Richard Egan Movies

In this western, a sheriff gets tired of upholding the law and retires to a quiet ranch. Unfortunately, he ends up saving his homesteader neighbors from a corrupt Wyoming land grabber. ~ Sandra Brennan, Rovi

This adventure is based upon the true life exploits of 17th-century missionary, Father Francisco "Kino" Kin who was instrumental in developing the Southwest and fought hard to keep the murderous conquistadors from slaughtering the Apaches. ~ Sandra Brennan, Rovi

In this comedy, a jobless public relations specialist goes to get some much-needed rest in sunny Florida and discovers a whole new set of troubles. ~ Sandra Brennan, Rovi

Another perfect crime is committed in this crime drama. This time, a tiny town finds itself terrorized and completely sealed off by seven strangely bearded men, who promptly begin stealing everything in sight. The only one who can save the town is the former sheriff. ~ Sandra Brennan, Rovi

Moonfire was shot almost entirely out of doors, which was supposed to enhance the realism but which makes the film look all the more like a home movie. Charles Napier plays a trucker who is sucked into a blackmail plot by sinister forces. Ex-boxer Sonny Liston is given special billing as "The Farmer," but a better designation would have been "The Mumbler." Richard Egan, who has top billing, looks as though he was available for only half a day--and late in the day at that. Even the color processing looks cheap in the sublimely forgettable Moonfire. Nice trucks, though. ~ Hal Erickson, Rovi

National Intelligence Agent Dan Street (Richard Egan) is on the trail of some stolen laser rubies. It is assumed the agents will come after the raygun itself for their evil purposes. Count Romano (Michael Ansara) is the swimsuit-import mogul who tries to keep his head from going under while working for the enemy agents. The key to the mystery lies with Dutch (John Ericson), a Korean War veteran who fell into the hands of the brainwashing communists. Patricia Owens is Dan's love interest in this plodding suspense film. ~ Dan Pavlides, Rovi

In this adventure, a commercial plane crashes in a remote South American jungle. All but one of the passengers survive. Unfortunately, he was the sheriff in charge of taking a dangerous criminal to the executioner. During the excitement of the crash, the prisoner killed the lawman. Among the other survivors is a famous singer, a washed-up funnyman, a mentally ill teacher, and a writer looking for his sister who married a missionary and is now living in the jungle. Amazingly, she is rumored to live fairly close to the crash sight. The survivors manage to make it to the isolated village where she resides. There the writer learns that his sister's husband has gone insane and that she is dead. The megalomaniacal missionary now believes himself king of the natives and is preparing the author and a few others to become human sacrifices when a neighboring tribe intervenes and saves them. The amiable natives then take the survivors back to the wreckage where navy rescue helicopters are preparing to land. ~ Sandra Brennan, Rovi

A colorful action film about the Battle Of Thermopylae in 480 B.C. in which the Spartans defend themselves for a Persian invasion against overwhelming odds. King Leodinas (Richard Egan) rallies the locals to stop the attack of thousands of plundering Persian invaders led by evil King Xerxes (David Farrar). Sir Ralph Richardson as Themistocles of Athens leads the international cast this the spectacular cinematic conflict that has more emphasis on action rather than historical accuracy. ~ Dan Pavlides, Rovi

Eleanor H. Porter's story of Pollyanna, "The Glad Girl," was first filmed in 1920 by Mary Pickford. While entertaining, the Pickford version tended to reduce the supporting characters to stereotypes. Disney's 1960 remake of Pollyanna wisely offers three-dimensional characterizations, enhancing the charm and believability of the story. In her first Disney film (indeed, her first American film), Hayley Mills stars as Pollyanna, an orphan girl sent to live with her wealthy aunt Polly (Jane Wyman). A humorless sort, Aunt Polly is taken aback by Pollyanna's insistence upon seeing the happy side of everything. With her best friend and fellow orphan, Jimmy Bean (Kevin "Moochie" Corcoran), Pollyanna spreads her sunshine all over town, transforming such local curmudgeons as hypochondriac Mrs. Snow (Agnes Moorehead), hellfire-and-brimstone Reverend Ford (Karl Malden), and reclusive Mr. Pendergast (Adolphe Menjou) into positive, life-affirming sorts. This she does not by being simpering or syrupy, but by applying common sense and refusing to indulge anyone's self-pity. Only Aunt Polly refuses to warm up. As the owner of the town orphanage, Aunt Polly will not hear of having a new, more modern facility built, and when handsome Dr. Chilton (Richard Egan) stages a charity bazaar in defiance of Aunt Polly, Pollyanna is forbidden to attend. She escapes to the bazaar by climbing down the tree next to her upstairs window; but when trying to return home, Pollyanna falls and injures her legs. Facing possible permanent paralysis, the "Glad Girl" is for the first time disconsolate and pessimistic. Her spirits are uplifted by the townsfolk whom she's helped, and finally by Aunt Polly, who's realized the folly of her stubbornness. Ebulliently optimistic once more, Pollyanna leaves town for an operation, as the townsfolk cheer her up and cheer her on. Possibly because it was perceived as having only little-girl appeal (a false perception indeed), Pollyanna was not the big hit that it should have been in 1960. Its latter-day reputation as one of Disney's finest features rests primarily on its many successful television showings. The film was remade for television with an all-black cast as Polly in 1989. ~ Hal Erickson, Rovi

The Jorgensons are a wealthy family spending the summer on a resort island. Ken (Richard Egan), Helen (Constance Ford) and daughter Molly (Sandra Dee) settle in to a beach house on the island where Ken was a young lifeguard twenty years ago. He rediscovers Sylvia (Dorothy McGuire), with whom he had an earlier affair before she married Bart Hunter (Arthur Kennedy). The Hunter's son Johnny (Troy Donahue) and Molly fall in love, much to the objection of her mother, a cold and cynical woman. When Ken and Sylvia start another torrid affair, the exposure of the liaison leads to the divorce of both married couples. After Johnny and Molly are stranded overnight on a beach, Molly is forced by her heartless mistrusting mother to undergo a physical examination and a pregnancy test. Tests results are negative, but more negative is the mother-daughter relationship. Ken and Sylvia get married and Molly gets pregnant. The newlyweds then compassionately guide unwed couple to marriage. ~ Dan Pavlides, Rovi

Directed with crisp efficiency by Dick Powell, The Hunters is a romantic melodrama with an aviation angle. Robert Mitchum plays veteran Air Force pilot Maj. Cleve Saville, in charge of a group of young flyboys in 1952 Korea. Among the men under Saville's command are cocksure Lt. Ed Peil (Robert Wagner) and timorous Lt. Abbott (Lee Phillips). Much against his better judgment, Saville falls in love with Abbott's gorgeous wife Kris (Mai Britt). When Abbott crashes behind enemy lines, Saville and Peil are sent out to rescue the downed pilot-and Peil has an inkling of the Major's feelings towards Mrs. Abbott. During their grueling journey back to their own lines, both Peil and Abbott benefit from the military expertise of the no-nonsense Saville, who knows where and when to separate his private life from his responsibilities. Distinguished by excellent aerial sequences, The Hunters is adapted from the novel by James Salter. ~ Hal Erickson, Rovi