Allan Edwall Movies

This big-budget animated feature from Sweden, drawing upon some of that country's best known performers, is a children's adventure story with a cautionary ecological theme. The director drew his inspiration from such diverse sources as The Tempest by William Shakespeare, Robinson Crusoe by Daniel Defoe, and Machine Island, by ules Verne. In the story, Prospero has been exiled from his home, and is living on the island of Melonia with his daughter Miranda, an albatross named Ariel, and a fruit-monster called Caliban. Just as Caliban has finished creating something called "power soup" from the emanations of a local volcano, a crew of ne'er do wells crash-lands. They are from Plutonia, a polluted industrial planet given over to entirely to making weaponry, and they have come to steal Caliban's creation. Their plan is to take over the world Melonia is on and make it just as ugly as their own. Prospero and his kin band together to rescue the children on the industrial planet, who have been enslaved to work in the munitions factories, and at the same time put a stop to the evil plans of the Plutonians. ~ Clarke Fountain, All Movie Guide

The Sacrifice, director Andrei Tarkovsky's final film, begins in Bergmanesque fashion on a small, remote island, where friends and family gather for drama critic Alexander's (Erland Josephson) birthday celebration. The revelry is interrupted by a radio announcement: World War III has begun, and Mankind is only hours away from utter annihilation. Each of the guests reacts differently to the news: the most dramatic response is Alexander's, who promises God that he'll give up everything he holds dear--including his beloved 6-year-old son -- if war is averted. Allan Edwall, a local mailman with purported mystical powers, offers to intervene with the Creator on Josephson's behalf. The Sacrifice is so dependent upon its visuals and overall mood that any attempt at a detailed synopsis would be woefully inadequate. The willingness of Tarkovsky's protagonist to forego all his possessions may well have sprung from the cancer-ridden director's awareness that he, too, would soon be giving up everything to face his Maker. The Sacrifice won four awards at the Cannes Film Festival, including the Grand Prix. ~ Hal Erickson, All Movie Guide

Pettersson (Stellan Skarsgård) and Bendel (Allan Edwall) (the latter a refugee from a Polish dictatorship, the former a confirmed amateur capitalist) get together in the big city to see what they can skim off the top and are successful until their luck changes and the two men are back on the bottom of the barrel again. One of the difficulties with this film is that it swings from restrained comic interludes to tragic events, and back -- while hewing to a predictable plot. ~ Eleanor Mannikka, All Movie Guide

Based on the lead actor's own novel, Limpan may take itself too seriously while proposing to be a comedic satire on the nature of bureaucracy. The basic story is that "Loafie" Lindberg Allan Edwall is an alcoholic who manages to escape from his treatment center, but when he changes his mind and wants to go back, the institution does not let him in because his re-entry does not follow established rules of procedure for admissions. ~ Eleanor Mannikka, All Movie Guide

Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director's alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander's sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids' grandmother (Gunn Wallgren) "kidnaps" Fanny and Alexander for the purpose of showering them with the first kindness and affection that they've had since their father's death. This "purge" of the darker elements of Fanny and Alexander's existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather's life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his final theatrical film, though within a year after its release he was busy with several additional Swedish TV projects, and his final work, the 2003 Saraband (also produced for Swedish television), eventually received global theatrical distribution. Oscars went to Fanny and Alexander for Best Foreign Film, Best Cinematography (Sven Nykvist), Best Costume Design and Best Art Direction/Set Decoration. ~ Hal Erickson, All Movie Guide

The title of this comedy is the first indication of the absurd: "sopor" means "trash" in Swedish and the acronym that is the film's title is playing with words to name a make-believe organization that stands up for the lowly or forgotten in society. About 1000 children of SOPOR unload from the subway one morning, march to the Royal Palace, and proceed to blithely take it over, holding the royal family up for a very reasonable ransom: they want the powers-that-be to reconsider their treatment of neglected or unpopular groups, like the elderly and in the case of this film, those who protest the development of nuclear power plants (a contemporary issue). Queen Sylvia (Gynet Movig), King Carl-Gustaf (Brasse Braennstroem), and Princess Victoria (Lena Nyman) are hostages who take kindly to the children's efforts, but given their status as royals, the best of Sweden's security police are out to free them by any devious means possible. This includes a security police chief launching into various character disguises and the opposition leader sweet-talking the children as only a politco with years of self-promotion can do. As broadly-painted characters from the government move in and out of the scenes, the spoof zeros in on real politicians. The satire does not bite lethally, and still leaves the audience something to chew on once the laughter has subsided. ~ Eleanor Mannikka, All Movie Guide

Rasmus (Erik Lindgren) is a little orphan whose need for companionship leads him to seek the friendship of a hobo accordian player (Allan Edwall). The two hit it off quite well, and the hobo decides he has to somehow try to find a home for himself and the boy - though that does not look like a very viable option from the start. Side stories help fill in the three 25-minutes segments of this somewhat bland tale. ~ Eleanor Mannikka, All Movie Guide

This farce cocerns Sweden's King Gustav (Per Oscarsson who plays all the lead roles). The royal monarchs of three major European countries are patiently or not-so-patiently hovering on the sidelines while watching the future King Gustav closely. No single king appears to possess the brains he was born with, so history seems to be made by default, as it were. Gustav does blunder around, but not enough to miss being crowned king. As a result, France, England, and Germany invade Sweden hoping to take by force what they could not gain by incompetence. ~ Eleanor Mannikka, All Movie Guide

In this romantic drama, Arvid (Stefan Ekman) works at a newspaper in turn-of-the-century Sweden. In no rush to marry, his puts off his beloved Lydia's pleas for an engagement. She marries someone else, and he decides to marry for money. Some years later, Arvid sees Lydia at a performance of the opera and the two try to rekindle their love. They soon see that their moment has passed. ~ Clarke Fountain, All Movie Guide

This is the second installment of the Swedish epic which began with The Emigrants. Nybyggarna is a chronicle of the life and times of the Swedish immigrants in Minnesota, covering the time period up to and beyond the Civil War. Even though they did not come to America to become Americans, they are gradually drawn into the culture of their new country. Father Karl-Oskar Nilsson (Max Von Sydow) and his wife Kristina (Liv Ullman) battle the elements and political changes in order to survive. The family members have little contact with their neighbors, and because they know so little English, they have difficulty buying things from the nearby general store. Robert (Eddie Axberg), Karl's younger brother, wants to find gold and travels westward with Arvid (Pierre Lindstedt), the Nilsson's strange and skittish farmhand. The two lavish epics, The Emigrants and The New Land were the two most expensive films made in Sweden up to that time. ~ Clarke Fountain, All Movie Guide

Based on Eyvind Johnson's book Romanen om Olof, Here's Your Life is an epic drama considered a masterpiece in Sweden. Filmed in widescreen with black-and-white and color film stocks, it was released in 1966 in Sweden with a three-hour running time. In 1968, it was cut down considerably for the U.S. release. Set at the turn of the 20th century, Olof Persson (Eddie Axberg) grows up in the small village of Norrland. He tries to escape his hometown and become a writer. Max Von Sydow appears as Smalands-Pelle, a family friend who offers Olof a job. Eventually the young man grows into adulthood and discovers politics, sex, and the cinema. Also starring Gudrun Brost, Bo Wahlstrom, and Gunnar Bjornstrand. ~ Andrea LeVasseur, All Movie Guide

What is so rare, and cherishable, as an Ingmar Bergman comedy? All These Women concerns the sexual misadventures of cello-playing Jarl Kulle. Amidst his many romantic pursuits, the egotistical Kulle endeavors to get his life story published, "bribing" a writer by agreeing to perform the latter's musical compositions. Bergman regulars Eva Dahlbeck, Harriet Andersson and Bibi Andersson costar in All These Women, while the screenplay was cowritten by another stalwart member of the director's stock company, Erland Josephson. Originally titled For Att Inte Talla om alla dessa Kvindor, All These Women is better known in English-speaking countries as Now About All These Women. ~ Hal Erickson, All Movie Guide