's idea of fun includes dumping buckets of booby-trapped oatmeal on Jack's head and riding down the stairs of his father's mansion with Jack riding shotgun in a miniature car, it tests both Jack's patience and his resolve. But Jack discovers that Bates is ignoring Eric, which strengthens the bond between them and prompts them to seek revenge on the big jerk. ~ Derek Armstrong, All Movie Guide
- Starring:
- Richard Pryor, Jackie Gleason, (more)
Kirk Douglas produced, directed, and starred in this cynical western concerning Howard Nightingale (Kirk Douglas) a United States marshal who uses the pursuit of an outlaw to further his political career. Nightingale organizes a posse to track down Jack Strawhorn (Bruce Dern), a notorious bank robber. But Strawhorn turns the tables on Nightingale, kidnapping him and holding him hostage. He then demands that the posse pay $40,000 for Nightingale's safe return. In order to raise the money to free Nightingale, the posse must become bank robbers themselves. Meanwhile, Nightingale tries to insinuate himself with Strawhorn and cut a deal for his freedom. ~ Paul Brenner, All Movie Guide
- Starring:
- Kirk Douglas, Bruce Dern, (more)
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Al Pacino, Robert Duvall, (more)
Barbra Streisand returns to the screwball-comedy milieu of What's Up Doc? in the lightweight For Pete's Sake. As a Brooklyn hausfrau named Henry (!), our heroine will do anything to help her cabdriver husband Pete (Michael Sarrazin) get ahead. When Pete begins to play the stock market, Henry borrows three grand from a loan shark, thereby setting off a series of comic catastrophes. Molly Picon is perfection itself as a money-savvy madam who holds the key to Pete and Henry's happiness and well-being. For Pete's Sake was originally titled July Pork Bellies, a curious cognomen that makes perfect sense within the context of the plotline. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbra Streisand, Michael Sarrazin, (more)
- 1973
- PG
American GI Harry Walden (Martin Balsam) emerged from a harrowing experience in WWII to find himself living an outwardly-happy but inwardly-empty and tedious existence in the post-war U.S. He is an eye doctor, successful in his work, but unfulfilled spiritually and emotionally. He and his wife Rita (Joanne Woodward) have a boring existence, with their biggest issue being what kind of wallpaper to choose when they redecorate their apartment. They are dysfunctional, materialistic, and utterly lost. Rita is neurotic and unhappy, especially after her mother (Sylvia Sidney) dies. They decide to visit France and go to the battlefield where Harry once spent a night in the company of three dead German soldiers. The trip is intended to reawaken their deadened humanity. Summer Wishes, Winter Dreams is a challenging, slow and thoughtful depiction of the corroding effects of a materialistic lifestyle. ~ Michael Betzold, All Movie Guide
- Starring:
- Joanne Woodward, Martin Balsam, (more)
After the intense bloodshed of The Wild Bunch (1969), this comic western fable took the opposite approach to director Sam Peckinpah's continuing examination of the end of the West. Left for dead by a couple of lizard-slaughtering desperados in the middle of the desert, prospector Cable Hogue (Jason Robards) is saved by his unexpected discovery of water "where there wasn't any." Hogue turns the water hole, felicitously located near a stagecoach route, into a thriving business, creating a rest stop for a never-ending series of parched travelers. On his occasional trips to the closest town, he meets chipper prostitute Hildy (Stella Stevens), who joins him in his oasis, completing Hogue's little paradise. But even though Hogue may be able to succeed and avenge himself against his original attackers, there is one thing that he cannot stop: progress. Completed before The Wild Bunch was released, and replete with comical and even musical interludes, Peckinpah's gently picaresque telling of Hogue's rise and fall stands in distinct contrast to the visual violence of its predecessor. The underlying message about the cost of modernity, however, equals The Wild Bunch in seriousness. The callous randomness of Hogue's fate is as shocking as the Bunch's final blaze of glory; as in Robert Altman's McCabe and Mrs. Miller from the same period, a tool of "civilization" provokes a most uncivilized end for an Old West dreamer. Although the film was as light-hearted in approach as the 1969 smash hit revisionist western Butch Cassidy and the Sundance Kid, Warner Bros. mishandled the release and it did barely any business; Peckinpah returned to his trademark gore in his next film, the controversial Straw Dogs (1971). Still, The Ballad of Cable Hogue is less an anomaly for a master of violence than an ironically charming chapter in Peckinpah's career-long elegy to the western. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jason Robards, Jr., Stella Stevens, (more)
"If they move, kill 'em!" Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah's classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike's friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opts for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel. ~ Lucia Bozzola, All Movie Guide
- Starring:
- William Holden, Ernest Borgnine, (more)
- 1966
This cult favorite began as Francis Ford Coppola's UCLA thesis, ending up with a professional cast and nationwide release. Teen Peter Kastner undergoes his coming-of-age rites when, urged on by dad Rip Torn, he strikes out on own and moves to NYC. Every person Kastner meets is an eccentric's eccentric, from landlady Julie Harris to cop Dolph Sweet. Kastner's new friend Tony Bill, who works at the New York Public Library and accumulates pornography on side, introduces the boy to sex and drugs. Our hero truly matriculates to manhood after his heart is broken by disco dancer Elizabeth Hartman; he settles instead for Karen Black, still enough of an unknown quantity in 1966 to play against type as "the right girl". Adapted from a novel by David Benedictus, Big Boy is afflicted with usual youthful film-class fervor, crammed full of showoffish cinematic tricks that Coppola would eventually outgrow. But one can't deny that this seminal production is both heartfelt and energetic. To improve the film's saleability, distributors Seven Arts tacked on a music score by the Lovin' Spoonful, hardly necessary but very enjoyable appendange. ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Hartman, Geraldine Page, (more)
